A Rock & Roll Star in a Cyberspace World
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Obituaries for Cookeville City Cemetery, Cookeville, Tn D
OBITUARIES FOR COOKEVILLE CITY CEMETERY, COOKEVILLE, TN & additional information D - G (Compiled by Audrey J. (Denny) Lambert for her website at: http://www.ajlambert.com ) Sources: Putnam County Cemeteries by Maurine Ensor Patton & Doris (Garrison) Gilbert; Allison Connections by Della P. Franklin, 1988; Boyd Family by Carol Bradford; Draper Families in America, 1964; census records; Putnam County Herald & Herald-Citizen obts; Tennessee DAR GRC report, S1 V067: City Cemetery Cookeville, Putnam Co., TN, 1954; names, dates and information obtained from tombstones and research by Audrey J. (Denny) Lambert and others. Office & Cemetery located at: 241 S Walnut Ave Cookeville, TN 38501 (931) 372-8086 GPS Coordinates: Latitude: 36.15947, Longitude: -85.50776 Earl Jefferson Dabbs b. 22 June 1901, TN – d. 11 March 1976, md on the 26th of May 1934 to Linnie Belle (Cleghorn) Dabbs, b. 29 July 1904 – d. 15 March 1971. Earl J. Dabbs, s/o William Jefferson Dabbs (1872-1947) & Nora Edna Williams (1882-1941). *See William Jefferson Dabbs Obt. (1910 census 1st Civil Dist., Cookeville Town, Railroad St., Putnam Co., TN: Dwl: 311 – William J. Dabbs is head of household, 37 yrs. old, TN (father born in VA, mother, TN), Occupation: Police Town, md 10 yrs. to Nora, 27 yrs. old, TN, 5 children born, 5 children living. Children: Earl J., 8 yrs. old; William H., 5 yrs. old; Balie C., 3 yrs. old; Mary A., 2 yrs. old & Peat J. Dabbs, 2/12 yrs. old. All born in TN). (1920 census 1st Civil Dist., Cookeville Town, Broad Street, Putnam Co., TN: Dwl: 515-151-176 - William J. -
Louie Louie Investigation Demonstrates, the FBI Felt That Such Matters Were Theirs to Judge Even After Several Other Government Agencies Had Given Their Clearance
Herrick 1 Aidan Herrick Matthew Lasar History 190U December 18, 2014 Rock, Race, and Payola: The FBI and The Kingsmen’s “Louie Louie” In the spring of 1964, the Federal Bureau of Investigation launched one of its most infamous cases. After receiving numerous reports on a potentially dangerous item that had circulated prolifically around the United States, FBI offices from California to Florida began launching their own investigations into this threat. Much like a virus, the FBI had seen this enemy before, but it took a new form every time it reappeared. Their foe? Rock n’ roll. The new strain? None other than “Louie Louie,” as performed by The Kingsmen. Though clearly a silly waste of time to modern audiences that are used to Top 40 songs that border on pornographic, in 1964 Louie Louie and music like it had a reputation for stirring up trouble. If the FBI could find anything obscene about it, such a discovery could launch another rock ‘n’ roll witch hunt like the one rock had experienced during the Payola scandal five years prior. If a dirty utterance were to be found, the FBI would have another feather in its cap, proving their self-proclaimed position as a moral bulwark against enemies of American virtue. Should a single piece of foul language be present anywhere in the two minute and forty-seven second recording, what more would be necessary to a white society scared of a black uprising to prove that all this “jungle music” was corrupting their kids? In a Rube Goldberg-esque political mess, the FBI opened this investigation not so much because of the song itself, but because of a general paranoid atmosphere in the United States about race, sex and rock. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Jason Newsted, Art and Loud
