THE DIAPASON AN INTERNATIONAL MONTHLY DEVOTED TO THE ORGAN, THE HARPSICHORD AND CHURCH MUSIC
Si:d,.Sixth Year~ No. ! - Whole No. 785 FEBRUARY. 1975
Anteri~an Guild of Organists MmlVINTER CONCLAVE
Bousion~ Texas De~. 26-28
In the Franck. tbe Germanic reeds worth. visiting. Private toun had been discipline usually begins with years of by Lat'ry Palmer were jarring. but Mr. Anderson's over arranged so the delegates had a more study of theory. harmony, and countcr all sense of tlle musical architecture was inclusil'e showing than usual. point, followed by exercises in writing superb. The 4taize. a sort of "Wedge" William Teague'. late afternoon reo and impro"ising canons. duos, trios, in· fugu~ a la Buckminster Fuller, received cital at Moody Memorial Methodist ,,'entions, and eventually fugues - all a scintillating performance. although in Church was entitled "Goodby to Christ· using traditional harmonies. Not until our opinion there arc more notes than ...... " the grammar lessons arc completely 3S· Nearly 150 ugistrants came to Hou~ music in this work. Program: NoS X, Grand jell el duo, similated does a French student begin lon, TL"Xas for the annual midwinter Following the recital, a modest group Daquin: Allein Gott in dcr Hah' lei Ebr' constructing his or her own freer musi (Le.. post.Christmas) get-together spon of people gathered for the "Get·Ac· (ClavierQbung III). Bach: Les Bc!rgc.rs, cal language in the paraphrase, toccata, sored by the AGO. For those from quam ted" hour at the conclave head. La Nativi~, Messiaen; Varladom lOr tryptique, ,'ariation. or the larger free northern climes who hoped to escape quart('rs, the Marriott Motor Hotel. For un NoCJ., Dupre. [orms such as the symphony. the blahs of winter. Hou lSton did not c0- most it was a "get RE-acquainted" time The Reuter organ of Moody Church. Perhaps Mr. Woods was wise in de operate. December 26·28 proved to be that went on until the wee houn. buried behind reredos screen, bas noth emphasizing the tools one must posst."SS unseasonably cold for Texas with over· Friday morning's activities were noo· ing in common with the French Ba· in order to impro\ ise well. since few cast skies and a persistent rain or threat music-dl: a sight-seeing tour of NASA roque. Mr. Teague's lackluster playing Americans would ever ha\'e the courage of it. We have noticed, howe\'c:r. that or· fonowed by lunch at Jimmy "Talker's of the Daquin NoCl with its prosaic or the skill to begin the kmg. strict dis ganists determined to have a good time - a sea[ood restaurant perched over "'tum-ta tum" interpretations of "notes ciplinary process. Therefore he demon· do not let anything as trivial as inclem water on the way to G~.Iveston. The re iQl!gal" did not set a very exciting pace strated from the keyboard his own stair· ent weather stand in their way. Leisurely mainder of Friday was devoted to ac· for his recital. The Bach trio suffered step method, easily grasped by all. en· planning and efficient bus tr.msporta tivities in the city of Galveston, begin· from the organ's marked imbalance be couraging the least \'ened in theoretical tion allowed anyone who wished to do ning with Marllou Dc Wall Kratzcn· tween divisions (with the pedal only a matters to begin doing ·-something." so to attend c\'crything on the program. stein's lecture-recital on ''The Art of faint echo from some far away spot), bad or good, ignoring any faults or mis· We drove to Houslon from Dallas the Articulation in Baroque Music" at First and the playing was an excellent exam· takes which might occur. In these exer· day after Christmas, arriving too late to Lutheran Church. pie (to complement the lecture of the cises. then. Mr. Woods places all the attend the workshop given by l'aul SalOl l'rogram: Prelude and Fugue in E afternoon) of non·articulate playing. emphasis on rhythm. which he describes munovich and the Singing Boys of Hous minor, Bnahns; Mein junges Leben bat The Messiaen shepherds sounded as "the primary human response to the ton. We aITh·ed. in fact. just in time ein End', Swcelinck; Fantasy and Fugue llightly geriatric; the mystique and artiH1r. impulsr ," to get lost, to have dinner. and to find in G minor, Bach. color of this music needs a reverberant Curiously. quotations used during the the Church of St. Vincent DePaul where The Freiburger tracker organ, en roam and a colorful organ. We realize lecture were [rom l'enichetti. and mu· Robert Anderson played the opening cased in the rear gallery. with R uck· that it is not altogether fair to blame sical themes [or the paraphrase were recital of the Cond a\'c on the ne\\' Rie· posith' on the gallery rail, proved to be a guest artist for the inadequacies of chosen from compositions by Mousorg ger tracker organ. a finc instrument [or Ms, KratzenslCin's the inl5l rument. but it is impossible to sky. Grieg, and Mt.'S5iaen. French impro· Program: Preludt! and Fugue in G playing. ]n her clearly delineated talk, separate this from the mwical results. visers however almost always usc Ger· minor, Bruhns; Six SchUbler Chorales, the artist defined articulation (the sepa The Dup~ variations reminded us man: gorian themes for tllis form. Bach; Preludt! and Fugue in C, BWV rating and grouping of notes within a and more of a legacy from the silent Nevertheless, the small audience ap 547. Bach; ParUla opus 8/ 1, Nun komm musical line) and pointed out that long movie era, but, given the limitations of preciated thc two impro\·isations. both der Heiden Heiland, Distler; Priere, slur lines, common to the 19th century, the organ on which it was played. it of which wandered through their rcspt.'C· Franck; Prelude el Danae Fugue, Litaize. were never found in Baroque music. received an adequate performance. The til'e forms with little focus or direcuon, The banks of red pD:insettias in this Quoting Marpurg (1761 ). ·'Ordinary Vox Humana was the most musical hannonically unstable and melodically impressh'e church building reminded movement, contrasted to legato and sound of the organ. undefined. The second, a choral On1~, us that it was indeed, Christmastide. The staccato, is non·legalo - or lifting the The Galveston trip climaxed with a was easier to follow and generally more organ, encased in the rear galley, seemed finger be[ore striking the next note." superb buffet supper at The Flagship. successful. the presence of the trumpet well·suited to the largely Gennanic pro she then proceeded to demonstrate ,'ari· the city" newest hotel built on a pier played by Thomas Parriott adding a gram, altllough it sounded quite thin ous articulations in examples from Bach, on~r the Gulf. Both the meals on Fri welcomed dimension. in its plenum. We ha\'e heard Dr. An Scheidt, de Grigny and Clerambauh. day (and the ncxt day's lunch. as well) If the purpose of this meeting was 10 derson play on many occasions, and this and she showed clearly that the finger were included in the registration fcc. inspire organists to begin to improvise. was not one of his better ennings. It substitutions of a Dupre edition are This was a fine idea, but the facts it was successful in that it gave those is un[ortunate that this gifted artist con· absolutel)" unnect.-ssary when stylistic should have received morc prominence who have no background in this area a [uses spetd wtih excitement - some· articulations arc employed in playing. in advertising. for the registration fee handle by which to grasp the subject. {bing which may indeed show his own In her chosen program, Ms. Kratzen· for the conclave seemed inordinately On the other hand, if it was. as the title cxcitement. but which docs not convey stein was most successful in conveying high unless one took these bonus meals read, to demonstrate the French style the same impression to his audience. the lively sense of rhythm which proper into consideration. of improvisation. then it fell short o[ The Bach chorale preludes benefitted articulauon can impart. The organ, The conclave planners had orches attainmg its goal. greatly from ha"ing the chorales sung by while not in tunc, did not hinder her trated their acorc with a fine and steady - Susan Ingrid Ferre soprano Barbara Marquart in a gentle. musical concepts. The contrast of the crescendo into the finale. Thus it was unforced manner to the accompaniment new organ with the old electro-pneuma. that Saturday held a plethora of events. of an 8' Gedackt. The Bach prelude and tic instrument in chamben above the the fint of which we did not attend. A TIle second organ e\'ent of Saturday fugue lacked a sense of climax at the choir (the instrument used for exam· report on this e,'enl. the lecture by morning took place in St. Luke's Metho climactic chords in each movement. The pies while she lectured from the front Richard Woods, reviewed by Susan dist Church. one of the typical Georgian Distler was simply played tOO rapidly ot the church) was worth a thousand or Ferre, foUows. structures of southern Methodism, car· throughout; this treatment worked bt."St so words. peted and plastered with absorbant mOl· in the opening and dosing tocca t;as ]t was a fine idea to have sightseeing The dark, driuly morning began with terials on every available inch. The or where Dr. Anderson was able to demo toun of historic Galvcston to fill the a potentially mind'awakening lecture ganist of the church, Robert Bennett onstrate his truly enviable pedal tech gaps between two organ recitals. Es demonstration on improvisation in the (also chairman of the program commit· nique. The Chaconne, however, su[fered pecially worth.while was the visit to the French style by Ricluird Forrest Woodi. tee for the conclave) was the organist. most from extreme tempos. Here the Bishop's Palace - an architectural gem The content was well organized. ex· He was assisted by Houston Symphony artist succeeded in making Distler sound from 1886. designated by the American tensil'e, and smoothly presented. even if principal tympanist, David Wuligcr. trivial. In many spots (as in the pedal Institute of Architecture as one of the it was admittedly not French. Mr. Progiam: Processional Entry, Strauss trumpet call motive of Var. V and the 100 outstanding buildings in the U.s. Woods argued that French improvisa· Reger; Rondena, Monnikendam; Paua figurations of Var. IV) the organ The general design of this structure is tions arc distinguished from others in cagUa for Organ and Tympani, Badings. couldn't speak rapidly enough for the "Victorian RenaiJsance." The detailed that they are "impressionistic:' Has hc The Strauss, played a little on the chosen lCmpos, leading oue to question work, panelling. carving. furnishings not heard a Frenchman improvise an fast side. is essentially camp; the Manni what the reason would be to play at and. at this season. the Christmas deco organ suite in classic style. using tradi· ken dam an exercise in pseudo-exoticism such an unmanageable pace. rations. makes the Bishop's Palace well tional harmonies? In fact. the entire- (Continued, page 5) , tonal thinking about them. and his one Book Reviews short r.aragraph on the lubject is almost THE DIAPASON worth ess if one w:uu. to find practical bhlblilh.d In 1909 in(onnation on them. The sections on rhythm, tempo. ornamentation and ac· cidentals are romplete enough to give An InlftJUtliorud Monthl, Dwoled 10 Ih. Orran, Donington. Robert. A Performe~. one a guide as to how one should p~ lhe Harpsichord 4nd Church Mtuic Guide to Ib.roque Music. New York. ceed in these areal. Charles Scribner's Sons. 1974, 520 pp .• Inevitably, such a book must be a $20.00. dialogue between only one musicologist FEBRUARY, 1975 and the performen, editon and teach ROIERT SCHUNEMAN Fruits of the musicological im'tstiga ers who are its readen. When one de rEATtJIlEII tion into the performance practices of cides. as Donington has here, to pn::sent AoG.O. MldwID.t_r Coae&cr.e, HouloD,. DOROTHY ROSER early music :Ire now coming to bear on a "practical" book, the choices of what ThCII:, Dec. 21-21 - A JI._"""", the practical pcdonner. Anyone who is omitted and what is included. and of by Lany PaIm_r 1,:1 Aul.tan' fdilor would play culy music must now know how one Iha11 treat the subjecti,'e "mu WESlEY VOS that there is an enJightened and some :fical" ideas invoh'c jUdgments that will A SU"~ of Orvcm LU_~ cmd what edUClted nudicnce out there as a nevcr be agreed upon by everyone who f::t::!~1a:ad TIuouoll u._ Cont,I"."".. fdl#on result. Hcncc. it is more difficult for has bad auy experience with Baroque by Marllou Xra,ta_ut_1a 4-', 10 lARRY P"lMO a ~rrormer to ignore the body of re music. Certainly the musicologists do Fort Laud_rd.., nodda CbUldl Harp.'ell.,11 search without incuITing some displeas disagree about thc importance and use DRleat.. N.,.,. 0nJcm - A Rqort ure from music:al confreres and andi of much of the material and ideas that by ROHrt Scbwro_1IUUI 7. 11 VICTOR W_ encc as wetl. What is wholesome about are presented here (as Donington points Cltoro'MIIM all this is that the displeasure is often out in his other book on interpretation REVIEWS not concerned with "authenticity" per so well). It is a dirricult job for an .Il!, but r.ltheT with purely musical author o( a "practical" book therefore ..... by Robert SdaUDhtocm a. It grounds. B:u1?
2 THE DIAPASON the composer's immense senshh'ity 10 difficult technical feats were so simple AGO MidwiDte~continu'd from 1'. 1) Throughout the concert Newman's tonc color (the instrumentation is for fat Newman that he would indulge hlJ1l' rclaxt'd off (h(" Cliff and off the CO:lr voices, h.mdbeJJs, h:lrpskhord, pipe ;md seJf in me6lningJt'S.!J ornamentation and manner was gah·anizing. electronic organs, electronic peano, '·ari· unneccs.sary cxtravaganu which detract· Church dUlics the next day madc il with a single-line organ parL through· ous percussion instruments). The s)"n cd from the music. impossihle for 115 to !litay (or thc final out most of its G/ 8 wa),; the Badings, copatrd presentation of the Latin text banqllct which featured an h)"sterical the most substantive piece on this pro reminded us of Poulenc's unorthodox :mthulngy of organ music with Joyce gnm. displ3.ycd the .ensili... c artistry of ways with this language, and thc stupen· The opt.'l1ing preludc and fugue WOlS JOlU'" at thc "Traclor Orgel." The pro David Wuligcr to excellent advantage. dous climax with bells at the mid.tex !\'cwman's now wen known rhythmic gnun fur this fun·filled spoof will add Bennett wa5 ob"iously at home with the tual Amen was hair-raising. Strandberg's impro,·isation on Bach's notation - the 10 the ranks (,·cry ran") of underground MOller organ, which sounded (ar super organ work, the closing piece of the pro extreme French ouverturc approach (lrg-oIl! lore (with the Olddition of Bore ior to the similar insta1lnuon at Moody gram. was by contrast too long. The which gil·t.os an impression something dolU 16', Oh, Boy 4'. Knocked Hom 4', Memorial Church in Gah'tslon. dancing secmed to hnc no rrlatlon to like schinkcnwunt with sauce bemaise. ctc. 10 lIIany disreputable stoplists. we Lunch scn'rd at the churrh consisted the music - starting and stopping with The short chorale prelUde from the imagine). of an excellent soup and imaginative out ~eming rqp.rd for what the organ Clnienl bung III was beautifully played The inimitablc Ur. Joncs appeared sandwiches. National AGO pn-sidcnt ist was doing - which ~emed, by the at 4' pilch. The "Wedge" was truly (agolin accoming to thc progmm) CtulrlCJ Doebler Walker brought greet. way, to be done "cry well. elegant and breathtaking playing, with through the "di!lm3Y" of her concert illtp to the conclave at this lUncheon. A walk :lCTOSS thc campus to the im. the reed plenum of the Brustwerk used managcmcnt. And so on, into the night, He also inform~ the delcgilll.'S that the prcuh·c new homc of the Fine Arts DL' 10 good ad,·antagc. The trio was a curi which was incidcntalJy fog-filled. ,Ve Howton Chapter hOld really " t .. kl..,. up par1mcnt brought us to the: elepnt or· ous aff3ir, played on three ke)'boards, pitied all those othen who were doubt· the gauntlet" at the lau hour sillce no g:m studio with its encased Beckerath as Newman decided to solo out the k'SS tf)'ing to get home through the one had invited the national group for 5·manua. lracker instrument. Church. melod)" e"cry time a fragment occurred. mess. a conclave until Houslon'~ OrreT in b.te style seating and a brick interior j'oint'll ,\t breakneck spet.'ll it pron'll too (ast summer. Putting logether a program to preserve: a finc acoustic: :lit lOugh for him to control. and nmning it smoothly in such a shon Ihe organ had been planned for :a much The D·major was an ex t: ~ise in futil· 'rhus Ih c 1·lou5tol1 ConclOlvc. In try. lime was quitt: a laudahle feat for the larger space, it is ma,t satisfying in the ity with his o\'er·aniculah.'tI pcdallings iug to c1raw some imprcs.sions from the Houston Chapterl room, and the long Bach progrolm we ha,·ing a tendency to burp and splat and whole c'·ent. we thought of the follow· Afternoon events took place at the heard did not become tiring. The artist Ihe tempo extra·onJinario of the whole ing in rcunsptct. It was intert.'Sting that Univenity of Houston where both tJ,e was the e\·er-controvcrsial Anthony New. piece simply mol'ing this work into the Houston. which had hostcd a national Religion Center Chapel and the Organ man; the music all by Bach. rc:alm of a ,·irtuoso exercise and out of AGO Cflln cntion in June, 1958 , had a Teaching Swdfo pro"idcd excellent Progr.em: Pnlude and Fugue in B lhe world of Ihe Baroque concertato whnlc new scI of iWllrnlllcnls In present acoustical envjronmclIL'I for tine sound. minor, 8WV 544: Kyrie, Cott Valer in and fuguc. to thc cunc!;u·c. We hal'e. heard the rt'Ci ing organs. Ro1xrt JOIIH, organist, the Ewigkei~ BWV 672: Prrlude and FUbrue Curiously enough. the sc'·m preludes lalists u£ 1I;ltional rcpute to betteT ad. Univenity of Houston Voal Chamber in E minor, BWV 548; Trio on Allein and fugues (rom the WTC represented '·:lUt:lgC l'iscwherc. Perhaps the time or Ensemble (Ray Moore, director), and GOIt, BWV 676A: Prelude and Fugue the least mannered playing of thc whole year is not advantageous to the best Beverly Cook, dancer, pflosented the fint in D, BWV 552; Prrludes and Fugues ff."Cital , and this at the hiupsichonl plil)·ing - nnc doc..'S rim out of Sicam at program. 1·7 lmm the Wr:U.Tempercd Clavier II where olle expects more mannerisms SCUl t.1ih:, ·s t.'ud and Chrisunas's after· Program: Magnificat, Dandricu; Dou· (harpsichord): Fantasy and Fugue in G than at the organ. As with e,'erything math. Onl}' ~ewmall bra,e a bcUcr-thall' ble Alleluia (or Pentecost Sunday, Fd· minor, BWV 542: Wenn wir in h&:hsten 011 thc proglOlm. Newman's technical c,·cr P' .. (onnance in flUT opinion. ciano: Offertories (1972). Hosanna, Hey Nathen Kin, BWV 641; Passacaglia and mastery of the music was absolute. aud II is a g(xKi idea, we think. for a Sa.nna, Sanna S;mna, Hey Sanna, Hosan. Fugue in eminaI', BWV 582. Ihe effect uf seven pieces played end chap"'r III prt.'SCnt :1 high pcrceut;lgc of fl3 (1972), Newton Slr::mdberg. If one were to mix a Virgil Fox, Karl 10 cnd without pause or t."1TOr is both progra ms frnm {X'Oplc OI!O$oci.llt'tl with it It was great to hear the Dandrieu Richter, Wanda Landowska. Pierre hypnotic and praiseworthy. Strange or ftrltu it!li rt.-glOn. T hrough the l!..'uS prt:sentt.'ll in altematim. as it was in· Cochereau. an ounce of Hindu incens'!. m3nual changt.'S marred the stylistic in· lIltrcpid c~ l\tnt")ltCc l'S come 10 know tended to be perfonned. Joncs' playing some pep pills. a lonch of orneriness, tegrity of this playing. however: at the a great dcal mure u( the depth or per· of the organ vcncts was crisp and clear. pizzano and chann in a \Varing blender SlrcUo in the Cminor fll ~ue , throughout fnnn:mce C'dpability to hc found in vari ahhough the attempted "nolt.'S in~gal" :It highest speed, would one produce an the D·major fugue (which soundt'tl in nus chapt!..'r centers ill Ihe country, and were a hit stifC. The Gregorian vencs Aniliony Newman? This arltst, about this wa)' ralhcr likc the old Strauhe Ihis should hc at h.