The Magazine of Noble and Greenough School Fall 2018
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Arak and Gwydion (Some Thoughts on the Shadow Elves' History) By R. Sweeney Gwydion isn't a 'real' demon, but rather a creature of great power from the plane of shadow. Gwydion's evil was his enslavement of the ShadowElves. His torment is his betrayal by Arak. Unlike Vecna, he was not on the prime and could only be 'trapped' because he was trying to follow the Shadow Elves into RL. (Presumably to kill them or re-enslave them). I wonder what Arak was thinking, however. Would there be anyplace he could take the Shadow elves into exile where Gwydion could not follow? Did he think he could hide from such a powerful creature? Gwydion must have had an enemy. A sibling perhaps. The Shadow Elves must have acted as some sort of armed forces for him. Arak must have believed that if Gwydion suddenly found himself without his Slaves, he would have been destroyed by his rivals. However, there other.. less satisfying, perhaps, ways of re-writing ShadowElf history. Gwydion, the shadow-being, falls 'in love' with an elf from some other world. They mate, bear children. Woman dies, Gwydion takes his children and their children as slaves. Millenia pass. Arak was Gwydion's favorite. Perhaps, Gwydion had mated with one of the Shadow elves of unsurpassed beauty and begat Arak. Thus, he set his son above all the other slaves. Arak, however, desired more than to be the head of the slaves. He managed to betray his father to his enemies. Arak had intended patricide. He was going to take away Gwydion's protective armed forces, leaving him vulnerable to attack by his other enemies. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Judge Tosses Annexation
Project1:Layout 1 6/10/2014 1:13 PM Page 1 Tennis: Back at Wimbledon, Coco Gauff advances /B1 FRIDAY TOD AY C I T R U S C O U N T Y & nex t m orning HIGH 88 P a r t l y u n n y ; LOW n u m e r o u s s h o w e r s , t o r m s . 72 PAGE A4 w w w.chronicleonline.com JULY 2, 2021 Florida’s Best Community Newspaper Serving Florida’s Best Community $1 VOL. 126 ISSUE 268 NEWS BRIEFS Judge tosses annexation Citrus gov’t offices closed July 5 Lakeside property had been at the center of a dispute between city, county C t r u s C u n t y o v e r n - MIKE WRIGHT Circuit Judge Peter RV Resort is planned for mile east of the city limits Brigham said the Eden m e n t f f i c e s i l l e Staff writer Brigham said in his ruling the 234-acre property. on State Road 44. property is “geographi- c l o s e d o n d a y , u l y , n that the city violated state Brigham agreed with “Simply put, the city cally isolated” from the o b s e r v a n c e f I d e p e n - A judge has sided with law by allowing the the county’s argument and the NH parcel do not city that would create a d e n c e D y . -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) JAN CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 16 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 12, 17 JUSTIN BIEBER A40 2, 18, 19, 31; AC 8, 13; OLIVIA COLMAN CL 7 FLEETWOOD MAC B200 36, 109; BL 6; INT 17; I PREVAIL RKA 20 LIL DURK B200 2, 116; RBA 1; RLP 1; A40 37; 21 SAVAGE B200 40; RBA 20; RLP 20; H100 55; DA 33, 39; H100 4, 6, 18, 36; HA 4, 11, 50; HD JOHN COLTRANE JZ 14 PCA 2, 39; HD 47 THE IRISH CHAMBER ORCHESTRA CL 9 DA 26; H100 8, 59, 74, 84, -
Out There Somewhere Could Be a PLANET LIKE OURS the Breakthroughs We’Ll Need to find Earth 2.0 Page 30
