May 23–June 11, 2016
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SFCMP Announces Its Season-Opening Concert Featuring A
Contact: Sheryl Lynn Thomas [email protected] (415) 633-8802 Press kits SAN FRANCISCO (September 18, 2018) - San Francisco Contemporary Music Players (SFCMP) announces its season-opening concert featuring a celebration of the music of Elliott CARTER on Saturday, October 20, 2018 at the Taube Atrium Theater in San Francisco. The on STAGE Series features large-ensemble contemporary works of the most influential and innovative composers of the 20th and 21st centuries. Carter was the grandest of the grand American composers from the 20th century, who lived beyond his 100th birthday and yet wrote music that was fresh, inventive, and forward-looking to the very end of life. SFCMP welcomes its newly arrived artistic director, Eric DUDLEY, with a program featuring three of Carter’s works, including the rhythmically energetic and emotionally powerful Penthode for twenty players. Complementing Carter’s enduring voice will be a wry work by the young American composer, Asher Tobin CHODOS, written for an instrumentation uniquely drawn from Carter’s Penthode, plus Canadian composer Sabrina SCHROEDER’s Bone Games/Shy Garden, an essay in the sensuality of noises. The series will begin with our popular How Music is Made Composer Talk and Open Rehearsal with composer Tobin Chodos. Audiences can expect to see a number of compositional voices brought into the mix that have never been a part of the ensemble’s lexicon. This season-opening performance will begin with Asher Tobin Chodos, a young California-based composer who will showcase his world premiere of Big Show, an Elliot Carter-inspired piece commissioned by SFCMP. In his piece Big Show, Chodos exhibits a fresh take on aspects of Carter’s work: “Carter’s endlessly stimulating polyphonic writing has been seen by many as a sort of musical version of an idealized democracy: a harmony that emerges from many dissenting voices. -
Doctor Atomic
What to Expect from doctor atomic Opera has alwayS dealt with larger-than-life Emotions and scenarios. But in recent decades, composers have used the power of THE WORK DOCTOR ATOMIC opera to investigate society and ethical responsibility on a grander scale. Music by John Adams With one of the first American operas of the 21st century, composer John Adams took up just such an investigation. His Doctor Atomic explores a Libretto by Peter Sellars, adapted from original sources momentous episode in modern history: the invention and detonation of First performed on October 1, 2005, the first atomic bomb. The opera centers on Dr. J. Robert Oppenheimer, in San Francisco the brilliant physicist who oversaw the Manhattan Project, the govern- ment project to develop atomic weaponry. Scientists and soldiers were New PRODUCTION secretly stationed in Los Alamos, New Mexico, for the duration of World Alan Gilbert, Conductor War II; Doctor Atomic focuses on the days and hours leading up to the first Penny Woolcock, Production test of the bomb on July 16, 1945. In his memoir Hallelujah Junction, the American composer writes, “The Julian Crouch, Set Designer manipulation of the atom, the unleashing of that formerly inaccessible Catherine Zuber, Costume Designer source of densely concentrated energy, was the great mythological tale Brian MacDevitt, Lighting Designer of our time.” As with all mythological tales, this one has a complex and Andrew Dawson, Choreographer fascinating hero at its center. Not just a scientist, Oppenheimer was a Leo Warner and Mark Grimmer for Fifty supremely cultured man of literature, music, and art. He was conflicted Nine Productions, Video Designers about his creation and exquisitely aware of the potential for devastation Mark Grey, Sound Designer he had a hand in designing. -
Press Release: (Pdf Format)
FOR IMMEDIATE RELEASE CONTACT: Robert Cable, Stanford Live 650-736-0091; [email protected] PHOTOS: http://live.stanford.edu/press LOS ANGELES CHILDREN’S CHORUS CELEBRATES AMERICAN SONG AT BING, FEATURING WORLD PREMIERE OF THE PLENTIFUL PEACH BY MARK GREY The April 19 performance will include a guest appearance by the Stanford Chamber Chorale Stanford, CA, March 25, 2015— The famed Los Angeles Children’s Chorus (LACC), led by Artistic Director Anne Tomlinson, makes its debut at Bing Concert Hall with a program entitled “Celebrating American Song,” featuring the world premiere of The Plentiful Peach by the Palo Alto-raised composer Mark Gray and Bay Area librettist Niloufar Talebi, on Sunday, April 19 at 2:30 p.m. Commissioned by the LACC, the work is adapted from a story by the great Iranian writer, Samad Behrangi (1939-1968). The Plentiful Peach is the coming of age story of a peach and the brave children who secretly grow her—against the master’s odds. The LACC also presents the Cherokee hymn Sgwa ti’ni se sdi Yi Howa; Henry Mollicone’s Spanish Ave Maria; Let Us Sing! arranged by Linda Tutas Haugen; and Meir Finkelstein’s L’dor vador arranged by Rebecca Thompson and featuring soloist Madeleine Lew. In addition, the Stanford Chamber Chorale, under the direction of Stephen M. Sano, makes a guest appearance performing separately as well as combining forces with the LACC to perform Randall Thompson’s Pueri Hebraeorum and the American folk song Shenandoah arranged by James Erb. “Los Angeles Children’s Chorus is honored to bring its artistry to Bing Concert Hall and further expand our valued relationship with Stanford University,” says Tomlinson. -