-au one rcason for were sung with accuracy, but without whose extraominary abilitiC!l then:: tan t-ditions of the Bach fugul'S Cor organl, \ isitil1g n arious p13c~. subtlety, too often rcsc:mbling a "mOl' be no doubt, is jUst such a hybrid it and in the E-flat preludc. The harp,, chine gunning" of the reciting tonc. The 5«1115 to us. Thc utlnost honesty mixt'S chonl, a Hubbanl kit, was adequate but Reuter org:m in the chapel was colorful hen:: wilh impishness: musicologiCilI n: undistinguished. If the programs wcrc 110t all to~ enough for this interesung mwic. scarth miJ(cs willi the most extrovertt."lI Some of the ugliest fan lrills imagin. notch, the pace of the scheduling was Feldano's piece (really unwritten yet derringdo - and so on. It was master· able wcre heard in Newman's rendering Mirlur Y '.I/l' Principal 4' 61 p' pes MAN UAL I Trompotle a' CO( de Nu;' -4' 61 p4'pel Roh rfloefe a New Organs RUECKPOSITIV Noz ord 2-2/1' 61 pipes Princip,a l 4' Gedeckt a' Oclovin 2' 61 pipes Wo ld floefe 2' Prinzipal .. ' TIerce 1·1/5' 49 pipes Cornet II 2·2/3' Spillf15fe 4' Plein Jeu IV 2.... pipes Midur IV 1-1/3' Se~uialtero II BelSon 16' 61 pi~s Tremulant Octav 2' Trompette I ' 61 pipes MANUAL II GedGd.tnote 2' Haulbois 4' 61 pipes ~od:t a' Quinte 1. IIl' Tremolo 5p·lzQedocU 4' limbel III W CHOlR Prine; ' pel 2' Cromhorne a' EnaMer 16 12 pipes Qu'nHloete 1· 1/1' Tremulut (Adjust/llble) Copule 8' 61 pi pes Krummhorn S' aRUSTWERK (Swell , Erzohler a 61 pipes Tremu' ent Rohrfl51e I ' Enahler Celede a' -49 pipes PEDA L Seli zionel .. Woldr ote 4' 61 pipes Subboss Ib' Prinzipel 4' KI.ln Principal 2' 61 pipes Octove a' Holzfl51e .. ' QUint I I/l' III pipes Quintede 4 NOlal 2·2/l ' Trompette Mililoire a' Fogal 16' Siffl51e 2' Clarinet II ' 61 pipes Ten j·l/S· Tremolo Octav I' ECHO Scha rf 11 · 11 1 2/3' Floulo Dolce 8' 61 pipes Trompette a' flute C eo cste I ' 49 pipes Tremulani (Adjustable) 5iJlicionoi 8' 61 pipes PEDAL Va;' Ce;ede II ' -49 pipes Subbou 16' Germ hom 4' 61 p·pes Prinzipet a' aloci:;f/ole 2' 24 p' pes Rohrflole a' PEDAL Oclav 4' Contrabass 16' 32 pipes Mixtur V 2·2/1 Subbon 16' l2 plpes P05au ne 16' Erz illier '" Trompe:lle I ' Ou in leton 16 RohrKholmei 4' Prlnc,pe/bess 8' l2 pipe. G edccU bass a' 12 pipes Chore lboss 4' 32 pipes Spih fl51e 4' l2 pipes O c.t ovbass 2' 12 pipes Wicks Organ Compony: ConCJregafion Midll fC IV 128 pipes Beth Ef, D.troit, Michigan, .. manu.1 di. Conbo 8osron l2' 12 pipes Rudolf Jank.: The Unit.d Methodist visions and pedal. 51 ranks, el.ctric ac Poseune 16 32 pipes Church of a.r... Berea, Ohio. 3-manual tion. movable console. Music director of Boswn 16' and pedal, mechanicol key action. electroa congregation, tleson H. TicHon: dedica. Trompette Militoi,. 8' tion recitalist, Ray Ferguson. Trombone a' 12 pipes pneumatic stop action, seperafe hinged Zink 4' l2 pi pe. b.llows for each muual diyitlon. Khwtm. GREAT mer bellows for pede.1 division, fr ..-stand- Quinte lon 16' 61 pipes 1ng coset menual compass 56 not ••, p.dal Pri ncipo! a' 61 pipes comlMSS 32 notes, HQlzgcdCKU a' 61 pipes Oefeve 4' 61 pipes HAUPlV/ERK 5pWpfeife ~' 61 pipes Qu,ntodeno I" . " Super Octevo 2' 61 pipes Pr;uipol a • Mirture Y J05 pipes Grant, Oagens and S,.dbe.r: Parish• Hohlflofe 8' TtompeHe Militoire 8' 61 pIpes Church of St. Peter, Ounchurch, England. Oc:tOY 4' SWELt. 2-manual and pedal, mechanical key and Gem.hom .' Flute a Cheminee 8' 61 p;pel Ottov Z' dop action, manual comp-an 56 noter. V1Qle a' 61 pipes ped.1 compau 30 notes. f_IIARY, 1915 3 The history of English organ music Suprrmacy (15M), organ playing came can be tfaced in detail from the time of under suspicion as one ol the "idola· the early Tudor composers in the first trous practices" associated with the Ro· ASurvey Of Organ Literature &Editions: part of the 16th century. In contrast man church. In many Anglican church to the 5Qnt material available from ~. organ playing was forbidden. and or earlier periods in England (the 14th· boans were destroyed. century Robertsbridge Codex, believed Under Queen Elizabeth, who reigned to be of foreign origin, and the 15th· from 1558 to 160!. the negative attitude England Through The 18th Century century Douce Manuscript 381, which toward organ playing was somewhat re contained only a single organ composi laxed. Still. the single place where or tion). several IOUrte!I have been pre gan playing was actively encouraged was served from the 16th century. They in· the Chapel Royal. and not the churches clude Brit. MUI. Ms.29996 (the largest throughout the country. At the court. By Marllou Krafzenstein rollec THE' DIAPASON , lists the major omamcnu employed by fur the oratorio perfoml3nces that he Handel was one of the earliest com The immense popularity of Handel's English keyboardists. Although this is wrote his organ concertos. They were posers. presumably the first in an\" organ concertos stimulated a new crea often overlooked today, skillful embel intended for chamber orchestra and or· country, to write organ concertos.' This th'c period in English organ composi. lishments were just as essential for Eng gan or harpsichord, the concertos are new form became especially beloved in tionA In contrast to the sober \'olulltar Ush organ music of the 17th century gay, lighthearted pieces containing some England. although it was not unknown ics of the previous century. English or as they were (OT virginal music. Christo virtuoso elements, Handel himself pre· elsewhere. J. G. Graun (1702/03·1771) gan compositions of the Handcllian and pher Gibbons (1615·1676) and Benja· sided at the organ, and he naturally im and C. P. E. Badl (1714.1788). musi. post-Handellian eras were gay and secu min Rogers (1614-1698) alSo wrote a few provised much in addition to what he cians at the court of Frederick the lar in character. Conceivt.'1l primarily organ pieces. Notewonhy in their works had sketched on the page. Today, in Great, both composed organ conccrtos. as concert music. the best examplC$ of arc echo errccts and an imaginative use performing these works, an organist The French composers, Michel Correne organ music from tlle mid- and laUer- of ornamentation. has the option of elaborating on the (1709-1795) and Claude-Bcnignc Balbas 18th century ha\'e a strong, rhythmic (Example 5) score (especially during repeated sec tre (1727-1799) did likewise. And later, sense and an exuberant melodic line. tions), of improvising cadenzas and the Viennese Classical composers pro· Handel's cosmopolitan style - all amal John Blow (1649.1708). the most sig sometimes entire movements. duced several examples in this form. b'atnation of Italian, German. and Eng nificant keyboardist since the Eliza lish characteristics - fanned the model bethan masten, wrote quite a number for the new style. This was applied of organ works - preludes. voluntaries, Ex. 5. Cltr. Gibbons, J'o/tmlarit!, m.l5-20. equally to concertos for organ and or verses, fugues. Unity is often lacking in chestra and to \'oluntaries for organ his compositions. l et there is morc alone. Some voluntaries were now three depth than could customarily be found or four movements in length, although in English organ music of this period. the two·movonenl \'Oluntary continued He learned to display the solo stOps of its supremacy. the organ in an altracth'c manner. and Maurice Greene (1695-1755). contem he developed a skillful way of handling porary and long-time friend of Handel, echo effects. The excerpt which follows wrote a number of voluntaries which has been taken from his Echo J/olun• clearly reflect the Handel style. His r'ol· tary in G, which was written for a 3- untary No. 10 in D M inor, [or example. manual organ. The Great Comet was is a two-movement work (Lnrgo and to be used as the primary solo stop. An Allegro) consisting of a majestic French swering it was the Comet of the Echo overture and a spritely fugue. organ. Intervening interludes and ac· oompanimental parts were played on (Examples 8a, 8b) the Diapasons of the Chaire organ. William Boyce (1710-1779) and Wil (Example 6) liam Walond (1725-1770), two other The banality whidl too often accompan skillful composers of the late Baroquc, ies Echo compositions is successfully each wrote several voluntaries which avoided in this particular case. Blow characteristically consist of a broad, knew just the right moment to vary Ex. 7, Purcell. Voluntary lor Double Organ, m.23·26. stately first movement, followed by a the rhythmic and melodic pauems of fast one. The second mO\'ement would the echo fragments. Then, in addition, be either fugal or would feature a solo he contrasted these with points of imi step (Cornet. Trumpet, etc.) , some tation in the Diapason interludes. limes with echo effects. One of Boyce's I -- - most eapth-aling works is his J'ol,mtary Considered one of the foremost mas ters of his time, Blow relinquished his No. I in D Major, from which Ute fol Elgji MJ::rt:=f IQwing two quotations ha\'e bt'Cn taken. organ position at Westminster Abbey in 1680 so that his most gifted pupil, (Examples 901. 9b) Henry Purcell (1659-1695), could suc· William Felton (1714-1769) . equally reed him. Certainly, Purcell did take Ex. 8a. Greene, Fo/untar)" No. to in D Minor, ht mov'l, 111.1-4. under Handd's influence. wrote 32 con English music to new heights of great certos for organ or harpsichord. Al ness, but he did not make a major though all of them were published dur contribution to organ music. The most ing his lifetime. only a few are avail famous organ pieces fonnerly attributed able loda)'. The modern editions, un to him have for some years been known fortunately, arc arrangements for organ to be arrangements, to be compositions alone, rather than Ihe actual concertos by someone else, or to be of at least for organ and orchestra. dubious authorship. Some belie\'e the e:r=fil::CC Thomas Arne (171 0-1778) and John I'oltmlary OtJ Old IOOth may have been Stanley (1713·1786). two other success composed by Blow. Regardless of who Ex. Greene, Voluntary No. to in D Minor, 2nd mov'l, m.I-4. ful composers, united elements of the wrote it, thiS voluntary, wrillen for an ab. Handel manner with transitional fea organ with divided stops (descant and tures of the pre-Classical, or Ganant bass) and no pedal, is a unique work, style. Arne wrotc six concertos for organ since English organists did not norntally and chamber orchestra (strings and 2 write liturgical settingJ during this oboes, usually). Actually, these concer period. (" G ~8r'fai e tos. like those of Handel, Felton, etc., Purcell wrote only a handful of or Iii were written for any keyboard instru. gan pieces, some of which arc short and ment, and not exclusively for organ. lIot particularly impressh'e. His Volun This fact was nearly always indicated tary ill G, however, is a liable work, and Ex. 9a. Boyce, f'oluntary No.1 in D Major, 1st mov't. m.I-5. on the title page. Since a few registra. his Voluntary for Double Organ is quite tion indications were given, however, dramatic. Among other things, the Vol ~''5~.::. I 1~1 J one assumes that Arne. like Handel. pre untary lor Double Organ may indicate ferred to use the organ. An excerpt from an acquaintance with the musIc of Fres· Arne's Concerto No.5 [allows, cobaldi. In style, it has little in common with the 18th-century organ music of (Example 10) Walond. Boyce. Greene. and company, r , Crossing of the hands and fll.'quent who employed an even metrical pulse ClEI:l:I:-. _ ... I:: IC19Fm = manual changes for echo effects make and melodies with very regular contourll. this a virtuoso piece. for the performer. Purcell's voluntary. as shown in the The listener, however, perceives the following excerpt. has a more free mel work simply as a channing piece. mov odic line and is extensively embellished. Ex, 9b. Boyce, Vol1m tary N o. 1 in D Alajor. 2nd mov't, m.1-8. ing the emotions agreeably. without any (Example 7) strain on the intellect. The works or John Stanley often have In the early 18th century, in the gen the same attracth'e, deceptively simple eration after Purcell, voluntaries, two quality. Some of his compositions arc movements in length, increasingly re obviously late Baroque. while OUtCfll placed the one·movement VOluntary have definitely moved into the Gallant which had been lltandard up to that style. His contribution to English organ time. In the voluntaries of William e:,====:='-ft- ·'3·" literature is considerable. He published Croft (1678.1727) , for example. there is in 1775 Six Concertos lor the Orga", often a slow introduction. followed by a Harpsichord, or Forte Piano; will, ac fast, contrapuntal movement. Somewhat companymen15 lor two violim and a later. after Handel had placed his un bass, He also wrote three sets of 10 voJ mistakeable stamp on English music. untaries each, published in 1748, 1752, specific Handellian trademarks show up and 1754. Most of the \'oluntaries are in most of the mid-18th century English two movements in length, although voluntaries. there are some 3- and 4-movement vol Before discussing Handel and his fol ~~ untaries as well. Echos are amply pres lowers, however, one would like to note ent in the majority of his compositions. an English organist who differed signi Ex. 10. Arne, Concerto f', lst mov't, m.52-59. In the two-movement works, the first ficantly from his contemporaries. Thom movement is nonnally an' Adagio played as Roseingrave (1690.1766). who stud· on the Diapasons. The second move ied lor some years in Italy (1710·17181) . ment is quick in tempo and features a He spent considerable time with Do ~"., solo stop, most often Trumpet or Cor· menico Scarlatti. The unusual modu· I"' . net, sometimes Stopped Diapason or lations, chromatic melodies, and freely Flute. Stanley'S writing for solo stops is handled dissonances in Roseingravc's very idiomatic_ The Trumpet solos ?tgan works clearly indicate Scarlatti's ts:,:i=:::C:: really sound like fanfares, and the Cor mOuence. net solos move rapidly up and down. George Frideric Handel (1685-1759) exploiting the brilliance of the Cornet came to England to produce Italian timbre. In addition, Stanley composed opera, that most fashionable fonn of some examples of the type of work musrc during the first quarter of the known as the Full Voluntary. I'or the 18th century. As is commonly known, ~~I:: ~~ ¢ :" - Full r'olulltary, one uses the complete he began writing oratorios after Italian ~;}J;;f I; opera had fallen out of favor. It Waf == (Catltillued, page 6) FEBRUARY, 1975 5 Kratzenstein tially. is that tIle lowest voice ran has Greene: 3 Voirmlaries, Set I (f, Bb, b) ,'ersity Press_ Organ Corlcerto in c, ed. -I ( Conli"'lt~d Irom p. 5) been assigned to the pedals am one or (Tallis 10 Wesley series, IV) _- I'olun I.e Huray. London. Oxford University usually two inner ,'oices ha,'e been taria . Set II (G, Eb. c, d) (Tallis 10 11rcss. added. The entire concept of the piece Wel ley series, XV).- I'ohmlary in C Diapason chorus of the Great organ changes when it is so arranged. The Millor, cd. West, London. NO\'cllo, 1961. Tallis: Complete Keyboard Works, ed. from beginning to end. original chann and freshness is lost. If, l'olllnlar), Xlll, cd. Emery. London. Sle\'ens. London. Hinrichsen, 1953. 3 to add to the offense, the perfonner Novello_ H)'mn Verses and 4 Antiphons (Tallis (Ex.mples II. 12) succumbs to the temptation to usc a 10 Wesley series, II) .- FOllr Pieces, Part big 16' sound in the pedal and a nearly H.ndel: ORG. I< ORGHESTRA: 12 I)' Irom tlI ~ Mlllimer nook (Talli$ to Several other composers contributed Full organ sound for the solo voice he Orgelkomerte, op. 4, op. 7 ( G. F. Hiin lI' esle)' series, 111).- organ concertos and voluntaries during will have bloated the poor composition dels Werhe, ed. Chrysander, XXVIII), the late Baroque and Gallant eras. John beyond recognition. Deutsche Hiindelgeseib ehqlt, Leipzig, Tomkins: KeylJoarti Music, cd. Tuttle Keeble ( 1711 . 1786) appears to ha,'e One additional composer made a sig· Macck, 1858·1903. OrgelhOflzerte, op. -l, (Musica /Jritmmica, V) , 1.ondon, Stain· been a gifted composer. Unfortunately. nificant contribution to English organ cd. Matthaei (Hallische Hiindel·Aus· er &: lIell. 193fi. Contents: primarily vir· not much of his music is available: to· literature of the latter 18th century, galle, Series IV, vol. 2) . Kassel, Barcn· t!innl music. Nille Orgarr Pieces, ed. day. A small assortment of pieces by Charles 'Vesley (1757.1834) . He wrote reiler/ Leipzig. Deutscher Verlag fiir TuUJe/ Dart, London, Stainer &: Bell. Ktocble. by John Alcock. Jonathan Bat· Six Concerlos lor the Organ or Harpsi Musik, 1955. Orgelkonzerte, op. 4 &: 7, Three Hitherto Unpublished J'ollmtar tishill, John Hennett. Thomas Dupuis, chord, his opus 2. 'V'ritten while Wes cd. Seiffert, Leipzig. Breitkopf &: Hartel. ;es, ed. Ste\'ens (Tallis to Wesley series, and other composers of the time can ley was stm very young, these works 1924·28. Orgelkollurle, op. -1 &: 7, cd. X\' ll) .' he found in ,'arious collections of 18th· were clearly modeHed after the compo "ralcha, Mainz, Schott. 1940·43. 6 Orgel· centnl') English organ music. sitions of John Stanley. They represent kO'lurte, ed. de Lange, Frankfurt. C. F. Walmisley: Orl{n" Pieces (Tallis to Wes· At this point it is necessary to point one of the last appearances of the Gal Peters, c. 19,)3. There are also arrange· Ie)' scrit.-s, XXXVI) ,- out or print. Some out that far 100 much 17th. and 18th lant style in English organ music. The ments of the concertos ror organ alone publications hy Novello, likewise out of centul')' English organ music has been works of thc othcr two 'V'es1eys. Samuel by Mauhaei (Barenreiter) . by Keller prin •. arranged "for modern organ." as the and Samucl Sebastian. will be discussed (W. i\fiiller "erJag) , by Dupre (Borne expn'SSio n goes. What this means essen· in a SUbsequent article. Ulann). by Lang and Bower (Nm-ello) . Walond: Three Comet Voluntaries (c, by Phillips (Hinrichsen) and others. d , G) . Set I (Tallis to Wesley series. Ex. 11. Stanley. l'olllnla,,)' 1'1, 2nd mO\,'r, m.l·4. Other pieces for organ or harpsichord XX) .- Three Cornel J'olunlaries (G, d can be found in the complete editions n, d) , Set II (Tallis 10 Wesley series, of Handel's works, as wen as in the XXXII) . - Itllrodllctioll and Toccata, rollowing editions. 6 Fugell, cd. HeJl I.ondon. Cramer. mann, Wiesbaden, Breitkopf 8: Hartel. 6 Fuglln. or Voluntaries, Set I, cd. Phil· ,Wesley, Charles: ORG. &: STRINGS: lips (,rallis to Wesley series, Xll).- 4 COllcerto IV (C Major), ed. Finn. Loft· Voluntaries, Set 11 (Tallis to Weslc), don, Hinrichsen, 1956. series, XIX) .- 18 pieces for mechanical dock were primed in W. n. Squire. COLLECTIONS Ex. 12. Stanley, Concerto in C Minor, lst mov't, m.18·24. "Handel's Clock MUSic." Mwical Qunr· lerly, V. 1919. pp. 538·552. Pieces lor a Mwical Cloch, ed. Spiegl. London/ Aile englische Orgelmeisler, ed. Phillips Mainz, Sdlott, apparently out of print. (l.ilJer Organi, X, gen'l ed. Keller). Mainz, Schott. Compositions by AI woode, Blow, Boyce, Byrd, O. Gibbons, I.ocke: Organ Voilmtnries, cd. Dart Greene, Purcell, Redford, Stanley, Tom (C",,,plele Keyboard Works, Uk. 2) , kins. S. Wesley. London, Stainer &: Bell. 195i. 7 J/oltlll tl/rics from "Melothesia" (Tallis to Wes· AllerlgJiscile Orge/musik, cd. D. Stevens, It'y serit'S, VI).