Australian Indigenous LAW REVIEW
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Gender Neutrality and the Definition of Rape: Challenging the Law’S Response to Sexual Violence and Non-Normative Bodies
GENDER NEUTRALITY AND THE DEFINITION OF RAPE: CHALLENGING THE LAW’S RESPONSE TO SEXUAL VIOLENCE AND NON-NORMATIVE BODIES ELISABETH MCDONALD* In 2005 the legislature of Aotearoa New Zealand chose for the second time, the first occurring in 1986, to retain the offence of rape as one of the ways in which the crime of sexual violation may be committed. The current definition of rape means that only those with a penis can be guilty of this offence, and only those with female genitalia can be a victim of such a crime. Despite use of the term in public vernacular being wider than the legal definition, little advocacy has been focussed on reforming this law, although those in the trans and intersex communities recognise their experiences are not reflected in the description of rape. In this piece I note the importance, and difficulty, of making visible within the legislative framework both the gendered nature of sexual offending as well as the vulnerabilities of those who have non-normative bodies. By considering the theory and critical analysis which informed the debates and law reform undertaken in other jurisdictions, I conclude that it is time to reconsider the actus reus of rape in Aotearoa New Zealand, with the aim of extending its scope so as to be responsive to all communities’ experiences of sexual violence. I INTRODUCTION Beginning with reform which took shape primarily in the mid-1970s, most common law jurisdictions have now adopted revised definitions of varying types of sexual offences. Early advocates for change were primarily concerned with the limited scope of the traditional crime of rape, including the requirement for force and the marital exemption.1 Feminists also agitated for * Professor, School of Law, University of Canterbury. -
Underground Power Records List 4 -2020.P[...]
This is the last List that will be sent to all emails on our previous email distributor - we will build up a new one. So all friends who order for sure will be on the new distributor. All others please send a short message and we will add you too for sure. The list will be also on our website and we will announce ever new one on facebook. Our own new releases will be on the next List (Xmas or January)! Das ist die letzte Liste die an den alten email Verteiler geschickt wird - wir bauen einen Neuen auf. Alle Besteller werden automatisch in den neuen aufgenommen. Alle Anderen die den Newsletter erhalten möchten senden bitte eine kurze Bestätigung, dass Sie künftig auch wieder in den Verteiler aufgenommen werden wollen. Die Liste wird auch auf unserer Webseite veröffentlicht und immer auf facebook angekündigt. Unsere eigenen neuen Releases werden auf der nächsten Liste erscheinen (um Weihnachten oder im Januar) ! CD ADORNED GRAVES – Being towards a River (NEW*EPIC/THRASH METAL*TOURNIQUET*DELIVERANCE) - 14 GER Private Press 2020 – Brandnew Oldschool 80’s Epic / Thrash Metal with elements of Epic Doom / Death Metal from Germany ! For Fans of Vengeance Rising, Tourniquet, Deliverance, Believer, Martyr / Betrayal or Metallica and Slayer, but also Black Sabbath + Trouble ! Melodic Old School Epic Doom N Thrash Death Metal Einschlägen, der Einfachheit halber als „Thrash Metal“. ALCATRAZZ - Born Innocent (NEW*MELODIC METAL*G.BONNET*RAINBOW*MSG*TNT) - 15 Silver Lining Music 2020 - Brandnew limited CD Digipak Fantastic Melodic Metal / Hard Rock with Original Line up Graham Bonnet, Keyboarder Jimmy Waldo and Bassplayer Gary Shea – now together with Guitar Hero Joe Stump and some fantastic guest musicians: Chris Impellitteri, Bob Kulick, Nozumu Wakai, Steve Vai, Dario Mollo, Don Van Stavern or Jeff Waters For Fans of RAINBOW, TNT, EUROPE, DOKKEN, MICHAEL SCHENKER ANGEL WITCH – Screamin’ ‘n’ Bleedin’ (NEW*LIM.500*NWOBHM CLASSIC 1985) – 18 € N.W.O.B.H.M. -
HIGHLIGHTS Videos Biography Contacts Website Facebook