2015 ANNUAL REPORT Pictured (Top to Bottom, L-R)
OUR 2015 ANNUAL REPORT Pictured (top to bottom, l-r): Shawn Patterson and vocalist Sammy Allen at the 2015 ASCAP Film & TV Music Awards Latin Heritage Award honorees La Original Banda el Limón at the 2015 ASCAP Latin Music Awards ASCAP Golden Note Award honoree Lauryn Hill at the 2015 R&S Awards Lady Antebellum at the 2015 ASCAP Country Music Awards Dave Grohl congrat- ulates Gene Simmons and Paul Stanley on their ASCAP Found- ers Award at the 2015 ASCAP Pop Awards Cast members from Invisible Thread with Richard Rodgers New Horizons Award winners Matt Gould (at piano) & Griffin Matthews (far right) at the 2015 ASCAP Foundation Awards The American Con- temporary Music En- semble (ACME) at the 2015 ASCAP Concert Music Awards Annual Report design by Mike Vella 2015 Annual Report Contents 4 16 OUR MISSION Our ASCAP Our Success We are the world leader in performance 6 18 royalties, advocacy and service for Our Growth Our Celebration songwriters, composers and music publishers. Our mission is to ensure that 8 20 Our Board Our Licensing our music creator members can thrive Partners alongside the businesses who use our 10 music, so that together, we can touch Our Advocacy 22 Our Commitment the lives of billions. 12 Our Innovation 24 Our Communication 14 Our Membership 25 Financial Overview 3 OUR ASCAP USIC IS AN ART. AND MUSIC IS A BUSINESS. The beauty of ASCAP, as conceived by our visionary founders over 100 years ago, is that it serves to foster both music and commerce so that each partner in this relationship can flourish. -
Read Program
KAIJA SAARIAHO l’amour de loin conductor Opera in five acts Susanna Mälkki Libretto by Amin Maalouf production Robert Lepage Saturday, December 10, 2016 PM associate director 1:00–3:35 Sybille Wilson New Production set and costume designer Michael Curry lighting designer Kevin Adams lightscape image designer Lionel Arnould The production of L’Amour de Loin was made sound designer Mark Grey possible by a generous gift from the Francis Goelet Trusts Additional funding for this production was received from The H.M. Agnes Hsu-Tang, PhD. and Oscar Tang Endowment Fund general manager Peter Gelb music director emeritus James Levine Co-production of the Metropolitan Opera and L’Opéra de Québec principal conductor Fabio Luisi In collaboration with Ex Machina 2016–17 SEASON The 3rd Metropolitan Opera performance of KAIJA SAARIAHO’S This performance l’amour is being broadcast live over The Toll Brothers– de loin Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Susanna Mälkki America’s luxury ® in order of vocal appearance homebuilder , with generous long-term jaufré rudel support from Eric Owens The Annenberg Foundation, The the pilgrim Neubauer Family Tamara Mumford* Foundation, the Vincent A. Stabile clémence Endowment for Susanna Phillips Broadcast Media, and contributions from listeners worldwide. There is no Toll Brothers– Metropolitan Opera Quiz in List Hall today. This performance is also being broadcast live on Metropolitan Opera Radio on SiriusXM channel 74. Saturday, December 10, 2016, 1:00–3:35PM This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation. -
The Annenberg Center Appoints Marc Baylin As Artistic Advisor and Programming Consultant
NEWS FOR IMMEDIATE RELEASE: April 8, 2021 The Annenberg Center Appoints Marc Baylin as Artistic Advisor and Programming Consultant (Philadelphia – April 8, 2021) — Marc Baylin, a longtime leader in the national performing arts landscape, has been appointed Artistic Advisor and Programming Consultant at the Annenberg Center for the Performing Arts at the University of Pennsylvania. “We are excited to welcome Marc in his capacity as Artistic Advisor and Programming Consultant, as we continue to expand our programming, and plan for our return to in-person events and the Annenberg Center’s upcoming 50th anniversary,” said Annenberg Center Executive and Artistic Director Christopher Gruits. “Marc's tremendous experience in the performing arts combined with his established Philadelphia connections makes him incredibly well-suited to