- Kassel, B5rcnreiler. Compositions from the Tudor school: AUwood. Blitheman, ""gge: Three J'olutllar;es lor Double Coxslln. Preston. Redrord, Ph. ar Rhys, Organ, cd. Jeans/ Steele, London. No· Strogers, Taverner, Thorne. While. \ clio, 1956_ Purcell: Har/lSicilOrd atJd Organ Musie, Alte"glisc/te Orgelmwih: Die Orgel .fliicke alu cler Parthenia (1621 ) utld t.'d. Squire/Hopkins (The Works 01 Herlry Purcell, VI) Purcell Society, Lon· l,omloll Ms 29996 (1647) (Cantarltibw don. Novello. 1895. New edition: OrgtUl Organis, Bk. 16. gen'. cd. Kraus). Re Works, cd. McLean, London, Nm'ello. gcnsburg. Verlag Fr. Puslet. EDITIONS ments, cd. Tuttle, Paris, L'Oiscau L)'re. 1957. Three Voluntaries (A. d, C) (,ral. 1940. Eight Organ Pieces, cd. Ledger, lis to Wesley series, X).- There are :We Orgelmllsik aUS EtJgland und Alcock: -1 J'oirmtaries (Tallis to Jt'edey London, Hinrichsen. Selected Works many arrangements of the Tn,,"pet FratJkreich, ed. Fl. Peeters, Maioz, series, XXIlI) .- (Tallis to Wesley series. VIII) .- TIme, Trllm/Jet Vohmtary, etc., includ· Schott. Contents: 35 pieces (some of ing: arr. Biggs (Mercury Music) . arr. which are virginal picces) by Clarke, Arne: ORG. &: ORCHl.STRA: Ctmcer· Clarke: Tnunpet "olm,tary (orten er· H. Grace (Schott) . arr. Uuszin (Con Crort, Byrd, IUow, Bull, O. Gibbons, to l' (g minor) for org .• strings, and 2 ront'Ously attributL'tl to Purcell). arr. cordia) , arr. Dupre (Uomemann) , atr. Stanley, Purcell. Tallis. P. Philips, and oboes, cd. A. de Klerk, Kassel. Nagcls Ratcliffe. London, Novello. The same, I'easgood (Nm·ello) . Also, Sonala itl C several Frcnch composers. Verlag. The same. arr, for organ alone. in an edition by Ars Nm'a (Goes, Neth· (rrom Sonalas 01 Three IJarts, no. 6), in Englisll Organ MllSie 01 tile 18,h erlands) . Various other arrangeme nts arr. Da)(on, Loudon, Nm'ello. Sonata IJIow arId His Pupils Reading and Bar Century. II, cd. Butdler ,London, Hin· of the same piece arc still published fur Trum/Jet alld Orgotl (in D Major) , reUs 3 Unpublished J'oluntar;es (Tal. richsen. Co"certo No.4 in Bb, arr. for under Purcell's name. :1 IT. Arnold, St. LOllis, Concordia. The lis to JfI esley series, XXI).- organ alone by A. Fanner. London. The VoilltJtary all tire 10011, Psalm Tune is Faith Press. Ltd. Organ Solos from lI,e Cosyn: Three l'olurrtar;es, ed. Steele, also a\'ailable in ,'arions publications, Contemporaries of Pltrceil, London. CotJcerlos, ed. Buchey, London. Hin· l.olldon, Novello, usually with poor editing, Hinrichsen. Contents: 16 pieces (organ richsen. These are concerto mm'emellls and virginal) by 17th c. composers - which were intended to be played on Croft: J'olllntaries lor Organ, ed. Simp' Redford: Completc works were pub· D. Purcell. Barrett. Blow, Clarke, Croft, the org-.l11 alone. sometimes with im· son, London, Hinrichsen, 1956. Pub· lished in C. F. Pfatteicher. Jolrn Red Eccles. LaciUet. provised cadenzas. lished individually, the ,'oluntaries are: lorrl, Orgarri:H arid AlmotJer 01 St. Paul's Andatlte (C) ; Andotlle and Allegro Cathedral . .. Kassel, Barenreiter. 1934. Bennet: J/ol1mtaries IX and X, ed. John. Maesloso (D); Fugato (C) ; Fugato (d) ; Early Tudor Organ Music, 2 vols., ed. Caldwell (Early Errglish Church Mwie stone, London, Nm'ello. I"traduction aud Fugalo (D) ; 1Illro· Robinson: A cd. Voluntary it! Millar, J'I, X) , Vol. I: Music for the Ol/ice. tludioll and Fugalo (d). S. Jeans, London, NO\ eHo, 1966. lllow: Complete Organ Works, cd. Shaw. II: Music for tlte Mass. London. Schott. Selected Organ Works, felton: Concerto, op. #5 (e), arr. Rogers: Vo/untar)" cd. S. Jeans, Lon ed. Butcher, London. Hinrichsen. Two ror organ alone by West. London, No· don. Nm'e110. English Keyboard Mllsic 01 the XJ'lll "o/rmltlries, cd. McLean, Londolt, :'\0' ,'ello. 1904. COllcerto, op. 2 #3 (Bb) ((tJd XIX Centuries, ed. Tubbs, Glen ,'clio. an. for org. alonc by Biggs, New York, Roiseingra,e: Com/Jositions lor Organ Rock, J. Fischer. Works by S. Long. H. W. Gray. 1942. COll cerlo in Bb, arr. alld Harpsichord, ed. D. Ste"ens. Uni Greene. Th. Adams. and Ch. Wesley. Boyce: -1 J'olrmlaries (D, g. C. a) , ed. for org. alone by McLean. London. Ox. ,"ersily Park, Penn .• Pennsyh'altia State Phillips (Tallis to Wesley series, ford University I'ress. Several an. of Unh'ersity Press. 1964. Fi/teen J' OIrIll . EtJglish OrgatJ ,\twic 01 ti,e Eighteenth XXVI) .- 7'wo l'o/'mlaries (a. d) , ed. individual movements are also a\'ailable larics alld Fugues, ed. Butcher. London, CenWr)', 2 vols., ed_ Butcher, London, Pearwn. Londolt, Hinrichsen. Two "01- by Cramer (London) and by Oxford Hinri'chsen. out or print. Ten Orgatl Hinrichsen_ Vol. I: Handel. Organ Con Imtaries, London, No\'ello. Itllroduction Unh'ersity Press (London). Pieces, ed. P. Williams, London. Stainer certo in g, afT. for org. alone; Dupuis. mid Tmmpet Tune (Voluntary No. I I< lIell. 1961. {"traduction aud Fugue in D; Stanley, i" D), London, Hinrichsen. Gibbons, Christopher: Keyboard Com Voluntary itJ a,' Boyce, r/o/untary No. I positions, cd. Rayner (Corpus 0/ Early Stanley: r'oluntaries lor the Organ, g in D, J'oluntary No.4 ill g. Vol. II: Wa Bull: Keyboard Mluie, 2 vols. (Mluiea Ke)'board Music, XVIII) . Dallas, Amcn. \'Ois. (Facsimile reproduction of the lond, I'flillntary itJ G; Keeble, Andante, Britannica, XIV. XIX) , London, Stainer can InstillUC of Musicolob'Y. 1007. 18th century edition of 30 mluntarics), I.argo alld Fllgtle ;n G; Arne, OrgotJ &: Bell. Selecled lI'orkj (Tallu to Wes· London, Oxrord University Press_ 10 COIJcerlo No.5, arr. for org. alone. ley series. XXXVII).- Five Pieces Irolil Gibbons, Orlando: Complete Keyboard Voluntaries, op. 5 Crallis to Wesley tile Flemisl, TabulalUra, \Vilhelmsha,' Works, 5 vots., cd. Glyn. London. Stain· series. XXVII); 10 J'oIulllaries, op. 6 Euglisl. Orgat! Music of the 18t1, Cen en, Heinrichshoren Verlag, out of print. er &: Bell, 1924/25. Keyboard Mwic, ed. (Tallis to Wesle), series. XXVIII) i 10 tury, vol. I, cd. Phillips. London, Hin Noels IlamatJds (L'Orga"iste liturgique, Hendrie (Muska Brilamlica, XX). Lon· J'ollmlaries, op. 7 (Tallis to Wesle), richsen. Contents: voluntaries by Stan Bk. 60) Paris, Schola Cantorum. don. Stainer &: Bell, 1962. In both the series, XXIV).- Three Voluntaries Irolll ley, Boyce. Tra\'ers. Walond, James, Du Glyn edition and the Musica Britannica Opera Quitlta (nos. 2. 5. 9) (Tallis to puis. Byrd: Keyboard Mwic, 2 vols .• cd. A. edition, virginal music predominates. Wesle), series. XI). - Twelve Diapnso" Brown (Musica Britanrlica, XXVII, but there are a few organ pieces. NitJe Movements from the Voluntaries (Tal M"llirrt:r Book, cd. D. Stevens (Mwica XXVIII), London, Stainer &: Bell, Ltd., Orgatl Pieces from the Mluiea Britanni lis 10 Wesley series, XXXIV).- Individ Britanrlica, I), London, Stainer &: Bell, 1971. Keyboard Works, 3 "015. (Tile ca edition have been reprinted separate· ual voluntaries, usually arranged for or· 1951. Collected Works 01 William Byrd, ed. Iy by Stainer &: HeB. A Fotley for a gan with pedal, are published by No· Fellowes. \'Ols. XVIII-XX) , London. Double Orgaine, I'oilmtar)" Fantasy vella (London). Flule and Trumpet Stainer &: Bell, 1937-50. In both the Irom "ParthetJia" (Tallis 10 Wesie), TUlles, arr. for org. with pedal by 'Vy 5 UrgtUl Pieces, Wilhehnshaven. Hein Musica Brita,mica edition and tIle Fel· series. IX).- Tell Pit:Ces (from tile Vir· ton. N.Y .• Carl Fischer. Indh'idual pieces richshofeu's Vcrlag. Contents: works by lowes' edition, virginal pieces predomi· ginal Book of Benjam;n Cosyn) , arr. for also available by Cramer (London) . Blytheman, Newman, Redford, Shep· nate. but there arc a few organ pieCes. org. with ped., by Fuller-Maitland, Lon ORG. 8: STRINGS: Organ Concerto UI pard, Tallis, FortY'live Pi~ces lor Keyboard Instru· don. J. &: W. Chester. 1925. A, cd. Le Huray, London, Oxford Uni- (Corrtillued, page 10) 6 THE DIAPASON Soulll Florida is nol\' graced with the ANTIPHONAL addition of a large ncw pipe organ in Fort Lauderdale, Florida Church Violon 8' ils musical life. and this new addition Spitdlole 8' Sp\td [ofe Celeste 8' WaJ presented to the public (around Oclave ", ' 7000 people) 011 January 3rd, 4th. and Dedicates New Organ BlocHlote 2' 5th at Coral Ridge Presbyterian Church. Fourniture V 2 Fan Lauderdale. Florida. The organist Trompetle de Fete 8' for all three concerts was Diane Dish. A Report by Robert Schuneman Tremulent organist of the church. and the new 5- TROMPETERIA (Floeting) manual and pedal organ of 117 ranks Double TrompeHe 16' was built by FratcIU Ruffatti, organ Trompette 8' builders of Padua. Italy. Concurrent Claiton ",' with the dcdiGltkm programs, the PEDAL Prelient 32' church sponsored a workshop for church Unlersan 32' musicians which featured Mildred An· Principel 16' drews (organ). Jane Marshall (choral). ~bbo" 16' :aud Roger MeMurri" (choral). diret:tor Monlre 16' of music of the murch. AohrqedecU 16' Comi Riuge Presbyterian Church Ita! Quintolllian I"~ h(:cn wonhlpping in its new building Octeve 8' IIO\\" for lOfTle months, and it providC5 a Flute 8' handsome edifice of cathedral-like pro· Quintadene 8' portiuns (or the ncw organ and musical Chotalba" ",' Nechthorn ",' activities. Seating around 2200 people, Flute 2' the \ohmle of the auditorium is large. Mid-.He VI 2-2/3' ulIcluuercd. and aroustically "clean." Mi.ture VI 1-1 / ] ' Although the interior wall surfaces are Gontre Bombarde l2' made of thin plaster, it does not ad Bombo!lrde II,' \'end)" effect the sound or the room ConJre Trompeite II.' except perhaps to place a slight sorten Trampetle B ' illg of renection and a slight hollowing Clo!Iiran ", ' of the acoustical em'ironment much as Krummhorn ", ' a hand·shell of thin walls would do, The new org'oIl! is located on a gaUery As (or the dedic3tion. it is impossible built around .lUd behind the chancel to separ:lte the instrllllll.'nt and its usc area, abo\c ant! behind the dlOirloft. in th t.': concerts of the d t.':dication wl'ck nhich is in tuna behind the communion end frOID Lhe spiritual life and rt.iigiolls t::tble. It is entirely encaSl.."tI in white stance of the Coral Ridge Pl'csh) lerian casework uf paintlo"tI woot.l " 'ith Ihin Church, The congregation and its life is Rohl leafing to acccnt the lo'tlglo'S of Ihe securel)' fay.elllo'ti in l" fO(t.':slant funda· case dh'isiofl5. Thus the QSC matches mentalism, militautlr c\'3ngclizillg in the beige inlenor and is accented br content, attached to personal cou\'crsion the facctl'tl !itainl'tl glass in the wall di· l-xpcricnces and \'ery personal rdation recti)' abU\'e the centel' portions of the ships betwccn the iudi\'jdtlal members <.:Isc. and Jesus as their Sa\ ior, anti ll'stimon Ha\ illg stall"tl ill Fort l.auderdale for ial of these personal cOl1\iction!i in aU five days, having attended some uf the that is said or done. This religious con \\'orkshops cnnnectcd with the dl-dica· tcxt is pen'3si\'c in the tolal life or tion, ha\'ing attended Sunday service at each congwgational member and the the church. and ha\'ing perfomuxl on total acthtities of lite congregation as a the organ myself (or the Fort Lauder whole. I must be honl'st and confcs!i dale Lhaptcr of the ACO, I had ample that I, as a reporter to Ih c.'$C e\'ents, do time and occasion to sec, hear, and play not share in this kind of religious ex· the new Rurratti ol'bran in varying cir perience, and it would be grossly un cumslanCt.'S with widely differing kinds fair oC lUe (or anyone clse, for that of l1IusiGlI application. It is nccessary. matter) to judge such COJ1\'ictiolls. Rc· hO\\'I:\'er, to establish the contexts withm er organ with feWCl stops in a shaHow Gem,horn 8' ligiow experience and spiritual convic4 n'hich the organ and its dcdiCltion case. Such a dloocp case as this otbr.ln has Octave ",' tions must be taken at race \'altle as took place, fur they preclude an evalua simply defeats its Own purpose. Spillfl ole ",' they arc profcsscd as honl'st expressions CDlflet III Z-2f)' th'c review frum being written in Olis The instrumcnt is cclcctic .lOtI r0- of what a people IJelie\'e, and I do not Fifteenth Z' case, and make it ncressary that a large mantic in design. Its size precludes it wish 10 hnng anyonc under any kind pan o( this rcpon be lIeutral d~p Fourniture IV I-Ill' of jlllJglUcllt ror such convictions here. from Ix.ing anything othlT [han a heroic Scharff IV 2/3' tiult r.lthel' thilll uitical review. cctort to combine all organ st}'lcs into h must also he st:ltl'tJ lhal (he religious Trom".ta Aeel 8' convictions of Coral Ridge Churdl can· "'indy, it is nc\'er a good thing to one instrulUent. Thus all divisions ha\'e Tram pe"e de Fele 8' rcview an unfinished oll.ran, and the fully de\'eloped dloruses and abundalll Chimes not be scpar.tll'tl (rolU i13 acti\'ities, lie\\' RuffaHi org-.. " ""015 not ),et com ~ reeds. many character stop!i, and all that Tremulant buildings, l'quipment, or its cultural plctcd whl'n dedicated. As is frequently one could ask in ordcr to pia)' auy kind life. The religious com'inion and its casc, SWEll (Enclol ed) message dominates e\·cl"}·thing which the installatiun of the organ took of music, liturgical or roneen lUusic. AohtgedecU 16' was happens there, inclUding it'! music. The longer tJlan expected, and, through All this is controlll'ti frum a large solid Geigen Principal " 110 fault of the dHlrch or the organ s(nte console crammed with ample com Ro hrllof e 8' domination is in the fonn uf prayer, huilders, the dedication was set and had bination pistons and sub and super Viole de Gambe S' preaching, confession. ami testimony to to take place before the entire organ CDttplen as well as the intt.'r·manual Vio le Celede 8' the personal rom'cniou, aud the music had lx:ell finishl'tl. A good part of the couplers. Such an eclectic dlo'Sigll dol.'S, Dubflole Celelle II 8' at Coral Ridge is dominated b)' it as fJuework was ,"Diced and n."gulatloatJ, but of course, pro\'ide an organist with all Geigen Octave ",' well. 1I0lle of the reeds had been \'oiced aud the stops necessary to play :In)' kind Fleulo Ven ezieno ",' Thus it is impossible to "re\'iew" Ms. regulated on the premises. They were of historic:ll music "authentically." In Flule in XII 2·2/3' Bish's dedication recital. I wiJI attempt simply placed in the organ and tuned Octavin 2' to dt.'Scrihe it wiul little intention of this scn5C, the Ruffatti Otga,l is :mcccss Plein Jeu VI 2' up for the dedication. The combination (ul. But success \\'itb the eclectic ap critic111y evaluating it. Bible quotations hula IV" providing extrmllusiral progl"oIlllmatic action was 1101 yet functioning. a majOl' pl'Oach is measured only in the quantit), Contre Ttompetle 1&' ractor for Ms. Bish In mntend with ill of musical sl}lcs that can be played on Trompette 8' content for each piece wcre {,ro\'jded in playing tJle dedicatory recitals 011 sucll the instrument adequately. If one is 10 Hl!IUtbok 8' the program; Ms, Bish dchveretl oral a huge console. Thus, things were not measure the quality of l'adl individual Voil Humaine 8' notes to the audience in the form of in balance with each other when I hl"3nl SI)'le as it is pcrfomlcd on this organ, C1airon ",' personal rcligiow testimonial and am them, and J presume thill coming OIlC must settle for k'SS than Ihe bt..'SI, plifiQtion of tbe religiOUS connotations CHOIR (Endo, ed) which she had in mint! about the pko.'s: months will pnxtucc a complete change ,\ north·Cerman plenulII, for instance. Viol. Pompon 8' for the iK.'tter in the tUllal rolu.'sioll uf i~ onl)' 10 be approximated ht.'R!, mostl)· Vtola Celeste 8' alt offering was rccciH-d rrom the con· the organ. Neither Ruifalti. the church, heClllSC its loc:Itioll in the dl'Cp case pre Hol19.dedt 8' gregation at intcnuissiou, COIl51'CTated by nor the \Diccl., heaUc..'tl br Allan \'an eludes it from sounding ont and bal Enahlar I ' pra)"e rs; Ms. n ish's final piece, written Zucren should be criticized on this score ancing the tl.'5t of the orgall as it would Enehler C.lest. " by herself, \\':15 based upon six. well until the OI'g'oIU i!i complete. in a sha1Jow case. and rurthcr bCGlUSC Principalino ",' known hymns: and tJle e\'euing cndl'tl But some ub5Cn'atiolls can be made it must be "oiced to go with French Hechthorn ",' with a Benediction gh'en by the pastor, apart from tltl'SC matters. Repeated ht.."3r· ;and Hezard 2·2/3' Dr, James Kennedy. Ms. Bish's purpose Spanish style reeds which are mudl Waldflote 2' ing and playing as well as simplc ob lUorc bright and powerful than Cenllan in tJle program \\'3S to pn.~eUl a succes Tierce I-l/S' sion or pieces which would illuminate servation sho\\ s that the largest prob Baroque reeds. One could cite a "for Grand Jeu VII 2' lean with this Org-oIlI is the depth of the instance" for virtuall) c\'er)' kind of Bombarde 8' for tJle audience Christ's birtJl, life, casework. It is so dlocp as to make it historical organ affect which these stops Cletinetto 8' death and resurrection, the Christian difficult ror the sound to resonate and produce. It is the age-old story. 'fhe Clairen ",' belief and life of jO)', and a final hymn penetrate out into the room. This is larger the organ gets. the more it will do Trompette de Fele 8' of praise. critiCiI in the smaller cases of the Great less bellcr. Tremulant Dressed in a glittering gold outfit re and Positiv divisions, which are more POSlTIV ple te with glistening gold boots, Ms. Lhan half as dl'Cp as they arc wide. Such Bish put 011 a \'isual ~how for the con· COfal Ridge Presbyterian Church, Fort Gedaclt 8' deep CAR'S !iimply pro\'ide a chamber Q uintaden. 8' gregation as well. The console had hcen mther than a resonating box amI refll'C Laud.fdal.~ Florida. Organ by Fratelli Ruf Printipatl ",' 1II0n'tl to the center o( the chaneel (the live housinG, and much of the sound will fatti, Pad"a, Italy. All .Iectric action, ,olid Koppelflote "' cOlilmunion tah1e haling been 1II0\'ed, :always be lost in them, What one gains st.t. console and combin.tion action, main CHay 2' but UIC cross remaining) , and she enter· in the number or stups is lost in such a organ anca,ad, antiphonal organ unen Quintflote 1· 1f)' tained a rcccpti\'c audience wtih lots of propositiun, for as the stops are multi ca.ed, manual compan 61 notes, ped.1 Silflote I' stop.pulling (b)' neCCSSil)' in lieu of a plic.:d . so is the physical size of the org-.. n compan 12 note•• INumeroul borrowings Selquiellera II 2·2/l' combination O1ctio") ami console ath and unification. not noted in .topli,f.} Scherf IV 'h' letics. A historically " authentic ap· which require! the QSO to be deeper 2imbol III '!4' proach" to the music was not int.cnded, and less resonant. It would ha\'c tx.'ell G REAT Dubian '" better to lea\'c the organ unendosed (as Mantre I" Kl'1Jmmhorn " and the audience responded enthusiastic. ally to her entertaining manner of pre· the Antiphonal division is O\.'er the rear Quintalon '" Musette .' door, a division which sounds the best Principal 8' Tremulant sentation and playing. In fact, her ap- DC tbe whole organ), or to have a small- Flule Harmonique , . 2imb.