Underbelly Badness
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Winterwinter June10june10 OL.Inddol.Indd 1 33/6/10/6/10 111:46:191:46:19 AMAM | Contents |
BBarNewsarNews WinterWinter JJune10une10 OL.inddOL.indd 1 33/6/10/6/10 111:46:191:46:19 AMAM | Contents | 2 Editor’s note 4 President’s column 6 Letters to the editor 8 Bar Practice Course 01/10 9 Opinion A review of the Senior Counsel Protocol Ego and ethics Increase the retirement age for federal judges 102 Addresses 132 Obituaries 22 Recent developments The 2010 Sir Maurice Byers Address Glenn Whitehead 42 Features Internationalisation of domestic law Bernard Sharpe Judicial biography: one plant but Frank McAlary QC several varieties 115 Muse The Hon Jeff Shaw QC Rake Sir George Rich Stephen Stewart Chris Egan A really rotten judge: Justice James 117 Personalia Clark McReynolds Roger Quinn Chief Justice Patrick Keane The Hon Bill Fisher AO QC 74 Legal history Commodore Slattery 147 Bullfry A creature of momentary panic 120 Bench & Bar Dinner 2010 150 Book reviews 85 Practice 122 Appointments Preparing and arguing an appeal The Hon Justice Pembroke 158 Crossword by Rapunzel The Hon Justice Ball The Federal Magistrates Court 159 Bar sports turns 10 The Hon Justice Nicholas The Lady Bradman Cup The Hon Justice Yates Life on the bench in Papua New The Great Bar Boat Race Guinea The Hon Justice Katzmann The Hon Justice Craig barTHE JOURNAL OF THE NSWnews BAR ASSOCIATION | WINTER 2010 Bar News Editorial Committee ISSN 0817-0002 Andrew Bell SC (editor) Views expressed by contributors to (c) 2010 New South Wales Bar Association Keith Chapple SC This work is copyright. Apart from any use as permitted Bar News are not necessarily those of under the Copyright Act 1968, and subsequent Mark Speakman SC the New South Wales Bar Association. -
Sacred Nature and Profane Objects in Seachange
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Osbaldiston, Nick (2008) Sacred nature and profane objects in seachange. In Warr, D, Chang, J S, Lewis, J, Nolan, D, Pyett, P, Wyn J, J, et al. (Eds.) Reimagining Sociology. The Australian Sociological Association (TASA), Melbourne, Australia, pp. 1-15. This file was downloaded from: https://eprints.qut.edu.au/18341/ c Copyright 2009 The Author This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.tasa.org.au/ home/ index.php QUT Digital Repository: http://eprints.qut.edu.au/18341 Osbaldiston, Nick (2009) Sacred nature and profane objects in seachange. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
Film, Learning and Fun
Film, Learning and Fun 2020 Student Filmmaking Masterclass Cinesnaps 24-28 Aug 2020 Festival 26-30 Aug 2020 Excitement, learning, film industry professionals and interactive film fun - coming to a town near you in August! for more info visit Cinesnaps Cinesnaps is an exciting vehicle to showcase quality Australian and international film, filmmakers and artists to a younger audience. This exposure enhances appreciation by students of the filmmaking process, offering opportunities to grow future audiences for Australian film as well as encouraging the next generation of aspiring young industry professionals. Over 30,000 students and teachers have participated over the past twelve Festivals. Student FilmMaking MasterClass HURRY – BOOK NOW – Limited seats available!! For secondary students who are aspiring filmmakers, keen YouTubers or Vloggers and are considering submitting an entry in the 2020 Short Film Competition (based on the theme “Suitcase”); CinefestOZ is hosting a Filmmaking Masterclass to support media teachers and assist students to upskill and improve their film entries before the submission date of Tue 30 June 2020. The Student Filmmaking Masterclass is a great opportunity for film students and media teachers to learn from accomplished Australian film professionals and hone their skills. I encourage anyone who is passionate about filmmaking to take advantage of this unique skills development opportunity for students in the South West region. Cinesnaps Patron Myles Pollard (Actor | Director| Producer) BUSSELTON BUNBURY Date: Tue -
May 15-14 School News