Jason Newsted: Art Out Loud By Juan Sagarbarria ! JUPITER, FL October 30, 2017 An energetic and highly amplified electronic rock music having a hard beat, that is how Merriam-Webster defines heavy metal. If there was a viable channel in which to personify this description, then Jason Newsted would surely be one of its embodiments. A six-time Grammy winner, Rock and Roll Hall of Fame artist, Newsted—also known as “Jasonic”—is the former bassist of the band that arguably bred the metal genre—Metallica. From 1986 to 2001, Newsted forged his name in the annals of rock history with his beefy, fast-paced, and at times, nostalgic bass lines, as Metallica took the world by storm. Eternal staples like “Enter Sandman,” “The Unforgiven,” “Nothing Else Matters,” “One,” and “Fuel,” are but a brief sampling of the songs that were hatched during Newsted’s tenure. By singing lead on a few songs during the band’s live performances and astounding countless audiences with his remarkable bass solos, Newsted stamped his musical footprint. He even took over lead vocals for a whole show at the Kentucky Speedway during the 1999 Summer Sanitarium Tour, while frontman James Hetfield recovered from injury—and fiercely delivered. “I got to join my favorite band,” Newsted remarks. “I got real, real f***** lucky and got to travel around the world five times. Just imagine being in a dreamlike state for 15 years—that is the only way I could sum up what the experience entailed. Suffice it to say, I had too much fun.” Upon meeting Newsted, my impression of him was that, although he did not have his characteristic long hair that flailed aggressively during his early days with Metallica, he is still as spirited as ever; a character’s character. -
COMUNICATO STAMPA NR. 07 a Gordevio Una Tre Giorninel Segno
Avegno, 25 luglio 2021 COMUNICATO STAMPA NR. 07 Le foto delle serate si trovano al seguente link: https://www.dropbox.com/sh/zwqce6h9fgktaxf/AACXZsvVoCAenY4jUB3C27SWa?dl=0 A Gordevio una tre giorni nel segno del Flower Power e dei mitici anni ’70. Per quanto riguarda la qualità delle proposte musicali il Vallemaggia Magic Blues ha mantenuto tutte le promesse della vigilia, anzi con qualcosina in più. Ora spazio alla tre giorni di Gordevio, quasi tutta nel segno del Flower Power e dei mitici anni ’70: “50 years - From Flower Power to Hard Rock”. Sul campetto aleggeranno gli spiriti di Jimi Hendrix, John Lennon e dei Thin Lizzy. La prima serata, “Let's celebrate John Lennon and Jimi Hendrix“ prevede un doveroso omaggio a John Lennon (a 41 anni dalla morte, a Jimi Hendrix (che ci ha lasciati 51 anni fa). Gli Instant Karma sono la prima John Lennon Tribute Band in Svizzera, nata a Lugano e attiva da tempo non solo in Ticino, ma anche nel resto della Svizzera e nella vicina penisola. Spesso si pensa a John Lennon come leader dei Beatles o come autore di grandi pezzi ormai ritenuti dei classici, come Imagine, Woman o Jealous Guy. L’intendo della band è invece quello di riproporre ad un vasto pubblico il repertorio di un artista poliedrico, che spazia attraverso vari generi e decenni. Così gli Instant Karma partono dai brani del Lennon solista, passando attraverso pezzi degli ultimi Beatles, energici e graffianti come Come together, per poi rendere omaggio al Rock’n’Roll degli anni 50, una delle grandi passioni di Lennon. -
Drummer Bracket Template
