~ ..
·u.s.s. MANDEVILLE: Battleship for the Arts . .
UCSD'will dedicate its new S~ . 3 million Ernest W. Mandeville square fe'et of space that is easily convened, through the use ot Center for the Arts with an II-day public festival of music, drama wooden risers, from seating to orchestra space or even additional and art in the Center March 6 through 16. stage space. All of the events are open to tbe public. Many are free and There are some 500 permanent seats and 3~O movable seats tickets to the others are available through the UCSD box office. allowing for a ~reat vanety of stage and audience configurations The II-day festival bas been desisned to bring to the com within the audItorium. munity a kaleidoscope of events rangmg from early works of an The Center was ~med in honor of the late Ernest W. Man=- and music to the most avant-garde realism and elecuonicper deville, a businessman and patron of the arts whose fmancial formances. The program will allow the University to show off the support to UCSD helped the young campus develop its programs varied and unique aspects of the Center. . in me ans and humanities. The Mandeville Center, designed by A. Quincy Jones and An ODCn house is schedule-d from noon to ~ : OO pm, on Sunday, Associates of Los Angeles, houses office, lecture and work space MilJ'ch. 9. for which a number of special shows and programs have for the UCSD Departments of Music and Visual Am. Ground was been set. A display of super realistic an will be in the An GaJlery broken for the 109,189 square-foot building on January 9, 1973, and a display of scene and costume design, put together by the on a site that spans what was once U.S. Highway 101. The Center Department of Drama, will be in the East Room. Musicians will was constructed by Nielsen Construction 'Company of San Diego be "tuning" the building during the day. Visitors will get a look and the flCSt offices and work rooms were occupIed during the inside a laser beam art restoration laboratory. An architects' fall, 1974, academic quaner. panel on •'New Directions in Architecture" featurin~ some of the The Center, a three-level concrete and wood structure, stands top architects and communicators in Southern Caclifomia is set of at the hub of the UCSD campus. It has offices and studios for a 2:00 pm in room B·210 of the Center. faculty of 40, music rehearsal rooms that can serve groups as large as a full symphony orchestra, shops for wood and metal An environmental music event, " Museums," will o~n at noon working, space for print and filmmaking, and equipment for on Sunday in the Recital HaU . The event includes VIdeo works, recordings of the highest fidelity. films, electronic music, light compositions and biofeedback An 851-seat auditorium lecture hall serves as the " focal point" equipment. Visitors wiU be invited to compose their own music by of the Center since it is the principle " presentation" area. Its using their brainwaves together with the biofeedback equipolC' nt. unique stage is able to accommodate performances of ballets, Student guides will be stationed throughout the building chamber operas, and Mendelssohn·sized oratorios. The wooden during the day to assist visitors in finding their way and to · x stage (96 feet wide and 38 feet deep) provides 3,6~O square feet plain the work going on in the various studios and work hop . of performing space. In addition, the pit provides another 2 , ~8~ Refreshments WIll be served in t\l,(0 location in the build ini.
UC Sa" Diego /¥'edne da ,March 5, 1975 Edjtorkll A Complete Student Guide to the Mandeville Opening Cul... inating years of dreams and momhs o(work, the Erne~t W. M~ndevi1le Center for the Am throws open Its doors at last ID UCSD MANDEVILLE CENTER FOR THE ART5- a gnla ~pening celebration. The ans have long been slighted at UCSD, shoved into the OPENING CElEBRATION, March 6-16 8:00 " Lateral Zig·Zag" See March 7 March 13, Thursday corners of the campus and largely regarded as having value mai nly as a balance for the" hard" sciences, which have made up 8:30 Performance by Atomic Cafe, UCSD avante.garde music 12 :00-9:00 the bulk of the San Diego campus' atmosphere. It is the hope of March 6, Thursday group. " Innovatio ns: Then and Now·' See March 6 the Triton Times that the implicit subservience of the arts here at Manaeville Auditorium. 12 :00-9 :00 " Sense of Reference" See March 7 UCSD will come to an unmoumed end with the opening of the No Admission Charge. Mandeville Center, and the arts will take their rightful place in 12:00·9:00 "Innovations: Then and Now" An exhibit orscene 12 :00 and costume designs of some 2 ~ of the country's Composers workshop on works by currem and fo rmer the structure of the campus as an equal to the sciences. UCS D musicians. For the opening, little effort has been spared to bring a foremost designers for professional and regional theatres. (See story on Page 9) Mandevill e A udirorium diversity of quality performances and exhibits. Planning that has No Admission Charge. been in motion for well over a year has served to bring events of East Room. No Admission Charge the highest caliber to UCSD, representing the contemporary 12 :00·9:00 "'nnovations: Then and Now" See-March 6 2:00 Rare Films. See March 10 advances in music, theatre, dance and art, as well as lectures and 8:30 pm " Stage Works" by UCS~ Composers" Four p~eces by panels uncovering_the roles of Art in Government, its relation to UCSD composers includlDg three world Premieres. 12 :00·9:00 "Sense of Reference" See March 7 8:30 " Lateral Zig-Zag" See March 7 science and its effect on our day to day lives, for the eleven day " Hockshurr" "My, My, My What a Wonderful Fall" Rare Film§ from the Eastman House Collection. openin~ celebration. " .. From Behind the Unreasoning Mask," and' 'Crow Two" 2:00 First in series of five showings through March n . 8:30 Despite all this planning however, the Mandeville Opening (See story on Page 8) " Endgame" See March 11 Celebration has failed to incorporate one vital element IOto its (See Story on Pa~e 7 for full schedule). Maqdeville Audltprium_ Free Stu4.eru tickets available Mandeville AudItorium. workings: the students of UCSD. The choice of planning the in advance at Student Center Box Othce. 