September 2014 Out there somewhere could be A PLANET LIKE OURS The breakthroughs we’ll need to find Earth 2.0 Page 30 Faster comms with lasers/16 Real fallout from Ukraine crisis/36 NASA Glenn chief talks tech/18 A PUBLICATION OF THE AMERICAN INSTITUTE OF AERONAUTICS AND ASTRONAUTICS Engineering the future Advanced Composites Research The Wizarding World of Harry Potter TM Bloodhound Supersonic Car Whether it’s the world’s fastest car With over 17,500 staff worldwide, and 2,800 in or the next generation of composite North America, we have the breadth and depth of capability to respond to the world’s most materials, Atkins is at the forefront of challenging engineering projects. engineering innovation. www.na.atkinsglobal.com September 2014 Page 30 DEPARTMENTS EDITOR’S NOTEBOOK 2 New strategy, new era LETTER TO THE EDITOR 3 Skeptical about the SABRE engine INTERNATIONAL BEAT 4 Now trending: passive radars IN BRIEF 8 A question mark in doomsday comms Page 12 THE VIEW FROM HERE 12 Surviving a bad day ENGINEERING NOTEBOOK 16 Demonstrating laser comms CONVERSATION 18 Optimist-in-chief TECH HISTORY 22 Reflecting on radars PROPULSION & ENERGY 2014 FORUM 26 Electric planes; additive manufacturing; best quotes Page 38 SPACE 2014 FORUM 28 Comet encounter; MILSATCOM; best quotes OUT OF THE PAST 44 CAREER OPPORTUNITIES 46 Page 16 FEATURES FINDING EARTH 2.0 30 Beaming home a photo of a planet like ours will require money, some luck and a giant telescope rich with technical advances. by Erik Schechter COLLATERAL DAMAGE 36 Page 22 The impact of the Russia-Ukrainian conflict extends beyond the here and now. -
What's a Palatine Anyway?
~~. ---,. ~-~,.,,}.',, ,, ,., ,. ~........... ~ ... --. ·-~ ~\.,---~- - . ~.- -~ ;-~~ - -- ---~~- -----~......-- . .--------. Ethnic Research · What's a Palatine, Anyvvay? James M. Beidler examines the Palatinate, Germany's emigrant hotbed for centuries. THE PALATINATE, which is now 'Comis Pala tinus ' to 'Pfalzgraf' today as the Palatinate. Less than part of the German state The original title of these courtiers 300 years later, a member of the Rhineland-Palatinate, began sup in Latin was comis palatinus (liter Wittlesbach family became plying a steady stream of immi ally, "companion of the palace"). Pfalzgraf as well as Herzog (duke) grants to America in the late 1n English, this title was count of Bavaria. From this date in the 1600s and contributed to the for palatine while in German the 1200s until the early 1800s, there mation of the was a relationship Pennsylvania between the rulers of German culture and Bavaria and of the dialect among Palatinate - culmi German ethnics in nating with the ruler the New World. of the Palatinak So many of the inheriting Bavaria Germans who left for in 1777. America in the 18th In the l 300s, the century were from Pfalzgraf became one the Palatinate that of the members of the the word "Palatine" Electoral College that became synonymous was responsible for with "German". This choosing the Holy is especially borne Roman Emperor. As a out in the case of the result, the area ship captains who became known as the transported these Electora I Pa la tinate, immigrants (primari or Kurpfalz in ly from Rotterdam to German. Philadelphia) and The Reformed were required to file religion of John lists with the Calvin and Ulrich Pennsylvania author Zwingli swept 11,e Palatitrate as depicted in William Blaeu's 1645 atlas Theatrum ities beginning in Orbis Terrarum. -
Undermountain: the Lost Level by Steven E
Undermountain: The Lost Level by Steven E. Schend Table of Contents Credits Introduction . 2 Design: Steven E. Schend Hidden Stories . 2 Editing: Bill Olmesdahl Ways In and Out . 3 Cover Art: Alan Pollack Interior Art: Earl Geier Rumors Of Undermountain . 4 Cartography: Dennis Kauth Notes On The Lost Level . .4 Typography: Tracey L. Isler The Lost Level . .6-28 Art Coordination: Robert J. Galica Entry Portal: Room #1 . .6 Melairest: Rooms #2-#17 . .6-19 A DVANCE DUNGEONS & DRAGONS, AD&D, FORGOTTEN Sargauth Falls: Room #18 . 19 REALMS and DUNGEON MASTER are registered trademarks The Prison: Rooms #19#24 . .20-22 owned by TSR, Inc. DUNGEON CRAWL, MONSTROUS MANUAL, The Hunters Lair: Rooms #25--#28 . .22-26 and the TSR logo are trademarks owned by TSR, Inc. Egress Perilous: Rooms #29 & #30 . 