[st.rn (Conunu~d, page 11) FEBRUARY, 1975 7 whith willinclode the following pieces pkryod Ancir' a.rnard, noted French trumpeter. H.rnton l. Sdllicker, found.r and owner Appointments by 011 compelltan: PrelLHf. In G by BruhN, will teom up with Frendt organist Jean·louis 01 lhe Schlitk.r Organ Company of Buffalo. Pr.lud. and Fugu. in A minor and 0 MonlCh Gil for d.but performances in the U.S. in New York. died on Doc. 4, 1974. He was 72. bewein d.ln Suende grou by Boch, and the fall of 1975 und.r Arts Image ltd. rep Born in Germany, Mr. Sdllltker came to Sonata 111 In A by Mendelssohn. The six resentation. Mr. Gil Is organist at St. Mod· Ihe U.S. in 1924 aher working with organ best players In tho preliminary will be ard Church, Paris. and he has recorded for builders in Germany, Denmark and france. chosen to compete in the second sedlan of EMI Path6·Marcenl. Mr. Bernard has re He joined the Wurlitzer Company in 8uffalo. the competition op.n to the public on the corded for Decc.a since 1972, and his next and remained there until he decided to strike 13th of June. This sedlon of the contest Decca release will be a duo performance out on his own during the h.lght of the de will require ploy.rs to select a 3()..mlnute with Mr. Gil. Both artists have performed pression. His first pipe organ went to the program from a given repertoire list. The with numerous orchestras and chamber en Flnt Presbyterian Church of Dunkirk. New three be$! players In this section wlll then sembles in Europe. York, and in the succeeding years. Mr. compete for the flnt prize in the finals on Schlicker built his firm inlo one of tho lorg the 15th of June. Appllcoltons including a ed and most innovative pipe organ building curriculum vitae, photo of the applicant, and firms in the country. Instrumenls built by a r.pertoire list must be postmarked no the firm since Its inception In 1932 are to later than March 15, 1975. The jury will Retirements be found throughout the North American consist of Margaret Brandon (U.S.,. Eg1dJa (OI"I tinent. Hawaii, and Jopon. Circelli (Italy). Rudolf Zartner (Nuremberg), Mr. Schlicker was a past president of the Josef Bucher (SwUz.orkmd), and Hans O"a Associated Pipe Organ Bulld.rs of Americo. (Freiberg. E. Germany). Director af the and he was a pioneer In the re~ival of competition wUI be Werner Jocob of Nurem. classical aspects of org:m building and voic berg. and he will ha~e the abillty 10 break ing as well as the deWl~per of a number Ken W. lid has been appointed plont Q lie by the turv, atthough he wUl not III of modem refinemenls In Mgan boHding. manager and director of purchasing for on the jury. Further Information and appll He was a Quarter Century member of tho lawrence Phelps and Auocioles, organ buikl· calion materials may be obtained from: Ges lions Club of Kenmore, New York. and a ers of Erie, Pennsylvania. Mr. list wos born chHftssfeUe der Internatlonalen Orgelwoche member of the Mon's Sustaining Society of in Indianapolis and began his musical stud NOrnborg, ~ Hd. Herrn Hanns-Helmut Mahn Kenmore. New York. Mercy Hospital. He ies 01 the Jordon Conservatory of Music. He er, Kr.lingstrasse 28. 8500 NOrnberg, West was a member of First Trinity lutheran studied organ with Kenneth Roberts and Germany_ Church, Tonawanda, New York, where fun· oboe with Warren Stannard whl!e attending erol services were held on Dec. 7 following Buller University. and mode his advanced a memorial recital played by Paul Manz. studies at Yale with the lole Frclftk Batyan. Mr. Schlicker is survived by his wife. Alice Mr. list jotned the Schlicker Organ Company Hagman Schlicker. two daughters, Mrs. Rolfe of Buffalo, New York in 1962, and from Here & There Dlnwoodie II of North Tonaw!lncla, N.Y .• 1967 to the fall of 1974 was Quistont to and Miss Elizabeth A. Schlicker. and fOlK ,he late Hermon Schlicker. leonard Rover was Ihe organist for a pro sisters. all of whom IIv. In G.rmony. gram of contemporary music for organ. per cussion, and electronic tape performed for the Bostcn Chapt.r of the AGO on No~em Jan Bender. for nine years composer In residence at Willenb.rg Unl~erslty, Spring Pall lsolfnon. renowned organist and com ber 18th. 1974 at King's Chapel. Boston. poser of lce!ond. died in R.ykjovik, Iceland Included on the program was the world field. Ohio. played his farewell concert on on No~ember 23, 1974. He was 8t. Dec. 8, 1974 in Weo~er Chapel. He will r. premiere of a new piece cemmlsioned by funeral services for Dr. IsoIfson were Dr. Rover from Vincent Peniche"' entitled tire as a fulJ.tlme faculty member of the school in June, 1975. Mr. Bender is the held at tho Reykjavik Cathedral where he 00 Not Go Gentl. after a poem of Dylan was organist for 28 years. Prior to that he Th~mas and for organ pedals akme. Abo on author of more than 1,000 compositions of organ, choral, and Instrumental worD pub was organist at tho Church of 51 Thomas the program war. lirst Boston performances In Leipzig. Germany. Musk which included of W::;lrks by Pinkham, felciano and William lished In the U.S. and Germany. A pupil of Hugo Distler, Mr. Bender was born In Hoi· works by Boch. Beethoven. Handel and Dr. Balcom. The program was preceded by a l.olisson w.re performed at the service by workshop given by composer Daniel Pinkham. land. Ii~ing there for 13 years before mov Ing to Germany_ During World War II. h. Rognar B;ornsson, present cothedral organ served in the German army and lost an Ist. the string quartet of the Icelandic Sym eye on the Russian front. He was captured phony, and the Municipal Bond of Reykjavik.. The American Choral Directors Association by the Amerlcon ormy in 1944 and while Poll bearers lnduded minist.rs of state and will hold Us national convention at the a prisoner of war he served as an assistant members of the parliament of Iceland. Chose·Park Hotel, 51. louis, Missouri from to a lutheran prison chaplain and co ..... Dr. lsolfssan was born at StokkoMlyrl, Ice March 6th through March 8th, 1975. This posed the first of his publtshed works. Upon kind on Oct. 12, 1893. He studied in Leip year's convenl/on will have as Its theme, his release in 1945. Mr. Bender served as zig with Max Reger and Karl Straub. and "Choral Muslc! Post. Present and Futur .... a director of music In lDnaburg, Germany in Paris with Joseph Bonnel. H. is survi~ed GIllian Weir has been appointed visiting Included in the program will be a state by his wife, Sigrun Elriitsdottir and se~erol lectur.r to the new Royol Northern College before coming fa !he U.S. '0 tooth a! Con president's workshop. choral concerts, pon cordia Colleg., Seward. Nebraska. Mr. children and grandchildren. Among his chil· of Music in England. As one of the organ els. demon5trolions, special Int.rest sessions. Bender hopes ha~e more time for com dren Is Purldur Polsdollir, on opera singer. ists mo.st closely associated wUh the organ '0 exhibits, guest dinicions. and "International posing after his retirement. reform movement in England. Ms, Weir will Night:' award presentalions. special recog· give special coaching In tracker action tech. nition of choral pioneers. and many other nlque, on which the college places special exciting events for those Interested in choral Edmund Sobayk, owner of the Amerkan emphasis, In addition to lecturing on organ music. More Information about the conven Organ Supply Company. Milwaukee, WIs Homer Whitfard retired at the end of consin, died on Dec. 18, 1974 at St. luke's history and performance. The college's mod tion and membership in the ACDA may be 197-4 as organist of Eliot Chopel (Episcopal), ern cancert hall haU$i!S a large Hradetzky Hospital In Milwaukee. He was 66. oblained from: ACDA ElIecutl.... Secretory Mclean H03pltal. Belmont, MassochUSOlh, a IT'IKhanlcai acnan organ. Mr. Sobczyk's career In the pipe organ Of lice. P.O. Box 17736, Tampo, Florida position he has held for 35 years. Dr. Whit 33612. business spanned five decades and included ford wos also director of music therapies 01 wDlk on the organ at Chicago's Soldier Field the hospital for ten years. Dr. Whitford and In Uihloin Hall of the Performing Arts has a bachelor's degree In music from Ober· Center in Milwaukee. William P. Maim, professor of music his Competitions lin College. He abo received an honorary A Milwaukee nati~e, Mr. Sobczyk went to tory and musicology at the University of Doctor of Humane LeH.rs degree from Dort· Long Island in 1923 to I.orn the organ con· Michigan School of Music. Ann Arbor. was mouth College where he taught for ten yean structlon business. He returned to Wisconsin the direclor of a group which has developed before coming to Mclean Hospital. He is the two years Jater and went to work for the a new hologram reader and projedar. The composer of over ISO published compositions Borton Organ Company of Oshkosh. When new Tnvention, which resembles a TV sot, for organ. piano and chorus. A very spry the firm collapsed in the great depression, provides the only known method of creating 82 years of age, Dr. Whitford plans to con he returned to Milwaukee and worked as a period and realistic three-dimensional Im tinue his composing os well as to do a lot cabinet maker for fl .... years before launch ages. Until now. leocheu and students ho~. more reading and bicycling. Ing his own firm in 1936. He started the relied on recordings and books In the study American Organ Supply Co. In the attic of musical Instluments. Prof. Maim e.plalns of the house where he hod been born. In thaI "It is impOlSlble for every major uni 1946. he built the firm's present shop. versity and museum to have instruments from Mr. Sobczyk was a member of St. John around the world. Places that have man· Nunc Dimittis Konty Church in Mllwauke •• and a member aged to collect rare specimens are hesitant of the Polish Roman Catholic Union. He Is to lend their instruments •.." The hologram survived by his wife. Alice. two sons, Robert reader de~eloped by the U. of Mic:hlgon and Thomas, a doughter, leondral a broth. consi1ts of a dark wooden cabinet and a Perci"al Stark, retir.d vice preskktnt and er. and two sisters. all of Milwaukee. Funeral small rectungular screen simUar to (I TV treasurer of Austin Organs, Inc.. dled at hil services were h.ld at 51. John Kant>( Church 581. Holographic film Is wound on two home in B~mfleld, Connodlcut on Nov. 29, In Milwaukee on Doc. 21. spindles inside the box ond illuminated from 1974. He was BI. the rear by a low·powered laMlr beam whleh Born in Stamford. Conn., In 1893, Mr. Jonathon Wright was the first prize win is directed by permanently sel mirrors. The Stark was a graduate of Stevens Institute of ner In the Young Artists Competition spon resulting image on the screen can be moni· Teehnology in Hoboken, New Jersey, H. Adalbert F. Huguelet died In Chicago on sored by the Philadelphia Chapter of the pulated so that the Instrument In the image joined the AusUn firm In 1914, where he December 31, 1974. Mr. Huguelet was or AGO. He will perform his winner's recilal "turns," exhlblling its sides and bock as stayed as chief draftsman until 1935. From ganist and choirmaster of Our Lady of Maunt for Ihe AGO on March 8th in Philadelphia. well as Its front. top and bottom. Thus. the then through the years of World War II, Carmel Church. Chicago for over 40 yean image con~eys in three-dimensional form the he was on engineer with Hartford Empire until his retirement several years ago. He Instrument's true proportions and Important Company. was also on the music fOOJity at Northwest· n.. International Organ Festival of Nur· points of construction. The experimental Rejoining Austin Organs In 1947 as "k. ern University. enlborg, West Germany, whith will be held models of the new device resulted from a president and Ireasurer, he remained with During his tenure at Our lady of Mount from the 7th through the 15th of June. 1975. cooporati~e effort between the Environmen th. company unlil his retirement in 1968. Carmel. Mr. Huguelet was Instrumental in will Include a competition for organ Inter tal Research Institute of Michigan and the During his 41 yeors with the Austin Com. the design and installation of one of the preters this year as part of the festival. Uni .... rsity of Michigan. Juris Upatnlecb and pony, the art of organ bUilding und.rwent Iinest E. M. Skinn.r organs In the Chlcogo First prize for the playing competition will Emmett Leith. professors In the U. of Mlchi· many changes which he followed with keen area. an organ which is stili in its original be 3,000 OM. Organists of 011 nationalities gan School of Engineering, and Corl leon interest and enthusiasm. condition and used regularly. who have not passed their 30th year by ard, doctoral student in electrical and com Mr. Stork was a former trustee and dea Mr. Huguelet is survived by his wife Ruth Dec:. 31, 1975 (that is. born after Jon. I, putor engineering. assisted In the project. con of the flnt Congregational Churth, and a daughter. Grace. Funeral services 1946) are eligible to compete for the prize. Exxon Education Foundation gave on Bloomfield. Connecticut. He is survived by were held at St. Peter's Church, Skokie, JIll Organists chosen to compele must play In $85,000 grant to support the undertaking. his wife, Beulah Stork; a brother, Brayton, nois. with Paul Spalla, present organist of a preliminary centest on the 9th and 10th According to Prof. Maim, the new Invention a son, two daughters, fiWl gran 8 THE DIAPASON Another bealltii7ul installation . of a Conn Custom Organ. 'It's the 8t. Thomas More Catholic Church, Broo1clyn, Ohio. CONRORGAN 616 Enterprise Drive, Oak lJrook, TIL 60521 Kratzeostein Twelve J'olunlar;es, New York. Galaxy. (Continued from p. 6) Contents: works for organ or harpsi chonl by Boyce and Greene. TEN CHORALE Voluntaries hy Boyce (C). Stanley (d), IMPROVISATIONS, VOL. 6 Old English Album (Masterpieces oj Walm,d (E) (Tallis tn Wesley series. -PAUL MANZ Organ lUus;c serieJ. ed. Hennsfield/ I) ." No. 97-5305 $3.00 Mead/ White, Bk. CXXllI). New York. NEW The Liturgical l\.I usic Pft."M. Contents: MUSICAL SOURCES SUITE FROM THE ITALIAN works by Alwood. Gibbuns, Redford, Tye. Ex. I. "rhe M"lIiner Book, ed. Stevens, BAROQUE-Edited and p.22. arranged by Old English Organ JUwic lo~ Mnnllals, Ex. 2, Thomas Tallis: Complete Key ORGAN S, DRUMMOND WOLFF 6 vols.. ed. Trevor. London, Odord board Worlrs, cd. Stevens, p. 34. Ex. 3. john Bull: Keyboard Music, ] No. 97-5269 $2.50 University Press, 1965 - . Vol. 1: Keeble, Croft. Goodwin. Camidge. Travers, Bat· (Muska BTilanrlica, XIV), p. 118. VENETIAN SUITE FOR tishill. Arne, Heron. Ch. Wesley. AI· MUSIC cock, Dupuis. Goodwin, Grccne. Hayes, Ex. .1. john Luggc: ThTee J'ollinlaTies ORGAN-Edited and Hcron. Keeble. Linley. Roscingrnve. JOT Double Organ, p. 10. arranged by Stanley. Thorley, Tra\'crs. Wesley. Vol. Ex. 5. Christopher Gibbons: Keyboard Com/JOsilions (COTPUS oj Enrly S. DRUMMOND WOLFF ]11: Camidgc, Boyce, Alcock, Arne. Hine. James. Bennett, Gn."Cllc, Dtlpui!l, Keyboard MIUic, XVIII). p. 29. No. 97-5272 $2.75 'VOlland, Bennett. Goodwin. Vol. IV: Ex. 0. john Btow: Two Voluntaries, Bennett. Boyce, Tmvcrs. S t a nl e y. ed. McLean, p. 6. TWENTY HYMN INTRODUCTIONS, BOOK I-JAN BENDER Greene, Worgan, Walond, Bumey, He· Ex. 7. Henry Purcell: Organ Works, No. 97-5273 $3.75 ron, Wesley. Goodwin. Hine. Vol. V: cd. McLt..-an, p. 8. Greene. Shephcnl. Uerg. Pt.-pusch. Selby. Exs. Sa, 8b. Maurice Greene: Four Vol· TWENTY-FOUR HYMN INTRODUCTIONS, BOOK II-JAN BENDER Purcell, anonymous. Long. Travers. At. ",,'aries (Tallis to Wesley, XV) , No. 97-5303 $4.50 cock, Tallis. Vol. VI: Alcock. anony p.9. mous, Alwood, Crob. Gibbons, Good Exs. 9a, 9b. Dr. William Boyce: Four win, Greene, Heron. l.ong. Redford. J'o/rmlaries (Tallis to Wesley, Stublcy, Tallis. XXVI) , pp. 5, 6. 1-:x. 10. Thomas Ame: Concerto V, ed. Preludes "tid }o""glu:s by Dup uis (g) , de Klcrk, p. 9. Keeble (C). Tratlt:rs (c) (Tallis 10 Ex. 11. john Stantcy: J'oluntory VI Wesley series. XXII).- (Facsimile edition) . p. 19. ORGAN AND INSTRUMENTS Ex. 12. john Stanley: Concerto in C Ten 18th Century Englisl, J'oluntaries, Minor, cd. Le Humy, p. 2. ed. Peek, St. Louis, Concordia. EIGHT SOLOS FOR FLUTE, OBOE, OR VIOLIN AND KEYBOARD ABBREVIATIONS INSTRUMENT -JOHN STANLEY/Edited by JAMES BOERINGER The 3 Wesleys: 11 Pieces, Set I (Tallis No. 97-5238 $6.75 to Wesley series, V) ,- - Tal/;s t" Wesley series. gen'l ed. Phil The 3 Weslt:)'s: 3 Pieces, Set II (Tollis lips. London. Hinrichsen. Instrumental Parts Also Available to Wesley series, XXIV) ,- NOTES Three ISt/,·Ce"tury r'ol""taries, cd. Campbell. London, Oxford University I Hugh Miller. " Sixtecntlt-C~lItury Englblt Fa· Press. Works by Boyce. Greenc. Stanley. butd~n Cmnpositions for Keyboard" in MQ 26, I (I ....) , 5().... Three Orgc",;slS oj St. Dion;s Back :I The l pecification is taken from the preface church, LOlldo,,: Philip Hart, Charles to John Blow, T WIJ VoIulltGritl, ed. H. Mc Lean. Burney, Jolm Ben"et (Tallis to Wesley S TIle reader is reminded that the "organ ~~® series, XXXV).- cuncerti" o( Handel's contempor.uies, J. S. llach and G. Walther. were snmething quite ~ SIIUfH .a'fE_ Aw.. J. sua UIUIS, r.aaouII 11311. Trumpet and Orga" J'o/untaries, Lon diI£erent. They were arrangcmenb for OlBa" don, Musica Ram. Works by Croft. Wa alone of works originally composed for orelles· lond. Stanlcy. Alcock, Handel. Dupuis. tra (without o·gan). Only one small part" " " • but what would it be without it? Just as a watch, or any other intricate mechanism depends on the quality and reliability of each separate part, so it is with pipe organs. Ana when i~dbmes to anything from switches and magnets to complete consoles, the standard of quality for the industry IS Reisner. No matter how large or how small the part, the Reisner name is your assurance of durability and dependability. With over 75 years' experience In prodUCing precision electric magnets, a wide variety of other mechanical parts, and consoles that are superb works of wood craftsmanshi p and beauty, Reisner has become the acknowledged leader in the field. Yes. you could choose another that might look the same, but when ordering supplies for your pipe organ, just remember . . • THERE'S NO SUBSTITUTE FOR REISNER QUALITYI P.O. BOX 71 . 240 N. PROSPECT ST. HAGERSTOWN, MD 21740 10 THE DIAPASON > Coral Ridge and dismay at the "lack of taste" shown (Continued from p. 7) in the musical spectacle. Both reactions are understandable. I suppose that there pmach to the usc of the new organ is little room for middle ground where made it do what it does best. religious com'ictions arc so dominating The final piece on the program was o\'er a11 other matters. including aes the Festival "Te Deum" for organ and thetic considerations. In memory of orchestra. played by the composer at the Money has not been spared to create organ and the church's orchestra under an image of grandeur and immensity the direction of Dr. John Canfield. Dr. at Coral Ridge Church. Thc building Kellnedy Was the dramatic narrator for complex cost g·million dollars; the organ the work which utilized six hymns as $200,000. Thc large scale of the build thematic malerial (A Migllt)' Fortress, ing itself, the mammoth size of the or A (}ide WW, Me, God 0/ Our Fa thers, gan, and the size of the audiences at the They Will Know We aTt! Christians bl' dedication conCl'rts tell tIle story. For an Our Love, Be Still My Soul, Gild JOY/ II , outsider such as mpelf. it was an awe Jo)'/ ul, We Adore rhu) . A M ight)' some and imprl'SS I\'c place. Quantity Fortress and a plainsong melody for the and size has been achie\'ed, Future gen Te Deul1I were recurring themes erations of worshippers and visitors will HERMAN L. SCHLICKER throughout the work. It uses styles undoubtedly testify to its q uality. reminiscent of the French Romantics, the French post· Romantics, theatre or· gan styles of the twenties and thirties. Hollywood rihn music. jazz and popular sLyles, quotes from Beethoven's Ninth Symphony. and much more. The entire organ and all of its equipment (includ. Honors ing carillon. Zimbelstern. transposer) is 1902-1974 used at one time or another. and the orchestra e\·el1 gets the opportunity to Halsey Stevens. faculty member and com· shout "5·6·7-8" at olle point to end a poser in residence at the University of general pause in one of the jazzier sec Southern Ca lifornia School of Performing tions. As a spectacular, the piece aroused Arts, los Angeles since 1946, has been the audience to wild enthusiasm. named the first holder of the Andrew W, The program: Toccata and Fugue in Mellon Professorship in Humanities at the D minor, J. S. Bach; Largo (from school. The newly endowed faculty position The Employeer XefXClI), Handel: Trumpet Allemande, was mode pouible through an award of Anthony Holborne: Three Noels, Dan $750,000 to USC by the Trustees of the driell; The Flute Clocks, Haydn; Im Andrew W. MeIiOfl Foundation in New York. and Management provisation on "Victimae Pasc::hali," Professor Slevens, a prolific and much hon Tournemire; Joy, Diane Dish; Nimrod ored composer, has received much notional (Crom the Enigma Variations), Elgar; recognition from numerous sources, and he Toccata on uThou Art the Rock," Mu has been a teacher of a generation of stu lct; Fcsth·al "Te Deum" for oq,ran and dents at USC a nd other institutions in this orchestra. Diane Bish. country Dnd abroad. I talked with many people who had attended the dedication c\·cnts. Thcir Schlicker Organ Co., Inc. Lauren B. Sykes, organist and music direc reactions were equany dh'ided according tor of St. Mark's Lutheran Church, Portland, to their religious com'ictions. Some were Oregon, was named " Boethius l ecturer" for enthusiastically "turned on" with re 1974 by George Fox College, Newburg, ligious fervor about the organ, the Oregan. The annual guest lecture was held Buffalo, N. Y. 14217 church. the music we had hcard that on November 19. 