First Round Second Round Sweet 16 Elite 8 Final Four Championship Final Four Elite 8 Sweet 16 Second Round First Round Peter Criss-Kiss Robert Bourbon-Linkin Park Neal Sanderson-Three Days Grace Neal Sanderson-Three Days Grace Morgan Rose-Sevendust Morgan Rose-Sevendust Matt Sorem-GNR Paul Bostaph-Slayer Clown-Slipknot Charlie Benante-Anthrax Paul Bostaph-Slayer Paul Bostaph-Slayer Morgan Rose-Sevendust Clown-Slipknot Ray Luzier-KoRn Matt McDonough-Mudvayne Neal Peart-Rush Matt Cameron-Pearl Jam Ginger Fish-Manson Ray Luzier-KoRn Winner Matt Cameron-Pearl Jam Joey Kramer-Aerosmith Matt McDonough-Mudvayne Matt McDonough-Mudvayne Neal Peart-Rush Neal Peart-Rush Chad Gracey-Live Matt McDonough-Mudvayne Vinnie Paul-Pantera Neal Peart-Rush Sam Loeffler-Chevelle Lars Ulrich-Metallica Tommy Lee-Motley Crue Shannon Larkin-Godsmack Taylor Hawkins-Foo Roy Mayogra-Stone Sour Lars Ulrich-Metallica Taylor Hawkins-Foo Fighters Ben Anderson-Nothing More Jay Weinberg-Slipknot Jay Weinberg-Slipknot Ron Welty-Offspring Ron Welty-Offspring Alex Shelnett-ADTR Jay Weinberg-Slipknot Taylor Hawkins-Foo Fighters Butch Vig-Garbage Vinnie Paul-Pantera Tre Cool-Green Day Tommy Lee-Motley Crue Shannon Larkin-Godsmack Eric Carr-Kiss John Alfredsson-Avatar Tre Cool-Green Day Neal Peart-Rush Robb Rivera-Nonpoint Robb Rivera-Nonpoint Bill Ward-Black Sabbath Tommy Lee-Motley Crue Shannon Larkin-Godsmack Shannon Larkin-Godsmack Tommy Lee-Motley Crue Chris Adler-Lamb of God Tommy Lee-Motley Crue Neal Peart-Rush Vinnie Paul-Pantera Joey Jordison-Slipknot Sean Kinney-Alice -
June 2, 2018 FOLMC Record Auction Artist Title Label Catalog Notes Lot
June 2, 2018 FOLMC Record Auction Artist Title Label Catalog Notes Lot 1 Steely Dan Steely Dan's Greatest Hits MCA MCA2-6008 Lou Reed Rock and Roll Diary 67-80 Arista A2L 8603 Lot 2 Peter Gabriel So Geffen GHS 24088 A-ha Hunting High and Low Warner Bros 25300 John Waite Mask of Smiles EMI ST17164 Includes Poster Lot 3 Stray Cats Built For Speed EMI ST-17070 Shrink Steve Winwood Back in the High Life Island 25448-1 Lot 4 The Righteous Brothers Souled Out Verve V6-5031 Blue Label, Silver Print, T-Neck The Righteous Brothers Go Ahead and Cry Verve V6-5004 Blue Label, Silver Print, Deep Groove, T-Neck Lot 5 Talking Heads True Stories Sire 25512-1 Shrink, Hype Sticker Queen Queen Electra 75064 Shrink, Monarch Label Lot 6 Andy Summers & Robert Fripp I Advanced Masked A & M SP4913 Shrink, Hype Sticker Sting Nothing Like the Sun A & M SP6402 Shrink, 2 LP, Hype Sticker Lot 7 Creedence Clearwater Revival Cosmo's Factory Fantasy 8402 Blue Label Jimi Hendrix Experience Smash Hits Reprise 2025 Lot 8 ZZ Top Rio Grande Mud London XPS 612 Promo Sticker, Blue Label Boxed Rolling Stones Beggars Banquet London PS539 Gatefold Lot 9 Leon Russell Leon Russell Shelter SHE1001 Superman Logo Scott Fagan South Atlantic Blues Atco SD33-267 Lot 10 Gabor Szabo Rambler CTI Records 6035 Gatefold, RVG Pat Martino Strings! Prestige 7547 Preview Copy Lot 11 Pink Floyd The Wall Columbia PC236183 Gatefold Roger Waters Radio K.A.O.S Columbia FC40795 Lot 12 Led Zeppelin Led Zeppelin Atlantic SD8216 RAII Gold Record Award Sticker The Kinks Sleepwalker Arista AL4106 Lot 13 Deep Purple Made in Japan Warner Bros 2WS 2701 Gatefold, 2 LP Eric Clapton History of Eric Clapton Atco SD2-603 Gatefold, 2 LP Lot 14 Miles Davis Bitches Brew Columbia GP26 Gatefold, 2 LP Lot 15 R.E.M. -
OP 323 Sex Tips.Indd