8:30 Co ncen by UCSD Gospel Choir with Edwin Hawk ins. opening celebration to coincide with the last week of winter Series tickets: General Public $tO ., UCSD Students $~ . Individual programs: General Public $2.50, (JCSD Students $1. 50 Ma ndeville Audirorium. quarter when many students are feeling the crunch of ftnishing General Public $5/$7. UCSD Students $2.50 / $3.50 their studies and preparing for fmals seems to show a lack of March 7, Friday concern. -Even with student prices for many events, there are 4:00 Poetry Reading by Adrienne Rich (See Story on Page 13) those who feel the cOSt of tickets will prohibit them from at· 12:00·9:00 "Innovations: Then and Now" See March 6. Mandeville Recital Hall. tending a bulk of the events. No Admission Charge We are all aware of the imponance of the Mandeville Cemer in 12 :00·9:00 "Sense of Reference " An Exhibit of Realistic Art 7: 00 terms of its public-relations value to the campus, and yet in the " Cataloging the ~ainbow " A lecture by Philip Morrison, March 14, Friday interests of "community involvement," the most immediately including paintings, drawings, photographs, films and Professor of PhYSICS at MIT and an editor of Scientifi c American on the available community, the students who must live and work with videotapes. (See story on Page 14). topic of the relationship of science ' An Gallery. Admission Charge the center, have largely been ignored. No and the arts. (See Story on Page 14) . 9:00-12 :00 " Innovations: Then and Now" See March 6 The Triton Times presents this special issue of the IT, striving Mandeville Auditorium to make the Mandeville Center accessible in the hopes that as 8:00 "Lateral Zi~-Zags" Three one·act plays, Megan Terry's No Admission Charge many students as are able will find their way to events in the " Pro-Game' and "Calm Down Mother" and Sam Shepard's " The 9:00- 12 :00 " Sense of Reference" See March 7 celebration. Convenient or not, the next 11 days will mark the Unseen Hand," by UCSD Drama Dept. (See Triton Times 3/3) 8:30 "A Chamber Concen in Honor of Ernst Krenek" A concert bringin, together of some of the most imporatnt forces in the UCSD Theatre, 203 Matthews Campus. fea turing works by Schoenbe rg , Will Ogdon, Ern t Krenek, 4:00 Poetry reading by Josephine Miles featuri ng a poem worldo An. General Public: $3 . UCSD Students $ 1. )0. and a theatre piece for guitar by J ean·Cha rles Francois. com missioned for the occa sion (See story on Page 13.) Furthermore, the Triton Times would like to take this op· Mandeville Recital Hall Mandeville Recital Hall. ponunity to call for a second opening, one that is more open to 8:30 " Bewitched" A. dance·theatre·musical by Ge neral Publ ic $2. UCS D Studems $1. No Admission Charge the interests and needs of the students. The time exists to plan an Harry Panch, presented by San Diego State evenrof this nature for the end of April, at a time when classes MUSicians. (See Story on Page 6) March 11 , Tuesday 7: 00 Lecture by/ames Card of the Eastman Imernational and studies would allow for greater studem participation. This Mandeville Auditorium. could then be a celebration of, by and for the students of UCSD , Museum 0 Photography fo llowed by showing of rare film General Public: $~/$6 . UCSD Students: $3/$4- and would make the Mandeville center seem less like an im· (See Story on Page 7). 12 :00·9:00 " Innovatio n : Then and Now" ee March 6 position and more like the imponant landmark to the UCSD Mandeville Auditorium campus and the world of An that it is and should be. General Public $2 .50 . UCSD Students $1 .50 March 8, Saturday [Alumni Day) 12 :00 -9:00 "Sense of Reference " See March 7 8:30 "Lateral Zig-Zags" See March 7
2:00 Rare Films . See March 10. 10:30·4:00 Young Anists Contest. Sponsored by La Jolla Civic/University 8:jO "Endgame" See March II Symphony Association. B210 Rehearsal Room 4:00 No Admission Charge " Words Without Pictures" A lecture by Brian O'Do herty, visual arts program direcwr for the National Endowment .. forthe Ans. ( ee swry on Page 10) . ' March 15, Saturday 11 :00·6:00 Concen by UCSD Student Musicians Guild, and Crafts Fair Mandeville Recital Hall. North Urey Hall Lawn No Admission Charg e. 12 :00-9:00 "Innovations: Then and Now" See March 6 No Admission Charge. 8:30 "Endgame" UCSD Drama Dept productio n of Samuel Beckett's 12 :00·9 :00 " Sense of Reference' , See March 7 12 :00·9:00 " Innovations: Then and !>Jow " See March 6 engrossing pl ay. (See sto ry on Page 8) Mandeville Recital Hall. 8:30 " La[(;ral Zig.Zags" See March 7 12 :00·9:00 " Sense of Reference" See March 7 Genera l Pu blic : $3. UCSD Student $1. 50 8:30 " Endgame" See March 11 8:30 Recital by pianist Gary Graffma n. Program includes 12 :00-12 :00 " Museums" A 12·hour environmental · a n o works by Mozan, Beethove n, Ravel, and Mou orgsky. 8:30 Major address of [he opening celebration by ancy musical event including video, films , electronic music , See story on Page 12) Hanks of the National Endowment fo r the Arts (see , co ry biofeedback, light compositions, and displays. ~an deville AudIto rium on Page 14) . Followed by a concert of contemporary (For complete schedule of events see story Ge neral Public $5/ J7. UCSD tudent $2 .50 /$3. music by the La Jolla Civic/University Symphony. on PaEe 8) Mandeville Auditorium. Mandevilre Recital Hall . March 12 , Wednesday General Public $4/ $5. UCSD Students $2/13 . No Admission Charge. 12 :00-9:00 " Innov ation ~ : Then and Now" See March 6 March 16, Sunday 12 :00·4:00 Open Rehearsal ofInner City Repetory Dance Company 12:00-9 :00 " Sense of Reference" See March 7 12 :00-9 :00 " Innovations: Then and Now" See March 6 1:00·4:00 Guided Tours of Mandeville Center 12:00 " Endgame" See March 11 12 :00·9:00 8:00 " Lateral Zig.Zags" See March 7. 2:00 Rare Films See March 10 " Sense of Reference" See March 7 If 2:00 8:30 Inner City Repetory Dance Company. Multi·racia! modern 7:00 " The Definition of a Modernist Space: The An Gallery" " Thinkin~ (One Kind)" A Dramatic Event staged dance by one of the leading dance companies in the A lecture by Brian 0 ' Doheny, visual ans program . by playwnght Richard Foreman, founder and direcror Western United States. (See Story on Page 7) director for the National Endowment for the Arts. (See of New York 's Ontological.H ysteria Theatre. In c. Mandeville Auditorium. story on Page 10). (See swry on Page 4) . First of four pe rformance . General Public $~/$6 . UCSD Students $21$3 . Mandeville AudItorium. Mandeville Art Studio on North Patio. Room B215 . No Admission Charge. General Public $2. UCSD Students $ 1. 8:30 . 'Lateral Zig-Zags" See March 7 4 :00 " Thinking (One Kind)" See above March 9, Sunday