biography D.D. Verni is an American bassist, songwriter, and producer, best known for his work with the band OVERKILL. Overkill released their first record in 1985 and with their contemporaries (Metallica, Slayer, Megadeth, Anthrax) helped define a new genre of music, “thrash metal”. Overkill have released D.D. VERNI 18 full-length albums as well as two live albums and EPs, and several DVDs. D.D. Verni released his first solo album, “Barricade”, in October of 2018. The record, which was mixed and mastered by Chris “Zeuss” Harris (ROB ZOMBIE, QUEENSRŸCHE, HATEBREED), is a mix of all of Verni’s influences. “There’s some metal, punk, and classic rock... it’s all in there, from QUEEN to GREEN DAY to METALLICA, I think we covered all the basses!” declares D.D. The album also features a host of guitar players doing guest spots, including Jeff Loomis (ARCH ENEMY), Angus Clark (TRANS SIBERIAN ORCHESTRA), Jeff Waters (ANNIHILATOR), Bruce Franklin (TROUBLE), Mike Romeo (SYMPHONY X), Mike Orlando (ADRENALINE MOB), Steve Leonard (ALMOST QUEEN), and Andre HIGHLIGHTS “Virus” Karkos (DOPE), who also contributed the rhythm guitar tracks. Rounding out the recording line-up is former OVERKILL drummer Ron Lipnicki. • Founding member, bassist, & songwriter for thrash metal pioneers, “I’m psyched to get this disc out,” states Verni. “We had a lot of fun and a lot of great players contributed.” • 18 studio albums released with • millionS of albums sold worldwide with • Vocalist, bassist, & songwriter in BRONX CASKET CO. with 4 albums released • Debut solo album, “Barricade”, released in October 2018 featuring notable guests such as videos Jeff Loomis (ARCH ENEMY), Angus Clark (TRANS SIBERIAN ORCHESTRA), & Jeff Waters (ANNIHILATOR), among others Fire Up Lost in The Undergrond night of the swamp king contacts Worldwide Management: Jeff Keller / The Artery Foundation [email protected] North America Booking: Mike Monterulo / TKO [email protected] Europe Booking: Dolores Lokas / Headline Concerts [email protected]. -
Annihilator - Alice in Hell
Annihilator - Alice in Hell Scritto da Gianluca Livi Venerdì 01 Gennaio 2021 13:59 Ci entraAlice di diritto, in Hell, nella categoria "masterpiece". Questo favolosoAnnihilator escedebutto nel discografico1989 e fa capire dei canadesi ai signori del thrash statunitense che in Nord America ci sono allievi perfettamente in grado di superare i maestri. Il pezzo Alisonche trascina Hell" rappresenta l'album,Spanish "il perfetto" Flydi Eddieconnubio Van, rendetra Halen aspirazioni l'introRide Theacustico "da Lightning classifica di robetta" e altissima per adolescenti qualità esecutivamaldestri. e compositiva, ed è anticipato da un arpeggio di chitarra acustica che, rivaleggiando con " La mini suiteSchizo " (Are", divisa Never in due Alone) parti, anticiperebbe di poco la nascita del prog metal a vocazione durissima se non fosse che il combo lo condisce con del sano techno thrash, giusto per far capire chi è che comanda effettivamente. Tutto il restoAnthrax dell'album per la strada riesceJoe Belladonna (cona ,seminare la la cui sola voceSlayer eccezioneimpietosamente è effettivamente, in quanto di Megadeth gliad un aggressività, ,traguardo per ciò che inarrivabile e concerne per i cambi ogni dialtro tempo, gruppo e lo thrash) fa con ela a disinvoltura rivaleggiare di con chi ilè meglioperfettamente di capace di passare da uno stille all'altro con consapevole determinazione e sicurezza. Anche ilAlice titolo inè da". Wonderland manuale, efficace, come è, nel suo parodiare " Questo non è un album di thrash, ma l'album di thrash per eccellenza, il cui unico difetto, rispetto ai lavori discografici dei gruppi sopra citati, è quello di essere uscito fuori tempo massimo, a ridosso dell'esplosione grunge, quindi ben lontano dall'inventare un genere, limitandosi semplicemente a perfezionarlo, ancorché in termini eccelsi. -
Life Itself’: a Socio-Historic Examination of FINRRAGE