BY PAUL MILES Copyright © 2010 Paul Miles This edition © 2010 Omnibus Press (A Division of Music Sales Limited) Cover and book designed by Fresh Lemon ISBN: 978.1.84938.404.9 Order No: OP 53427 The Author hereby asserts his/her right to be identified as the author of this work in accordance with Sections 77 to 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage or retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages. Exclusive Distributors Music Sales Limited, 14/15 Berners Street, London, W1T 3LJ. Music Sales Corporation, 257 Park Avenue South, New York, NY 10010, USA. Macmillan Distribution Services, 56 Parkwest Drive Derrimut, Vic 3030, Australia. Printed by: Gutenberg Press Ltd, Malta. A catalogue record for this book is available from the British Library. Visit Omnibus Press on the web at www.omnibuspress.com For more information on Sex Tips From Rock Stars, please visit www.SexTipsFromRockStars.com. Contents Introduction: Why Do Rock Stars Pull The Hotties? ..................................4 The Rock Stars ..........................................................................................................................................6 Beauty & Attraction .........................................................................................................................18 Clothing & Lingerie ........................................................................................................................35 -
Episode 34: Catch a Kite 4 Air Date: September 11, 2019
Episode 34: Catch a Kite 4 Air Date: September 11, 2019 Cori Thomas: [00:00] I'm Cori Thomas, writer of the play Lockdown. This episode of Ear Hustle contains explicit language. Please be advised, this may not be for every listener. Discretion is advised. [00:11] [Footsteps on concrete backed by minimal music that fades out] Rahsaan “New York” Thomas: [00:16] Can you show Nigel the two signs you showed me today? [Tommy laughs] Tommy Wickerd: [00:24] Really? [Laughs] Nigel Poor: [00:24] [Inaudible] [From a distance] Did they get it? New York: [00:26] That’s the sign for bullshit. [All laugh] Nigel: [00:29] [Laughs] You think I'm not going to learn that one right away? Well everyone… Tommy: [00:31] I was all thinking Ear Hustle, right? Nigel: [00:34] [Still in the distance] I gotta admit that’s… 1 New York: [00:35] Teach us that! How do you do the Ear Hustle sign? Tommy: [00:36] Grab your ear, make an “H” and go twice. New York: [00:39] [In the distance] What after this? Just like this? Tommy: [00:40] “H” Nigel: [00:41] Oh. Tommy: [00:41] Ear. Hustle. That’s the sign for the day. [Laughs] [00:46] [Opening theme music begins] New York: [00:52] You are now tuned into Ear Hustle from PRX’s Radiotopia. I am Rahsaan “New York” Thomas, a resident of San Quentin State Prison in California. Nigel: [1:02] And I'm Nigel Poor. I've been working with the guys here at San Quentin for about eight years now. -
PAUL REVERE & the Raiders: Pop/Garage Band &Amp
PAUL REVERE & THE RAIDERS: POP/GARAGE BAND and “LOUIE LOUIE” By Alan L. Chrisman Paul Revere, leader and keyboardist for American 60’s and 70’s band, Paul Revere & The Raiders just passed away recently. They had several big hits in the 60’s and the 70’s, such as “Kicks”, “Hungry”, “Just Like Me” “Him or Me-What’s it Gonna Be?” and “Indian Reservation”. They were known for their American Revolution costumes and pop songs, but would later be considered a garage band by the punk era. Their image and sound was created an American reaction to The Beatles and The British Invasion in the mid-60’s and they wrote and played some very catchy and popular hits. Paul Revere (his real middle name) founded the band, when he met lead vocalist, Mark Lindsay, in 1958, who was delivering buns to Revere’s restaurant in Idaho. Revere was drafted into the military, but as a conscientious objector, worked in a mental institution for a year and a half. They formed a band called The Downbeats and had a few regional hits and toured, at one point, with Leon Russell on piano. They got signed to Columbia Records because they had an early hit with the later garage band classic, “Louie Louie” in ’63. The song,”Louie Louie” has its own fascinating history: Originally written by Richard Berry in 1955, it was a minor R&B hit for him. Berry was the uncredited lead vocal on “Riot in Cell Block #9” by The Robbins who later turned into The Coasters. -