12 :00-9:00 " Innovations: Then and Now" See March 6 8:30 Recital of 20th Century vocal music featuring UCSD 7:00 " Thinking (One Kind)" See above University chorus and the extended Vocal Techniques group of the UCSD Center for Music Experiment. 12 :00·9:00 "Sense of Reference" See March 7 (See story on Page 8) . 8:30 " Lateral Zig·Zags" ee Ma rch 7 Mandeville Recital Hall 12 :00·12 :00 " Museums" See March 8 General Public $2. UCSD Students $1. 9:00 " Thinking (One Kind)" See a bove. 12 : 00 · ~ : 00 Mandeville Center Open House . An open house to the public of the Mandeville complex. During the day small musical / ensembles will be " mning the building" triton times 2:00 " New Directions in Architecture" A panel discussion by distinguished architects and communicators_(See story M.lcolm A. 8mlth. Edho, 1(1r11 RoblMon, Spo", Edhor ARTS WRlTER8 8PORT8 WRITERS SECRETARIAL ASSISTANT 1M Triton Tim.. Ia uHlcWlly ,-,:oll nlzo
Page 2 Triton Times Miuch 5, 1975 '------,------/ Scholar, Philosopher, Editor G~l \T NICER· YOU GET IT NICER • YOU GET IT NICER • YOU Arts Endowment Head o\) Morrison: 'Cataloging the Rainbow' ~ .' Celebrate and Savel- Hanks Speaks Saturday Dr . Philip Morrison, Institute He is the co-author of the physics Professor Morrison was born in Nancy Hanks, chairman of the ~6' GRAND OPENING SALE Professor and Professor of PhYSics teKt , Introdllctory Nuclear Somerville, New Jersey. in 1915 . National Endowment for the arts, at MIT, and editor of Scientific Theory, and the author of a He received a B.S. degree from will be the keynote speaker for ,..... Thursday, Mareh 6th through Sunday, March 9th. American, and a distinguished small popular book, Fabnc of ~arnegie Institute of Technology the opening ceremonies of the theoretical physicist and scholar the Atom, 10 1936 and a Ph .D. In theoretical Mandeville Center. i WE'RE IN SAN DIEGO! philosopher, will talk on the physics at UC Berkeley four years relationships between science later. For the next two years he and the arts at 7:00 pm Monday, taught physics at San Francisco Billed as "one of the most " 1321 Garnet Ave., Pacific Beach, San Diego/270-S1S0· z March 10 in the Auditorium of State College and the University ::> () prominent representatives of the - the Mandeville Center. The title of Illinois before joining the arts in America today," Hanks m of his talk is "Cataloging the Manhattan Project in 1943. ;:'C will speak Saturday night at 8·30 Rainbow." The lecture is free and In 1946 he joined the physics in the Center Auditorium. ? THESE COMPLETE Great ~Columbia S'ingle • open to the public. faculty at Cornell University ~ -< where he remained until moving w o to MIT in 1964 as Francis l. Hanks was named to chair the U CATALOGUES! LPs $3.66 and $4. 99 Tape Professor Morrison in widely Friedman lecturer and Visiting Endowment by former President c Professor of Physics. In 1973 he Nixon in 1969, and was reap ~fOC£lJtERC m.u1WAN known for his own professional Z .CAN..... C> contributions to theoretical was appoi nted to the pointed in 1973. The Endowment AND MOREl S
YOU GET IT NICER· YOU GET IT NICER· YOU GET IT NICER· YOU GET IT NICER· YOU GET IT NICER p,qe 5 Triton T.... MMdl 5, 1975 PdRC 4 Triton Times March 5, 1971) Power from Music Leading Company 12 Films from Eastman SDSU Musicians Perform Partch's 'Bewitch'ed' Multiracial Dance Troupe Saturday House Collection Shown '. The'Bewilchtd I is a dance- given to others who are not so plementary character and the the fundamental beauty found in years it took a moving van to The Inner City Repertory Dance The troupe'S style has its origins in the theater musical concept of the easily domesticated to bKo.me strange affinity of seer:ningly the acoustics of nature, Partch's transport the in5truments alone. Some of the most innovative The films on March 12 concern Company's March 8 performance widely known, controversial mediums for the transmiSsion. oL' opposites, tuning system is based on Just and creative c'inema ever filmed the search for cinematic realism at the Mandeville Center folk elements of the inn.r city and jazz. ~ttnitld Sta~es comPoser, Harty ' petception ~ Arnone theW.-e~ . ' .• ':.;. ".' -, ', , '" "'tooati.on, and divides .thv,_. ' will be shown March 10 through and will include "People on Auditorium should prove to be P.artth; 'who recentlt died in San lost m. usicians " ,,: . . . Jhe musicians who ' m. ,ake ~n oftave;nto 43 (and more) tones' Tl\e in5truments are unique in 14 as part of the opening festival Sunday," a silent film made in one of the year's dance highlights '.'_ Qi. 'ea<> . t" of predictably unequal s~~"in"... the 1)~0lV of mU,sical inventions, of the Mandeville Center, Germany in 1929 by Robert in San Diego . The multiracial ... t ': T\le or.di,e!ara, and are' the With . it he can accompany tM/·as .they ', are noconly acoustical me Cher~ Siodmak, and "On the Bowery," modern dance company will ~- . '. . ',i t .." ,;>IIr~,!Ip .iA ·, ians are students ' (Am,.-ican English) ~ ~IP~& 5l.P beautiful, but The films, 12 in all, are part of an American film made in 1957 perform two modern dance ;, , .' ~i .' -' . '''pocF aftd
