Boston Symphony Orchestra Concert Programs, Season 118, 1998-1999
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Frédéric Vaysse-Knitter | Biography
ERIC BENOIST CONSEIL Frédéric Vaysse-Knitter | Biography "[Vaysse-Knitter] is clearly following in the tradition of Chopin, Debussy and Liszt. Starting with the first book of Debussy's Images, he achieved a shocking, almost physical beauty, ringing with boundless clarity. (...) The power, gravitas and harmonic richness of his interpretation [of Liszt's Funérailles] cannot fail to impress, as Vaysse-Knitter elicits from this solemn work a diversity of sound that would rival a grand symphony orchestra. Then finally, there is Debussy's Poisson d’or (...), fluidly played, with the delicate touch of overwhelming virtuosity." Bruno Serrou (June 2016) "Every descent into the self is also an ascension, an assumption, a glance toward the true external reality." This quote from Novalis perfectly expresses the quintessence of Vaysee-Knitter's nature – his playing is characterised by an extreme intensity and sense of vital urgency that grips the listener, as the piano under his hands sings melodies of introspection and transcendence. This duality partly explains the fascination that the music of Karol Szymanowski holds for him: For several years, Vaysse-Knitter has devoted himself to Szymanowski's entire piano oeuvre, as well as to the works of his contemporaries, yet all the while, he has remained particularly attached to modern day music. His Szymanowski solo recording was highly regarded among classical music publications, receiving 4 stars from Fonoforum, 5 stars from Piano News and a "Maestro" rating from Pianiste. Similarly, his subsequent album Szymanowski-Stravinsky (released by Aparté), which he recorded with violinist Solenne Païdassi was awarded a "Choc" by Classica, their highest recommendation, as well as 5/5 by Diapason and 10/10 by Klassik Heute. -
Gidon Kremer Oleg Maisenberg
EDITION SCHWETZINGER FESTSPIELE Bereits erschienen | already available: SCHUMANN SCHUBERT BEETHOVEN PROKOFIEV Fritz Wunderlich Hubert Giesen BEETHOVEN � BRAHMS SCHUbeRT LIEDERABEND Claudio Arrau ���� KLAVIERAB END � PIANO R E C ITAL WebeRN FRITZ WUNDERLICH·HUbeRT GIESEN CLAUDIO ARRAU BeeTHOVEN Liederabend 1965 Piano Recital SCHUMANN · SCHUBERT · BeeTHOVEN BeeTHOVEn·BRAHMS 1 CD No.: 93.701 1 CD No.: 93.703 KREISLER Eine große Auswahl von über 800 Klassik-CDs und DVDs finden Sie bei hänsslerCLassIC unter www.haenssler-classic.de, auch mit Hörbeispielen, Download-Möglichkeiten und Gidon Kremer Künstlerinformationen. Gerne können Sie auch unseren Gesamtkatalog anfordern unter der Bestellnummer 955.410. E-Mail-Kontakt: [email protected] Oleg Maisenberg Enjoy a huge selection of more than 800 classical CDs and DVDs from hänsslerCLASSIC at www.haenssler-classic.com, including listening samples, download and artist related information. You may as well order our printed catalogue, order no.: 955.410. E-mail contact: [email protected] DUO RecITAL Die Musikwelt zu Gast 02 bei den Schwetzinger Festspielen Partnerschaft, vorhersehbare Emigration, musikalische Heimaten 03 SERGEI PROKOFIev (1891 – 1953) Als 1952 die ersten Schwetzinger Festspiele statt- Gidon Kremer und Oleg Maisenberg bei den des Brüsseler Concours Reine Elisabeth. Zwei Sonate für Violine und Klavier fanden, konnten sich selbst die Optimisten unter Schwetzinger Festspielen 1977 Jahre später gewann er in Genua den Paganini- Nr. 1 f-Moll op. 80 | Sonata for Violine den Gründern nicht vorstellen, dass damit die Wettbewerb. Dazu ist – was Kremers Repertoire- eutsch eutsch D and Piano No. 1 in 1 F Minor, Op.80 [28:18] Erfolgsgeschichte eines der bedeutendsten deut- Als der aus dem lettischen Riga stammende, Überlegungen, seine Repertoire-Überraschungen D schen Festivals der Nachkriegszeit begann. -
