The Influence of Seventeenth Century Philosophers on Romanticism
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The ”EXPERIMENTAL PHILOSOPHY”: Francis Bacon (1561-1626 AD)
1 The "EXPERIMENTAL PHILOSOPHY": Francis Bacon (1561-1626 AD) One of the most remarkable products of the reaction against Aristotelian philosophy, in the form that was handed down by late Mediaeval philosophers, was the rise of an entirely new philosophical system which came to be called 'Empiricism". This was particularly associated with British philosophers, and was both instrumental in the rise of modern science, and a by-product of it. Its ¯rst major exponent was Francis Bacon - although he was certainly influenced by earlier ideas (for example, from Roger Bacon) his ideas were very new in many cases, and had a very large influence on later work by British scientists. Later on Locke (a friend of Newton's) took it much further, and subsequently Berkeley and Hume took the whole idea of empiricism to an extreme. Although Bacon's contribution was the earliest and in some respects the crudest approach, in some ways it was the most durable, and certainly it had the largest impact on the development of science. LIFE of FRANCIS BACON Francis Bacon was born in London on January 22, 1561, at York House o® the Strand. He was the younger of two sons of Sir Nicholas Bacon, a successful lawyer and Lord Keeper of the Great Seal under Queen Elisabeth I. His mother Anne was a scholar, daughter of Sir Anthony Cooke, who translated ecclesiastical material from Italian and Latin into English; she was also a zealous Puritan. Bacon's father hoped Francis would become a diplomat and taught him the ways of a courtier. His aunt was married to William Cecil, later to become Lord Burghley, the most important ¯gure in Elisabeth's government. -
Religious Worldviews*
RELIGIOUS WORLDVIEWS* SECULAR POLITICAL CHRISTIANITY ISLAM MARXISM HUMANISM CORRECTNESS Nietzsche/Rorty Sources Koran, Hadith Humanist Manifestos Marx/Engels/Lenin/Mao/ The Bible Foucault/Derrida, Frankfurt Sunnah I/II/ III Frankfurt School Subjects School Theism Theism Atheism Atheism Atheism THEOLOGY (Trinitarian) (Unitarian) PHILOSOPHY Correspondence/ Pragmatism/ Pluralism/ Faith/Reason Dialectical Materialism (truth) Faith/Reason Scientism Anti-Rationalism Moral Relativism Moral Absolutes Moral Absolutes Moral Relativism Proletariat Morality (foster victimhood & ETHICS (Individualism) (Collectivism) (Collectivism) (Collectivism) /Collectivism) Creationism Creationism Naturalism Naturalism Naturalism (Intelligence, Time, Matter, (Intelligence, Time Matter, ORIGIN SCIENCE (Time/Matter/Energy) (Time/Matter/Energy) (Time/Matter/Energy) Energy) Energy) 1 Mind/Body Dualism Monism/self-actualization Socially constructed self Monism/behaviorism Mind/Body Dualism (fallen) PSYCHOLOGY (non fallen) (tabula rasa) Monism (tabula rasa) (tabula rasa) Traditional Family/Church/ Polygamy/Mosque & Nontraditional Family/statist Destroy Family, church and Classless Society/ SOCIOLOGY State State utopia Constitution Anti-patriarchy utopia Critical legal studies Proletariat law Divine/natural law Shari’a Positive law LAW (Positive law) (Positive law) Justice, freedom, order Global Islamic Theocracy Global Statism Atomization and/or Global & POLITICS Sovereign Spheres Ummah Progressivism Anarchy/social democracy Stateless Interventionism & Dirigisme Stewardship -
Mary Shelley: Teaching and Learning Through Frankenstein Theresa M
Forum on Public Policy Mary Shelley: Teaching and Learning through Frankenstein Theresa M. Girard, Adjunct Professor, Central Michigan University Abstract In the writing of Frankenstein, Mary Shelley was able to change the course of women’s learning, forever. Her life started from an elite standpoint as the child of Mary Wollstonecraft and William Godwin. As such, she was destined to grow to be a major influence in the world. Mary Shelley’s formative years were spent with her father and his many learned friends. Her adult years were spent with her husband, Percy Bysshe Shelley, and their literary friends. It was on the occasion of the Shelleys’ visit to Lord Byron at his summer home that Mary