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PdK<' {, Tri lon Times March S, 1975 Pal(C 7 Triton Tim March r; , 197; and even comic confrontation Beckett's art. But our sociological "rhe grants gave us the tiltH' to with death. and psychological research also fully explore' the text of the play had an important impact on the and the relationship to Beckett's final theatrical form ." other works and to sup plementary material from ENDGAME psychological and critical sources," Addison said. "We were Sam uel BemeU's drama, the play is Dr . Michael Addison, able to experiment with multiple "Endgame," will open Tuesday, UCSD associate professor of "The play is usually treated as a possibilities in performance terms March 11, for fhe performances drama. somber philosophical exercise, and didn't have to make snap full of dark broodings," according in the Recital Hal. of UCSD's new judgments or lock into quick and to Addison. "In our production Mandeville Center for the Arts. The original UCSD production obvious performance qualities." we focus on the more immediate, of "Endgame" was made possible . but no less meaningful, human by three grants which allowed the The cast, which is the same as relationships. We are seeking the original production, includes meaning in behavior that might cast to dellote a full month to two UCSD students, Richard be found in such places as a rehearsal last summer. The production was first Revelli and Robyn Hunt, and two prison, an asyl'um, a con presented at UCSD last Sep UC faculty members; Dr . Arthur certration camp or a terminal tember and is being revived ·as Wagner, chairman of the UCSD ward - all the places where part of the 11-day opening Drama Department, and Dr . John humans do, in fact, play out their festival of the arts for the D. Harrop, assistant professor of endgames. Mandeville Center (March 6 drama at UC Santa Barbara . through 16) . Both Harrop and Wagner Tickets for all performances are Exhibit of Work of 30 Costume received University of California 51 .50 for students and 53 for the Creative Arts Institute grants and general public. They may be "Endgame" has two main Addison received a grant from the purchased in the UCSD Theatre. And Scene Designers March 6-16 characters, Hamm and Clove, Governor's Teaching Excellence box oHice and the UCSD box • Since last August, Dan Dryden has been a very busy man. As assistant professor in the Drama "Endgame" will be presented at who have a master-servant "Our production," he said, "has Program that included funds for office in the Student Center. For 8.30 pm March 11 and 13-15 and relationship. The play deals with been influenced by the literary the students involved in the cast information call the UCSD Drama pepart~ent and the residen.t designer at UCSD, Dryden has been co-ordinating a brilliant and at noon on March 12. Director of man's painful, perplex, frantic and philosoph ical richness of and production company. Department at 452-3791. mtere~un~ show for the openIng of the Mandeville Center for the Arts. Begmnmg March 6 and runfllng through March 1.6, an exhibit representing nearly thirty costume and scene,~lsign~rs will be on ~~play i~ the mai,n lobby of the. Mandev~lJe Center .• 'The purpose of the show, expl~med Dryden, IS.to bnng to thiS campus ~n Introductlon, an awtlreness, of scenic and costume deSign. Many people Just assume that everythmg on the stage JUSt happens; they don't 12 :00-12:30 of Hybrid understand costumes and scenery are as much a pan of the theater as an actor learnmg his lines and a playwright writing a script." Students' Guide to Avant-Garde Musi The show, which covers a seventy-year time period, is meant to display the innovations that have 12:30- 1:00 LIVE ELECTRONIC Hawkman Returns (Was There ~eshape~ and elevate~ scenic co~tum!= designing. Dryden, who has travelJed to the Stratford Theater Ever Any Doubt?) - mOntano, The Guthne Theater m Mmocsota, and was awarded a grant in December to work in New Somewhere the distant past of Chinese phi losophy is the story of Perhaps one of the most interesting events wi II be the two-day n LIGHT COMPOSITI York City contacting designers, is pleased with the final results of his efforts. ,. Some of the sketches the man who wanted to . become enlightened.· Consequently, he exhibit of "MUSEUMS" (a full listing of these events accompanies 1:00- 2:00 that have been acquired. for the display are milestones in the theater. We have Oscar and Tony sought out one of the eminent sages of the day and eo:pres,ed his this article). Under the auspices of the Music Department and the : -- FO RKNER, GRUSIN (premiere) awar~ winners, as welJ as samples of some of the hottest young designers now working on Broad desire. "Very well," said the sage, " but why did you bring all that Center for Music Experiment (CME), and directed by Kenneth way. baggage with ~u?" Bewil~red , the man looked around to see what Caburo, "MUSEUMS" is a multi-media presentation including tapes, Included in the show entitled "Innovations: Then and Now" will be theatrical drawings and the sage was referring to, bOt sa\V nothing but the pack on his back films , slides, computer sound generation, biofeedback systems, video 2:00- 2'30 Preparation for Bio Museums closed for 'II hour dc;signs of some 2 ~ of the country's foremost designers for professional and regional theatres. There ~ich might constitute baggage. The sage, seei~ the man in distress, and video synthesis, light compositions and photographic displays. 2:30- 3:30 BIO-THEATER:· -R , OLIVEROS, BARRON, BLANKEN- WIIJ also be 1~ costume plates fro.m the Stratford Regional Shakespeare Theatre in Stratford, Ontario finally said, "The baggage' ~u are carrying is in your minc;i . It is your BURG , INGBER and a samplmg of costume deSIgns from the Stratford Theatre which are now part of the UCSD eo:pectations and desires. You come looking for enl ightenment, but 3:30- 4:30 ATOMIC CAFE'S HITS: (Environmental Music For In Drama Department collection. _ how will you know if you ever achieve it? What happens if it does not One of the "MUSEUM" presentations is "Bio-Thea'ter," which is "a struments And Student Composers/Performers _ Accompanying the drawings will be a videotape about theatre design work featuring designer conform to ~ur ecpectations?" sound/ light presentation using brain-waves, respiration, and other STRUBLE, Director Tanya Moisoiwitsch. The 20-minute film will be shown continuously. bio-potentials to mntrol an electronic music synthesizer and lighting 4:30-5:00 DI~IT . ...,""."" ~1~·";t.,.,.1 of Hybrid Analog Modules: -- KOBRIN According to Dan Dryden, resident designer for the UCSD Theatre, exhibits of scenic and costume Thus everyone is advised to leave their "baggage" at the door for display. The 'bio-performer' controls the environment bv altering his 5:00-5:30 Colors : - BURT design are rare despite the fact that many designers are excellent artists. the UCSD Music Department's offeri ngs at the Mandeville Center this or her mental modes. The eo:perimental presentation is the result of "Through sketches designers relate their ideas to authors, directors and performers," Dryden 5:30-7:00 ics, Documents (ct . week . The variety eX musical €'IIents is "really astonishing," according research at UCSD under the auspices ci CIV1E by the SonicMeditations said. "They are but a means to an end and not an end in themselves. Research Group, whose concern are modes of the consciousness as to Pauline Oiveros, Associate Professor d Music at UCSD . 