The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Tue, Oct 20, 2020 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 10:00 Handel Concerto Grosso in D minor, Academy of St. 12704 Hanssler 98.918 401027600655 Op. 3 No. 5 Martin-in-the-Fields/Br 8 own 00:12:3037:36 Glazunov Symphony No. 8 in E flat, Op. Bavarian Radio 00963 Orfeo 093 201 N/A 83 Symphony/Jarvi 00:51:0608:15 Liszt Tearful Andante (Poetic and Leif Ove Andsnes 06005 EMI 57002 72435700223 Religious Harmonies, No. 9) 01:00:5108:35 Mendelssohn Trumpet Overture, Op. 101 City of Birmingham DownloadChandos 5235 n/a Symphony Orchestra/Gardner 01:10:2630:41 Mozart Piano Concerto No. 27 in B flat, Jarrett/Stuttgart 03926 ECM 1655/56 781182156524 K. 595 Chamber Orchestra/Davies 01:42:0717:06 Strauss, R. Horn Concerto No. 1 in E flat Damm/Dresden State 06500 EMI 69661 077776966120 Orchestra/Kempe 02:00:4314:22 Fauré Suite from Masques et Orpheus Chamber 04533 DG 449 186 028944918625 Bergamasques, Op. 112 Orchestra 02:16:0507:20 Debussy Nocturne in D flat Zoltan Kocsis 09850 Decca 478 3691 028947836919 02:24:25 35:00 Delius Florida Suite Royal 00853 EMI 47509 077774750981 Philharmonic/Beecham 03:00:5515:49 Rimsky-Korsak Capriccio espagnol, Op. 34 Cincinnati Pops/Kunzel 06630 Telarc 80657 089408065729 ov 03:17:44 27:57 Beethoven Cello Sonata No. 3 in A, Op. 69 Ma/Ax 01536 Sony 42446 07464424462 03:46:4113:17 Handel Concerto Grosso in F, Op. 6 Guildhall String 01887 RCA Red 7921 078635792126 No. -
Wednesday Playlist
October 23, 2019: (Full-page version) Close Window “Art and life are not two separate things.” — Gustav Mahler Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Chausson Poéme, Op. 25 Perlman/New York Philharmonic/Mehta DG 423 063 028942306325 Awake! 00:18 Buy Now! Brahms Piano Quintet in F minor, Op. 34 Nakamatsu/Tokyo String Quartet Harmonia Mundi 8007558 093046755867 unavailable for 01:01 Buy Now! Mozart Horn Concerto No. 2 in E flat, K. 417 Slagter/New Amsterdam Sinfonietta/Markiz Radio Netherlands N/A sale Choir of St. Paul's Episcopal 01:15 Buy Now! Rorem Breathe on me Breath of God Pro Organo 7058 n/a Indianapolis/Boles 01:18 Buy Now! Bach, J.C. Sinfonia Concertante in A Camerata Budapest/Gmur Naxos 8.553085 730099408523 01:36 Buy Now! Rimsky-Korsakov Suite ~ The Tale of Tsar Saltan, Op. 57 Scottish National Orchestra/Jarvi Chandos 8327/8/9 N/A 01:59 Buy Now! Chopin Ballade No. 1 in G minor, Op. 23 Krystian Zimerman DG 423 090 028942309029 Symphony No. 3 in C minor, Op. 78 Reference 02:10 Buy Now! Saint-Saëns Kraybill/Kansas City Symphony/Stern 136 030911113629 "Organ" Recordings 02:46 Buy Now! Bach Flute Sonata in A, BWV 1032 Galway/Cunningham/Moll RCA Victor 68182 09026681822 03:00 Buy Now! Lortzing Overture ~ The Armor Maker Leipzig Radio Symphony/Guhl Hong Kong 8.220310 N/A 03:09 Buy Now! Moszkowski Piano Concerto in E, Op. 59 Lane/BBC Scottish Symphony/Maksymiuk Hyperion 66452 034571164526 03:47 Buy Now! Dvorak Romance in F minor, Op. -
Copyright Yvonne Chen 2019
Copyright Yvonne Chen 2019 Yvonne Chen: Lutosławski’s Piano Concerto ii ABSTRACT Lutosławski’s Piano Concerto by Yvonne Chen This document is a comprehensive study of Witold Lutoslawski’s Piano Concerto (1987-88), a masterpiece of the post-modern era. A biographical look into Lutoslawski’s fifty year gestation with the ideas for the music shows the inspirations, genesis, and processes of materials used in the piece, which straddles tradition and modernity in refreshing ways. An analysis of the work clarifies the many points of inspiration – from the pianism of Chopin to the woodwind timbres of Stravinsky, and his use of ad libitum sections to support his pragmatic approach to notation or his development of “chain form.” Following Lutoslawski’s ideas about music perception, this document includes performance observations from recordings including those by the work’s dedicatee and the composer himself. Finally, I provide a practical guide for pianists to discern and approach the technical and musical difficulties of the piece in Part Four. Yvonne Chen: Lutosławski’s Piano Concerto iii ACKNOWLEDGMENTS Many thanks to Yuri McCoy, friend, colleague, collaborator, organist-arranger extraordinaire, and birthday fellow, who was the first to introduce me to this piece. Without his enthusiasm for this piece and his persistence, I might have never come across it, let alone learn it. It is to him I have to thank for having the patience for spirited conversations while we figured out the piece note-by-note together in many rehearsals, and I want to thank him for taking it on the road with me to share it with people in Houston, Washington, DC, and Charleston thus far. -