Shelley was to begin her novel which changed the course of women’s ideas about safety and the home. No longer were women to view staying in the home as a means to staying safe and secure. While women always knew that men could be unreliable, Mary Shelley openly acknowledged that fact and provided a forum from which it could be discussed. Furthermore, women learned that they were vulnerable and that, in order to insure their own safety, they could not entirely depend upon men to rescue them; in fact, in some cases, women needed to save themselves from the men in their lives, often with no one to turn to except themselves and other women. There are many instances where this is shown throughout Frankenstein, such as: Justine’s prosecution and execution and Elizabeth’s murder. Mary Shelley educated women in the most fundamental of ways and continues to do so through every reading of Frankenstein. -
Select Letters of Percy Bysshe Shelley
ENGLISH CLÀSSICS The vignette, representing Shelleÿs house at Great Mar lou) before the late alterations, is /ro m a water- colour drawing by Dina Williams, daughter of Shelleÿs friend Edward Williams, given to the E ditor by / . Bertrand Payne, Esq., and probably made about 1840. SELECT LETTERS OF PERCY BYSSHE SHELLEY EDITED WITH AN INTRODUCTION BY RICHARD GARNETT NEW YORK D.APPLETON AND COMPANY X, 3, AND 5 BOND STREET MDCCCLXXXIII INTRODUCTION T he publication of a book in the series of which this little volume forms part, implies a claim on its behalf to a perfe&ion of form, as well as an attradiveness of subjeâ:, entitling it to the rank of a recognised English classic. This pretensión can rarely be advanced in favour of familiar letters, written in haste for the information or entertain ment of private friends. Such letters are frequently among the most delightful of literary compositions, but the stamp of absolute literary perfe&ion is rarely impressed upon them. The exceptions to this rule, in English literature at least, occur principally in the epistolary litera ture of the eighteenth century. Pope and Gray, artificial in their poetry, were not less artificial in genius to Cowper and Gray ; but would their un- their correspondence ; but while in the former premeditated utterances, from a literary point of department of composition they strove to display view, compare with the artifice of their prede their art, in the latter their no less successful cessors? The answer is not doubtful. Byron, endeavour was to conceal it. Together with Scott, and Kcats are excellent letter-writers, but Cowper and Walpole, they achieved the feat of their letters are far from possessing the classical imparting a literary value to ordinary topics by impress which they communicated to their poetry. -
Francis Bacon and the Late Renaissance Politics of Learning
chapter 12 Francis Bacon and the Late Renaissance Politics of Learning Richard Serjeantson Anthony Grafton’s contributions to our knowledge and understanding of the long European Renaissance are numerous and varied. But one that is espe- cially significant is his demonstration of the role played by humanistic learn- ing in the transformation of natural knowledge across the sixteenth and seventeenth centuries. No longer do we see this period as witnessing the sepa- ration of two increasingly opposed cultures of scholarship and of science. On the contrary: the history and philology of the Renaissance had far-reaching consequences for the natural sciences.1 Indeed, some of the most cherished aspects of this era’s revolution in the sciences can now be seen to have had their origins in humanistic scholarly practices. We now know, for instance, that Francis Bacon’s epochal insistence that research into nature should be the work of collaborative research groups, rather than the preserve of solitary savants, had its roots in the collaborative labors of the team of Protestant ecclesiastical historians led at Magdeburg by Matthias Flacius Illyricus.2 Francis Bacon is also the subject of this contribution. One of the great mod- ern questions in the interpretation of his life and writings has concerned the relationship between his politics and his science. According to one perspec- tive, Bacon was a proponent of a “politics of science,” in which natural philoso- phy would support a powerful and well-governed British state.3 An opposite 1 Anthony Grafton, “Humanism, Magic and Science,” in The Impact of Humanism on Western Europe, ed. -