7:00-7:30 Orville)-- ERICKSON "The designer rarely has the time to paint pretty pictures of his design or complete a stunning related to composition and performance." model. Sket~es are often ~over~d with data and mea.surements, splattered with scene paint and 7:3(}' 8:30 ELECTRONIC MUSIC: usually survive the productlon With frayed edges and npped corners. The sketches that survive are "You can't make generalizations about 'modern ,,"usic'. Try to HYBILl: - <;H.A. •• FNRa.rnrF'nl collected and catalogued in library vaults to serve the theatre historian and scholar. ' , remember whatjt was like when you didn't have any judgment, any Phases. CL YNES (premiere) Among the artists represented in the show will be pioneer scenic designers Edward Gordon Craig prejudices, when ~u were ready for anything." Thus armed--or is it . Another of the "MUSEUM" pieces is "Bulrs Eye-You are the Tangential Energy II and Robert Edmond) ones who helped establish the foundations of theater design work. Included disarmed?- people s~ould be ready for the great r1.Jmber of musical Target," a film by AI Huang, with commentaries by none other than the late Alan Watts. It is a spoof on meditation Also on the program Roddy : -- ERICKSON will be Craig's rendering of a scene for a 1911 production of "Romeo and)uliet" and)ones' drawing eo:periences bei ng Il'esented. Archangel (ResDClnse.,ith slide of Man Flymg: - is "Atomic Cafe's Createst Hits", composed an8 performed by UCSD of a scene for the original production (1934) of" Ah Wilderness" which starred George M . Cohan. students. CElONA Renderin"s by Academy and Tony Awards winner )0 Mielziner will include scenic drawings for The opening night performance is entitled "Stage Work by UCSD 8:30- 9:00 DISPLAY: Documents (ct. below for details) "Winterset • (193~), "A Tree Grows in Brooklyn" (19~O), "Cat on a Hot Tin Roof ' (1954) and Composers" and consists of four works (see the full schedule 9:00-10:00 VIDEO;" George Ballanchine's "Who Cares" (1970). Mielziner won the 1955 Academy Award for color art direction of the motion picture '·Picnic. " He elsewhere in these pages for dates and times). " Hockshurr," by On March 10th, the Music Department presents "A Chamber Blinder : - BLA .. ",...... L.o (premiere) . assistant professor Jean-Charles Francois, is a game piece for 30 Do Your eddy 'Iettoes In Their Feet? -- BURT has been associated with 300 major productions a~d has also won five Tony Awards, five Donaldson Concert in Honor of Ernst Krenek," under the direction of Will Awards and nine citations from the Variety Poll of Critics for his theatre design work. players. It is an action piece where the object d the game is to get Ogden. This concert wi II feature works by Arnold Schoenberg, Will Dying Song: - BURT ) through a maze, in this case an elaborate hop-scotch set. The players, Give-Take and Mini One, Two, Three: --CABURO, NMCE IV Renderings by American Conservatory Theatre costume designer Robert Morgan will include the Ogdon, Ernst Krenek and a theater piece for guitar bv Jean-Charles ACT production (1973) of "House of Bemarda Alba," the Marin Shakespeare Festival's production ~ng and old al ike, respond to light changes and the directions in Francois. 10:00-10:30 Preparation for ,Museums closed for 'II' hour each square to create movement. "It is activity at all l€'IIels; music (1973) of "As You Like It" and the UC Santa Barbara production (1973) of "Caucasian Chalk Cir 10:30-11 :30 BIO-THEATER:" CH, OLIVEROS, BARRON, BLANKEN- de." One of the theatre's current young costume designers, Morgan is m his third season with the making ~ich everyone can participate in," commented Ms:OIiveros. BURG, INGBER The big evening for fun and hilarity is March 12th, which bears the ACT in San Francisco and has been active in many of the nation's regional Shakespeare festivals. Playwright, director and scene and costume designer Mordecai Gorelik will be represented by his unassuming title d "Contemporary Vocal Mlsic." The UCSD Concert The next piece in this quartet is "My, My, My What a Wonderful Gloir and Chamber Singers will perform "The Celestial Country" by renderin~ for • 'Born Yesterday," and "Vivi Mexico," photographs of his designs for Fall" by professor Kenneth Gaburo. This piece involves the 12 :00-12:30 FAN-FARE: ATOMIC "ProcessIOnal" and "Thunder Rod:" and a model of his designs for the New York City Theater Glarles Ives. Stuart Dempster talks through his trombone in "General movement of trained dancers "rediscovering the spontaneity of for .Instruments and Union production (1934) of "Sailors of Catta[o. " Gorelik was one of the leaders in the "new theatre" Speech" by Robert Erickson . There is a performance of "Oh Ha Ah" falling," according to Oliveros. STRUBLE, Director by Pauline Oliveros. In .addition, the Extended Vocal Techniques movement in the 1920s and 1930s. Donald Oenslager, a student of Robett Edmond/ones and former head of the design program in Group of the Center for Music Experiment will present the world 12 :30-1:00 LIVE ELECTRONIC rI:II'IM."'''