The Blake Collection in Memory of Nancy M
The Blake Collection In Memory of Nancy M. Blake BELLINI’S NORMA featuring CECILIA BARTOLI This tragic opera is set in Roman-occupied, first-century Gaul, features a title character, who although a Druid priestess, is in many ways a modern woman. Norma has secretly taken the Roman proconsul Pollione as her lover and had two children with him. Political and personal crises arise when the locals turn against the occupiers and Pollione turns to a new paramour. Norma “is a role with emotions ranging from haughty and demanding, to desperately passionate, to vengeful and defiant. And the singer must convey all of this while confronting some of the most vocally challenging music ever composed. And if that weren't intimidating enough for any singer, Norma and its composer have become almost synonymous with the specific and notoriously torturous style of opera known as bel canto — literally, ‘beautiful singing’” (“Love Among the Druids: Bellini's Norma,” NPR World of Opera, May 16, 2008). And Bartoli, one of the greatest living opera divas, is up to the challenges the role brings. (New York Public Radio’s WQXR’s “OperaVore” declared that “Bartoli is Fierce and Mercurial in Bellini's Norma,” Marion Lignana Rosenberg, June 09, 2013.) If you’re already a fan of this opera, you’ve no doubt heard a recording spotlighting the great soprano Maria Callas (and we have such a recording, too), but as the notes with the Bartoli recording point out, “The role of Norma was written for Giuditta Pasta, who sang what today’s listeners would consider to be mezzo-soprano roles,” making Bartoli more appropriate than Callas as Norma. -
Friday 14 February 2020 12:00 Music Through the Night 6:00 Daybreak
Spanish Songs - Alison Balsom (tpt), G450 - Kazuhito Yamashita (gtr), Phil/Daniel Harding (Virgin 5 45480) Gothenburg SO/Edward Gardner Tokyo String Quartet (RCA RD 60421) (EMI 3 53255) CHOPIN: Ballade No 1 in G minor R SMITH: Air Castles - Ryan Smith HILL: String Quartet No 3 in A minor, Op 23 - Krystian Zimerman (pno) (DG (accordian), Robyn Jaquiery (pno) Carnival - Dominion Quartet (Naxos 423 090) 8.570491) PUCCINI: Oh, saro la piu bella! - Tu, VIVALDI: Violin Concerto in G RV310 Friday 14 February 2020 BACH: Keyboard Concerto in G tu, amore? Tu?, from Manon Lescaut - Adrian Chandler (vln/dir), La Wq43/5 - Trevor Pinnock - Kiri Te Kanawa (sop), José Carreras, Serenissima (Avie AV 2106) 12:00 Music Through the (hpschd/dir), English Concert (CRD Orchestra del Teatro Comunale di Night 3311) Bologna/Richard Cheetham (Decca 7.00 ZIPOLI arr Hunt: Elevazione - SZYMANOWSKI: Nocturne & 475 459) Gordon Hunt (ob/dir), Niklass Tarantella Op 28 - Tasmin Little (vln), KOEHNE: Way Out West - Diana HAYDN: Cello Concerto No 2 in D Veltman (cello), Norrköping SO (BIS Piers Lane (pno) (Chandos CHAN Doherty (ob), Sinfonia HobVIIb/2 (3) - Gautier Capuçon CD 5017) 10940) Australis/Mark Summerbell (ABC 980 (cello), Mahler CO/Daniel Harding LISZT transcr Grainger: Hungarian RACHMANINOV: Prelude No 4 in E 046) (Virgin 5 45560) Fantasy S123 - Ivan Hovorun (pno), Minor, Op 32 - Colin Horsley (pno) DUSSEK: Sinfonia in A - Helsinki Royal Northern College of Music (Atoll ACD 442) Baroque Orch/Aapo Häkkinen RACHMANINOV: Symphony No 2 in Wind Orch/Clark Rundell (Chandos -
The Blake Collection in Memory of Nancy M