ALL SAINTS ACADEMY: Saint Joseph 32 W MN St., St. Joseph, MN 56374 320-363-7505 ext. 150 Karl Terhaar, Principal May 15, 2014 e-mail: [email protected] EXTRAVAGANZA WE’RE ON THE LOOKOUT… EXTRAVAGANZA Auction Items are sought SATURDAY, MAY 31 for both the LIVE and SILENT Auctions! THEME: A NIGHT AT THE MOVIES ~ Great donations come from: Family, Friends, Come as your favorite movie character, actor or Neighbors, Co-workers. Do you have NEW actress! It will be a NIGHT TO REMEMBER~ items cluttering your closets that you may have College of St. Benedict – Field House. Featuring received as a gift or bought on clearance? How the FABULOUS ARMADILLOS! Tickets are about re-gifting them to us. No item is too still available! It will be a “block buster” hit! small (or too large!) Smaller items can be Do you have your babysitter yet? grouped together by our clever auction 5:30 – Doors Open 7:00 – Sit Down Dinner coordinators! What is your talent? GET 8:30 – Begins (around this time) CREATIVE… Host a Wine-Tasting party, 10:00 – Silent Auction Closes Gourmet Dinner party, Backyard BBQ, Dessert or Meal of the Month, Weekend at EXTRAGANZA VOLUNTEERS your Cabin, Week at your Time-share… Use We have very dedicated volunteers on our your imagination. The possibilities are Extravaganza Committee. They have put in endless! Do you own a business? We are countless hours to ensure that this event is a happy to advertise your business along with success. Your help is needed during the final your donation. -
Inaugural Samsung Aacta Awards
INAUGURAL SAMSUNG AACTA AWARDS WINNERS BY PRODUCTION TELEVISION The Slap ‐ 5 Awards AACTA Award for Best Telefeature, Mini Series or Short Run Series AACTA Award for Best Direction in Television ‐ Episode 3 ‘Harry’ AACTA Award for Best Screenplay in Television ‐ Episode 3 ‘Harry’ AACTA Award for Best Lead Actor in a Television Drama ‐ Alex Dimitriades AACTA Award for Best Guest or Supporting Actress in a Television Drama ‐ Diana Glenn ‐ Episode 3 ‘Harry’ Cloudstreet ‐ 2 Awards AACTA Award for Best Young Actor ‐ Lara Robinson ‐ Part 1 AACTA Award for Outstanding Achievement in Television Screen Craft ‐ Herbert Pinter ‐ Production Design Angry Boys‐ 1 Award AACTA Award for Best Performance in a Television Comedy ‐ Chris Lilley East West 101, Season 3 ‐ The Heroes' Journey ‐ 1 Award AACTA Award for Best Television Drama Series The Gruen Transfer, Series 4 ‐ 1 Award AACTA Award for Best Light Entertainment Television Series Killing Time ‐ 1 Award AACTA Award for Best Guest or Supporting Actor in a Television Drama ‐ Richard Cawthorne ‐ Episode 2 Laid ‐ 1 Award AACTA Award for Best Television Comedy Series My Place, Series 2 ‐ 1 Award AACTA Award for Best Children's Television Series Packed To The Rafters ‐ 1 Award Switched On Audience Choice Award for Best Television Program Paper Giants: The Birth of Cleo ‐ 1 Award Switched On Audience Choice Award for Best Performance in a Television Drama ‐ Asher Keddie Sisters Of War ‐ 1 Award AACTA Award for Best Lead Actress in a Television Drama ‐ Sarah Snook INAUGURAL SAMSUNG AACTA -
View Room Judy Green Monitor Productions
sue barnett & associates CELIA IRELAND TRAINING 1998 Practical Aesthetics (Burlington Vermont) 1996 Diploma in Primary Education (Newcastle University) 1990 Post Graduate Certificate Adult T.E.S.O.L (Charles Sturt University) FILM Venice Australian Woman Dragonet Films Dir: Milo Bilbrough Goddess Mary Goddess Productions Pty Ltd Dir: Mark Lamprell Cactus Vesna Barmaid New Town Films Dir: Jasmine Yuen-Carrucan Rogue Gwen Emu Creek Pictures Dir: Greg McLean Australian Rules Liz Black Tidy Town Pictures Dir: Paul Goldman Angst Case Worker Green Light Angst Pty. Ltd My Mother Frank Peggy Intrepid Films Pty Ltd Dir: Mark Lamprell Thank God He Met Lizzie Cheryl Stamen Films Dir: Cherie Nolan Idiot Box Barmaid Dir: David Caesar Floating Life Waitress Dir: Clara Law On Our Selection Sarah Dir: George Whaley Out The Girl (Lead) Dir: Samantha Lang Dallas Doll ABC TELEVISION Five Bedrooms Rhonda Hoodlum Dir: Peter Templeton Total Control Tracey Blackfella Films/ABC Dir: Rachel Perkins Wentworth (Series 7) Liz Fremantle Media Wentworth (Series 6) Liz Fremantle Media Wentworth (Series 5) Liz Fremantle Media Wentworth (Series 4) Liz Fremantle Media Wentworth (Series 3) Liz Fremantle Media Wentworth (Series 2) Liz Fremantle Media Rake (Series 3) Cop ABC Dir: Peter Duncan Redfern Now (Series 2) Nurse Edwards Redfern Pictures Pty Ltd Wentworth Liz Fremantle Media Home and Away Connie Callaghan Seven Network Packed to the Rafters (Series 5) Colleen Burke Seven Network My Place (Series 2) The Bank’s Maid Matchbox Pictures Me and My Monsters Pauline Sticky Pictures Laid Brendan’s Mum ABC TV Bargain Coast Jaqueline Cornerbox Pty Ltd Monster House Mrs. -