26-28 Lost NPCs and Magic . .29-32 Random House and its affiliate companies have worldwide dis- tribution rights in the book trade for English-language products of TSR, Inc. Distributed to the book and hobby trade in the United Kingdom by TSR Ltd. Distributed to the toy and hobby trade by regional distributors. ©1996 TSR, Inc. All rights reserved. Made in the U.S.A. TSR, Inc. TSR Ltd. 201 Sheridan Springs Rd. 120 Church End Lake Geneva Cherry Hinton WI 53147 Cambridge CB1 3LB U.S.A. United Kingdom ISBN 0-7869-0399-6 9519 Introduction elcome to the first official DUNGEON CRAWLS™ adventure module, where we return to the timeless depths of the Realms’ oldest and greatest dungeon: Un- dermountain! DUNGEON CRAWL adventures are created as stand-alone quests, but can easily be adapted to existing campaigns. -
GROSSE MISCONDUCT a Work Place Comedy That Veers from the Dramatic to the Absurd by Mona Elyafi
LESBIAN NEWS VOL. 43 ∙ NO. 12 ∙ July 2018 SHARON BRACKETT GROSSE MAKES HISTORY IN MISCONDUCT MARYLAND! A WORK PLACE COMEDY SOFI TUKKER: THAT VEERS FROM CAN’T STOP THE DRAMATIC DANCING! TO THE ABSURD QUEERS AGAINST 21ST CENTURY GENOCIDE LN Contributors Anne Laure Pineau At 32, Anne Laure is a Parisian journalist working for national magazines (ELLE, Paris-Match, Liberation) on many subjects, from the far-right and conservative movements in France, to the Angola Prison Rodeo in Louisiana. She has the absolute conviction that her job is political and can enlighten the human complexity. As a feminist, as an anti-racist and as a lesbian, she is working daily to give a space to the untold stories. (Photo: Juliette Robert). Beth Shipp is the first Executive Director of LPAC, the lesbian Super PAC that builds the political power of lesbian, queer, bisexual and transgender women by electing candidates who champion LGBTQ rights, women’s equality and social justice. She is a political strategist with more than 20 years of experience working for women’s reproductive rights, Democratic candidates and progressive causes. Prior to joining LPAC, Ms. Shipp was the political director for NARAL Pro- Choice and worked on a variety of federal and state campaigns throughout the nation. Carl Matthes is the current president of UGLA, Uptown Gay and Lesbian Alliance, an organization providing a support system for gay men, lesbians and education for individuals and the community He is a columnist on the Lesbian News, owned and published by his sister, Ella and her wife, Gladi. He was editor of the GLAAD/newsletter, and a GLAAD/LA representative on the Board. -
The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth
The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth- Century Bavaria A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Adam R. Gustafson June 2011 © 2011 Adam R. Gustafson All Rights Reserved 2 This dissertation titled The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth- Century Bavaria by ADAM R. GUSTAFSON has been approved for the School of Interdisciplinary Arts and the College of Fine Arts _______________________________________________ Dora Wilson Professor of Music _______________________________________________ Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT GUSTAFSON, ADAM R., Ph.D., June 2011, Interdisciplinary Arts The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth- Century Bavaria Director of Dissertation: Dora Wilson Drawing from a number of artistic media, this dissertation is an interdisciplinary approach for understanding how artworks created under the patronage of Albrecht V were used to shape Catholic identity in Bavaria during the establishment of confessional boundaries in late sixteenth-century Europe. This study presents a methodological framework for understanding early modern patronage in which the arts are necessarily viewed as interconnected, and patronage is understood as a complex and often contradictory process that involved all elements of society. First, this study examines the legacy of arts patronage that Albrecht V inherited from his Wittelsbach predecessors and developed during his reign, from 1550-1579. Albrecht V‟s patronage is then divided into three areas: northern princely humanism, traditional religion and sociological propaganda. -