British Poetry of the Long Nineteenth Century
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Zea E-Books Zea E-Books 12-1-2019 British Poetry of the Long Nineteenth Century Beverley Rilett University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/zeabook Part of the Literature in English, British Isles Commons Recommended Citation Rilett, Beverley, "British Poetry of the Long Nineteenth Century" (2019). Zea E-Books. 81. https://digitalcommons.unl.edu/zeabook/81 This Book is brought to you for free and open access by the Zea E-Books at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Zea E-Books by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. British Poetry of the Long Nineteenth Century A Selection for College Students Edited by Beverley Park Rilett, PhD. CHARLOTTE SMITH WILLIAM BLAKE WILLIAM WORDSWORTH SAMUEL TAYLOR COLERIDGE GEORGE GORDON BYRON PERCY BYSSHE SHELLEY JOHN KEATS ELIZABETH BARRETT BROWNING ALFRED TENNYSON ROBERT BROWNING EMILY BRONTË GEORGE ELIOT MATTHEW ARNOLD GEORGE MEREDITH DANTE GABRIEL ROSSETTI CHRISTINA ROSSETTI OSCAR WILDE MARY ELIZABETH COLERIDGE ZEA BOOKS LINCOLN, NEBRASKA ISBN 978-1-60962-163-6 DOI 10.32873/UNL.DC.ZEA.1096 British Poetry of the Long Nineteenth Century A Selection for College Students Edited by Beverley Park Rilett, PhD. University of Nebraska —Lincoln Zea Books Lincoln, Nebraska Collection, notes, preface, and biographical sketches copyright © 2017 by Beverly Park Rilett. All poetry and images reproduced in this volume are in the public domain. ISBN: 978-1-60962-163-6 doi 10.32873/unl.dc.zea.1096 Cover image: The Lady of Shalott by John William Waterhouse, 1888 Zea Books are published by the University of Nebraska–Lincoln Libraries. -
British & American Literature: Romanticism to Modernism (The Long 19Th Century)
Dept. of English & Comparative Literature, SJSU MA Exam Reading List: Group 2 British & American Literature: Romanticism to Modernism (the long 19th century) Description: This part of the MA exam focuses on major 19th century writers/texts from the U.K. and U.S.A. Students should have a general knowledge of the definitions and rules of the various forms and genres popular during the British Romantic and Victorian literary periods, as well as the American Romantic, Transcendentalist, and Realist movements. Students should also pay attention to how these forms and genres are used/deployed in different historical and cultural moments. Poetry: ● Lyrical ballad ● Odal hymn ● Elegy ● Sonnet (Petrarchan, Miltonic, Shakespearean) ● Broadsides Prose: ● Gothic Novel ● Historical Romance ● Bildungsroman ● Domestic Novel ● Detective Novel ● Serialized Novel ● Silverfork Novel ● Slave Narrative ● Short Story ● Sketch ● Tall Tale Students should also familiarize themselves with the general biographical, cultural, historical, and political for the various texts and their related periods. A review of the information included in the introduction and headnotes in most anthologies is sufficient; however, the Broadview anthologies offer the most current and diverse historical context on these periods. British: Romantic-era (1775-1835) and Victorian-era (1835-1902) Literature Charlotte Smith (1749-1806) Elegiac Sonnets (1795) William Blake (1757-1827) Songs of Innocence and Experience Mary Wollstonecraft (1759-97) Vindication of the Rights of Men, Vindication of the Rights of Woman William Wordsworth (1770-1850) and Samuel Taylor Coleridge (1772-1834) Lyrical Ballads (1798 version), Preface to the 1800 edition of Lyrical Ballads Jane Austen (1775-1817) Pride and Prejudice or Northanger Abbey George Gordon, Lord Byron (1788-1824) Don Juan Percy Bysshe Shelley (1792-1822) “Prometheus,” “Hymn to Intellectual Beauty,” “Ozymandias,” “Mutability,” “England in 1819,” A Defence of Poetry John Keats (1795-1821) “The Eve of St. -
Francis Bacon: of Law, Science, and Philosophy Laurel Davis Boston College Law School, [email protected]