CORE Metadata, citation and similar papers at core.ac.uk Provided by White Rose E-theses Online From ‘Death of the Female’ to ‘Life Itself’: A Socio-Historic Examination of FINRRAGE Stevienna Marie de Saille Submitted in accordance with the requirements for the degree of Doctor of Philosophy University of Leeds School of Sociology and Social Policy September 2012 ii The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2012, The University of Leeds and Stevienna Marie de Saille The right of Stevienna Marie de Saille to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. iii ACKNOWLEDGEMENTS There are a number of people who made this thesis possible in a number of different, fantastically important ways. My deepest thanks to: - My supervisors, Prof. Anne Kerr and Dr. Paul Bagguley, for their patience, advice, editorial comments, and the occasional kickstart when the project seemed just a little(!) overwhelming, and my examiners, Prof. Maureen McNeil and Dr. Angharad Beckett for their insight and suggestions. - The School of Sociology and Social Policy, for awarding me the teaching bursary which made this possible, and all the wonderful faculty and support staff who made it an excellent experience. - The archivists in Special Collections at the University of Leeds, and to the volunteers at the Feminist Archive North for giving me an all-access pass. -
The Incredible Woman: Power and Sexual Politics by Jocelynne a Scutt
897 BOOK REVIEWS THE INCREDIBLE WOMAN: POWER AND SEXUAL POLITICS BY JOCELYNNE A SCUTT Sandra Petersson* Jocelynne A Scutt The Incredible Woman: Power and Sexual Politics (Artemis Publishing, Melbourne, 1997) (vol 1, 336 + xiv pages, $AUS34.95; vol 2, 354 + xvii pages, $AUS34.95). The Incredible Woman: Power and Sexual Politics is an anthology of scholarship by Jocelynne Scutt, Australian barrister and law reformer. While stated to cover 25 years of Scutt's activism, over three quarters of the articles are from the period 1990 to 1996, a fact that lends currency to the collection. The articles are arranged thematically under four headings. Volume One consists of "Part I — 'Judicial Wisdom', Patriarchal Power", a general examination of sexual politics in the legal system, and "Part II — Medicine, Power and the Politics of Health", a particular examination of sexual politics in the area of health law. Volume Two focuses on the wider equality issues of economics and power in "Part III — The Economic Politics of 'A Woman's Place'" and "Part IV — Power and the Woman". The cover of each volume bears the image of a diver, an athlete of visible strength captured in mid-flight. Behind her, there is a faint horizon that marks the division between air and water, the diver's twin media. The image is ideal for the work presented in this collection, work reflecting Scutt's strong presence in both oral and written media, facilitating both public and private dissemination of legal scholarship. * Lecturer in Law, Victoria University of Wellington. 898 (2000) 31 VUWLR The cover image also resonates on a personal level, bringing to mind my childhood swimming lessons. -
Dialogue and Indigenous Policy in Australia
Dialogue and Indigenous Policy in Australia Darryl Cronin A thesis in fulfilment of the Requirements for the degree of Doctor of Philosophy Social Policy Research Centre Faculty of Arts & Social Sciences September 2015 ABSTRACT My thesis examines whether dialogue is useful for negotiating Indigenous rights and solving intercultural conflict over Indigenous claims for recognition within Australia. As a social and political practice, dialogue has been put forward as a method for identifying and solving difficult problems and for promoting processes of understanding and accommodation. Dialogue in a genuine form has never been attempted with Indigenous people in Australia. Australian constitutionalism is unable to resolve Indigenous claims for recognition because there is no practice of dialogue in Indigenous policy. A key barrier in that regard is the underlying colonial assumptions about Indigenous people and their cultures which have accumulated in various ways over the course of history. I examine where these assumptions about Indigenous people originate and demonstrate how they have become barriers to dialogue between Indigenous people and governments. I