.LI:· Hawkman Returns (Was There Ever Any Doubt?) - theatre at Yale University, has loaned renderings 0 his designs for "A Dramatization of the Book of Third is professor Robert Reynolds' " ... From Behind the p-emiere of "The Owl and the Pussycat" by ucst> graduate student Deborah Kavasch . " If you don't roll in the aisles at this concert," Job," "Major Barbara" and .. Red, Hot and Blue.' ' Unreasoning Mask" in which three performers-a trombonist (Stuart 1:00- 2:00 ELECTRONIC MUSIC: A variety of scenic renderings and photographs will show the work of Henry May who has warns Ms. Oliveros, "then ~u just haven't g>t a sense of humor." Dempster) and two percussionists-play through a unreasoning mask, Treatments I: -- HUM designed for the Metropolitan and San Francisco Operas. He also served as architectural consultant in this case a four-channel tape, a symbol of technology. The players Across The Wind: -J to the New York Philharmonic Orchestra for Lincoln Center's Philharmonic Hall and was executive have to overcome the tape. Harmonics: - art director for the • 'Omnibus" television series in the 1950s. May is currently the resident designer Tne UCSD Gospel Choir performs on the 13th under the direction of Dante's loynte: - for the UC Berkeley Theatre Department. Cecil Lytle and featuring soloist Edwin Hawki ns, Concert pianist Gary Beautiful Soop: - Phorofraphs and costume sketches showing designs by Peter Wexler for a new opera, "The Graffman performs on the 11th. On March 15th "Music for Larger 2:00-2:30 DISPLAY: Photo~ra ics, Documents (ef. below for details) Trojans, • will also be displayed. Wexler won a Tony Award for his designs for " Walking Happy" Ensembles" will be presented. The UCSD Chamber Ensemble and the 2:30- 3:00 Preparation for Bio eums closed for Y, hour and is now redesigning the Hollywood Bowl. Rounding out the quartet is associate professor Oliveros' ONn piece La Jolla Civic/University Symphony, under the direction of Thomas 'Crow Two." It is a multi-faceted, very theatrical ceremonial opera. 3:00- 4:00 BIO-THEATER;· - RI , OLIVEROS, BARRON, BLANKEN- Douglas Russell, costume designer foc Stanford University, has loaned a number of his work Nee, will perform two world premieres of works by UCSD Music BURG . INGBER including sketches for the Old Globe Theatre productions of "Measure for Measure" (1964), Almost everything in the piece is a form of meditation. The faculty : "Concerto for Flutes and Chamber Orchestra" by Joseph meditators meet q:>posing forces, in the form of two Crow Heyokas (a 4:00-4 :30 FILM: "Henry VIII" (1965) and "Richard III" (1972). Julian and "Rainbow Rising" by Robert Erickson. In addition to these Pas De Cinq: NMCE Another award-winning designer exhibiting in the show will be Patricia Zipprodt who has won Sioux Indian word meaning "scared down") who try to distract them world premieres, works by Will Ogdon and Loren Rush will be from their medi ~ ations . Some of the meditations in the work are Bull's Eye-You Are : -- AL HUANG, with commentaries by Tony Awards for her costume designs for "Fiddler on the Roof' and "Cabaret" and the Drama J:]"esented. intriguing. Six fl ote players will be in the catwalks above the theater, ALAN WATTS Desk Award for her designs for "Pippin" and "Zorba." Costume sketches in the show will include and the audien( e is invited to influence the pi tches telepathically. 4:30- 5:00 LIVE ELECTRONIC NCE:" Hawkman Returns (Was There "Cabaret," "Pippin," "1776" (movie) and "Waiting for Godot. " There are mirror rreditations; even the lighting is a meditation-called Ever Any Doubt?) "Designing for the theatre is such a collaborative an; no scene or costume will stand on its own; This is only a partial list of the musical events begi nning this week. 5:00-5:3U DIGIT rol of Hybrid Analog Modules - KOBRI N we need the stage, the actor, the audience ... " Dryden's drom have produced an artistic display of Luminic Medit, tion--in which light is projected upward to an Everyone should consult the full listing in this issue and keep it for ATOMIC CAFE'S 51 HITS (Environmental Music for In mapificeot and unique talent. In the husde and busde of the Man(Jevilk Center opening, don', cw-rangement of ni rrors and then downward onto the performers. The ready reference. Admission will be charged for the follOWing con 5:30-6:30 Student Composers/Performers - .misa it. Luminic Medital ;on i~ fToduc d by John Forkner. certs: The Inner City Repertory Dance Company, Gary Graffman, struments and STRUBLE, Director UCSD Gospel Choir, "Stage Works by UCSD Composers", "The VIDEO:· Bewitched" "A Chamber Concert in Honor of Ernst Krenek," 6:30 -7:30 Beach Piece: - ' Contemp~rary Vocal Music," and "Music fo'r Larger Enselbles." All four of the;e pieces will be presented together on opening night Soap Job: -- BLANK . and all are worl j premieres, except for Reynolds piece. The second Seascape-Skyscape. night brings a performance of "The Bewitched" by the late Harry Ihis impressive array of contemporary music should have Pulstring: - JACK Partch. For those of you who missed this perfamance at San Diego something for everyone. If ~u haven' t had a chance to experience 8:00- 9:00 BIO-THEATER:· - BARRON, BLANKEN- State recently, a group of their musicians is bringing it to the Man "modern music," or if you haven't made up ~r mind about it yet, BURG, INGBER deville Center for us " It is a dance-theater musical in which a group here is a great opportunity to immerse yourself in it. "You may not 9:00- 9:30 FILM: of ' lost' musicians wander onto a half-dark stage full of stange in like what you hear," says Ms. Oliveros, "but it wi II hit you ." She Play : - BECKEn strum nts and begin to play Through the exotic sound they recalled that her -first enq~unter ~lth ':'modern music" was the Bartok Shriek: - BARN momentarily find a direction and forget they are lost. An ancient Spring Quartets in 1952. ~he was perple1led, not knowi ng how to feel 9:30-10'00 VIDEO And Colors : - BU RT Witch materializes and takes mmmand of the lost musicians and they about it, until she bought the album and played it about ten times in then proceed to conjur up ten scenes of perceptive visions a row. She slowly became familiar with it. The point is that one 10:00-10:30 of HYbrid ganaloa 'Modules: -KU~RIN Apollo proleels Oresles fro", Ihe chllt'8es of ",aJric;ae ill Ihe HOUSE OF ATREU adapted <,;}tirizing. through humor and farce, the human situation as we live should allow himself to be eo:posed to new and diHerent expressions 10.30-11 :30 fro", Ihe ORESIEJA by Aescbyills, fro", a re"tkri"8 IIOW i" display i" the Ma"dev"'e Ce"ler It " befor forming an opinion. for the Arls. : - rORKNER, GRUSIN Page 8 Triton Times March 5, 1975 UCSD an.d SD Community Pianist Graffman Will Richard Foreman to Premiere New Theatre Piece pleasure In performing for the San - Perform Here Tuesday Four performances of an Many of the same characters performed. He tape> the te st In ' pe r ~ p ec t i v es for Ih e audience" (Olll(' Into It .' ,ay, 10rt'I1hln Die&o community. original production by one of the appear throughout Foreman's advance, plays it back duripg t:, e want to f'xp lorp the [on performance and stops hrs "Music for larger Ensembles" is On Tuesday, March 11, as part quartets, cellist Leonard Rose, leading creators of innovative works . Malt is an uncle-father 'CIOU., n l'~~ . thp bt'lng, thp 'I'nt'''' a five-part prolram belinning violinist Berl Senofsky, flautist theatre today will be presented figure and Ben is a tormented recorder at various points while The nam e of ~ o r e man ' s theatr e. of the unlversp " of the eleven day culture festival the actors repeat some Gf the '''Ontological-Hy ste ri c,'' is a with an address by Nancy Hanks, commemorating the openina of Jean-Pierre Rampal, .