Boston College Law School Digital Commons @ Boston College Law School Rare Book Room Exhibition Programs Daniel R. Coquillette Rare Book Room Fall 9-1-2013 Francis Bacon: Of Law, Science, and Philosophy Laurel Davis Boston College Law School, [email protected] Follow this and additional works at: http://lawdigitalcommons.bc.edu/rbr_exhibit_programs Part of the Archival Science Commons, European History Commons, and the Legal History Commons Digital Commons Citation Davis, Laurel, "Francis Bacon: Of Law, Science, and Philosophy" (2013). Rare Book Room Exhibition Programs. Paper 20. http://lawdigitalcommons.bc.edu/rbr_exhibit_programs/20 This Article is brought to you for free and open access by the Daniel R. Coquillette Rare Book Room at Digital Commons @ Boston College Law School. It has been accepted for inclusion in Rare Book Room Exhibition Programs by an authorized administrator of Digital Commons @ Boston College Law School. For more information, please contact [email protected]. 1 Francis Bacon: Of Law, Science, and Philosophy Boston College Law Library Daniel R. Coquillette Rare Book Room Fall 2013 This exhibit was curated by Laurel Davis and features a selection of books from a beautiful and generous gift to us from J. Donald Monan Professor of Law Daniel R. Coquillette The catalog cover was created by Lily Olson, Law Library Assistant, from the frontispiece portrait in Bacon’s Of the Advancement and Proficiencie of Learn- ing: Or the Partitions of Sciences Nine Books. London: Printed for Thomas Williams at the Golden Ball in Osier Lane, 1674. The caption of the original image gives Bacon’s official title and states that he died in April 1626 at age 66. -
Percy Bysshe Shelley's Conception of the Poet and Poetic Creativity
IMPACT: International Journal of Research in Humanities, Arts and Literature (IMPACT: IJRHAL) ISSN (P): 2347–4564; ISSN (E): 2321–8878 Vol. 9, Issue 3, Mar 2021, 29–44 © Impact Journals PERCY BYSSHE SHELLEY’S CONCEPTION OF THE POET AND POETIC CREATIVITY Ladan Farah Bakhsh Research Scholar, University of Warsaw, Poland Received: 12 Mar 2021 Accepted: 17 Mar 2021 Published: 31 Mar 2021 ABSTRACT Percy By she Shelley, as one of the pioneers of English Romanticism, depicts many of the school’s principles in his poems; typical motifs and themes that keep recurring in typical Romantic texts include imagination, nature, inspiration, individualism, revolutionism, emotionality, and nostalgia. These elements, which are also common in the works of the founders of British Romanticism, laid the foundation of an unprecedented way of literary aesthetics in the last years of the eighteenth century. Therefore, a thorough study of Shelley’s or any other Romantic writer’s works can yield a perfect picture of Romantic tenets and values in writing. In the present article the central questions of are: What are Shelley’s views regarding the poet, the process of writing, and poetic creativity? Can we consider Shelley as a Romantic critic? To answer the questions, the researcher draws upon Shelley’s ideas inserted in his “A Defence of Poetry” and highlights the relevant propositions and assertions proclaimed by the poet. This research shows that Shelley held individualistic and idiosyncratic criteria for appreciating and composing literary texts. Furthermore, like Blake, Wordsworth, and Coleridge, Shelley founded his writings on certain theories and expositions he expounded in a critical essay. -
Utopian Desire in Percy Bysshe Shelley's Poetry
E-ISSN 2281-4612 Academic Journal of Interdisciplinary Studies Vol 2 No 8 ISSN 2281-3993 MCSER Publishing, Rome-Italy October 2013 Utopian Desire in Percy Bysshe Shelley’s Poetry Parastoo Salavati Department of Foreign Languages, Faculty of Foreign Languages, Sanandaj Payam-E-Noor University, Sanandaj, Kurdistan, Iran. E-mail: [email protected] Doi:10.5901/ajis.2013.v2n8p267 Abstract This study has considered the Utopian desire in Percy Bysshe Shelley's major poems. It describes Shelley's idealism and Utopian desire based on the creative power of love. Shelley's Utopia is an imaginary land in which love creates, while hatred brings