investigate historical and contemporary episodes where Indigenous people have challenged those assumptions through their claims for recognition. Indigenous people have attempted to engage in dialogue with governments over their claims for recognition but these attempts have largely been rejected on the basis of those assumptions. There is potential for dialogue in Australia however genuine dialogue between Indigenous people and the Australian state is impossible under a colonial relationship. A genuine dialogue must first repudiate colonial and contemporary assumptions and attitudes about Indigenous people. It must also deconstruct the existing colonial relationship between Indigenous people and government. -
Feminism and the 'Woman As Mother' Discourse in Reproductive Politics In
Feminism and the ‘Woman Equals Mother’ Discourse in Reproductive Politics in Australia A thesis submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy in the Discipline of Gender, Work and Social Inquiry School of Social Sciences Faculty of Humanities and Social Sciences University of Adelaide April 2012 Angella Duvnjak BA(Hons) (Adelaide University) BSW (Flinders University) i ii Table of Contents Table of Contents ............................................................................................................................................... iii Abstract ............................................................................................................................................................... v Declaration ........................................................................................................................................................ vii Acknowledgments ............................................................................................................................................ viii Chapter 1 Introduction ................................................................................................................................... 1 1.1 Background: The journey to ‘here’ 1 1.2 Time, Context and Structure of the Thesis 5 1.2.1 Situating the research questions .................................................................................................. 7 1.2.2 Research questions .................................................................................................................. -
Samuel Taylor Coleridge
TESIS DOCTORAL 2015 LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: Estudio y análisis de algunas “literary covers” sobre siete autores del siglo XIX POR JESÚS MARÍA MARTÍNEZ NAVAJAS LICENCIADO EN FILOLOGÍA INGLESA UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA FACULTAD DE FILOLOGÍA – MADRID Departamento de Filologías Extranjeras y sus Lingüísticas Director de la Tesis: Dr. D. Antonio BALLESTEROS GONZÁLEZ 1 - DEPARTAMENTO DE FILOLOGÍAS EXTRANJERAS Y SUS LINGÜISTICAS, FACULTAD DE FILOLOGÍA. - TÍTULO DE LA TESIS: LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: ESTUDIO Y ANÁLISIS DE ALGUNAS “LITERARY COVERS” SOBRE SIETE AUTORES DEL SIGLO XIX. - AUTOR: JESÚS MARÍA MARTÍNEZ NAVAJAS (LICENCIADO EN FILOLOGÍA INGLESA). - DIRECTOR DE TESIS: DR. D. ANTONIO BALLESTEROS GONZÁLEZ. 2 AGRADECIMIENTOS Este trabajo está dedicado muy especialmente a mis padres Teresa y Jesús, sin cuyo apoyo y respaldo no habría sido posible esta investigación, por darme todo el amor y una educación de libre pensamiento y ser el faro que guía mi desarrollo intelectual y mi existencia. AsImismo, a mis hermanos Pablo, Andrés y Paloma, y a mi compañera Giuliana por su inagotable paciencia y cariño. Gracias, familia. Vaya un agradecimiento muy especial para la Dra. Dª María del Carmen González Landa por la gran ayuda y todo lo que me ha transmitido. También quiero agradecer a Iñaki Osés y la Eguzki Irratia de Pamplona por haberme brindado la oportunidad de difundir mis conocimientos literarios y musicales a través de las ondas radiofónicas. Como no podía ser de otra manera deseo expresar mi agradecimiento al Dr. -
International Review of Women and Leadership: Special Issue, Volume 2 Number 1: Women and Politics