1974, and Mr. Sykes' evcning. and the pcrfonners, Others topic was "French Organ Music of the 19th viewed the whole event. and especially and 20th Centuries," including a redtal the music that evening. with disbelief with slide illustrations. Carthage College Kenosha, Wisconsin - MANUAL 1- Hohlflote 8' Prinzipal 4' Mixtur III - MANUAL II- Gedackt 8' Rohrflote 4' Prinzipal 2' Sesquialtera II -PEDAL- Subbass 16' J'EB~l!ARY, 1975 ·11 Book Reviews Stuart Smith's Two Maltes Three (Cmltinued from p. 2) (Bclwin/ Gray. $9.00) is written for or gan ilnd two percusslonistJ. Three iden tical copies of open score are provided tion of Bonavia·Hunt·s now classic ref· for the pedonners' convenience. Mr. erence work on organ stops. There are Smith is a percussionist, and the piece CONTEMPORARY ORGAN HIGHLIGHTS many copies o( the original edition still bene£its accordingly from his insight!! 3\'ailable in personal collections and regarding intricacies of rhythmic cnsem .atGIIAM, _fl'N·1I'IJ1 'RnMf___ 1 "" _ "q._ '-I...... _ .1.1,111 libraries. but they are seldom to be bll!. Extremely unconventional registra. ClLU'MAtf, ...... :: =:= ~:'!;'~.::::.":.. ~ :::: found for the person who would want tion schemes arc provided by the com .., __.. 000-...... LIII MII7 _ ' - t._.v....,...... e;..,.-... '.m __·-.:I...,~ ...... m to buy one for his own collcction. Now __.w- ':IW, ...-w.c- •. m poser. ~1oIp..(III4.) _ _ c..n. ... 0.__ ,,",-IlI""-" "w .... _ .- .,_a...... TIorI...,_ • ..., ••111 it is available, thanks to the good work Tht: Sheperd's Symphony by Daniel ..11 _.W_II TIor_ .. r.... _ •. _ ••1II MU _ . W_U'TIor ~.Po,...... m of the Foundation and its director. Pinkham (E. C. Schirmer, $6.00) reo QfGLDT.~(IIn. I Mil _.w-u:r____ ...... m ,.._,.._...... "'._ ...... '10 _.w_It:_c...-.. r...... '.m Hcnry Karl Baker. If you have read quires organ, one or morc soft melody "U__ .W- I!,c..... _ ...... '.m ntOfIT. r_,-.. __""C.... · • , __.W_-.:_IIc_ ...... 1Il ahm'e of my disappointment that more instruments. electronic tape. and option. __._e __ ...... O'-..f ..... L ID MIl _.W-'f:non...... m technical infonnation was not included al percussion. Players take up positio[15 __,, __.'_.r_ ...... _., ... Lm MI' _·\"_,.~_tlr-.U ..... ID __._ ...-. ... _1 ..... _-...... 1.... """ _.\"- .. ,.,.,., ....rw-_ ...... on the Harrison and Harrison organs in various parts of the room. and each .... .v_ •. ru,n. __ r-...... v..-...... t6Uf_.S...... _o.np.s._...... 1.10 by Mr. Eh·in. then take ht-art and buy Mno_ · ...... ___._...,_. _2.• MZI _.V_2, ~_U ...... _ ...... ,ID of nine different phrases is played in ..n_·V- n -' Io ...... _ ...... ,._ •. , ..1D this little book. If yo u do. you will get random succession from player to play ClaIZMD,IIanN'-, , "U . ~_U ....n ...·TIor'_.'..", •• , ... mme insight into why the Harrison or· ,. --~~ ... " ...... " ..... \, .. , .. It_~~~~::-~ ..... ,m er. The nine given phmses are not too """.. __.. l~b. Northwestern University Conference on ChUl'ch Music April 14 and 15, 1975 HYMNODY: CHALLENGES AND CHANGES Lectures: Morgan Simmons Demonstration: Philip Gehring Hymn Festival: Alice 1I1i11or Chapel Choir, 1I1orning Choir, Fourth Preshyterian Church, Chicago Organ Recital: Wolfgang Rubsam FIRST METHODIST CHURCH Enid. Oklahoma 3 MANUAL 45 RANKS 37 STOPS Mechanical key action with slider stop action or For information write: electro-pneumatic chests are available, Concert 1I1anager, School of 1I1usic Northwestern University, THE REUTER ORGAN COMPANY • BOX 4S6AB LAWRENCE, KANSAS 66044 • PHONE (913) 843-2622 Evanston, Illinois, 60201 12 THE DIAPASON lDri;ot 1.111' Cymbale III New Organs Cromorn. I ' Tremblon' {Adiudablel BOMBARDE Flute en Montre 8' Cornet IV DOII~o l no 16' CLASSICAL ORGAN HIGHLIGHTS Ttampott. an Chamllde 8' C. • • LMCII Co f. t!.1wI. MDCDEWCIIItf .rA-~.JJ.-.t:.u, Anti .$e APRIL 1-2-3 ~ ~ YALE UNIVERSITY L I , , .. * dr-men'-shun (The quality of extension; NEW , hence, scope) DIMENSIONS* IN MUSIC AND WORSHIp: ROBERT BAKER, RICHARD FRENCH, GERRE HANCOCK, AIDAN KAVANAGH, DAVID LUMSDEN and the CHOIR ,. of NEW COLLEGE, OXFORD, LEONARD RAVER, JEFFERY ROWTHORN, MICHAEL SCHNEIDER Write: YALE INSTITUTE OF SACRED MUSIC 409 Prospect Street New Haven, Ct. 06510 FEBRUARY, 1975 13 ~farctl Dupre: The Way of the Cross. Marilyn MOI50R playing the gfc::lt or· New Recordings gan or The National Shrine of the Im maculate Conception, Washington, D.C. Mark Quadraphonic Sound, Me 8418. (Available from the National Shrine of the Immaculate Conception Stores, 4th on Sund:ay morning, July 20th at Saint succeeding alterations and repairs donc and Michigan, N.E., Washington, D.C.) Sulpice. T rue. the rcconlings are ill' on it throughout the r ean. (eriar, having ix."Cn made on a bauery Johan van MellO is t IC present organ. Duprc's now classic organ mf.."tlit:uion5 operated cassette reronlr.r by Michael ist of the Aa·kerk, a post he hus held in conjunction with Paul Claude)'s poco Murray, Dupre's devoled pupil. But an since J93'1. His stUdent, Klaas Boh, is try is gh'cn a speclacul:u recording by inferior recording is better than none presently ofb'Unist of the Grote-kerk in Dr. "'-'a5011 in these two diKS. The in this case. :lntl I am pe~nan y glad HaarJem. As leacher a nd studeut, they Shrine's la rt,;c Moller organ and iu large that we ha\ c such a document. pra"ide interesting examples of how one sp:lce fonn an appropriate sound·setting generation grow~ from another. Vall for these highly impressionistic pieces. Meurs pla}"s with mostly It.-gato tech· Quadraphonic recording in this casc nique and 19th century style in phrasing (\'ery well done) brings to the listener and articulatiun, but with excellent mu much of this setting. Gusla,' Leonhardt: Organ Music o( sical results, satisfyinS Oow to the lIIusic, Jal1l~ Hanscn, National Shrine Can Elizabethan England.. Played on the Of and crystal clear regIStrations that SCf\'e tor, rccitt.'S the poetry in a translation gan at Zwolle, Holland. Cambridge thc music well. Bolt has gone one step ANDRE BERNARD by Sister Mary David preceding each Retorn... CRS 25)0. Program: R obiu, (urther in an attempt to apply prescnt . . . Ihe noled French lrumpe "statioll," and the liner includes photo. ;\Iunday; Loll, 10 Depart, Fan/a.sia, tlay knowledge of baroque playing t«h· ler comb in .. his lalenls with graphs of the Stations of the Crou in Famahy: Gloria Tihi Tr;ttilns, Bull; uiques (primarily fingering and ils d Ihose of organist JEAN-LOU IS the Shrine's C'1·pt Church, original Ftmlasia, Phillips; Two Fan'aliu, Pr~l. fcct on articulation) tn the per(orm GIL for trumpel/organ reci I'ewabic tiles deslglK.'tI by Mary Chase ud~, Gi bbons; Ground, Tomkins: MiJ~ ance. He too register!! the organ with sure knowledge oC its tonal capability. tals in North America in Sep Stratton. Lawrence Scars inclndes fine "er~ , Fanta.s i,., Byrd. tember and October 1975. program IIOles and material about the maintaining clarity in the contrapuntal Jean-Louis Gil is organist of poems and the performing artists. .Mr. Leonhanlt's reputation 3.S an fabric. Where \'an Mellrs and Bolt di the Church of SI. Medard In But the music is what these two reo interpreter o( late renaissance and baro \'erge is in the application of rhythm. Paris and has been pro cordings arc mostly about. Dr. Mason q ue music is h·C)) known. His skill in In using the old fingerings and pedal claimed a "21 year old prodi provides the Dupre score with a fine hringing to Ihe performance a wide techniques, Bolt p roduces a melodic F'J" by French critics. re:lding. following his intentions clearly and exhausth'e knowledge of tl,e per. line broken into germinal rhythmic £if.' Andre Bernard is a regular and making the large Shrine org:m to rormace Pf:lctices o( the period is IIres of two, three and four nOles eaC I . soloist with orchestras sJ>C:lik wcll in co m·cying the impres.sions 1U:llched h)' his dynamic and Jive musi. It ;s the successloll of 0I1c figure a rlcr throughout Europe. as well as o( each station. She a lso has an excellent cal instincts, thus r.m\·lding both an another that providf.."S rhythmic proCile a recitalist alone and fre sellse of the architeclUre o( the emire authentic and a Vibrant musical ex... to the melodic phrasc. Thus, Icg:tto lig quently with organ isis. He sct o( pic..'Ccs so that one fecls a genuine pcrience which docs not sink Into the atures arc in groups oC two, three and records exclusively for Decca. and lIatmal progression (rom station aridity o( sheer academicism. Rut there Cour notes; nll else is det3cht.... t in vury '-rhe trumpeter gave his im one to stlltlon fourt(.'C n- a difficult task are both "ups" and "downs" within ing degrees, peccable technique to the for auy artist who would play these Mr. Leonhardt's products, and this re-. While 1I0it's appro:1ch is rhythmically service of the music with pieces in one sitting. Further, Dr. M3S0n cording seems to me to be on the morc interesting (and more "authen certainty and refinement." understands the very personal n;:ature "down" side. Jlart of the (ault is built tic') thall "an Mcur's. the overall musi· (Journal de ueneve, ~"Itzer of these particular pieces, certa.inly the cal approach is not more satisfactory. land) into the music itself, for the non· most personal and searching o( :111 of dance music (f.mta.o;y) of the period. The pltfaU lies in one's scm:e of wh;l\ REPRESENTED BY Dupre s music. The w~nching horror happens mwicalty In the applic:ttion of l'Cscn'ed :l;S it is in iU use of sOnorities. and agony, the gricf and sad nCS.'l , as well is diHicult to hcar in large doses without the t~chniqu~ which he 50 admiralJly as the mt.-cJitati\·c and poignant mOUlents Ihe hlc\·itahle boredom o( repeated uscs. Just because the thumb was turned Phillip Trucllenbrod of hope and p'-"3ce arc caught in perfect harmonics, cadential (orllllll3.'1, colora· under less and successive scale note:. (201) 484-2632 dramalir. balance hy her performance. tion, and counterpoint sctting in on the were played with the same groups of a ft: For tlml reason, these recording'S to listener. Mr. L~nhardt does provide two fingers olle aher another, docs not be recommended \'cry highly. com'incing pcrfonnanccs if one will necessarily mean Ihat the tempo wa.o; to listen to only one or two pieces at a he slower than if it were done other· wise. Fast tempos were possible (and in. ~~B~~t~9Ima9~ silting, but milch of thc beauty of hi~ deed employed) with the old fingerings. NEWARK. N. J. 07101 Marcel Dupre: Inten·iew 3nd 1m. art in keyboard playing, the su~t1e A good C:lSC in point is the trio on "Herr prm·isations. Ad,·ent Rl."Cords, 5OU . rhythmic frcedom and nuance of hne, i~ not to be heard here as it is in hls Jon Christ " which is played hcre much on the slow sitle. thua losing, In my An extraordinary docllment. a magical harpsichord pl3ying In more intimate moment with Manrl Dupre. h:lS been 5ulTounding!. opinion, a scnfoC of flow and dirC(tioli. caught fo r all time on this recording. The organ at 7.wolle (built by Schnit· Further, the old fingerings only indi admirably produced by (\(h·ellt Rcconls. ger's 50ns in 1721 . and restored in cate basic rhythmic figurations. What The proceeds from all sales on the recent years) was chosen not for its size. they do not tell the pcrfonner is the f(.'COrdIllK will go to the Association hut rather for iu approximation o( the placc o( the single figuration within :l des Amis de l'Art de Marce) Dupre munds and ambience available to the larger grouping of the figllfe'i. They al50 do not show the n .. lllre o( the figure in I'aris. who arc also releasing the composers at Ihe time the music wa~ itself. Two notcs can be played rhyth. recording 011 their label in Europe. written-null in Antwerp. Gibbons in Side 1 contains :111 inten·it.·\\, recorded Canterbury. Tomkin!' in " 'orcester. mically unequal in a square a·tgnlar D fa.\hioll ( :1.'1 i ~ 100 much the case here) . at Mcminn for radio bro:ulca~t on July etc. As sllch, rhe ambience sen'es the E 26, 19fJ9. Qne hcars Ilupre (ill French musk well. and Mr. Lcol1hardt halldlC1 or in :I roullllt.-.1 (unequally unequal) on one channc:l, and in Michael Murr.lY':' the instrullient with appropriate reo Cashiol! . J\nd each figure !lhould (it into L English translation simultancously on ~ en' c accord ing 10 the style and sbe a 1arger hierachy of figures which make up a larger architectural segment, al1ll A the other channel) speak o( his eartv of the EnJ!:lish or~an~ of the day. these :\CgmenL'I should grow 10 whole training. hi~ musical life, hi5 drcam~ Ne\'erthela'l. there mmt he more structures. Thu!I, olle 3rrh'es at phrasc~ W and aspirations. For thosc who knew delicacies and bcanti~ within the music MolTcd Illlprc! personally, it is a poig· than i~ displayed here. Either that. and their divi:'iiom and sllhdivisions, jll~t A OftCSAN COMPANY. INC. nant mument to hear this long ;:and in or the music simply isn't that cxcitinJt, a~ in baroque art and architecture. Rut TONAWANDA, NEW YORK the £igurcs must be rounded, unequal, R formal di5C u s~ ion of a great musical at lea~t to my caTS. The recording i~ t4180 person. For (huse who did not know excellent (rom the technical 5tanclpoinl, and varying in degree to producc Ihi~ E him, it s(''fVCS magically 10 bring (hem as is usually the ca~ with Camhridge " haroquc" effect. In Mr. Rolt'~ playing. Mulh., APOIA into dose pcr~na l contact with him Records. Ihere is still milch too milch of the in at lease. a minute n ay. Eithe r way, ('quaHy unequal playinc- of fi1;uratiom one is forced to think. of Dupre '~ long which sound rh)'lhmicall)' dull hecau~ music:tl life aud of the number of of their constant repetition. and there ill students who lcamed from him. And one not a scn5C of 1II00·elOent over the large is impressed with the depth of the !ltructure. Van Melll1l sllccecd~ in doing man, with the skill o( his crartsmau· Johnn ,"an Mcul"'S and Klaas Bolt pl3y thls with the imposition o( 19th century ship. One relllemhers that sllch a per. the Am SchnitgcT Ollfoln in the Aa· teChnique aud phrnsing; Bolt mis.o;cs it kerk o( Groningen. Pr I!T3m: Prelude ORGAN SERVICE· J. E. Lee, Jr. son has louchcd literally hundrcd~ o( In spite of Ihe adherence to 18th celt· KNOXVILU. TENNESsn 37901 aspiring lIH1o;icians and grown profes· aud Fugll~ in B minor, J.K.F. Fischer: tury technique. Srh mi1c lr~ dich, Telemann: Pnrlitn on lox 2061 sionals with momcnto; o ( greatness in All this is not meant 10 he a negative musical experience. Hearing him talk "Jesu m~;ne Freude," 7.achow: J'mr panning of Kla:t!l Rolt '~ playing. I know Tunina • Malntenanc. - .ebulldIng leaves no wonder why. Nor do the reo Gatt wUl ich tu'cht laue" . Buxtehude: of few who know how to usc the 18th Chrill Ing in Todes b(Jnd~n. Krebs Consul'ank cordings o( the improvisations made centnn' North Ccrman-Dutch organ any (played by van Meun) ~ T rio on !tHerr hcl(cr ·than Kl a ~u Rolt ,,~ Car as rcgistra J~j" Chn'st dich :w 11m wend", "a,u tiUlI and a sense of organ usage i~ COli' IInser im Himmelr~ich, Kom mst du nUll cemed. And J admire and find intercst· JetU, Mei"~ Seel~ erl,ebl den Herm, inJ!" his usc of the I Rth century playing FflgU~ in C, Bach (played by Bolt) . t«hniques (would that more organist~ ANDOVER ORGAN COMPANY, INC. Record privately produced and available would learn th('"1n , since they do play (proceeds to the organ concer(5) (mnt all that 18th century lileratllre). I 5Up' are I.. ,ood llCfltd. _36 Der Aa·1-'erk, Aa-kerkhof 21a, Gronin· pose that it is much easier to lalk about Methu ..., MoACImu..... DII44 gen , Thl" Netherlands. these things than it i!l to dn them. Stlnlreft. DIST meciera m.cftankal Cldion TItere arc (ew hisloric inslruments left Kla:1S Rolt and his (cacher Joh:m van mak.r. B.V. M.nGnei i II Holland as beauti(ul as the so·ca1led Mcun are to he admired for ",hat tile)' Schnitger organ in the Aa ·kerk of Gron do, and in not doillg it badly. Rut there ingen. The case, the sound, the action. is a way to go hefore modem playen and virtually everything about the in. will he able to make excellent l1H1slcal slrument i.o; outs:mding as an example sellse out of the old teChniques. It is a of excellent organ building. Ruilt In' difficult task, and I will be anxious to Arp Sdmitgcr in 1701. repaired and al hear how Klaas Bolt grows musically POCOOO Boq stOGeRS tered slightl)· at various time by Hinsch, during his yet-to· cOllie career. And I STATE COIl Fr.r; EAST STROUDSBURG. PENNSYLVANIA IB301 van Oed:. elin, Timpe and Doornbusch, :1;111 very gratC£ul to ha\'e such a fine re the organ still COntains much of Schnit· cordillg of this excellent and outstand. gel's pipework. )( it is not pure Schnlt· ;ng organ. K. BERNARD SCHADE. FOUNDER AND MUSICAL DIRECTOR ger. it is indeed not hindered by the -Robc!rt Schuneman THE !)IAPASON 1 HARPSICHORD NEWS ART IS T CONRAD .nd TRAVIS GRIMES EARLY MUSIC. the quarterly journ playcd this program of music for two al from Oxford Unh'crsity Press, com · R EC II A lS cla\'icrs at thc School of Music, Univer pletes its second year with the largest sity of Manitoba, on No\'cmbcr 17: Son Isstle (0 dtlte. Included: an article com· ata a due cembali, Pasquini; For Two memorating the 500th annh'cnary or I'irginals, Farnaby; a Fancy lor Two to Dufay" dC3th (Duray and the Early Play, Tomkins; Suite ill if m;'lOr, Louis Renaissance) by Howard Mayer Bmwn; Couperin (.solo) : Pieces pour deux cia· An Introduct~n to Rel1;Lissancc Viols IIecinl, Gasparu LeR oux; A llegro, Con by Jan Harwood; Fint Stcps on the certo de dOl organos, Blanco (organ and Dulcimer. David Kettlewell; plus the harpsichord) ; Concerto in D, Druck· regular columm. rC\licw5, a rcport on muellcr (organ 5010) ; Coucerlo II due the Nuremburg Conferencc on instru· Organi, Lucchinctti (organ and harpsi· ment restoration by Jeremy l\lontagu. chord); Zwey Fugen /i;r %WI!)' Personen and a host of fascinating ad,'cni5emenu. a rl e;'.em Clavier, Handel (organ). The This periodical continuC5 to he a modc) instrumcnts used were a Sahathil harpsi. of layout and graphiCS. a real bargain chord. a Sassmann harpsichord, a Sperr e\'cn at its new price of $8 a ycar. hake spinet, and a CaS;L\';lIlt organ. Among the many London e \ enls (ca· T he fortepiano TC\ivat is in full turing lhe harpsichord in ~u\I..·mhcr swing iu London; rcprcsenlath'e of ac were thc programs of GILLIAN ,VEIR ti\'iLy with this instrulIlent arc two reo (with James Galway and Michcl Dcbost, citals gi\'en by RICHARD BURNETr £lutcs) al St. JOhll'S, Smith Squarc (No at Wigmore Hall on No\'(:mber 7 and "cmber 25) : Trio Sfmta in D miuGf", 2!L Using forlcpianos by Adlam and LocWct: Trio SOlldla, Couper i n ~ Sona Burnctt (1974) and Conrad Gnf of Vi la ill if minor, Siavet; Suite in E minor, enna (1826). he played Sonata in P, nucquct; S.,;le ill D mill or, Marchand; C,P .E. Bach; Sonata In C minor, Hob. V ..