-KI others. Sunday, March 16, for ·the final young man . The main wwoman in words astlley com.e overtre ta~ . . coml>ln~iof\ of two Ideas of chairperson of the NEA. the Mandeville Center, pianist GraHman's prolram on March dayofthe 11-daY~8"'~ival his recent ~WCH~ls R~a./ a wife FoIlowinl her speech, "Chamber Gary Graffman will be presented 11 contains Mo.rart 's 50,,"/4 i,,·P for UCSD's n~ · MAnde~ille fiaure. There's aI!O a fMlMe fatal Consequently' th~ rh~'Wm a'}d c~ncer:A , }O" FQFemCifl - ontology, duration of the prod4d,i9ns vary the stuq..- of the nature of Concerts," featurina music by in concert. Althoulh GraHman is Miljor, K. 332, Beethoven's. Center for the .4~\ '" . in the bac;kJr,pund w~ ~ioes by a from perfoJ"",a.nce" .tc; per ~ existence'. and"~steria foreman Joseph Julian, UCSD's first Ph.D. known as a master of Roman SoNllil No. 32;" C ",",or, Op. variety of ' ~5 and SOphia, a form'!"ce . . .~ .. f, says he frndi'rns robts and dream s r oreman 'S productions In clude irt music, will ensue. This con ticism, his program will include 111, Ravel's 5oNl/r;,e, and Richard For9l(nan,; _}ler and · &Qddess of wisdom ~ • .T1\e men, certo employs all seven members director ·ol' ~.. VoM.~ ·:.· On- says E~;:" e ~~ .01 ' ' .• "'. '." _ .Ji;;-'~" ..... ~ijj''~ I4ui4ialth~ir Ofthe19th " Vert ical 'M obll ity" -[19N), works by Mozart, Beethoven, Moussorgslty's popular Piclllr,s J.. t~ It .. .., ~~.. '--- • J.iI: t .."·· • • ',~ - '.~I-'; .. ' • "~ii:h alt basically "Palh(t )" (1974.-). " Part lcl!> c:I the flute family and various Ravel, and Moussorgsky. fro", "" Exhibilio". Mozart tological - HVst.~ :. T'-atrr "'re., himself i.l&tI\~ Won\tci',stand for 1AZf'V:' percussion instruments. Whenever discussinl the presents a challenge to the will p~,em. ier~ ~ .._ . th,~atre. ·. 'auual women in his I~e,.~,.. " fQr~"n ~)so ·.'U)E;s·/'$lid9'- ~ithh~~uations. . : h e.o r y , ,. (} 97 J ) , "le Tombeau de Jean Cocteau" relative talents of living piano technical mastery of the most pl~e, ., Thlnkihi~~ndr itt 2, of';' ..•. _'*"').i:c,< .~~ I praiections lA~QS ~"~~_ at··>:} .~/ •• II. .''':#.~ of,. .~ , . , .:, SOPQl a~, (Wlwom ) .' , .t ,~ ')72), will be the third part of the virtuosi, the name of Cary accomplished pianist. A well 4,7and9p.rn : in(QQfl111softhe ' . "'." ..,.' ,'" a kind of running'corfa1:J\entitIY fo "I "try... : ; tak.e sOme of ' that EVld~ ,n ce (1972) ana Hotel program. This is a theatrical f • Graffman mU5t certainly be performed rendition of Mozart is center. .. _, Foreman U$Ua II y Cunuucts:"~'~' h ~ the action .- 'qhe Rt.f'pos.e/"',I\e "'~I~, 'tlnl1.holes in it , widen China (197 1). musical piece of Wilbur Oldon, mentioned. GraHman, 46, is still always the sign of a great .-saVS, "is to gjve ~hy ilif'h!rent the 'holes ilnd let the universe The cast the UCSD obeinS , . in which orchestra members act considered a young pianist, even musician. The .vozart' So""I" is a Of productiori;s~. v,!y're .." . out skits as well as play their though 1975 marks his 27th year fine example of the classicist product ion will include Frank respective instruments. Loren of professional performance. ideas prevelant' in all of Mozart's Condon, Norma Jean Deak, Larry Rush's "Dans Le Sable" will Graffman's road to success works. It consists of the symetric Dec kel , David farkas, Beth He created a speCial feature a collection of "trance started in 1938 when, at the age I-V-I moduation . involved in the Hogan , Peter Klein , Jeffrey Levy, production , "Une maine So us like" quotations recited by a of ten, he was accepted into typical classic Sonata. The Kim Merhoff, John Ovrutsky, L' lnfluence de 1973," for the Pam speaker with a mystical musical Philadelphia's Curtis Institute 9f Beethoven 50,,"1" provides a Pamela Pa scoe and Joan Autumn Festival Other for man cnangement in the background. /v\Jsic. At the Curtis Institute he lively antithesis to the .voz.rt. Ro enfels works have been performed al thp The final part d the program will studied under the late Isabelle The last composed of Tanglewood MUSIC F tlval and be "Rainbow Rising," written Vengerova unti I his official debut Beethoven's sonatas, it abandons Seating will be limited. Ti ckets the Lenox (Mass) Arts Festival especially for the Mandeville with the Philadelphia Orchestra
At TMI ~ TIle 403 '''' C.e aa.. WIllI .... I-..ct ThIll T1It ..... ~~~O)fC(R You can do it, too. 56 flf over 550,000 other PI'Ople hIVe done it. People who thing-thl plecl to lurn more about it is at • fret speed reeding InIOn. ,- have different jobs, different la" different intltests; different educations hive "'..,is is thl saml course President Kennedy had hit Joint Chiefs of Stiff tak • . SAl. flARC}{ completed the cou,.. Our grlduates are people from all walks of life. Thew - The staff of President Nixon compllted this tour. in June 1970. Th. SImIone people ,NYe all taken a course developed by Evelyn )Nood, a prominent Senators Ind Co""I,,"*, haVI t.ken. -. educator. Prectically .11 of them at I.. t tripl'" their reacti~ speed with equal or bette'r comprtheOlion. Mo.t hive inoCeaMd it Wt" mott. ' . Cemt 10 • Mint-leaon and find out. It is frM to you I'" you will IHYI with • 81JJ. o Think for a moment whlit that meant. All pf lhem~ the slowest-now read be"" ·understanding of why it works, One thing th.t might bother you about In ..,. novel in leta thin two hour.. t~ ,..cj' an antire iau. of Ti,.,.. or "'. . . your rladlng tpIad is that tornIClne might find out how lloW it is. The F3F.TIJi.5..X GYfi. N~ in 3& minut... They don't skip or skim, They rlad every word, they InltruCton .t tM Evelyn Wood Reading Oynemict FrM Sptad R.lding Ieaon use no ~infL InNed, they let the ""ttrial. ~:r, r~i", ctmrmine how . will ~ .)IOU keep yowr *ret.h's true we prfCtice the fir., .,~ to improved fflt they rlad. And INIrk this WIlli: they ectu~ny u~ morl, remember feeding It • Mini·LIIIQfI end we willlhc:,... your reeding'spIIId on the sPot, but more; ·.nd Injoy more than when they rHd slowly: That', right I They the ,..,Iu will remain your sacret. Plan to 'attend • frM Minl·L..un .nd learn f underttlnd morl. They remember more, They enjoy more. You can do the UIM 1hat it is possible to read 3-4·5 times faster, with comparabll compreMnsion. 7:30p"'THURS. MARCH 6 . . .- EOW OF III SAN DIEGO VS. SANTA MONICAILONG BfACH,