The Blake Collection In Memory of Nancy M. Blake BELLINI’S NORMA featuring CECILIA BARTOLI This tragic opera is set in Roman-occupied, first-century Gaul, features a title character, who although a Druid priestess, is in many ways a modern woman. Norma has secretly taken the Roman proconsul Pollione as her lover and had two children with him. Political and personal crises arise when the locals turn against the occupiers and Pollione turns to a new paramour. Norma “is a role with emotions ranging from haughty and demanding, to desperately passionate, to vengeful and defiant. And the singer must convey all of this while confronting some of the most vocally challenging music ever composed. And if that weren't intimidating enough for any singer, Norma and its composer have become almost synonymous with the specific and notoriously torturous style of opera known as bel canto — literally, ‘beautiful singing’” (“Love Among the Druids: Bellini's Norma,” NPR World of Opera, May 16, 2008). And Bartoli, one of the greatest living opera divas, is up to the challenges the role brings. (New York Public Radio’s WQXR’s “OperaVore” declared that “Bartoli is Fierce and Mercurial in Bellini's Norma,” Marion Lignana Rosenberg, June 09, 2013.) If you’re already a fan of this opera, you’ve no doubt heard a recording spotlighting the great soprano Maria Callas (and we have such a recording, too), but as the notes with the Bartoli recording point out, “The role of Norma was written for Giuditta Pasta, who sang what today’s listeners would consider to be mezzo-soprano roles,” making Bartoli more appropriate than Callas as Norma. -
Récital Krystian Zimerman Dimanche 28 Avril 2019, 16H
Dossier de Presse Récital Krystian Zimerman Dimanche 28 avril 2019, 16h Krystian Zimerman, piano © Kasskara/ DG En 1977, Zimerman enregistre un récital d’œuvres de Krystian Zimerman, piano Chopin, un premier opus chez Deutsche Grammophon. Sa discographie comprend de nombreux enregistrements Programme : Krystian Zimmerman ne donne que rarement à l’avance le programme qui ont fait date : les concertos pour piano de Beethoven et de ses récitals, qu’il choisit presque au dernier moment, selon ses désirs Brahms avec l’Orchestre philharmonique de Vienne, dirigé et ses inspirations. par Bernstein ; des concertos de Grieg et Schumann avec l’Orchestre philharmonique de Berlin, dirigé par Karajan ; les Dimanche 28 avril 2019, 16h Préludes de Debussy ; les concertos pour piano de Chopin avec l’Orchestre du Festival Polonais, un ensemble de jeunes musiciens polonais virtuoses crée par Zimerman pour De 10 à 52€ célébrer le 150e anniversaire de la mort de Chopin en 1999. Il a également enregistré les concertos pour piano de Witold Krystian Zimerman Lutosławski, écrits spécialement pour lui. Le premier, Biographie publié chez Deutsche Grammophon en 1992, a été dirigé par le compositeur lui-même. Il a été suivi en 2015 d’un live Pour Krystian Zimerman, la musique est l’art d’organiser enregistré avec l’Orchestre philharmonique de Berlin, dirigé ses émotions dans le temps. Les interprétations du pianiste par Simon Rattle. Citons également : un album d’œuvres de polonais, de Beethoven à Schubert en passant par Chopin Grażyna Bacewicz (2011), le Concerto pour piano n °1 de et Szymanowski, révèlent des subtilités expressives infinies. Brahms avec l’Orchestre philharmonique de Berlin, dirigé La place de Zimerman parmi les plus grands artistes par Simon Rattle (2006) et le concerto pour piano n ° 1 de contemporains réside dans l’originalité de ses performances, Bartók avec l’Orchestre Symphonique de Chicago, dirigé toujours intensément personnelles et méticuleusement par Pierre Boulez (2005). -
Lunch Concert
LUNCH CONCERT Mardi / Dienstag / Tuesday 21.11.2017 12:30 Grand Auditorium Orchestre Philharmonique du Luxembourg Gustavo Gimeno direction Répétition publique / Öffentliche Probe / Public rehearsal Sergueï Prokofiev (1891–1953) Symphonie N° 5 en si bémol majeur (B-Dur) op. 100 (1944) (extraits) 30’ sans entracte / ohne Pause / without intermission Gustavo Gimeno Conductor Gustavo Gimeno has been Music Director of the Orchestre Philharmonique du Luxembourg (OPL) since 2015 and the orchestra and conductor agreed, in the course of last season, to continue their collaboration until 2022. Gustavo Gimeno has conducted the OPL in a variety of concert formats in Luxembourg, as well as in concerts in Munich, Amsterdam, Cologne, Vienna, Madrid, and many other locations