Edith Cowan University Research Online ECU Publications Pre. 2011 1996 International review of women and leadership: Special issue, volume 2 number 1: women and politics Marian Sawer Follow this and additional works at: https://ro.ecu.edu.au/ecuworks Part of the Leadership Studies Commons, and the Political Science Commons Sawer, M. (1996). International review of women and leadership: Special issue, volume 2 number 1: women and politics. Churchlands, Australia: Edith Cowan University. This Other is posted at Research Online. https://ro.ecu.edu.au/ecuworks/6825 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. s 331 . 48/ trvT I nternationa{ 1\?view of Women ani Leadership Specia[ Issue: Women am£ Pofitics (juest 'Etiitor:. Marian Sawer . o/o[ume 2, 9{um6er 1, Jufg, 1996 D E DI T -
Feminism, Justice and Ethics: Reflections on Braithwaite’S Commitments
Feminism, justice and ethics: reflections on Braithwaite’s commitments Kathleen Daly http://orcid.org/0000-0002-0530-0753 School of Criminology and Criminal Justice Griffith University Mt Gravatt Campus Mt Gravatt QLD 4122 AUSTRALIA [email protected] tel: +61 (7) 3735-5625 Author information Kathleen Daly is Professor in the School of Criminology and Criminal Justice, Griffith University, Brisbane, Australia. Acknowledgments My thanks to Robyn Holder and Juliet Davis for comments on an earlier draft, Victoria Meyer for gathering news stories and seeking permissions from The Canberra Times , artist Geoff Pryor for agreeing to reprint his cartoon and explaining its background, and Karen Struthers and Ron Frey for attempting to recall what sparked their Statement of Concern at a conference in 1993. My thanks also to John Braithwaite for his generosity in responding to my emails in 2019 about his memory of events more than 25 years ago, in 1993. Note This article is an invited contribution to a special issue, Symposium on John Braithwaite, The International Journal of Restorative Justice , to be published in 2020. It may undergo revision in the review and publication process. Please do not quote or cite this version without permission from the author. © Kathleen Daly 10 June 2019 1 Feminism, justice and ethics: reflections on Braithwaite’s commitments Kathleen Daly 1. Introduction I shall never forget the day. It was more than 25 years ago, in January 1993, when I was working at the University of Michigan in Ann Arbor. I received an express mail package from Australia, and it was from John. -
Indigenous Strategy 2018-2025 CONTENTS
~ Our children will walk in two worlds and their culture will be a gift to their country ~ Indigenous Strategy 2018-2025 CONTENTS From the President and Vice-Chancellor 1 From the Director of Nura Gili 11 From the Deputy Vice-Chancellor Academic 2 Strategic Plan 12 From the Pro Vice-Chancellor Indigenous 3 Aboriginal History of the Main UNSW Campus 14 Aboriginal history study: Key Themes 4 Our Story 18 The Three Pillars 5 Timeline: Australian Indigenous History 22 Truth and Reconciliation 7 Indigenous Books 26 Culture and Country 8 Indigenous Films 28 Give Back 9 AIATSIS Map of Indigenous Australia 30 Grow our Own 10 Uluru Statement from the Heart 31 Contact: T. 02 9385 6614 or 02 9385 8966 E. [email protected] W. pvci.unsw.edu.au CRICOS Provider Code 00098G Dune photography: John Hewitt © UNSW 2018 Graphic Designer: Peta Lee, beloved.com.au Editing and proofing: James Smith Photograph pp 3: Andrzej Liguz Content on pp 4 from UNSW Aboriginal History Study by Dr. Paul Irish @ Coast History Photograph pp 21: From the collections of the Mitchell Library, State Library of New South Wales, sl.nsw.gov.au Photographs from Uluru National Convention August 2017: Jimmy Hunt With thanks to: Dr. Paul Irish for the use of his Aboriginal history study of the campus and his continued guidance in the development of this strategy. Nura Gili staff, UNSW Indigenous students, and the UNSW community for their input into the creation of the strategy. Dean Parkin for facilitating consultations on the strategy. John Hewitt for photography of Bedegal country.