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SanDieto EI Caion Chula Vista CIfIIbad SanDieto PHONE AGE BIRTHDATE 6335 EI Cajon Blvd. 173 Fielcner Pkwy. 485 Fifth Aven ue Plaza EI Camino Real Suite 1 4344 Convoy Street San Diego, Calif. 92115 Parkway Plaza Chula Vista, Calif. 92010 ,~,~ tl \,amino Real San Diego, Calif. 92111 SIGNATURE 582·9725 EI Cajon, Calif. 92020 422·9514 Carlsbad, Calif. 92008 560-6161 Office PLEASE PRINT ALL INFORMATION f'.LLOW 6 WEEKS FOR PROCESSING ' •• 12 Triton TiIlM'l ~rch 5, 1975 440·9907 729·9811 279·9896 Store ------~-- Pa)4e 13 Triton Time March 'i. 1975 Realjpn . Artist O'Doherty to L~cture More Poem Comm jssjooed 'Sen e of Reference' Graffman Poets Rich, Miles Will Read During Opening Continued from ;.e 10 Brian O'Doherty, artist, lecturer his birth date. Art Association for "excellence in his friend Victor Hartman: It and current director of the visual He is the author of three books art criticism" in 1969. consists of musical discriptions of Two outstanding American Her published verse includes professors, has contributed ecpetience. Have them. Make The exhibition in the new works by Nancy Holt, Hans arts program for the National dealing with art and has con As Ireland, the artist has had various paintings separated by poets will give readings of their "The Diamond Cutters," significant work in the field of them . Encounter them The true Mandellille Art Callery, March 7- Haacke, Robert Smithson and Endowment for the Arts, will give tributed chapters or served as eight one-1nan shows including a promenades which in the words work as part of the 11-day "Necessities of Life," "Selected ~ylistics , and has collaborated ~iter must neller be afraid to try 16, entitled "~ense of Reference", Christo. These pieces will be two public lectures at UCSD's editor of several others. He has showing of large rope drawings at Moussorgsky, "the composer opening festival for the Man Poems" and "Leaflets." Her with Mark Schorer and Gorden new ventures, aim for new will prOllide n Ollerall survey of documented by photographs, of Mandeville Center for the Arts. written essays and articles for the Los Angeles County Museum deville Center for the Arts. IX)etry appears in the anthologies Makenzie in roiting Crilicism,the rorizons, break with the old contemporary art focusing on the drawings, films and videotapes. portrays himself walking "my such publications as the New of Art during February. His work right, now left, now as an idle "Contemporary American Poetry" FOllndations of Modern Literary traditions. And such persons can't theme of Real ism. Two of the films, Christo's , York Times Book Review, the Yale has been included in numerous Andrienne Rich will read at 4 (1962); "A Controversy of Poets" Jlldgement, be afraid to write about such "Valley Curtain" and Smithson's person, now urged to go !lear a Review, Evergreen Review, life, group shows and in reviews and pm Monday, March 10, in the iIld "Poems of Prof. BennetIII Ju..... oaena wII be In tIIa Women'e c.... for • Brown ... Lunch at 1~ on Wed or n.u,.. Con IMt Women'e Canter tor cIEfI ...... QRlIJIII ,. A COWGE LJIII IN8UIlANCI COM 'ANY ,...... ntlltl". wlH ... In- tIerVIewIntI on ___ Wed Merch 1 tor poeItIone In ... 1__ ..... AI ...... nd any...... , ...... c-Plannl.... _ Me. CIJII UcId Roberta ....1IIIne .....ht .t tile ...... Ide D_," .. " p.m. (UI "ROUND L.V.L - G"RD.N COURT. ..------.- _.- MAN~V~L. C~T.R COME CELElRATE INTERNATIONAL ,. WOMEN'I DAY AT THE WOMEN" CENTE .. I friday M.rch 7 2-1 pm. More .- -_I. Info: C-2111Z1. .• (UI " , ,, r I I ,. i lectures ~ r I Itudent·Faculty DIec: .....on : Whet Ie the ".n.I... nce Educetlon1 W.d. March I , • pm ..ev .... Formal Lou ..... fi' ------..efreahmente wiN be ..",... (IlIOn .orad by R.".... 'rottram loardl (MIl I . . . I Prof_or lert N.... from UC Irvine, KAFKA UND GOETHE (In Germenl fri. March 7, 12.... .".... Inforrnel Lou .... pm ).. ~ (-1 L-. I "':"'J..r-, 1~'~ Lr---o..l • _-u.--.l I = + ~ Dr. W.yne At... Proh.or, Depert· R . H . A R.A L ment of lu,...,." UCSD, lec:tura on MAN~V ILL. Currant ..~ on Bone.. c.,..... r.------~~------~ r endNpedlc ~.. Fri.T~, March of 7, I~~ p.m ....._ ~ .., BeeIc Ic'-- Buldlne, MC (271 ...... ,.,.A..- __ C co cco o -.. films The film "Cod. Blue" will be p,....nted by S .A.T.C.H. All pre· m.de er. welcom. end encoure.-ce to ....nd . Thurs. nlte, 1:30 pm. bee. Confer. Rm. \ (3 /5' Wed. Merch 5 " Oomelne end Hyet.,..le In F.rromegnetlc M.t.rIa.... 12 7104 Ursy Hell (3 /5' meetings ~IR.T ~LOOR L.VEL Bike Club mMtlne, M.rch I, • •' 10 pm C.NT... Hl " • . MovIee to be ah_n. 1311 LJ 1at me.dng of UCSO PoIttIceI ScIenc. --1 Union. 3 o'cIooIl. "eveI.. formal Iou..... All etudente Interaeted In PoIItIceI L"J Science, P ..... Attend. 1311 L] COMMITTEE TO KEEP KLEINBE ..G mHta Wed. M.rch I .t 1 pm In Muir 1V loung.. All Int.r.et.d p.,.one welcom• • (J/I' -.- Trenacendental Medltetore: Thera ""III -- be en .dvanced mMtlng end group medltlltlon Wed. M.rch 1 et 7 pm In .lake Cont. Room (N.xt to T.T. offtcel. For Info. Joe Rieker, ___ or .. 1140. CS.l.M.I.1 (3/11 . AILING TEAM MEETING WED MARCH I , 4:00-1 :00 PM, P.E C.... room . Important! (J/Il + HOR. EIACKRIDING CLUI • MEmNG •• COND ~LOOR - STUDIO L.VEL 311; 4;00 REC. GYM CONF. ROOM. MAND.VILL. C.NTER 'LEASE COME. DEPINm PLANS fOR NEXT RIDE. 13/1' Page 16 Triton Times March 5, 1975