\LOA ,\VELING at the Purcell Room XVI: 20, Ha,'dn; f'arl lusin il' D miuor. (l\'Q\'cmlx:r I): F,'eflcl. Suite ill I:.··/ltll ; K. 397. ~(oi:ut ; Collage 0/ fValtu:s, COrlcerto itl llle IInliatl Style; Cll mHw Country Datlces 0",1 EcoSSDiseJ, Schu· tic Fa"ttu)' nud Fllglle; Fre"c" SlIilt! ill A program o[ b:u'Oque music fC3luroo he rt: Harmonies pot!tiqlles et religiewes r.. J . S. B.ch: RICHARD LESTER Rrtty Hensley. baroque flute and DOR· (18M). Liszt. At the second program. (Purcell Room, Novcmber R: all Scat"· OTHY ADDY, harpsichord on October with fortepianos by Bro::adwood (1823) I.ttl) : lhe EDU,IRD MELKUS EN 20 at First Unitari:m Church. 'Vichita, and Clemcnti (circa 1820), he played SEMBLE (Queen Elizabeth H::all . No· Kansas. Playing an antique flute of un· So,.ata quasi una fantasia, opus 27, 2 ,'embcr 13): S(Jllata irl C millor /lIr certain origin (usillg open holes and and Six Variatious 0" all Origi,.nl f'inlin amI CtmlitlllO, Bjher; SntJnla a only a D-sharp k~) ~b. Hensley played Tlleme, opus 34, Bcetho\'en: SOllala ,'n Qunlro in D, Schmclzer; Prehulio, Cor· ROBERTA DAV/D Sotlala in D by Quantz and Les Follies D, opus 17 (La CluUJe). Clementi: elli; r'nriatiorls 0" La Follin lor Tlj'O GARY McVEY d'&pngne, MaIOlis. Using OJ Clementi SO,lala in F-sllarp mi"or, opus 26, 2, r'iolins and COrl,blllO, Vh aldi: Satlnt" one-keyed nute she played SonntlJ, opus Clementi; Three Studies, opus 104. Two i,. A/or r' ;oli,. and Co",illllo, Vcracilli; 2 number! by Clementi and the Con· J't! netian Gondola Songs, and Setle"teen Polis" COllurla lor tfilO }'ioUns, I'iola. cer/o in D Alai"" (The Gold/inch). VI J'nr;ations st!rieftJes, opu~ 54. Mendels· rmd COlltintlO. Telell1;1nn; a PI'0b'Til.lIl of v31di. Ms. Addy played Frnncois Cou sohn. all the Brnntl,.tl/mrg COrlrerli (ENG· perin's Pa.ssncnille i" B minor. LISH CHAMBER ORCHESTRA. RAY The ,\STaN MAGNA Sc.:huul of Ua MOND LEPPARD. cOl1ductinlt and LLOYD BOWERS .nd JOSEPH STE '"octUC Music and Dance ,,'ill prcscnt its pla)in,:t harpsichord: Quecn Eliubcth PHENS played this program of music Han, November 17 ) ; and the recital by third sea5011 from Jlllle 8 through Jllne CHRISTOPHER (Purccll for two harpsichords at River Road 29. 1975. Fifty stu ents in lIIusic, voice, KYTE Room. ~0\'cml)cI ' 1IO) : Suite 4 in A millar, Tor· Church, Richmond. Virginia. on Octo and dance may be accommudatcd. Ap ROBERT her 27: A Verse, CarJton: A Fancy, Tom· rata i" II, Purcell ; Suite in F·jllnrp mi· PRICHARD Idlu; L'Espaguale, Allemande, 1A Ju/ pliotion deadline is January 111 , al· nor. H:tllde): Four Sonatas, Sc:lrlaui: though late applicutions ma}' be: con· lid, La Liliville. lrfusele de Clloisi, Mu sidered. The school. locatl..'tl in Great Ordre 18. Couperin: fA jo)"elue, L'E,,· sete de TnVf!rni, Fr.lnrois Couperin; trelien des Muses, I. es Cyclops, Rame'HI. Suite lor Two HarJJjjchords, Handel; Hanington. Massachusetts, will again h:;,xc Albert Fullcr as artistic director. Trio in E-/lat, J. S. Bach: La Marais, La Livri, La I't!%inel, Rameau: Concerto in The rl..'5idcnt faculty includes l:ortul1alO The English HARPSICHORD ma~a · II minOT, Krebs. Mr. Bowers played a l\riCO. baroquc \'iolonccllo: Raymond zinc for April 1974 featurcd an intcr\'it.'l" Rudcrs copy harpsichord by William Erickson and Fuller, harpsichord; John with GUSTAV LEONHARDT. For 1-1511 , viola da g-.lInba; Bernard Krainis. th~ who would undcrstand wmething Dowd. Dr. Stcphens. :1 Hubbard and Dowd instrument .. Ctcr Taskin. Tl'Corucr; Michel Piguet, h3foqllc oboe of Leonhardt's undogmatic approach to and recorder; Stanley Ritchic and Jaap hb ar', this is highly recommcndcd. A Schroder, baroquc \'jolin; John Solum. few sample quotations: "What do ),011 LINDA HOFFER pl .. yed this pro· ClOintn tr:l\'CBO; alul Shirley W)'1H1C. ha· fccl ahout thc c:trly tcchnique in harp· gram in the Noonday RI..'Cital Series of r()(luc dancc. Thcre will he additional sichonl plal'ing?" 'Thc study nf Ihe I'erkins Chapel. Southern Methodist CIlI.."St pcrfonncn and Icctllrcn. Inter early tcchnique is nne of the wa}'" or Univenity. 001 lias. on November 20; ~tl'tl persolls should writc ,\slem Mag- koa ming about the tnu!!ic. If )'ou disre. Tuccata Ollmm, Frcscobaldi; La Roma 11:1 (o"olllld::ation fut" Music. 27 WClIt 67th gard one clcment of thc music. cit her ru:,'ca, Valentc; lIallo alia Polnclla, Pic· SU'l"Ct. ~cw York 10023 £ur further ill' of ib composition or performancc. you chi; Lnmbert'J FireJide and ACy Lord runltation and application hlalll!!. will ~n wmng ..." "The more 1 pene Salldw;cll',f Drenme, Howclls: Pavana tratc into the music the le!l.'I 1 wish for Doloro$o (frcgiau) . Pcter Philips. Thc modern mcans: stop~ and fingcring!!, instrumcnt. nhcr Rldolri. hy Richard LARRY PALMER plOl)'ed the tradi· The olel fin~rillg5 bring out the unity Kill~ton. tional l':cw Yl'al '!Ii Oa )" c.:onccrt at thc of (he music and the mcans or attaining horTlc of Mr, :;'lId Mn, Raymond Eulcn· it. Whcn thc clements - fingcring. or REBECCA PEAL playctJ lhis collcert malili. Da1l3s tn Upell the 19ift concert n;Lmcntation, etc.. arc O\'enlouc - that in the Littlc Theatre of St. Michael and SI..'aSOIi. He was as..'iistcd by Ronald Neal. j!l where Inusicology g0C5 wrong," All Angels Episcopal Church, Dallas. on violin. The program: From thc Goltl· I/erg I'ar;aliotJJ, !lach: Aria. Variatiom November 17: Sonata in G, Arne; Par An ~ual1y - intercsting interview with lita in A ",inor, BWV 827. Bach; Sona 1.8. 25.9-10; Duel lor I'.o/in nnd Harp. Jiclwrd, HO\'hallcss; Sonatn in A Major, KENNE fH GILBERT is realUrcd in la, Persichctti; Sonata in D Major, Hob. the same magazinc's October 197-1 i55l1e. XVI: 37. Haydn. The harpsichord wa'i CoreUi. The instrumcnt: aftcr Claude Thc questioll!l lead him to trace his a French double by Richard Kingston. Jacquet by John Shortridgc. with dcco· own devclopment as a harpsichordist WENDHACK rations hy Sheridan Germann. and tdchcr, record hi!! commcnts on COLIN TILNEY ga\'e this program in thc rl..'Ccnt 8ruggc Fcsth'al C\'elll.5, and concludc "'ith some penetrating com· 'I) organs the Purcell Room. London, on Novcm· K,\REL PAUKERT was harpsichord. ber 19: Toccata 18. Froberger; "aria· ist at the Clc\lcland Museum of Art con· ments alHlIIl the current slate of the tions on Aria Sebaldina .Pachc)be); Silile certs of Decemher 11 and the four De· drcor.lIh'c aspect of our il15trumenl. 6. Bohm; Cinccona in D, Fux; Toccata cember Sunday·s·. Using the Museum's in F-sllarp minor, Bach; Silite in F, 1962 William Dowel instrument he Featuus and news itvns (or these 1300 Plnetr.. Drive Handel; Suile in H·/lat from Compon; played COrlcerto ;n A Mnjor for harp· pagn: are always welcome. Address them Indian Harbour Beach. Florida 32937 menli Mltsicali, Cottlicb Muffat. The sichord and strings. \'on Dluersdorf and to Dr. Lany Palmer, Division DC Music, Telephone: 13051773-1225 harpsichord was a copy of the 1745 the Suitt: ill n millor rrom Pieces dt: Southem Methodist Univenity, Dallas, Dulckcn by Clayson :md Garrett. Clavedll, 1728. Jean - Fran~is Dandricu. Texas 75275. FEBRUARY, 1975 15 New Organs Schudi Organ Company: East D.llas Zimbel III I/ l' ZION LUTHERAN Chridian Church, East Dallas. Toxas. ]. Bauon 16' IrnInual and pedal, electric pull.down .nd TrompeUa S' pallet slider windchests e.cept for unifi.d Re Oowold G. D. M. A. THOMAS MURRAY RAGATZ ST. PAUL'S CATHEDRAL BOSTON 02111 .rofllllOr of Orvon _I, INDIANA UNIVQSITY GEORGE HARRY WILKINSON DONALD WILLING MARKEY Ph.D., F.A.G.O. '-IIy Records Markey Enterprises 201·762·7674 ST. MARTlN·IN.THE.fIELDS North rlX ... Slate Unlvenltr Recitals 42 Maplewood Avenue Cho" ... HIli, Phllod"pIota Instrudion Maplewood, N.J. 07040 WEST CHESTER STATE COLlEGE, PI.. - MARILYN MASON Gary Zwicky CHAIRMAN, DEPARTMINT OF CIIOAN barclay wood DMA 'AGO UNIVERSITY OF MICHIGAN _ .... I...... U.... onIIy ANN AUOIt FIRST BAPTIST CHURCH IIIUJf.rlfy eftIW dtort,.e" "Mia MalOn r*rYM with aN ,... ,ve, J.mo"""""flg Wo...... b., exfnrorcflnory fcJdIlIy •• •" Des M.lnes R.. ltter, Odell., 5, 1964 THE TEMPLE CI..-Ionci, Oldo ....106 LARRY PALMER MARTHA FOLTS FINEST IN NATURAL PUCUSSION DAVID Harp.lchard - Orga. Traditional South... M... odlot Uol.enlty Solid GOODING Recitals: Cothedrol ChhlSl. Orgaallt.Cllolnnalfer Electric THE ClEVELAND ORCHESTRA Actions Salot La •••• Episcopo! Clorel Avant-garde AMPLIfiED TOWER CHIMES MUSICAL HUIlAGE SOCIETY Dallal, Texas RECORDINGS Mutlc Dept., low. State Untvenlty LAKEVILLE "- Iowa 50010 CONNECTICUT 06039 16 THE DIAPASON PEDA L Pr int.i pol ,,' Bourdon 16' Oelo"e 8' Flute 8' Cho 01 Bon 4 Nochthorn 2' Mixture IV 2,l/l' FaCJot 16' Schalmei 4' Austin Organs, Inc.: Chris. Church Episcopal, Ale.andria, Virginia. 3·m.nual and ped.l, 35 stops, Iccated in old CiiS. RICHARD M. PEEK Mu.. Doc., FAG,O. Jack Ossewaarde ADOLPH STEUTERMAN FREDERICK SWANN Sec. 1M., Doc. SovtI\wm.n. ot MMnphts St. Bartholomew's Church The Riverside Chutch Covenanr Presbyterlan Church C.(wory E'plKopol Chyrdl New York New York CIty 1000 Eo M...... Chorlotto, N. c. MeMphis, Ten ...... ARTHUR A. PHILLIPS FRANKLIN E. PERKINS George Norman Tucker W. WILLIAM WAGNER Ph.D. MOO ClLM. F.T.C.L Mus. B.th. Th. Ladue Chapel ST. LUKE'S CHORISTERS MT. LEBANON METHODtST CHURCH Th. John Burroughs School St. Alban. C.... N ...la"al Church Kalamazoo Pitbbura:h, PaauylVllaIa St, Louts, Miuourl 172·17 St. Albans, N,Y. 11434 BOY CHOIRS MYRTLE REGIER ofee JeJgwag sally slade warner WA-Ll-RO ""1.0. duo.. Mount Hoi,... C.I.... BOY CHOIR TrklUr fpiUOfHl' Cit."" CHURCHOP Top.,ie'd, Maaacll.. ..n. 01'13 WARREN c. MIUlR - DlRlCTOR ST. JOHN THE EVANGELIST $eolh lied.." _ ...... hdlals Chriot Ch ...... Shalo .. HoIghlt 22, OhIo _oHm __ K. BERNARD SCHADE Robert Shepfer C. GORDON S.M.M. CLARENCE WATTERS STATE COUEGE O...... Ch"'""" EAST STROUDSIURG. PA. SECOND PItBBYTERIAN CHURCH RECITALS WEDERTZ St. John's Church 25S4 West 118m SL Worluhops ancl Lectures Ind ...... pol ... India .. 46260 Th. Ked.l, Chor.1 Method bdtolo W. Hartford, Connecticut ClUCAGO 60655 DAVID A. ROBERT SMART HARRY ARTHUR WELLS L. ROBERT SLUSSER Swutbmore, PCIllIIJ'lftDla MUS. ".., "-A.G.O. TrialI)' EplJcapal Cburch Swarthmore Collq:e Washington St ... Unw.,.,.,. LA JOLlA PHSIIYTDIAH CHURCH WEHR eon;r RUSSELL G. WICHMANN Carl Staplin 8D.6 (Unit/DII ROLLIN SMITH Ph.D •• A.A.G.O. Chatham College Drak. UniversIty FOX CNAPn EPISCOPAL CHURCH Shadyside Presbyterian RECITALS University Christian Church 1150 Fortyol1nt S ...... JkaokIya, NY 11211 DES MOINES, IOWA Fox Chapel, Pllhl.".h, P.. 15231 Pittsburgh, Pa. 15232 FEBRUARY, 1975 17 1.5 FEBRUARY Nma Rainer, SI John's Episcopal. Detroit. John Holtz, workshop on contemporary MI 12:1 5 pm CALENDAR organ music. Denison U, Granville, OH 1 pm Karel Poukert, organ Improvisation work. shop, St Joseph Convent, Milwaukee, WI FE BR UA RY 16 FEBRUARY 7:30 pm (also Feb 22 at 9:30 am) Morian Anderson, Cathedral a. SI luke, Pela r Planyavsky, aU·Bach, St Ma, k'i Portland, ME 4 pm Cathedra/, Seattle, WA 8:30 pm 1 Darrell lauer, tenor, Church of the Holy Nome, New York, NY 3 pm 22 FEBRUARY 2 3 4 5 6 7 8 leonard Rover, Temple Emanu.EI, New Christine Niehaus Smith, Cathedral of York, NY 3:30 pm Mary Our Queen, Baltimore, MD 5\30 pm 9 10 11 12 13 14 15 Requiem by BerlioZ, St. Bartholomew's St MaHhew Pauion (Pt I) by Bach; lou.!s Church. New York, NY 4 pm vine Bach Society, Melvin Dickln.an, dirl 16 17 18 19 20 21 22 St MOfk Pa"ion by Bach, Flhh Ave Pres Calvary Ephcopal, louisvlUe. KY 8 pm byterian, New YDfk, NY 4:30 pm Gill ian Wei r, RLOS Aud, Independt!f\(;I!, 23 24 25 26 27 28 Charles Frost, Sf Thomas Church, New MO York, NY 5"5 pm Peter Planyovsky, work1bp, St Mark's Syracuse Vocal Ensemble, Timothy Adams, Cathedral, Seattle, WA 9:30 am MA RC H dir; Hendricks Chapel, Syrocuse U, Syracuse, NY 8 pm 23 FEBRUARY 1 David Cra;gheod, Rochester Chamber Or_ Handel's Birthday Maralhon Concert; Vic chestra, Rochester. NY tOt'" Hill. harpsichord. Williams College, Wil· 5 6 7 8 Mkho!ll Cedric Smith, classical guitar, liamstown, MA 2 3 4 Cathedral of Mary Our Queen, Baltimore, Cantatol 131 and 187 by Bach, Unned MD 5:30 pm Churt:h on the Green, New Hoven, cr 5 pm 9 10 11 12 13 14 15 Charles Benbow, Mercer U, Macon, GA Brion Jones, Dwight Memorial Chapel, Karel Poukert, MU$8um of Art, Cleveland, Yale U, New Hoven, CT 8:30 pm DEADLINE FOR THIS CALENDAR WAS JANUARY 10 OH 2,30 pm Barbaro Adams. alto; Irving Hunter, tenorJ John Holtz, Denison U, Granville, OH 4 SI luke's lutheran, New Ycrk. NY 3 pm pm Jahn Huston, Temple Eman u·EI, New York, Gillian Weir, First Congregational, Colum· 5 FEBRUARY Barbara Noland. Cathedral of St. Philip, NY 3:30 pm bus, OH Atlanta, GA 5 pm Stabat Mater by Rossini, St Barlholomew's Works by Purcell, Sf Thomas Church. New Choral Concert choirs of Christ Church Virgil Fox, Von Waul Hall, Sarasota, fl Churt:h, New York. NY 4 pm York, NY 12110 pm (Cincinnati) and Westminster Church (Day· B pm Edward Wallace, St lhomas Church, New Berenice l1pson-Gruzen. piano, Sf Paul's ton); at Christ Church, Cincinnati, OH 5 pm Korel Paukert, Museum of Art, Cleveland, York, NY 5:15 pm Chapel. TrinIty Parish. Now York. NY 12 ~ 3D Jerold Hamilton, Second Presbyterian, OH 2130 pm Soc:red ServK. by Blech. Church of the pm lndionopolb, IN 8 pm Gerald E Murnart, SI John's Episcopal, H Wells Near. a rgon pops concert, Foir_ AscenSion, New York. NY 8 pm Wi lliam J Catherwood, Redeemer luth Cantatas ISO Qnd 161' by Bach ,St Paul's Washington, DC 12dO pm mount Presbyterian, Cleveland HeIghts, OH eran, Flint, MI 8 pm Gerre Honcoc:k, mastarcless, Wesleyan 4:30 pm Cathedral, Buffalo, NY 4 pm Cantata, Ta God I Yield My Heart and Richard Heschke, Kirkpatrick Ch ::Ipel, Rut College, Macon, GA Paul Manz, festival of HymM. First Wayne Mind by Bach. Groce lutheran, R.... er Forest, U of Illinois Contemporary Chomber Ploy Street Methodist, Fort Wayne, IN 7:30 pm gers U, New Brunswick, NJ 8 pm Il 4 pm Ken lowenberg, U S Naval Academy, An ers, Sf Poul's Epbcopol. Son Diego, CA 7:30 Arthur lawrence, Trinity Eplscopol. High· Jerome Butera, Holy Nome Cathedral, napolis, MD .. pm pm land Park, Il .. pm Chkago, Il 3:30 pm Stephen HamiltOll, Unlt~ Church of Christ, Eiief!1'I Ma" is Guenther, lv,h...-on Chut'ch Steven Gustafson, organ; Arthur Halbar of the Reformation, Washington. DC 3 pm 6 FEBRUARY Ames, IA 4 pm dier, harpsichord; Groce lutheran, Glen Delores Bruch, First Sopt/st, Kansas City, August Humer, SI Mark's Methodl,t, Peter James Johnson, Boston Civic Symphony, Ellyn, Il 7,30 pm burg, VA First Church, Cambridge, MA 8:30 pm MO .. pm Salv& R."ina in G minor. Trumpet Con john Holtz, Fint Christian, Houston, TX Eugenio Earle, harpsichord, Covenant Pres Allen R Mills, SI Thomas Churc h, New certo In E·flot by Haydn; areas by Mozart, bytetlon, Charlotte, NC 3:30 pm York, NY 12:10 pm 8 pm First Unitarian, Portland, OR .. pm Dovkl Schroder, St John's Catholic. Den Rondy Oeckworth, trumpet; Charles Wood Kenneth ond Frances 8cuggon, duo harp Douglas l Butler, all· Reger, Linfield organ; first Presbyterian_ Wilmington, sichord and donce; lenoir Community Col. ver, CO .. pm lege, McMinnville, OR 8 pm Roger Nyquist, Grace Cathedral, San 5 pm lege. Kinston. NC 8 pm Catharine Crozier, Mission Church. C Shill, Ca thedral of St (h/lip, At FrandKO, CA 5 pm luis Rey, CA It's Cool in the Furnace by Buryl Red, la GA 5 pm 7 FEBRUARY l Robert Slusser, argon; OHo Feld I Bodine, Ascension lulh.ra" Indian John Ferris, Memorial Church, Harvard U, jona Presbyterian, lo Jolla, CA 7 pm Quartet; lo Jolla Presbyterian, la Jolla, Robert Roubos, Christ Church Cathedral, Beach, Fl 8 pm Cambridge, MA B:30 pm 4 pm Ottowa, Ontaria Keiser, Christ United Presbytetlan, John Ferrante, countertenor, South Con OH 17 FEBRUARY gregational. New Britain, CT 8 pm Paukert, Museum of Art, CJevelond, Virgil fox, Pnnbyterian Church, Miami 10 FEBRUARY New Organ Demonstrat/an for New 2:30 pm Shores, Fl 8 pm Worth-Crow Duo, Senior H S, lexington, New Jersey AGO members, Alice Tully Hall, Elwyn Davies, Trinity Episcopal, Toledo, Wim van der Panne, St Peter United NC 8 pm lincoln Center, New York, NY 9 am to 12 OH 4 pm Church of Chrlll, lake Zurich. Il 8 pm Marilyn Keiser, ladue Chapel, St louis, noon Choral Concert. choirs of Westminster Robert Baker, First Congregational, lcn MO Marilyn Keiser, workshop and recilol, Presbyterian (Daylon) and Chrlll Church Angeles, CA 8 pm SUJOn Ingrid Ferre, Eost Dollas Christian lenoir Rhyne College, Hickory. NC (thru (Cincinnati )~ at Weslminster Presbyterian, Church, Dallos, TX 8115 pm Feb 19) Ooytoo, OH 8 pm 8 fEBRUARY CMrry Rhodes, First Presbyterian, Glen Kenneth and Frances Bruggen, duo harp Indiona U Pro Arte Ensemble, First Pres Vidor Hili, harpsichord; Janet Geraula, dale, CA 8:30 pm sichord and dance, Mercy College, Detroit, byterian, Fort Wayne, IN 8 pm flute; Williams College, Williamstown, MA Mllpmond8pm Bruce Gustafson and Arthur lawrence, (also Feb 9) Dione Bbh, Evangelical lvtheran Church organ and harpsichord: Howe Military, 11 FEBRUARY Marilyn Kober, AGO workshop, Boulevard o f St luke, Chicago, il 8pm School. Howe, IN 4;30 pm Baptist Church, Anderson, SC Raymond Ocock, Flhh Ave Presbyterian. Sondra Fanning, soprano; James Stephen Malcolm WiIIlamsoo, church musk work New YDfk. NY 12:10 pm 1B FEBRUARY son, tenlM; NOlth United Methodist, Indian· shop, Oakland U, Rochester, MI John Tuttle, Cathedral of the Sacred lynn Zeigler, fifth Ave Presbyterian, New apolis, IN 8 pm Worth.crow Duo, Civic Aud, Kingsport, Heart, Newark, NJ 8:30 pm York, NY 12:10 pm Helnz Wunderlich. Indiana U, Blooming TN 8:15 pm Charles Benbow, U of Northern Iowa, Russell tl.eyer, Cathedral of the Sacred ton, IN 3 pm John Holtz, AGO workshop on contem Cedar Falls, IA Heart, Newark, NJ 8:30 pm Kathryn loew, Christ the King Cathedral, porary organ music. first Christian, Hous Alto Bush Selvey, Oklahoma State U, Still Charles Benbow, for Atlanta, GA AGO Ka lamazoo, MI 4 130 pm ton, TX 9 am water, OK 8 pm Frederick Swann, First Presbyterian, Na Joseph Schreiber, Fourth Presbyterian, Fr~erick Geoghegan, St Moria Gorettl ples, Fl 8 pm Chicago, Il 6:30 pm Church, Scotlsda~, AZ 8 pm (also Feb 9) 12 FEBRUARY Terry Hides, Our lady of Bethlehem Con 19 fEBRUARY vent, la Grange Parle, Il 8 pm Choir of St Thomas Church (New York 9 FEBRUARY Choral works by Morley and Byrd, SI Charles Benbow, U of Kan5as, lowrenc~, City). at Immanuel Congregational, Hart K5 Theodore Feldmann, St Mark's Church, Thomas Church, New York, NY 12:10 pm ford, cr 8 pm Denver Concert Chorale Chamber Singers, Augusto, ME 4 pm Marianne Higgs, saxophone; Herbert Bur john Holtz, Mt lebanon United Methodist, St John's Cathedral, Denver, CO 4 pm Allan Toylar III, Christ Church Cathedral, tis piano; St Paul's Chapel, Trinity Parish, PIHsburgh, PA 10 am John C Ellis, Cathedral of St John the Springfield, MA 5:15 pm New York. NY 12;30 pm Harriet Tucker, JohnJOO Memorial Church, E'/angelist, Spokane, WA 4 pm Rhode Island Philharmonic Brass QUintet, T~ Alan Worth, Bouck Theatre, Cobleskill, Huntington, WV 12:30 pm John Renke, Groce Cathedra/, Son Fran· Trinity Church, Newport, RI 4 pm NY 8 pIn R~uiam by Mozort, Fairmount Presbyter cisco, CA 5pm I lenora Stein, Dwight Chapel, Yale U, New ian, Cleveland Heights, OH 8 pm Susanna Wesley Handbell Ringers, John· son Memorial Church. Huntington, WV 12:20 Frederick Swann, St John's Episcopal, l';)s Haven, CT 8:30 pm Angeles, CA 3 pm James lazenby, Grace Church, Utica, NY pm 13 FEBRUARY Kenneth and Frances Bruggers, duo harp 6 pm 24 FEBRUARY Bellhozzar's Feast by Walton, St Bartho Harold E Pysher. Sf Thomas Church, New sichord and dance, Notre Dome U, South lomew's Church, New York, NY .. pm York, NY 12:10 pm Bend, IN 8 pm Clyde Hanaway, Gmeeorh by Xenakis Westminster College Choir, Raymond Mar 8lUy Nolle, Theatre Organ Concert, lhe Gillian Weir, U of Texas, Austin, TX 8 pm.. (premlerel, South CongregaHonal. New 8rlt .lln, dit; Fifth Ave Presbyterian, New York, Kirk, Dunedin, Fl 8: 15 pm oin, CT 8 pm NY 4:30 pm 20 FEBRUARY Kenneth and Ftances Bruggers, duo harp Cantata 127 by Bach, Holy Trinity luth Virgil Fox, Syracuse Symphony, Syracuse, sichord and dance, Union College, Barbour eran, New York, NY 5 pm 14 FEBRUARY NY ville, KY 8 pm David l Mitchell, St Thomas Church, New Choral Festival, Cathedral of Mary Our Robert Tote, St Thomas Church, New York, Frederick Swann, First Congregational, York, NY 5:15 pm Queen, Baltimore. MD 5:30 pm NY 12:10 pm fresno, CA B pm Musk for argon, bros.s and timpani, Trin Charles Krigbaum, Solem College. Wins Goktberg Valiottonl by Bach; Dan F.