Pocket Product Guide 2006
THENew Digital Platform MIPTV 2012 tm MIPTV POCKET ISSUE & PRODUCT OFFILMGUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSC onnect to Seller - Buy Product MIPTVDaily Editions April 1-4, 2012 - Unabridged MIPTV Product Guide + Stills Cher Ami - Magus Entertainment - Booth 12.32 POD 32 (Mountain Road) STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE MIPTV PRODUCT GUIDE 2012 Mountain, Nature, Extreme, Geography, 10 FRANCS Water, Surprising 10 Francs, 28 Rue de l'Equerre, Paris, Delivery Status: Screening France 75019 France, Tel: Year of Production: 2011 Country of +33.1.487.44.377. Fax: +33.1.487.48.265. Origin: Slovakia http://www.10francs.f - email: Only the best of the best are able to abseil [email protected] into depths The Iron Hole, but even that Distributor doesn't guarantee that they will ever man- At MIPTV: Yohann Cornu (Sales age to get back.That's up to nature to Executive), Christelle Quillévéré (Sales) decide. Office: MEDIA Stand N°H4.35, Tel: + GOOD MORNING LENIN ! 33.6.628.04.377. Fax: + 33.1.487.48.265 Documentary (50') BEING KOSHER Language: English, Polish Documentary (52' & 92') Director: Konrad Szolajski Language: German, English Producer: ZK Studio Ltd Director: Ruth Olsman Key Cast: Surprising, Travel, History, Producer: Indi Film Gmbh Human Stories, Daily Life, Humour, Key Cast: Surprising, Judaism, Religion, Politics, Business, Europe, Ethnology Tradition, Culture, Daily life, Education, Delivery Status: Screening Ethnology, Humour, Interviews Year of Production: 2010 Country of Delivery Status: Screening Origin: Poland Year of Production: 2010 Country of Western foreigners come to Poland to expe- Origin: Germany rience life under communism enacted by A tragicomic exploration of Jewish purity former steel mill workers who, in this way, laws ! From kosher food to ritual hygiene, escaped unemployment. -
Inaugural Samsung AACTA Awards Attracts Star Power to Present
Media Release for immediate release: Thursday 19th January, 2012 INAUGURAL SAMSUNG AACTA AWARDS CEREMONY ATTRACTS STAR POWER TO PRESENT Australia’s most highly acclaimed acting and entertainment celebrities are confirmed to attend the inaugural Samsung AACTA Awards Ceremony on January 31st at the iconic Sydney Opera House, to present the awards recognising our finest achievements in acting, directing, producing and screenwriting across film and television in 2011. Leading the star-studded array of presenters is AACTA President (or Prez as he prefers) Geoffrey Rush and such international luminaries as Cate Blanchett, Jonathon and Anthony LaPaglia and Rachael Taylor. Local favourites joining them will include Xavier Samuel, Rob Carlton, Lincoln Lewis, Alex Dimitriades, Todd Lasance, Shane Bourne, Gigi Edgley, Blake Davis, Richard Wilkins, Callan McAuliffe, Judy Morris, Samara Weaving and Adam Elliot. The event will be held at the Sydney Opera House Concert Hall and broadcast that night on the Nine Network. Audiences will be regaled with Australia’s own sweet heart Olivia Newton-John as she takes to the stage to perform for the first time a medley from the soundtrack of her new film A Few Best Men. She will bring her special touch to the classic 1960s track ‘Daydream Believer’ made famous by the Monkeys, and her brand new song ‘Weightless’, for which she revisited her award-winning partnership with songwriter and producer John Farrar, who created such timeless classics as 'You're the One That I Want', 'Hopelessly Devoted to You' and 'Magic' amongst many. The opening of the AACTA Awards Ceremony and Olivia Newton-John's performance will be choreographed by Australia's very own Broadway Choreographer and Director Jason Gilkison. -
Fat Tony__Co Final D
A SCREENTIME production for the NINE NETWORK Production Notes Des Monaghan, Greg Haddrick Jo Rooney & Andy Ryan EXECUTIVE PRODUCERS Peter Gawler & Elisa Argenzio PRODUCERS Peter Gawler, Adam Todd, Jeff Truman & Michaeley O’Brien SERIES WRITERS Peter Andrikidis, Andrew Prowse & Karl Zwicky SERIES DIRECTORS MEDIA ENQUIRIES Michelle Stamper: NINE NETWORK T: 61 3 9420 3455 M: 61 (0)413 117 711 E: [email protected] IMPORTANT LEGAL NOTIFICATION TO MEDIA Screentime would like to remind anyone reporting on/reviewing the mini-series entitled FAT TONY & CO. that, given its subject matter, the series is complicated from a legal perspective. Potential legal issues include defamation, contempt of court and witness protection/name suppression. Accordingly there are some matters/questions that you may raise which we shall not be in a position to answer. In any event, please note that it is your responsibility to take into consideration all such legal issues in determining what is appropriate for you/the company who employs you (the “Company”) to publish or broadcast. Table of Contents Synopsis…………………………………………..