Juneinsight 2019

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JUNEINSIGHT 2019 In this monthly newsletter we bring together articles of interest and opinions from the world of art history and visual culture. June is LGBTQ Pride month. STONEWALL’S IMPACT ON ART & ART HISTORY TEACHING QUEER ART HISTORY ‘It’s been half a century since the fateful Saturday of June If you are looking for ideas around introducing queer art 28, 1969, when members of New York’s gay community history to students, via topics such as ‘art and identity’, retaliated against an early-morning police raid at this online resource is a good place to start. Focusing on Greenwich Village hangout the Stonewall Inn.’ In this article queer art from 1960 to the present it offers historical artists reflect upon the impact of the stonewall riots. context, a broad range of examples of work and further https://bit.ly/35wtlZf art reading suggestions. https://bit.ly/2qByIY7 QUEERING THE MUSEUM On the last Saturday of the month you can drop in to the QUEER SPEAK V&A museum for a free, volunteer guide led tour exploring ‘Language—being regulated by the state, taught in gender and sexual identities through a selection of lesbian, educational institutions, and used to discipline, inform, gay, bisexual, transgender and queer related objects in educate, or structurally violate, among other uses—is the collection. LGBTQ+ tours are appearing in more and frequently subverted by minorities in an attempt to bypass more museums around the UK, and Brighton hosts the authority.’ A longer, but fascinating, read about queer Museum of Transology. Find out more about the V&A tour appropriation of language as a way of communicating experience or take a tour! outside of the closet. https://bit.ly/2O83xwq https://bit.ly/2OzuJ6q INCLUSIVE QUEER HISTORIES ‘...we must embrace our messy histories as well as the noble ones...’ and ‘...while we can find some satisfaction from the increase of lesbian visibility within popular culture (Gentleman Jack, Killing Eve, and the announced reboot of The L Word), there is still a breadth of historical lesbian imagery that needs to be uncovered, and various figures who paved the way that must be acknowledged’. https://bit.ly/2rklwag forarthistory.org.uk @forarthistory.

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Painting Identity: the Disconnect Between Theories and Practices of Art by the LGBTQ Community
Painting Identity: The Disconnect Between Theories and Practices Of Art by the LGBTQ Community Meg Long Advisor: Sarah Willie-LeBreton May 7,2012 2 Table of Contents Acl(nowledgements ........................................................................... 3 1. Introduction .............................................................................. 4 2. Perspectives on Racial and Sexual Identity in Modem and Contemporary Art .......................................................................................... 10 3. Influence of Self Identity for Contemporary Artists .......................................... 33 4. Discourse Analysis: Art and Sexual Identity ......................................... 55 5. Conclusion .................................................................................76 Worl(s Cited .............................................................................. 84 Appendix A ............................................................................... 86 Appendix B ............................................................................... 87 3 Acknowledgements First and foremost, thank you to my father for his endless support throughout this process; as always in life, I would be lost without him. Likewise, thank you to my mother for her energy and encouragement. I also cannot be appreciative enough of my advisor, Professor Sarah Willie-LeBreton for helping me in more ways than I can enumerate, even when my process was dubious at best. Thank you to the participants who shared their stories
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Feminism and Queer in Art Education Educationeminism and Queer in Art
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Queer Methods and Methodologies Queer Theories Intersecting and Social Science Research
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Does That Look Gay? Framing Queer Identity in Extended Sensibilities: Homosexual Presence in Contemporary Art
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Title: How Has Queer Theory Influenced the Ways We Think About Gender?
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Queer Activism Think Tank Executive Summary
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"Appearing Differently: Abstraction's Transgender
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Fracture: Failure As a Path to Utopia in Queer Art and Life
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Kiyan Williams
KIYAN WILLIAMS [email protected] www.davidkordanskygallery.com T: 323.935.3030 F: 323.935.3031 KIYAN WILLIAMS Kiyan Williams is a multidisciplinary artist who works fluidly across sculpture, performance, and video. They often work with soil as material and metaphor to unearth diasporic experiences, obscured histories, and the shifting relationship between people and the land. Recent exhibitions include In the Beginning: Media Art and History from the Hirshhorn’s Collection, Hirshhorn Museum, Washington, D.C. (2020); Call and Response: Making Monuments Now, Socrates Sculpture Park, New York (2020); Up Close, The Shed, New York (2020); something else (Variations on Americana), Recess Art, New York (2020); In Practice: Other Object, SculptureCenter, New York (2019); Nobody Promised You Tomorrow: Art 50 Years After Stonewall, Brooklyn Museum, New York (2019); The Least Orthodox Goddess, Jenkins Johnson Gallery, New York (2018); and Queer Exceptionality, SOMArts, San Francisco (2017). Williams (b. 1991, Newark, New Jersey) earned a BA with honors from Stanford University and an MFA in Visual Art from Columbia University. They have given artist talks and lectures at The Guggenheim, The Studio Museum in Harlem, Princeton University, Stanford University, Portland State University, and Pratt Institute. Williams’ work is in private and public collections including the Hirshhorn Museum and Sculpture Garden. Williams’ honors and awards include the Astraea Foundation Global Arts Fund and Stanford Arts Award. They were previously an artist fellow at Leslie-Lohman Museum and is an alum of the EMERGENYC fellowship at the Hemispheric Institute for Performance and Politics at NYU, and are the recipient of the 2019/2020 Fountainhead Fellowship at Virginia Commonwealth University, where they are on faculty in the Sculpture and Extended Media Department.
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The Tyrannies of Sexual and Gender Normativity Have Been Widely Examined in Queer Theory
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Art After Stonewall a Painstakingly Comprehensive Ohio Exhibition Reveals How the Birth of the Pride Movement Changed Art Forever
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Queer Abstraction Is an Abstraction
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