-onk. ity lutheran, lancmter. PA 6 pm ton-Salem, NC 8:15 pm lin, harpsichDfd; 51 Mary's College, Notre 2.5 FEBRUARY Kurt Werner, piano, Cathedral of Mary Kenneth and Frances Bruggers, duo harp. Dome, IN 8 pm Gerre Hancock, Hamilton College, Clin Our Queen, Baltimore, MD 5:30 pm sichord and dance; Surrey Community Col· Arthur POister, masterclou, U of Tennes ton, NY Donald S Sutherland, orchestra, Bradley lege. Mount Airy, NC 8 pm see, Knoxville, TN (thru Feb 23) Oilys Smith, Fifth Ave Presbyterian, New Hills Presbyterian, Bethesda, MO .. pm Huw lewis, St John's Episcopal, Detroit. Frederick Swann, First Presbyterian, Mid York, NY 12:10 pm Art of Fugue by Bach, Edith Ho, All Souls MI 12115 pm land, TX David Binkley, Cathedral of the Sacred Unllarion, Washington, DC .. pm Roy Ferguson, Detroit Symphony, Detroit, Heart, Newark, NJ 8:30 pm Kenneth and francea Bruggers, duo ho~ MI 21 FEBRUARY Mvsic for a While, old instruments en· sichord and dancel Nosh Technical Institute, Cherry Rhodes, First United Methodilt, Heinz Wunderlich, Epworth Methodist, sembi, Winthrop College. Rode HIli, SC 8 Rocky MoUnt, NC 4 pm Santo Barbaro, CA 8 pm Norfolk, VA pm 18 THE DIAPASON , Charles Benbow, St Mark'S Episcopal, August Humer, Market Square Presbyter Michael Murray, U of Texas. Austin. lX Xavier Darasso, Valparaiso U, Valparaiso. Shreveport. LA ian. Harrl~burg , PA 8 pm IN" pm Heinz. Wunderlich, West liberty State Col Karel Paukert, Museum of Art, Cleveland, Gillian Weir, Schoenberg Hall, UCLA. Los St Ma"hew Pauion (Pt II) by Bach, Loul5- lege. West liberty, WV 8:30 pm OH 2,30 pm Angeles.. CA ville Bach SocietYI Calvary Episcopal. Laui5- Gillian Weir, Boy's Home, Boy's Town, NE David Craighead. United Church of Christ, ville. KY 3:30 pm Kent, OH 3 pm 8 MARCH Cantata, Verily I Say to You by Bach, 26 FEBRUARY Wilbur Held. Trinity Episcopal. Toledo. Robert Bcker. AGO mostercloss, first Grace Lutheran. River Faresl, It 4 pm Works by BulJock and Howells, St Thomas OH 4 pm Church, Wethe rsfield. CT 10 am Albert Lea Cantori Choir, Groce Lutheran, Church, New Yarle, NY 12,10 pm Charles Benbow, St John's Evangelical Virgil Fax. Q ueens College, f lushing, NY Albert Leo, MN Gil Morgenstern, violin: David Garvey, Proleslant Church. Columbus, OH -4 pm 8:40 pm Cartene Neihart. Sacred Heart Church, piano; St Paul's Chapel, Trinity Parish, New Spring Choir Concert. SI Bede's Episcopal. Pocono Boy Singers. Christ LUlheron. York. ColWich, KS York, NY 12 :30 pm Menlo Park. CA 8 pm PA 8 pm (olJa Mar 9 at II am) Brion Jones, Christ Episcopal, Oallos, TX C Rolph Mills, Johnson Memorial Church. Organ Concerto by Poulenc, Ma ri lyn kei 4 pm Huntington, WV 12:20 pm 3 MARCH ser, A5heville Symphon y, A3heville, NC 8:1 5 Cherry Creek H S Moisteningers. St John's Catharine Croz6er. Cleveland Museum of Ca lhedral. Denver, CO 4 p m Catharine CrOZier, Lawrenceville School. pm Art, CleWl!ond, OH 8 :30 pm Lawre nceviUe, NJ Wilma Jensen. AGO mosterdou, Ponca University Singers, Concert Choir, Colle Mass in f: minor by Bruc.kner, Baltimore City, OK 10 MARCH gium Muskum, David A Wehr. dir: Eastern Choral Arls Society. Thea Man is. dir; Cathe Catharine Cra:tier, AGO mosterdau. Kentu VemDn tie TDr LAWRENCE George Wm. Volkel F.A.O.O., M" .. Doc., S.M..D. Dwight Oarr SAC. MUS. DOC., '.A.o.o. Church of the Ascension Recitals f1fth Aven ... at Tenth Street ROBINSON New York. N.Y. 10011 Wells College 'OMPANO lEACH The Jullllan! School VIRGINIA COMMONWEALTH UNIVElSIJY RORiDA Recitals Aurora, New York 13026 RICHMOND, VIRGINIA Organ and Choral Workshops First Presbyterian Church Richard robert anderson John Barry ANDERSON SMD fAGO Peter J. Basch ST. LUKE'S CHURCH s...... Me_sf Unlvonlty Bennett College Wildwood Road LONG BEACH, CALIFORNIA Greensboro, N. c. DaUot.• Tex .. 75275 Califon, New Jersey 07830 HEINZ ARNOLD CHARLOm AND W1WAM Wm.G. BLANCHARD F.A.G.O. D.Mu .. ROBERTA BITGOOD ORGANIST ATKINSON POMONA COllEGE STEPHENS COllEGE FIRST PRESBmRtAN CHURCH Fir.' Congregnlional Church CLARmONT GRADUATE SCHOOL 2001 EI Camino Real THE CLARmONT CHURCH COLUMBIA, MO. Oceanllel., California 92054 BAnLE CREEK, MICHIGAN C'or.mont C~nfornta FEBRUARY, 1975 -19 CHARLES BOEHM DAVID BOWMAN ORGAN RECITALS TRINITY LUTHERAN CHURCH D.M.A. 1fIcby1l1o. N.Y. Alabama Slale University NASSAU COMMUNITY COllEGE Gordon CIty. N.Y. Monlgamery, Alabama William Albrl9hl - C8ntrol United M.tho III Bethlehem 0 wonder. Schroeder; What shell d'd, lanlill Q. MI J .. 5: CoIIC.rto in A minor we give to the Chtfd of Mary. Guinaldo; Ah ETHEL SLEEPER BRETT BWV S93, Yivoldi-Boch; D~om ofl.d Danc6, Al Lord how sholl I meet Thee, Wolcha; Hear Ye WILFRED BRIGGS bright; Blod: Hod, Balcom; Varietions on Israel (Elijah), MendelslOhn: God Among Us, Amer:c e, Ives. Assisted by Williom M061"1ch. MessiGen. Assisted by soprano Mory Curtis end Organist and Recitalist M.S., CH.M. percusion. flutist Saro Jo Ward. 51. John's In Ihe Village Fint Mcthocfut Church, Saenamcnlo, Cal. LudwiQ Altman - Temple Emonu-EI, Sen Susan Hegberg - Dickin ..n State College, New Yark 14, N.Y. Francisco, CA Dec 29: Contropunth" YIII (Art Dickinson, NO Dec &: 4 F~nch Noell, Reison, of Fugue), Klaines hl!rmonhche, Labyrinth Oondrieu ond Daquin; Andenhl sostenuto (Sym BWV S9 1, Thy throna I now approach BWY Gothiqua), Widor; Te Deum, lonQlai.; pr1Iluda 608, Bach; Chromatic Fantasy BWY 903, B.. ch and Fugue in G minor, Dupr6; Sonote in 0, ARTHUR CARKEEK Reger; Dialog Eins. A Reimann; l OrQan Piaces, C P E Boch; Consolation, Scheno, Paltorale, JOHN BULLOUGH Mil haud; Wellington's Vic;tory, Second Pre· Toccato (opus 65 ond opus ~')' ReQer. A.A.O.O. ude thmugh all meior keys OpUl ]912, Beetho. A.I. M.s.M. Ch.M. M.s.M. farleJgh Dld""M.. Unlvanlty 'len. Arl.ne Hildlng - Bethany lutheran ColleQe, DePauw University Organist Undsbof'9, ICS Dec 16: Partita on Jalu meine 'ea"ecJc. New Jeney Gobin Memorial Church Jona Bryn - senior recital, Bowling Green Frellde, Wolther; Pastorele in F. Sonata I. Bach: M..... rlGl Methacllst Church State U, OH Dec B: Posto ttlla BWY 590, 'Sonata 2 seHingl Vom Himmel hoch, W.lcha and Whit, ,Iains, Naw Yorlc CR!~nculle, Indiana in E· fl at BWV 525, P~ l ude ud FuQua in A Pache-lbel: Concerto, Monnike"dllm. Auhted by BWV 536, lach; Jesu meine Freude, Walther; brau ensemble. Sonota II, Hindemifu ; Souta in 0, Melldell· Gruaulein A want SpaDlOr sohn. De,id J Hurd Jr - Chapel of the InfercH' EARl CHAMBERLAIN ,;on, New York, NY Dec II: ..... gnincet primi C HICAOO Frederk!! lurljOme.t.r - 51 'aul's C .. thedrol, tone. BUltehude; 2 settings Nun komm der Buffalo, NY Dec 20: Swin Noel. OeQuin; Sleep. F.T.CoL CLUB OF Heiden Heilond BWY &57.&&0, Meine Seele er ers wake, Boch: Preise be to Thee lord Jesus hebt den Herren BWV 648, Fuga ,opra if ST. STEPHEN'S CHURCH W OMEN Christ, Wolcho: C .. ri llon, Sowerby; Let Berg Magnific .. t BWV 733, Boch: Suite on the Second ORGANISTS ers, Dieu permi nous, Meuiaen. Tone for the Magnificot, Guillaint Partita on Cahauet MCIIIOCh ....tb Nun komm der Heidan Ha;lond, DlStl.r. Loll JO-. PraIc\CII' William C.l1Iot - Fint United Methodist, Alhambra, CA Dac I: In dule; iubilo, Sleepel"l Mar Jacklon - Second Presbyterian, Ports woke, P~lude end Fugue in D. Bach: Toccate mouth, OH Nov 14: Fontasio KY 5'M, Morart: in A, Poradisi: Concerto in F, Handel; Now Sonota III, Hindemith: Toceote, for the Vaults lIo6ert ClorA thenk we ell our God, Whitford: Choral in of Heaven, When the Morning Stan SanQ To Harry E. Cooper B minor. Frond: Corillon da Wedminster, gether, Pinkham; Prelude GAd fuQua in B ScI.oo/ 0/ Music Vieme; Bible Poems, Weinbef'ger: The BellI of minor, Pasillcaglia end FUQue in C mitior, St Anne de Beaupre. RusJeIl: Toccata on 0 Bach. Unlver1lty of Michigan Mus. D., F.A.G.O. Filii lit Filiae, Farnom, Ann Arbor Roy Kehl - Northarn illinois U. DaKelb, Il RALEIGH, N. CAROLINA Eileen CoC)gln - Community United Metho Nov &: Fugue in E minor, Scriabin-Stout; Pieces dist, Fairfield, CA Dec I: Ov.rtur. from Con· II, III, VI, I from L'Orgenista Vol I, Franck: certo opus 7/2, Handal; .. Litlle Preludes ond Fugue in A.flGt minor, Brahrm; Preluda, Fugue Intermeui, Schroeder; Erblllrm dich mein. 6n ond Chaconne in 0 minor, Ptlchelbel; Schmiicke feste Burg, Bach; Henliebster JetU, Henlich tut dich, Wer nur den I~ban Gott, b lst oin ROI, MICHAEL CORZINE mich erlreuOft, Brahm': Fanta1ia KV 60:1, Maurt: Siout; Passacaglia in C mitIOr, Bach. WALLACE M. COURSEN, JR. God of the opllll'lding Univene, felda no: Noel School of Music for the Flutes, D.,qllin: Vanite adon:mul, Geh· fAG.O. Robart aurns K1h9 - Fint 'r1Isbrierian, Bur· Florida State University renbeckj Tha Nativity, langlei1; Variations on lington, NC Nov 24; TOtIm5:lat Voluntary, CI .. rh; CHRIST CHURCH Adeste fidelis, Dethi.,. Toccota i" F, ken; Heroic Mu,ic, Tel.mann; Tallahassee Fantosy in A, Franck: Sonata do chiesa per la BLOOMFIELD AND OLEN RIDOE. NJ. Georg. OKk., - Grace Churdl, Utica, NY 'a~ua , (iagnebin; Pralude end Fugue in G Dec II: livre d'O'QuII, du Mage; Volunt .. ry in minor, Dupre. Auided by Eddie Ba", trumpet. C, Stonley; Prtlluda .. nd FUQue in . E minor, Bruhns; Adagio (Sym VI), Wldor; Flnel (Sym Sheron Kleckn.r - Trinity luth.ran, Jane,~ I), Viema. villa, MN Nov 17: CorteQe ond Utanie, Dupr': DAVIDSON Woenet ouf, BWV 645, Nun komm der Heiden DELBERT D1SSELHORST Richard P DaLon; - Grace Ep'i1cvpel, Mons Heiland BWY &59, Nun freut .uch BWY 734, ".ny F. SlII&n L DMA field, OH Dec 22: Pr.lude and FUQu. in E, Prelude ond Fugua in 0 BWV Sl2, Bech: 8.n.· MSM. MIOO. CIIM MSM. Cht.4 Lubeck: ] Noels, Dondrieul ] Pastoreles, Zipoli, d ittUl, ReQer; Dieu pormi nOUI, Meuioen. Harper CoIl". Th. '"sbyterlan Chura Unlv""ty of Iowa Reger ond Micheelllln: Es ist ein ROI, Brahms; P"I,tln., IIII.ot, ..,tlll9fon, illinois Iowa City Iowa Yoriations on a Noel, Dupr' • Stephen Kola,ec - St Poul ', Cathedral. Syra. cuse, NY Dec 17, Carillon, Dupr6; Yariation. l onni e Beth Derby - SI Paul '. Cathedral, on Luds Creotor, Ballode in tha Phrygian Moda, Syracuse, NY Dec 10; all· Butahuda: Prelude Litonies, Alain: Prelude and Fugue on ALAIN, ond Fugue In G minor; Nlln komm d.r Heiden Culllfl6. KATHRYN ESKEY Heilond: In dulei iubilo; Fantalio on Ich duk GEORGE ESTEVEZ dir schon dutCh dein.n Soh. Arthlfr lewreM. - Our Lady of Bethl.hem The University of d..• • Convent, Lo Granga Pork, It Nov 2"; Prelude Thomas G O.nean - Prelbyterillll'l Church, and Postlude in 0 minor, Bruckner; Sonata in North Carolina Director lourinburg, NC Dec 5: P~ludtI and FUQua in f , Pergol.5i; Chaconne in E minor, ludahude; ot G,.. ,,,baro C IWY 545, Trio Sonata I IWV 525, Bach: 1 NCHlIs. Doquin: Antiptto"l opus II, Dupr6: CHICAGO CHAMBER CHOIR Magnificat primi toni, Frescoboldi; Es ist das Canonic Variations 0" Vom Himmel hoch, p,.j. Heil, Anonymous 11th C; 5 p:.ces from Mall ude and FU9ue in C BWY 5-47, Bach. for Parishel, Couperin; Mester TaUis' s TOita· menl, Howells; Mr Weelkes' lachrimae. Jolla Lee - 51 Poul's Church. lOI AnQalft, Weelk es: Final (Sym I), Vierne. CA Dec 13: Sleepers awoke, Krabl; 0 toma 0 EARL EYRICH t ome Emmanud, von Hu'",; Toc:c ata on Saviour GEORGE FAXON Walter A Elchlnger - Our lady of the Lake of the Notions Come, Mon,; From heaven First Unitarian Church Church, Seottla, WA Dec 12: Wake ow .. ke. above. Jesu joy of mOA' , desirinQ. In dulci ju. TRINITY CHURCH Krebs; Voriations on Why art thou troubled my bilo, BG "h; Yariotions on Josef elf blan, Marie, Rhode Island Collese heart, Scheidt: The Nat,vity, langlais: La how Bolbostre; Noel, Daquin; Coventry Carol, Sum. Providence BOSTON II rose, Brohms: Flourish. Michael E Youn9. sian; What Child is this, Wolfe: Improvisation on 2 Christmas Themes, Lee; Paltorol Sym. Robert Elmor. - first Pr1Ilbylerian, Philedel phony and HalleluiGh Chollls (Mau·.h), Hudel. phia, PA Nov 2&: Toccote in C, Yom Himm.1 hoch, Pllchelbel; Nun heut eueh, Kauffmann; ReQlnald Lunt - St Patrick's Cothodral, New Cho .... H. Ph. D•• FAG.O. lobe den Her~n , Walther; Serene Alleluios, York, NY Dec 8: Echo Voluntary for Double SUSAN INGRID FERRE Outbursts of Joy, Massiaen: Prelude on Seelen. Organ, Purcell; Toccoto in 0 mieOt" BWV 538, Teaching Fellaw brautigam, Elmore; Toccata (Sulle opus 5), Boch; Concerto in B-flat after Torelli, Walther: FINNEY Durufli. Sonota V, Mendeluohn: Fugua ] on BACH, North Texas Slale University Cho ...... DlYItlon of Muoic & Aft Pepping: Yoriation. on Yeni Creotor. Dutuf"; Mar, ""wick - Cathedral of the Sacred Deuain. aterMb, Messioen: Tu es Petra, Mulet. Danlon H... hlo. Col ..... H... htoo. N.Y. Heort, Newark. NJ Nov 12: f.dare on halm Houghlon W.... , •• Mothn4Io1 Chutdt BI, Cook: Wache' auf, Bach: Suite opus 5, Norm .. MockMd. - filth Ava P~sbyt.rian, Durufl6: Henlich thut mkh .rlr1luen, Brahms; New York, NY Dec 10: 2 w-ttih91 In dulei iubllo fugue on BACH OPUI W/S, Schumann: Sonota BWV 729, 751, Trio Sonata 1 IWV S2S. 8ach; Eroiea. J ongu. God relt ye merry gullemen, Etmore; Chorel Robert Finster in B minor, Fronek; Acclamotions, unglei •• Edyth. aachal 6rMy - Johnson C Smith U, DMA HENRY FUSNER Charlotte, NC Dec. B: Veni veni Emmanuel, Hlnsoa Mikell - Cathedral of the Sacrad S.M.D~ A.A.G.O. Phillips: A child i. bom in hthlehem, Beside St. John'. CathedRal thy cradle here 1 stand, 0 b!.ned Emmenwl, Heort, Newark, NJ Doc]: Fonf.re, Cook; Come Rnt , ....,. .... Ch ..... Bach: Noel, Bo lbo.lre: Shepherd Pipes, A H now Saviour of the heathen IWY 6S7, Prelud. Denver JohnlOn; Sleep IOftly, Schroeder; Rise fli P and Fugue in B minor BWY 544, Boch: 2 Choral. NamvA'.. Tenn ..... 37220 shepherd, Art R N DeH: Tha Three KinQs, Sa~ t P~ l udes , Sessions: CorteQe at litent. , Dupr6; Night, Fanfortl on Adeste {idaHs, Young. Bonquet Celeste, Sortie ' Pentec.ost M.,,' , Mel sioen; Scherzo (Sym II). Final (5ym I), Vierne. noel Antone Godding Elisabeth Hamp - Fint Presbyterian, Dan ville, IL Dec I: P~lude and Fugue in E John Obeh - Sf Joseph's Co-Cathedral, In· 01 Molle GOEMANNE minor BWY 53], loch: To The. etone Lord dependance, MO Dec 8: God rest ye merry _I (ompo.. r-mu .. ellr. Jesus C hrist, Pachelbel; Vom Himmel hoch, gentlemen, Roberts: Of tha Father', love be· Iishop W. "",10 SmIth Chop.1 CHRIST .h. KING CHURCH Buflstedt: Noel grond jeu et duo, Daquin; Prel 90lten, Johnson; Pr.lude end Fu~ue in E.fI"t, 1017 P,"'an Road ude on Veni Emmenuel, Schafar: Carol Rhap. Bllch; ] Noell, Correlte, Daquin and Dandrieu: OIdohema city Unlvtnity DALLAS. TEXAS 75225 sody, Purvis; Pastorale, leRoy Homp: Th. Unut SonotG III , Mendelssohn; Finol (Sonata I), Gull· t.rable kauty, E Hemp; A dove flow down, mGnt. 20 THE DIAPASON , John O'Donftell - Sf Francis Church, Mel· Leon G $Immons - St Paul's Church, los boume, Australia Doc: B: Toccata undec.ima, G Angeles, CA Dec 6: Nun komm der Heiden Muffat: Ciacona in F minor, Pachelbel; Pange Heiland, Herr Chrid der einge Gottes-Sohn, Harry H. Huber li ng ua, de Grigny: Prelude and Fugue in 0 Wenn wir in hOchsten Nathen lIIin, Wachet JOHN HUSTON minor, Buxtehude; Pattita on Sei gegriisset, 'Trio auf, Bach ; Cantabile, Piace H6roique, Franck; M.Mus. Sonata YI in G, Passacaglia in C minor, Bach. Sch8nder Herr Jesu, Schroeder; Rom anu, Carol Kansas Wesleyan University FIRST PRESBYTERIAN CHURCH Rhapsody, Purvis. University Methodist Church Stephen '.rk - St Paul's Church, Lol Angelel, TEMPLE EMANU-EL CA Dee 20: Puer natus etI, Titcomb; Behold a Don.ld Spies - Cathedral of St John the SALINA, KANSAS New York City rose, Brahms; 0 hail this brightest of days, Evangelist, Spokane. WA Dec 2'l: Magnificat In dulci iubilo, Bach; Noel grand ieu et duo, lertii toni, Titelouze: 2 settings Yom Himmel Daquin: Divinum mysterium, Purvis: Venit. ado. hoch, Pachelbel: Canonic Variations on Vom remus, Gehrenbeck; Silent Night, Black: Merry Himmel hoch, Bach; Canonic Variation on Vom d. deane ELLEN KURTZ Christmas and a Happy New Year, Templeton. Himmel hoch. Shack~ford: Symphonie Gothique, W;dor. 0.1. 6 Rider - Christ Church Episcopal, St Norm. StnUn;",n - Holy Cross Episcopal, hutchison JACOBSON Joseph, MO Dec:: 15: Festival Voluntary, Peeters; Pa t\s, TX NO'I 17: Prelude and Fugue in E minor, Prelude in C, Brucknar; Echo Yoluntary, Pur. M.M... A.A.G.O. Buxtehude: Ecce lignum cruds, Heiller: Prelude partland, oragan cell: Salvation now has come to us, Karg.Elert: Concord, Cahfomla From heaven hi;h, Marpurg; come come and Fugue in 0, Badl; Suite on the Eighth 0 0 Tone , Boyvin; Second Fantasy, Alain: Fanlasy on Emmannuel, Manz: Wake awake, How bright appears the momin9 .tar, Bendeq Lo he comes HaUeluia Golt lU Jaben opus ~/3, Reger. with clouds descending, Petite Suite, Bales: 0 come all ye faithful, Wyton: Good Christian Mark Tarbell - St Paul's Cathedral, Buffalo, NY Dec 1.7: Prelude and Fugue in F.sharp KIM R. KASLtNG SHARON KLECKNER men rejoice, Bach; Behold a lovely rose, Brahms: D.M.A. M i_~, Burlehude; Zu Bethlehem geboren, leh House of Hope What child is this, Gehring: God rest ye merry steh an deiner Krippe hier, Den die Hitten gentlemen, Held; Pattita on GoHes Sohn ist We.tern Michigan Univenfty Presbyterian Church .... ommen, Peppint;l; Weihnachten, Reg.r. loblen sehre, Walcha; A Sonata for two violins and organ in C, Mozart. Flnt Congregational Church St. Paul, MN 5.5105 Kalamazoo, Michigan J Marcus Rftdll. - St Philip's Episcopal, New Fr.d Tulan - Stanford Univenity, Stanford, Recltals Orleans, LA Dec I; all· Bach: Toccata and Fugue CA Nov 18: Veriations on Fugue end Chorale· in E BWV 566, Von Gott will ich nicht lassen Fantas ~ a for organ and pretaped stereo Elec. BWV &.58, Schucke dich BWV &Sot, Toccata in F tronic Mutations of the St Mary's Cathedral BWV 540, Allein Gott BWV 6n, Wi, glauben all Organ (San Francisco), Otto Luening; Phase GEORGE E. KLUMP BWV 680, Passacaglia and Fugue in C mjnor for organ with pretaped polysynthesis and syn· Arthur Lalrande BWV 582, Ach bleib bei lins BWV 649, Meine thesized percussions, Steve Reich; FUfioso, 1,,· DIVISION OF THE ARTS Seele erhebt den Herren BWV 64B , Prelude and mecnik; Adagio, Saint.Saens; As Bach Was Say· Fugue in E minor BWV 548. ing ••• , George Shearing: Suite·The Splendi· DALLAS BAPTIST COLLEGE Church of the Holy Name of Jesus ferous Starr for organ and pretajad second Albert F Robinson - Fifth Ave Presbyterlan, organ with quadraphonic pretaped heartbeats. DALLAS, TEXAS 75211 New York, N.Y. 10025 New York, NY Nov 12: Fantasia in G BWV sn, multiple caSlettes and three oscillators, Wright. !ach: Voluntary in 0 minor, Stanley; Cenon in E flat ISonata VII, Fugue on America, Thayer: Geoffr.y Gile, VIckery - senior redtal, East· Antiphons III, V, Dupr6; Wor .... Song. Bingham. ern Illinois U, Charleston, IL Dec 9: Prelude and Fugue in A minor BWV 543, Bach; Sonata ARTHUR LAWRENCE RICHARD W. L1TTERST Dllnl.l Roth - Shrine of the Immaculate Con· opus 96, Persichetti; Suite on the Second Tone, ception, Washington, DC Jan H: Fantasy and CI~rambault; Choral in B minor, Franck. Doc. Mu.. Am, A.A.G.O.. ChoM. M. S. M. Fugue in G minor BWV 542, liebster Jesu wir sind hier BWV 731, Yalet will ich dir Qeben J Clifford W.lsh - St Patrick's Pro.Cathedral, Saint Mary'. College SECOND CONGREGATIONAL CHURCH BWV 736, Jesus Christus unser Heiland BWV Newark, NJ Dec IS: Come Savior of the Gen· tilM, Sleepen Wa .... e. Bach; Prelude, Chorale HCtfn Dome, IneUGH 46556 ROCKFORD, IUINOIS n l. Bach: Allegro vivace (Sym V), Widor: ------Prelude and Fugue in A.flat, Dup~; Improvisa. and Variations, Nieland; Tableaux for Chr'st· tion on BACH and ALBERT, Roth. mas, Young; An Old Irish Air, Clokey; Suite Gothique, &oellmann. Also excerpts from Mes· Jack Ruhl - First Presbyterian Church, Fort siah by Handel and Stabat Maler by RossinI David Lowry Wayne , IN Nov 19: Suite on the Second Tone, sung by tenor Daniel Mele, William MacGowan Cl6rambault: Sagas IV and YI, Guillou: Choral· Schoo1 of Mt1~ic Poem II on Today you will be with me in Grady Wilson - Sf Paul's Chapal, Colu mbia B...... y.fho.5oa Paradise, Tournemire: Prelude and Fugue in B U. New York, NY Dee 5: Fantasy, Chora l and \VilllllTflp C()II('~w minor, Bach: Prelude for Organ and Tape, Toccata on Veni Emmanuel, Corliss Arnold; Stewart: Sonata I, Mendelssohn. Sonata fCl r Trumpet and Orvan, Hovheness: Trois Hock I fill. South CUUlill.1 2(J7:~:~ Palm Beach, florida Danles , Alain. Ass isted by Gary Solomon, trum· Mich ••1 W S.cour - All Saints Epicopal, pe '. long Beach, CA Nov 17: Batlala Imperial, Ca· banilles: Tiento de Sedo Tono, de Soto; En· Chillies Woodwllrd - Firrl Presbyte rian, Wil· salada obra de Octavo Tono Alto. de Heredia; mington, NC Nov 24: Prelude and Fugue in D. FREDERICK L. MARRIOTT Hinson Mikell Psalm Prelude 1/3, Howells; Wachet auf. Toc Burlehude; Sonala II BWV S2&, Prelude and ORGANIST - CARIllONNEUR RecitaIJ cata and Fugue in 0 minor, Bach; Chorel in Fugue in C BWV 547, Bach: Impromptu, Vieme; KIRK.IN-THE.HILlS SI. Paul', Episcopal Church E. Franck; Air and Gavotte, WMley; Cortege Tuba Tune, Cocker; Variations on 2 Sunday et litenle, Dupr6: le Banquet Celeste, Mes· School Tunes, Thomson: Grand Choeur Dia. BLOOMfIELD HILLS, MICH. ",,1~ Old York and A WILL O. HEADLEE WILBUR HELD frank a. novak JOHN KEN OGASAPIAN SCHOOL Of MUSIC SM.D., FA.O.O. HOLY TRINITY LUTHERAN SaInt Anne', Church SYRACUSE UNIVERSITY OhIo State University CHURCH Trinity Church lOBO Main SYRACUSE, NEW YORK 13210 COLUMBUS, OHIO Buffalo, N.Y. 14209 --CoUq.LawoIl SAMUEL HILL ALEXANDER BOGGS Recitals and Master CIa_ Recordings: SL Paul'. Church Organ Consultation ChIcago, Illinois AEolian·Skinner (5326) RYAN Cathedral Church of Christ the King Carthage COU"lI" Aural Press Krnosha, Wisconsin CONCERT ARTIST Kalamazoo, MI Organ Builders and • Rebulldtng * ·FR'j\NK J. SAUTER SONS Inc. * • RepaIring Phones: 388-3355 • Con~adUal ~dng 4232 West 124th Place PO 7-1203 Alsip, illinois 60658 Far Unexcelled Service FEBRUARY, 1975 21 CJauHied advertising rates: per word, $.20; minimum char•• , $2.50; box numb.r, additional $1.00. CLASSIFIED ADVERTISEMENTS Replies ,. box numben should b... nt c/o The Diapason. 