working with our team to shape dynamic, contemporary, and truly inclusive performance programming.” “I am beyond thrilled to join the excellent team at the Annenberg Center,” said Baylin. “Helping to shape their 50th anniversary season is a terrific opportunity.” Marc Baylin, a resident of Doylestown, PA, has over thirty years of experience as an arts entrepreneur, project developer, and artist manager, with extensive expertise in touring, presenting, and special event management. As founder and President of Baylin Artists Management, he oversees a professional staff and guides the curation of the roster while leading the marketing efforts and business operations. In February 2020, he announced that Baylin Artists Management would sunset in 2021, after 28 years in operation. He spent the better part of 2020 navigating the pandemic and assisting the artists with new management. In a new collaboration with Alliance Artist Management, six companies move to that roster beginning with the 21-22 season. -
Orchestral Maneuvers in Surround Issue 32
Orchestral Maneuvers in Surround John Adams' composition commemorating the first anniversary of the September 11 attacks was recently performed at the Sydney Opera House in surround. Robert Austral discusses the details with sound designer, Mark Grey. hen American composer John Adams was Is it a collaboration? commissioned by the New York Philharmonic Mark Grey: It’s collaborative, though John has the Wto create a work commemorating the first anni- musical concept and then invites me to work on the versary of the September 11, 2001, attacks on the World project. He is very knowledgeable about electronic Trade Center and Pentagon, he knew from the outset music – he started writing with technology when he was that he wanted a setting with music, choir, recorded younger, before he began working with the San Francisco voice and streetscape sounds that felt ‘otherworldly’. Symphony and moving into the large orchestral format. His goal was to convey the presence of many souls and He knows what filters are and what envelope generators their collected energy in order to create what he termed are. He understands synthesis technology, synthesisers a ‘memory space’, where the listener could reflect on and samplers and those architectural tools very well, so grieving and loss. it’s great – we can talk both with a musical language, The resulting composition for orchestra and choir, On because I have a compositional background, and a the Transmigration of Souls, received its debut performanc- technical language. When it gets to a certain level with es at the Lincoln Center in New York under the baton of the technology, though, he doesn’t want to go there, and famed conductor Lorin Maazel. -
Iolanta Bluebeard's Castle
iolantaPETER TCHAIKOVSKY AND bluebeard’sBÉLA BARTÓK castle conductor Iolanta Valery Gergiev Lyric opera in one act production Libretto by Modest Tchaikovsky, Mariusz Treliński based on the play King René’s Daughter set designer by Henrik Hertz Boris Kudlička costume designer Bluebeard’s Castle Marek Adamski Opera in one act lighting designer Marc Heinz Libretto by Béla Balázs, after a fairy tale by Charles Perrault choreographer Tomasz Wygoda Saturday, February 14, 2015 video projection designer 12:30–3:45 PM Bartek Macias sound designer New Production Mark Grey dramaturg The productions of Iolanta and Bluebeard’s Castle Piotr Gruszczyński were made possible by a generous gift from Ambassador and Mrs. Nicholas F. Taubman general manager Peter Gelb Additional funding was received from Mrs. Veronica Atkins; Dr. Magdalena Berenyi, in memory of Dr. Kalman Berenyi; music director and the National Endowment for the Arts James Levine principal conductor Co-production of the Metropolitan Opera and Fabio Luisi Teatr Wielki–Polish National Opera The 5th Metropolitan Opera performance of PETER TCHAIKOVSKY’S This performance iolanta is being broadcast live over The Toll Brothers– Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Valery Gergiev America’s luxury in order of vocal appearance homebuilder®, with generous long-term marta duke robert support from Mzia Nioradze Aleksei Markov The Annenberg iol anta vaudémont Foundation, The Anna Netrebko Piotr Beczala Neubauer Family Foundation, the brigit te Vincent A. Stabile Katherine Whyte Endowment for Broadcast Media, l aur a and contributions Cassandra Zoé Velasco from listeners bertr and worldwide. Matt Boehler There is no alméric Toll Brothers– Keith Jameson Metropolitan Opera Quiz in List Hall today. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
[email protected] FORMER MUSIC DIRECTOR