Mötley Crüe Successfully Moves for Dismissal of Suit Involving Copyright in “Too Fast for Love” Album Artwork
Mötley Crüe Successfully Moves for Dismissal of Suit Involving Copyright in “Too Fast for Love” Album Artwork October 15, 2012 by Jeffrey A. Wakolbinger On October 9, 2012, Judge Grady, in the United States District Court for the Northern District of Illinois, dismissed a copyright-infringement action against rock band Mötley Crüe for lack of personal jurisdiction.1 The suit was brought by Ron Toma, who owns copyrights in certain photographs of band members Vince Neil, Nikki Sixx, Mick Mars, and Tommy Lee. One of those photographs was a close up of singer Vince Neil’s waist area, featuring a prominent studded belt buckle (the “Belt Buckle Image”). The photograph was taken by Michael Pinter in 1981 and used as the cover artwork for Mötley Crüe’s debut album, “Too Fast for Love.” Toma acquired the copyright in that image in 2008 through assignment. In September 2011, he filed a complaint in the Northern District of Illinois 1 Toma v. Motley Crue, Inc., No. 11 C 6766 (N.D. Ill. Oct. 9, 2012). These materials have been prepared by Pattishall, McAuliffe, Newbury, Hilliard & Geraldson LLP for general informational purposes only. They are not legal advice. They are not intended to create, and their receipt by you does not create, an attorney-client relationship. against Motley Crue, Inc., alleging that the defendants infringed his copyright in the Belt Buckle Image by projecting it on screen during live performances. He later amended the complaint to add the band’s touring company, Red White & Crue, Inc, as a defendant. The only specific example of alleged infringement in the complaint is a link to a YouTube video showing live footage from a concert in Las Vegas, during which the Belt Buckle Image was displayed on a screen while the band performed the title track of the album. -
The Heart of Rock and Soul by Dave Marsh
The Heart of Rock and Soul by Dave Marsh 11 LOUIE LOUIE, The Kingsmen Produced by Ken Chase and Jerry Dennon; written by Richard Berry Wand 143 1963 Billboard: #2 Really stupid, really great. Not really dirty, but so what? "Louie Louie" is the most profound and sublime expression of rock and roll's ability to create something from nothing. Built up from a Morse code beat and a "dub duh dub" refrain, with scratchy lead vocal, tacky electric piano, relentless rhythm guitar, and drums that sound like the guy who's playing 'em isn't sure what comes next, "Louie Louie" scales the heights of trash rock to challenge the credentials of all latter-day rockers: If you don't love it, you've missed the point of the whole thing. Naturally, this Parthenon of Pop didn't spring from the head of the Muse. A Muse would probably have slain it on sight, or passed away herself from the shock of something so crude and fine. "Louie Louie" was born in much more prosaic circumstances, as the B side of "You Are My Sunshine," an R&B version of the Jimmie Davis country standard recorded by Richard Berry and the Pharoahs and released on Flip Records in 1956. Berry was a veteran Los Angeles session singer who'd sung lead on the Robins ' "Riot in Cell Block #9," the first big hit for producers Jerry Leiber and Mike Stoller. The Pharoahs were Berry's cohorts of the day, Flip his patron of the moment. "You Are My Sunshine" made only a small buzz but when L.A.