434 S. Wabash Avenue, Chtcage, IA. 60605. /'OsmoNS WANrED WANrED - MISCEllANEOUS MISCELLANEOUS HARPSICHORDS CATHEDRAL MUSICIAN, VERY EXPERIENCED P'PEMAKING CONICAL MAN D R E L 5, 500 USED ORGANS lOll GRAND PIANOS 11TH CENTURY FRENCH HARPSICHORD IN organist. I:hair director, college lecturer, musi· sheats, Zeva soldering iron and regulator, C .nd player grands - 1111 ma~es. Pia"" ,lid or· kit form. We offer an authentic reproduction cologi5f. seeh large Episcopal, lutheran. Pres shllped burnishing irons. Address B.S, THE glln lu hnic.ians wanted. V.P.O. franchises avail· Qf an antique French double manual harpsi. byterian, Cathol"c, fine music t radition. Address DIAPASON. able in South Florida. For prospectus write: !;hord for amateur tonstruction. The instrument B.3, THE DIAPASON . Vielor Pia nos and Organs, 300 N.W. 54 St., has four registers and buff stop with a range USED SpOTTED METAL AND OLD SPOrrED Miami, Fla. 33127. (305) 751 ·7502. of Ff.g'··. All Plltts are accurately pre.cut melal pipes. 70 cents per pound. Contad, Trivo ATTENTION MUSIC COMM ITTEES, PASTORS and ready for auembly. The kit indudes de· Compllny Incorporated, ManufaduN!ts of Qual. TUNERS THROW AWAY MESSY' COTTON! tlliled drawings and instructions and all neces - E.p. choirmaster.organist, broad background, ity Reed Pipes, Box 101, Hagentown, Ma ryland vocal, chofel. run time church/school. Catholic! Mixture tuning is easiar and less frustratinq sary materillis. For brochuN! write Frank Hub· 21740. with a ll fe lt K. D. Kaps. Starter set (tunes up bard, IB5J lymlln Street, Waltham, Massachu· Protestant. Avail.,ble now, ex. refs. J.V.lo t 2 Conn. Ave., Enfield, CT. 06082. 203·745-3064. to 4 ranh) $3.50, Delute set (S ranh & morel setls 02154. USED TWO TO FOUR·RANK ORGAN. PRE· $8.00. K. D. KaPl, 214 Oakland St., Mllnchester, fer attached console or pipes encased like Conn. OUHO. HARPSICHORDS, CLAVICHORDS AN D VIR· SUBSTITUTE/INTERIM ORGANIST-DIRECTOR, Moller Artiste, elc. Spiggle, 510 Heritage, Apt. ginllis. Authentic dassical designs, for home 22 years experience prominent churches. yolun 31, Madison, Ten n. 3711 5. EXPERT REC OVERING OF ANY MAKE PNEU. tonstrudion bV the amateur builder. Writo for teer lind professional choirs , large organs. matics, pounchboards and primllries, with Poly· free brochure. Zud:ermann Hllrpsichords Inc., Available Eastern U.s., N.Y. to Virginia. Call MUSIC ROLLS FOR AUSTIN, WELTE, SKIN urethane. Plastic nuts used on primary valve 12 Grand Street, P.O. Box 121, Stonin9fon, (301) 823·8708 (silve number for reference). ner, Aeolian, Duo·Art and Estey pipe organ wires. Melvin Robinson, II Perk Ave., Mount Conn. 00378. playen. J. V. Macartney, 040& Haverford Ave., Vernon, N.Y. 10550. Narbelh, Pa. 19072. HARPSICHORDS, CLAVICHORDS, KITS AN D POSITIONS AVAIlABLE PNEUMATICS AND POUCHBOARDS OF ANY cuslom assemblies by New England craftsmen. EXPERIENCED ORGAN BU ilDER OR KNOWL make recovered with Polyurathene Plaslic. Write Showroom In Boston area. Agent for Zucker· edgeable novice needed in small bul busy MISCELLANEOUS for quotation. Church Organ Co., IB Wlliton mann Harpsichords. Wilson Ba rry and Co., Inc ., St •. Edison, NJ 08817. Dept. 0, P.O. Box 152, Ba llardvale Stillion, north Texas organ building .nd maintenance E AS T E R FINERY. INTRODUCING OUR firm. Woodworking skill prerequisite. Reply " Tongue in Chee k" series fo r your spring wa rd· Andover, Mass. OIBIO. B.04 , THE DIAPASON. ORGAN SERVICEMEN: WE Will RECOVER robe. I. Gargoyle .•• charming and delicale. Casavant and Skinner pout hboards, primery SABATHIL HARPSICHORDS, PEDAL HARP· 2. Cherub ..• Ba roque and bulgy. Still IIVIl i!· EXPERIENCED MAN FOR SMAll PIPE OR· and offset adions. Write Burness Associlltes, sichords and Clavichords: mod reliable end able in our ·'Composer.Decomposer" series aN! 1907 Susquehannll Rd., Abington , Pa . 19001. bellutifully sounding. from $1,195.00. Brochure gan company. Must have experience in wood· DesPres, Palestrina, Monleverdi. Purcell, Hllndel, working, tuning and general organbuilding. $1.00. Stereo lP $5 from Dept. D, 1004 Homer, MOla rt, Franck and J . S. Bach. Sizes 5, M, l, Q UALITY ALL ElECTRIC CHESTS MADE TO Vantouver, B.C., Cllnadll. Reply G .04 . THE DIAPASON. Xl, in swealsh irts or T shirts. For each send order, good delivery. Aikin Auocilltes. Box 104 3, your choice , size and $4 .50 for T shirt, $8.00 for Brooklyn , PA 188 13. HARPSICHO RD S AND CLAVICHORDS. FI NE DEDICATED YOUNG MAN TO ASSIST IN sWellhhirt. Arrow, P.O . Box 934 , GN!en Ba y, instruments by Sabathil and Neupert. Historic maintenance and resforation of organs. Will · Wisconsin 54305 . copies by Bill Dowling. Kits by Zuckermann. ingness to relocate and interest in Skin ner wor k PUBUCAT/ONS J ohn W. Allen, SOD Gle nway Avenue, Bristol , are prerequisites. Re ply l ·3. THE DIAPASON . NOEL MANDER OfFERS FAITHFUL REPRO· "THE AMERICAN REED ORGAN" - CON. VII. 2420 1. (703 ) 669·8396 . duction of Haase Reqal Organ 3 stOPi (1684) tains history, music, restoration, tuning. hun . WANrED - MISCELlANEOUS £3,150 - Medieval Portativa £360. Really port~ dreds of illustrations. $10.95 postpaid. Robort SPERRHAKE HARPSICHORDS AND CLAVI. able tracker continuo. B. 04 .2. £2700. Reprint Gellerman, IlOO7 Birnam Wood, Mclean, Vir· chords. Excellent, dependable, beautiful. Robert ORGAN MUS IC, BUILD ERS ' TRADE CATA· booklet on St. Paul's Cathedral Organ shortly g'nia 22101. 5. Tllylor, B710 Garfield St., Bethesda, Mary. log s· brochures. Orglln literature Foundation. availa ble. one dollar. Noel Mander hopes to land 20034. Braintree, Mass. 021804 . revisit States March/ April next and welcomes inquiries. Noel Mander. St. Pater's Organ PIANOS HARPSICHORDS, CLAVICHORDS, MOZART BACK ISSUES - WilL PAY $5 EACH FOR Works , l ondon E2., En gland. Pianos. by Neupert, sale or rental. Financing AUTHENTIC FO RTEP IANO REPLI CAS: STEIN, available. Write or call Wally Pollee, 1955 Wed "Americlln Organist" Apr, Jun, Aug 1m; Nov, Walter, Silbermenn, Cristofori, Schmidt pedal John Beers Road, Ste~nsville, Michiglln 049127. Dec 1966; Jun, Od, Nov 1959; Dec 1952; Dec THE NEW 7·0CTAVE PETERSON CHROMA· piano. Philip Belt, Fortepiano Milker, Box 96, 19049; Od, Nov 19043; "Diapason" Dec 1935; Jul tic Tuner, model 320 is now aVllilabie from Battle Ground, Indiana 047920. FINE HARPSICHORDS AND CLAVI CHORDS 1933 ; Jul 1928. Also need selected older issues. stock. Continuously varia ble Vernier control al· made to ind ivid ua l requirements. Wri te, phone, Write fint to A·2, THE DIAPASON. lows you to compensate for temperature or visit shop. E. O. Witt, R3 , Th~e Rivers, Mich. HARPSICHORDS tune celeste ranh with ease. For more details: 049093. (616 ) 244·5 128. VOl. I AND III MOZART ORGAN SONA· Peterson Electro·Musical Products. Dept. 31 , HARPSICHORDS FOR SALE, AVAILABLE 1M· tas ed. by Bi ggs - Music Press Series. Must Worth, III. &!H82. medilltely: I) Hubbard Italian· style wilh ouler RICHARD KINGSTON HARPSICHORDS. BRO be in good condition. Slate price desired. Ad· case, perfect condition, $3]00; 2) Hubbard sin· chure write: Dept. 0, 212 5. Walton St., Dallas, dress A.3, TH E DI APASON. CUSTOM MADE SLIDER CHESTS, MECHAN· gle kit built by Jeremy Adams, 2 • B', I x 4', Texas 75226. iclll console chassis, bellows, wood pipes, wood extellent condition, $3500. Write: Dale C. Carr, E. M. SKINNER TUBA W/CHEST I RESER. squares, casework. Qualify materials, workman· Department of Music, Dartmouth College. Han· ti T H E HARPSICHORD," INTERNATIONAL voir 12·15" press.; 32' fa goHo w/ wo chest etc. ship. B.G, 68 Washington St., lowall, MA over, N.H . 03755. quarterly for lovers of early keyboard inslru· AddN!ss M..f, THE DIAPASON. OIBSI. (1.17) 0453·4033. ments and music. Articles, interviews, photo. HARPSICHORD, COPY OF 1571 TRASU NTI NO graphs and illustrations by today', foremost NEED USED DIRECT ELECTRIC CHEST MAG· REED ORGAN TUNING AND REPA IRING. built by Tamburini of Crema, Italy. B ft. long. artists. Per annum: $10 (domestic), $11 (non. nets, ~" valves preferred. Rober! Faucher, 19 Edgar A. Rodeau , 0401 Albany Ave., Westmont, I keyboard, B, .. , with buff stop. Stllnd and US). "The Harpsichord," Box 04323 D, Denver, West Myrtle St., Biddeford, Maine 0400S. NJ 08100. Cilse. (919) 722·8966. Colo. 80204. QUAI!ITY - COMPLETE ST. MARY MAGDALENE, E. H. HOLLOWAY TORONTO PIPE ORGAN SUPPLIES CORPORATION Organist and Choirmaster position open April lst Bui/cle,. of Anglo.Cathalic Liturgy DURST ORGAN SUPPL Y CO., INC. Eleelro-pneumatlc Musical tradition established P.O. Box 1165 Erie, Pennsylvania .licler che" orgalll by the late Healey Willan with 16512 INDIANAPOUS, INDIANA a men's plainsong choir and 123 MauachUHHs Ave. Tel: 637.. 2029 a 24 vaice mixed a capella gallery choir. CREAnVE ORGAN BUILDING FOR ARTIstIC MUSICAL RESULlS Choirs active in concerts and recordings. Greenwood Organ Company G. F. ADAMS Plainsong accompaniment a CHARLOm, NORTH CAROUNA 28205 requirement. ''THREE GENEllArlONS OF ORGAN BUILD/NG" ~ Organ Builders, Inc. 3·manual pipe organ. 204 West Houston Street Application. with references to: "PRAISE YE THE LORD WITH ORGANS" REVEREND M. C. D. Hurr, New York, New York 10014 Church of St. Mary Masclalene 136 Ullter St., Toronto, Ont., GUELPH PIPE ORGAN BUILDERS, Ltd. Canada M6G 2V8 50 Crimea SIRe. (519) 825-2480 Guelph, Ontario N1H·ZY6 Telepho ... ORegon 5~160 Builders of Fine Tracker and Electro.Pneumatic Pipe Organs CANNARSA STEINER ORGANS Inquiries are Cordially Invited ORGANS INC. Incorporated W. ZiIllIller & Sons NEW SElECTIVE INCORPORATED ORGANS REBUILDING P.O. BOX 2J8 Hollidoysburg. Pc. 16648 1138 GaMn Place M.lllng Add,.,.: P. O. Box 11024 • ChartoUe, N. C. 21201 loubviUe, Kentucky 40203 NATION' FORD ROAD' CHARLOTTE, No C. .; 814-695·1613 22 THE DllPASON Clanifled adv.rtisinv rates: per word, $.20; minimum charge, $2.50; box number, additional $1.00. CLASSIFIED ADVERTISEMENTS Replie. to box numb.,. should 1M ..nt c/II Th. Diapason, 434 S. Wabash Avenue, Chlcogo, III. 60605. HAR/'S/CHORDS Foa SALE - "PE ORGANS '0/1 SALE - ,,,! OIfGANS FDa SALE - MISC. HARPSICHORD 'AmRNS. PRECISION FUll SoSTOP POSITIYE BY SCHliCKER. EXCEL. 2·' WURllT7ER, COMPlETE AND RELEATH. REISNER SCREW.TUIE MAGNm, LIKE NEW. sized drawings of antique harpsichords, for the lent condition. Best reasonable offer. Dale C. ered. Pric.d in mid·four figures. Chris Feierei· .15 each plus po5l./Je. 100 magnets. Me rty builder or orgllnologist. Prices: $25 in paper, Cerr, Department of Music, Dartmouth College, sen, 1801 Johnston Dr., Manitowoc, W I 54220, Dohm, P.O. Box 2ll, Windsor, Witeonsin 535,.. other media to $140 in mylar. Send $1 for de P.O. Boll 146, Hanover, N.H. 03155. Kri ptivet brochure. R. K. lee, 353 School St •• ;Z·MANUAl KI MBAll CONSOlE OPUS &1&2 Wafertown, MasSIIchusetts 02ln. LARGE MOllER TWO.MANUAL, TIDEWA· in e.cellent ccndition, natural birch case, new ler, V•• Inquitfl Lawis lind Hitchcock, Inc., BOll FDa SALE - ELKraON/C ORGANS keys, 43 stop tabs. All edernol wires terminate HARPSICHORDS, CLAVICHORDS IV NEU· '1~1, Riehmcnd, YA 23221. in Cinch·Jonel disconnect plugs with sockets pert. world', finest, oldest maht. COfllfogl Dill included. Price $'i'OQ. Can be seeft by appoint. requelt. MlIgll8music. Sharon, Conn_ oeo6V. 2.MANUAl I'-RAN K MO LlER CO MM.ETE j TCI AUEN. "" MODEl 2·MAN UAL ment. Wm. A. Slewa,d, P.O. Bo. 361, Di emond dimlonll.d and stcred, ellCellent conditioft. P. church organ. He. 12 pedal notes, one main Springs, CA 9S61'l. ("6) 622·7.31. t1Allr:m:;ttUJIID owNERS: A FULL LINE OF LGGala, S' Melod, Hill Rd., Clifton, N.J. speaker cabinet with qytalin; speakers, (new ",dio and visual Chl'OlMtic Tuners is IKtW 01'01). (201) .n.asss. JPeakel'l in '73) one pedal speaker cabinet. .. TUIA, I'VOX HUMANA, 2·MANUAL CON· a ... ail.b'e to help you wHh your tUllill9 require No self·cont.iltDd splNkan. Consola in perfect ,ole with combination ociion. P. Schuricht, 1643 menh. For more information write Pelerttlllll MOLI NE SINGLE-MANUAL, TRAC k ER , 7 condition (mahDgany). AGO &pecs e_cept for Alpen Grove, Diamond Bar, Calif. "765. (11 . 1 Eicctro· Mulicel Productl, Dept. 20, Worth, III. tanb plUI Subbed; with blower and c:aUlWOfk. pedals which .re little lhorter. Would make 5'lS·5675. ...12. Recently testcted. bcellent pl.ying condition. fine home 0Nilan. $1200.00 Write larry Otto, Mud Mil. Carmalite Mcftasiery, Bettendorf, Indiana Ac.demy, Cicaro, Indiana 4&0]., or call 16' BOURDON AND I ' wEDECKT, n PIPES, Iowa 52122. (311) '184·3515 ed. 001 or (311) 994-1155. have chests for bottom 12 pipes, chests need FO/I SALE - ",E ORGANS rebuilding, $300.00. 4' Ouintadena, $90.00, .. ' II-RANK USED WICKS INSTRUMENT IN EX· ARTtSAN ELECTRONIC ORGAN, ]·MANUAL, Melodia missim~ top octave, $45.00, 2' Flautino, cellent condition, factory maintained, a ... allable drawknob console, full pedal. Twelve 10" Warf· $80.00. 2' Octave, $80.00. O ld Kine tic blower ).MAN UAl, 74-RANK AEOLlAN.SkINNER immediately. Can be seen and heard. Present dale end two 15" Utah spaa"". Church voic· with 2 HP motor $50.00. All ranh are complete organ with chimes and Duo·Art player mechan· instrument ttaded in on new and larger Wicks. ing. Price $-4500.00. Tel (211) 318·5668. Canogo end in good condition wilh ellception of Me lo. ism, extremely good condition, now in Century Contact Wicks Organ Company, 1100 Fifth Park. CA. dia. Also have 420 old Wicks magnats, most Doh Estata house, Clearwater, Fla. Stoplist Street, Highl.nd, llIincis 6224'l. work well (under pipe magnets) all for $50.00. . ... ailable on request. 700 r011s music, list of se· HAMMOND RT·1 CONSOLE ORGAN, 12 Write Music De pt., Indlane Academy, Cicero, lections a ... ailable on request. Celeste chimes 171" HALl PIPE O RGAN P lAY I N G pedals, 1 pedal alopl , IS y.ers old, like new, Indi",n", 46014 or call (3 11) 984·3575 ask for Mr. with Leslie I22RY, $2500. Rich.rd Brent, 109 in separate summer house with automatic play. throvgh 3'manual Its4 Austin console, 36 ranh East Otlo. Altern.te ph. Il11) 984·ll55. er attachment, two manuals, 4 octaves each, (Great Tfurnpat misling). Will consider SlIle Canton St., Apt. 10, Bo,ton, Mass. 0211 8. (611) timer clock. Deagan Chimes in separate tower ot consol" separately. Inquitfl Gethtemane Epis· 261·5766. CONSOlES, KEYlOARDS, BLOWERS, CHErn, with automatic roll music eltachment and opo cOplll Church. 9OS·Fourth Avenue South, Min· reeds, flules. Wri te for prices. Southaast. Ad· proJirnately I f4 rolls, Entire organ, plus Celeste neilpOlil, Minnesota SS404. (612) 3l2-5401. d ress M.3, THE DIAPASON. and Deagan Chimes, are to be disposed of es FOIl SALE - MISC. soon as possible. Interested parties should ROOSEVELT PIPE ORGAN, REBUILT tm IV USED REtSNER EQUIPMENT: DIRECr ACTtON contact Ruth Morgan at Tokton Corporati WANT A PRACTICE ORGAN? ALL ELECTRIC CHESTS BEoao PNEUMATIC PEDAL CHESTS lulld you, own - u.. a PEMBROKE do-lt.y..... I' ORGAN KIT 1,,11 intl,ud;oftl - Raatonably priM AIKEN ASSOCIATES ~w~.-...,- THE ORGAN LOFT [IAA GOS5Y.LLE, NEW HAMI'SII/aE 03234 .... ,42 lrooIdyw, , .. 11113 7'7·2I9-4'D 'f it doun1t haw pip•• - " I, nol .,. 01'80" LOUIS F. MOHR & COMPANY FOR SAlE: Used organ part•• ORGAN BERKSHIRE ORGAN COMPANY INC. t 68 SO. BOULEYARD, WEST SPRINGFIELD, MASSACBUSETrS MAINTENANCE Many of antique value. Send Memherl International S~iel,. oC Orl:'an BuUden _ ValcntlDe A... $1.00 for complete list. New York ll8, N. Y. Tdcpbone: SEAlplck 5-II62S ...... Youl, CoaUocb Wicks Orgon Company ORGAN LEATHERS lIUJII - aw.a - Blowen _ o.enu.uIIoa Highland, Illinois 62249 • WHITE, SON COMPANY "All Orr- Pro,,,,, "..,..." II..., (618) 654-2191 B",., M... ' 592 Eo •• Firs. Siree. South BOlloR, Ma... mUlella 02127 DO " YOUIISEIf PIPE OlIGAN Kn5 PIANO TUNING JULIAN E. BULLEY Ceutom 'pltCtnc.tloCII for d"ltc.h or Felix Schoenstein LllClm Plano tuning and Npalr with ..., New Orgons - Rebuilding r.s1~lKa. eo:;r.l.te or parts, hili I. to follow home study cou ..... WIde open Service strvdlon. by .bllsh.d lIf1Jila b.. T1d ..... Pipe Organ Bullde .. fi.ld with good earnings. Make .aceI~ &Sons len' " ..Iro" lob. Writ. SINCE 1906 COlK.T MfG. CO. P.O. BOX 112 1376 Horvord al.d.--Dcrttoft. Ohl • .a5406 AmerkDn School of Plone Tunl~ HII., Station, hHalo, N.Y. 14223 SAN FRANCISCO, CALIF. 17110 TI"" Dr .. D.,c. D ...... HilL OA...., 5'3-276-2481 -_. FEBRUARY, 1975 23 LILIAN MURTAGH BOX 272 CANAAN . CONNECTICUT 06018 203-824-7877 Announcing the Addition to the list of DONALD SUTHERLAND Organist, Bradley Hills Presbyterian Church, Bethesda, Maryland Robert Andenon Gerre Hancock Jame. Moeser .•~· ~MJ .~I , I . , - • I i I t J . , I ' - Robert Baker Clyde Holloway Frederick Swonn In solo recital and jointly Charles Benbaw Wilma Jensen with PHYLLIS BRYN-JULSON Soprano I David Craighead Joan Lippincott Ladd Thomas EE W Organist Donald Sutherland and soprano Phyllis Bryn-Julson presented Ray Ferguson John Weaver U an exciting afternoon concert at St. Donald McDonald Michael's Lutheran Church In Camillus_ The husband-wile team masterfully performed compositions spanning 01· most four hundred years and ohernot· 2 iog organ selections with literature for yoice and organ. l'This program was a peak moment of the Syrocuse Re gional/' writes Jean L. Thiel. D MUSIC Magazine 'U Jerald Hamilton Marilyn Mason William Whitehead