FOR IMMEDIATE RELEASE December 10, 2012 Contact: Katherine E. Johnson (212) 875-5718; [email protected] FORMER MUSIC DIRECTOR LORIN MAAZEL TO CONDUCT TWO WEEKS OF CONCERTS Pianist YEFIM BRONFMAN To Perform BRAHMS’s Piano Concerto No. 1 Program To Conclude with SIBELIUS’s Symphony No. 2 January 16–19, 2013 Violinist JENNIFER KOH To Make Philharmonic Subscription Debut in LUTOSŁAWSKI’s Chain 2: Dialogue for Violin and Orchestra TCHAIKOVSKY’s Romeo and Juliet, Overture-Fantasy SHOSTAKOVICH’s Symphony No. 5 January 24–26, 2013 Former Music Director Lorin Maazel returns to the New York Philharmonic to conduct two programs in two weeks. In the first week, Mr. Maazel will lead Brahms’s Piano Concerto No. 1 — with soloist Yefim Bronfman, continuing the Philharmonic’s survey this season of Brahms’s complete symphonies and concertos — and Sibelius’s Symphony No. 2 on Wednesday, January 16, 2013, at 7:30 p.m.; Thursday, January 17 at 7:30 p.m.; Friday, January 18 at 2:00 p.m.; and Saturday, January 19 at 8:00 p.m. The following week, Mr. Maazel will lead the Orchestra in Tchaikovsky’s Romeo and Juliet, Overture-Fantasy; Lutosławski’s Chain 2: Dialogue for Violin and Orchestra, with soloist Jennifer Koh in her Philharmonic subscription debut; and Shostakovich’s Symphony No. 5 on Thursday, January 24, 2013, at 7:30 p.m.; Friday, January 25 at 8:00 p.m.; and Saturday, January 26 at 8:00 p.m. The works on both programs reflect the composers’ reactions to nationalism. Sibelius’s Symphony No. 2 is considered to represent Finland’s push for independence, and Tchaikovsky composed Romeo and Juliet at the suggestion of Mily Balakirev, head of the “Mighty Five” Russian nationalist composers. -
FRIENDS of CHAMBER MUSIC Concerts
Long Theatre, UOP Campus - Stockton, California - Sunday, April 21, 1985 - 3 p.m. 'J'riend5g-~ CtJAMBEI-', MUSIC in cooperation with San Joaquin Delta College and University of the Pacific present The KaLichstein-Laredo-Robinson Trio Joseph Kalichstein, Piano Jaime Laredo, Violin Sharon Robinson, Cello PROGRAM Trio in E Major, Hob.XV:28 Franz Joseph Haydn (1732-1809) Allegro moderato Allegretto Finale: Allegro Trio in A Minor Maurice Ravel (1875-1937) Moder!! Pantoum(assez vite) Passacaille (tr~s large) Finale: anim~ INTERMISSION Trio in E Flat Major, Op. 100 (D 922) Franz Schubert (1797-1828) Allegro Andante con moto Scherzando: Allegro moderato Allegro moderato ********* Frank Salomon Associates, 201 West 54th Street, New York, N.Y. 10019 THE KALICHSTEIN-LAREDO-ROBINSON TRIO The Ka1ichstein-Laredo-Robinson Trio brings together three internationally lcc A me ar 1S S W 0 a e 1me rom e1r ~c ve so 0 careers eac se~son 0 per form the great literature for piano trio, offering a rare combination of virtuosity, musicianship, and the sheer joy of making music together that has established them as one of today's most exciting ensembles. The Trio has delighted audiences in coast-to-coast tours, performi ng in such major centers as New York, Los Angeles, Montreal, Detroit, Chicago, Toronto, and New Orleans and will soon be reaching yet a wider public with the release of their first recording, the Mendelssohn Trios on Vox Cum Laude. The Trio formed as a result of an ongoing relationship between the three artists developed through a series of performances on the YM-YWHA's acclaimed "Chamber Music at the Y" series, which is directed by Jaime Laredo. -
“Completely Engrossing Powerful and Elegant” the Cavani Quartet H
Cavani String Quartet Described by the Washington Post as “completely engrossing powerful and elegant” The Cavani Quartet has dedicated its artistic life to communicating the joy of discovery in the service of some of the most powerful music ever written. "Their artistic excellence, their generous spirit, and their fervent ambassadorship for great music make them unique among America's greatest string quartets.” The Cavani Quartet continues its unique journey maintaining an energetic balance between performing masterpieces by composers such as Mozart, Beethoven and Bartok; collaborating with living composers; and creating new programming that joins music, poetry, and dance.The quartet continues to inspire and shape the musical lives of the next generation through their acclaimed Art of Collaboration Seminar which emphasizes a "team -work" approach.The quartet’s thirty year legacy has garnered impressive recognition including the Ohio Governors Award for the Arts, Musical America Magazine's Young Artists of the Year, Naumburg Chamber Music Award, The Cleveland Quartet Award at Eastman and the ASCAP Award for Adventurous Programming. The Cavani Quartet has toured throughout all fifty states, and internationally, performing at some of the worlds most prestigious festivals, including Aspen , The New World Symphony, Norfolk Chamber Music Festival, Kniesel Hall, Interlochen, Madeline Island, Chautauqua Festival, Encore Chamber Music and The Perlman Music Program. The Quartet has been featured on NPR Performance Today and St Paul Sunday Morning,