throughout Europe. This season sees him work with soloists such as Daniel Barenboim, Krystian Zimerman, Khatia Buniatishvili, Sir Bryn Terfel, and Frank Peter Zimmermann. There will also be further releases in his series of recordings with the OPL for the Pentatone label, which began with discs of music by Anton Bruckner’s and Dmitri Shostakovich’s. Gustavo Gimeno is also in great demand worldwide as a guest conductor. For 2017/18 he has been invited back to the Boston Symphony Orchestra, the Cleveland Orchestra, the Dallas Symphony Orchestra, the Royal Concertgebouw Orchestra Amsterdam, the Orchestre National de France, the Wiener Symphoniker, and the Philharmonia Zürich. For the first time, he will also conduct the Toronto Symphony Orchestra, the Houston Symphony Orchestra, the WDR Sinfonieorchester Köln, the Orchestra Sinfonica Nazionale RAI, and the Royal Stockholm Philharmonic Orchestra. He will also conduct the Orchestra of the Eighteenth Century, which specialises in historically informed performance. -
Boston Symphony Orchestra Concert Programs, Season 128, 2008-2009
Music Director James Levine | Conductor Emeritus Bernard Haitink | Music Director Laureate Seiji Ozawa | SYAAP ] O R C H E STf R 2008-2009 SEASON I VHMB WfBSfSBe^m mum E3K MSgfc'tixsm IK HEP the Clarendon BACK BAY 3K The Way to Live i|!l . mi '' I II !l I II, :1 » !«! ? i nr k Ct isi. ' IB i w: i Hi- ' l !! ; a |* »f '«^ ^.. it a*H J MP IMS a £#.l W; PJMJ » 1 :,]„,, ii 3lj.W • ii «'• '.,'? ir ill!! 1 iiiP !IP* !Iii 1 il mil :'il . n; : if in ~ r ;f>«w mi i v m F1&& n=:2 RENDERING BY NEOSCAPE INTRODUCING FIVE STAR LIVING™ WITH UNPRECEDENTED SERVICES AND AMENITIES DESIGNED BY ROBERT A.M. STERN ARCHITECTS, LLP ONE TO FOUR BEDROOM LUXURY CONDOMINIUM RESIDENCES STARTING ON THE 15TH FL0( CORNER OF CLARENDON AND STUART STREETS THE CLARENDON SALES AND DESIGN GALLERY, 14 NEWBURY STREET, BOSTON. MA 617.267.4001 www.theclarendonbackbay.com BRELATED DC/\LcOMPAN REGISTERED WITH THE U.S. GREEN BUILDING COUNCIL WITH ANTICIPATED LEED SILVER CERTIFICATION The artist's rendering shown may not be representative of the building. The features described and depicted herein are based upon current development plans, whic subject to change without notice. No guarantee is made that said features will be built, or, if built, will be of the same type, size, or nature as depicted or described. No Fe agency has judged the merits or value, if any, of this property. This is not an offer where registration is reguired prior to any offer being made. Void where prohibits Table of Contents | Week 24 15 BSO NEWS 23 ON DISPLAY IN SYMPHONY HALL 25 BSO MUSIC DIRECTOR JAMES LEVINE 28 THE BOSTON SYMPHONY ORCHESTRA 33 THIS WEEK'S PROGRAM Notes on the Program 35 Ludwig van Beethoven 47 Gustav Mahler 63 To Read and Hear More. -
The Concerts at Lewisohn Stadium, 1922-1964
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2009 Music for the (American) People: The Concerts at Lewisohn Stadium, 1922-1964 Jonathan Stern The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2239 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MUSIC FOR THE (AMERICAN) PEOPLE: THE CONCERTS AT LEWISOHN STADIUM, 1922-1964 by JONATHAN STERN VOLUME I A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2009 ©2009 JONATHAN STERN All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy. Professor Ora Frishberg Saloman Date Chair of Examining Committee Professor David Olan Date Executive Officer Professor Stephen Blum Professor John Graziano Professor Bruce Saylor Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract MUSIC FOR THE (AMERICAN) PEOPLE: THE LEWISOHN STADIUM CONCERTS, 1922-1964 by Jonathan Stern Adviser: Professor John Graziano Not long after construction began for an athletic field at City College of New York, school officials conceived the idea of that same field serving as an outdoor concert hall during the summer months. The result, Lewisohn Stadium, named after its principal benefactor, Adolph Lewisohn, and modeled much along the lines of an ancient Roman coliseum, became that and much more.