about destruction. Shelley can be considered as the culmination of the Romantic Movement in English literature. He looks at nature primarily as a realm of overwhelming beauty and aesthetic pleasure. His works deal with the subjective world of ideals that is more real to him than the world of facts. He is a poet of idealism and love, a representative of hope and liberty, who desires to change the world to Eden before the fall of man. His idealism is based on the elimination of all sorts of tyranny and oppression to terminate a liberal and humane world. Since Shelley's Utopia is governed only by justice, love and beauty, good triumphs over evil when love dominates man's heart and society, because according to him, love is a harmonizing power that joins and supports the elements to bring about creation. Shelley’s seclusion from the world of men and his dissatisfaction and failure in the actual life lead him to a higher world that is created by poetry and ruled by love and beauty, a Utopian Land that affords relief from what is unbearable in the social world and is much more beautiful and more perfect than the external world. -
The Last Man"
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2016 Renegotiating the Apocalypse: Mary Shelley’s "The Last Man" Kathryn Joan Darling College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Literature in English, British Isles Commons Recommended Citation Darling, Kathryn Joan, "Renegotiating the Apocalypse: Mary Shelley’s "The Last Man"" (2016). Undergraduate Honors Theses. Paper 908. https://scholarworks.wm.edu/honorstheses/908 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. 1 The apocalypse has been written about as many times as it hasn’t taken place, and imagined ever since creation mythologies logically mandated destructive counterparts. Interest in the apocalypse never seems to fade, but what does change is what form that apocalypse is thought to take, and the ever-keen question of what comes after. The most classic Western version of the apocalypse, the millennial Judgement Day based on Revelation – an absolute event encompassing all of humankind – has given way in recent decades to speculation about political dystopias following catastrophic war or ecological disaster, and how the remnants of mankind claw tooth-and-nail for survival in the aftermath. Desolate landscapes populated by cannibals or supernatural creatures produce the awe that sublime imagery, like in the paintings of John Martin, once inspired. The Byronic hero reincarnates in an extreme version as the apocalyptic wanderer trapped in and traversing a ruined world, searching for some solace in the dust. -
Introduction to Philosophy
UNIVERSITY OF CALICUT SCHOOL OF DISTANCE EDUCATION B.A. PHILOSOPHY CORE COURSE - (2019-Admn.) PHL1 B01-INTRODUCTION TO PHILOSOPHY 1. The total number of Vedas is . a) One b) Two c) Three d) Four 2. Philosophy is originally a word. a) English b) Latin c) Greek d) Spanish 3. Philosophy deals with of reality. a) a part b) the whole c) the illusion d) none of these 4. ‘Esthetikos’ is a word. a) Greek b) Latin c) French d) Spanish 5. Taoism belongs to the tradition. a) Japanese b) Oriental c) Occidental d) None of these 6. does not belong to Oriental tradition. a) India b) China c) Japan d) None of these 7. Vedic philosophy evolved in the order. a) Polytheism, Monism, Monotheism c) Polytheism, Monotheism, Monism b) Monotheism, Polytheism, monism d) Polytheism, Monism, Monotheism 8. is not a heterodox system. a) Samkhya b) Buddhism c) Lokayata d) Jainism 9. implies ‘accepting the authority of the Vedas’. a) Heterodox b) Orthodox c) Oriental d) Occidental 10. According to the law of karma, every karma leads to . a) Moksha b) Phala c) Dharma d) all these 11. The portion of Vedas that deals with rituals is known as . a) Mantras b) Brahmanas c) Aranyakas d) Upanishads 12. Polytheism implies as Monism refers to one. a) Two b) three c) many d) all these 13. Belief in one God is referred as . Introduction to Philosophy Page 1 a) Henotheism b) Monotheism c) Monism d) Polytheism 14. Samkhya propounded . a) Dualism b) Monism c) Monotheism d) Polytheism 15. is an Oriental system.