Werner Herzog Interview with a Legend
July/August 2019 Werner Herzog Interview with a legend David Harewood | Alex Scott | The South Bank Show CREATE MAXIMUM IMPACT WITH MUSIC A collection of epic music composed, recorded and produced specifically for film trailers and broadcast programming, from stirring emotional drama to apocalyptic action. AVAILABLE FOR LICENCE AT AUDIONETWORK.COM/DISCOVER/MAXIMUMIMPACT FIND OUT MORE: Rebecca Hodges [email protected] (0)207 566 1441 1012-RTS ADVERTS-MAX_IMPACT-V2.indd 1 25/06/2019 09:31 Journal of The Royal Television Society July/August 2019 l Volume 56/7 From the CEO We have just enjoyed We had a full house as some of televi- creative icon, Werner Herzog. His new two outstanding sion’s most successful storytellers BBC Arena film, focusing on his rela- national RTS events, shared their approaches to their craft. tionship with Bruce Chatwin, is some- the RTS Student Tele- I am very grateful to the event’s joint thing to look forward to this autumn. vision Awards and a organisers, Directors Cut Productions, Don’t miss Simon Shaps’s incisive live South Bank Show Sky Arts and Premier. review of a new book that analyses the special devoted to the I am thrilled that Alex Scott found the recent battle to own Sky, and Stewart art of screenwriting. Many thanks to time to write this edition’s Our Friend Purvis’s account of how the politics of all of you who worked hard to make column. The Women’s World Cup Brexit are challenging news broadcast- these happen. Congratulations to all really did capture and hold the pub- ers and what impartiality means in a the nominees and winners of the lic’s imagination: England’s semi-final fragmenting political landscape. -
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International -
A U S T R a L
AUSTRALIA NO.231 MARCH AND APRIL 2017 NATIONAL MAGAZINE FOR: THE VOLVO CLUBS OF VICTORIA, NEW SOUTH WALES, SOUTH AUSTRALIA, THE SUNSHINE STATE AND THE 1800/120 CLUB OF AUSTRALIA Rolling Australia January/February 2017, Issue 231 The magazine for the Volvo Clubs of Victoria, South Australia (Inc Western Australia), Sunshine State Volvo Club, New South Wales, and the Volvo 1800/120 Club of Australia. Published and distributed by: Volvo Club of Victoria Inc. Contents ABN 91 899 239 301 PO Box 3011, Moorabbin East, VIC 3189 www.volvovic.org.au Deadline for Submissions Victorian Club pages 2 Next deadline is 10 April 2017. Magazine submissions coordinator: Greg Sievert Mob: 0401 713 595 South Australian Club pages 17 Email: [email protected] Editor and Design Adrian Beavis Sunshine State Volvo Club pages 23 Email: [email protected] President Heino Nowatzky 0425 705 045 [email protected] 1800-120 Club pages 29 Vice President Werner Golla 0419 351 060 [email protected] Treasurer NSW Club pages 43 Rod Shearman 0468 362 144 [email protected] Secretary, Public Officer, Scrutineer/Safety Officer John Johnson 0414 385 962 (AH) [email protected] Classifieds 52 Scrutineer/Safety Officer Graeme Berry (03) 9874 5544 Membership Secretary Volvo Car Australian dealers 53 Greg Sievert 0401 713 595 [email protected] Webmaster Daniel McIndoe 0410 427 244 [email protected] General Committee Andrew Marney 0417 533 310 Doug Miller 0433 444 861 [email protected] Mark Iceton Dion Nowatzky Len Ward 0409 947 951 Julian Petti Darcy