………..……………………....Page 3 Key Players………….…………..…………………….…….…..……….....Pages 4 to 6 Production Facts…………………..…………………..………................Pages 7 to 8 About Screentime……………..…………………..…….………………………Page 9 Select Production & Cast Interviews……………………….…….…Pages 10 to 42 Key Crew Biographies……………………………………………...….Pages 43 to 51 Principal & Select Supporting Cast List..………………………………...….Page 52 Select Cast Biographies…………………………………………….....Pages 53 to 69 Episode Synopses………………………….………………….………..Pages 70 to 72 © 2013 Screentime Pty Ltd and Nine Films & Television Pty Ltd 2 SYNOPSIS FAT TONY & CO., the brand-new production from Screentime, tells the story of Australia’s most successful drug baron, from the day he quit cooking pizza in favour of cooking drugs, to the heyday of his $140 million dollar drug empire, all the way through to his arrest in an Athens café and his whopping 22-year sentence in Victoria’s maximum security prison. -
JANET KING - Season
THE AUSTRALIAN BROADCASTING CORPORATION AND SCREEN NSW PRESENTS A SCREENTIME, A BANIJAY GROUP COMPANY, PRODUCTION AACTA award winner Marta Dusseldorp reprises her lead role as the brilliant Senior Crown Prosecutor Janet King. Synopsis With gun crime exploding in the suburbs, Janet King (Marta Dusseldorp) is handpicked by a nervous government to head a Royal Commission into the surge of recent shootings. Unlike the world of the DPP, the Royal Commission allows Janet and her team to become the investigators – they can raid, interrogate and have police seconded to them. Conscripting solicitors Lina Badir (Andrea Demetriades), Richard Stirling (Hamish Michael), as well as the ambitious Owen Mitchell (Damian Walshe-Howling) as Counsel Assisting, with Detective Inspector Andy Campbell (Christopher Morris) as Police Liaison, Janet and her team peel back the complex layers of intrigue underpinning the illicit trade in weapons. As Janet exercises her powers and begins uncovering the truth, criminal and political forces begin to stir, bent on shutting down the Royal Commission, even if it means destroying Janet in the process. A shocking reveal brings Janet’s world crashing in on her as she faces legal proceedings of a deeply personal nature. Cast Janet King Marta Dusseldorp Owen Mitchell Damian Walshe-Howling Richard Stirling Hamish Michael Lina Badir Andrea Demetriades Andy Campbell Christopher Morris Tony Gillies Peter Kowitz Heather O’Connor Leah Purcell Bianca Grieve Anita Hegh Deborah Larsson Genevieve Hegney Major Simon Hamilton Aaron Jeffery -
March — April 2021 Vol
BRINGING THE GOOD NEWS TO THE DIOCESE OF FORT WORTH Model of Virtue YEAR OF ST. JOSEPH MARCH — APRIL 2021 VOL. 37 | NO. 2 2 NORTHTEXASCATHOLI C.ORG Bishop Michael F. Olson, STD, MA BISHOP MICHAEL OLSON is the fourth bishop of the THE PURPOSE Catholic Diocese of Fort Worth. OF A FUNERAL @BpOlsonFW hen a person dies, a void is left in the lives of their whom may not be Catholic or may have moved away from the families and friends. The Church responds to those practice of their faith. The most advisable response to families W grieving at the death of their loved one with the suffering grief is to meet with them in preparing the vigil and liturgical actions and words provided through the celebration of funeral liturgy. It is necessary for homilists to listen to the story of a vigil service, the funeral Mass, and the prayers of committal of the deceased person as recounted by their surviving loved ones. the person’s body at the graveside. Grief is a time for presence, and the preparation for the These three liturgical moments call to mind the suffering, funeral liturgy and accompanying rites of the vigil and the death, and Resurrection of Jesus and their saving effects upon graveside is an opportunity for such presence. In listening to such the life of the deceased and upon all of us who remain. These stories, a homilist can and should consider what he hears from the ritual moments prescribe how Catholics go about grieving with mourners and suggest readings from Sacred Scripture that are hope in the Resurrection.