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PROFILE 2 Higher Purpose
2017 PROFILE 2 Higher purpose. Greater good. Saint Louis University is a world-class Catholic, Jesuit institution educating nearly 13,000 students on two dynamic, urban campuses — in St. Louis, Missouri, and Madrid, Spain. Founded in 1818, the University will soon celebrate its bicentennial. With a legacy of innovative academics and research, compassionate health care and faithful service, Saint Louis University attracts a diverse community of scholars who push intellectual boundaries in pursuit of creative, meaningful ways to impact the world, striving to serve a higher purpose and seek a greater good. OUR MISSION The mission of Saint Louis University is the pursuit of truth for the greater glory of God and for the service of humanity. The University seeks excellence in the fulfillment of its corporate purposes of teaching, research, health care and service to the community. The University is dedicated to leadership in the continuing quest for understanding of God’s creation and for the discovery, dissemination and integration of the values, knowledge and skills required to transform society in the spirit of the Gospels. As a Catholic, Jesuit university, this pursuit is motivated by the inspiration and values of the Judeo-Christian tradition and is guided by the spiritual and intellectual ideals of the Society of Jesus. FOUNDED 1818 RELIGIOUS AFFILIATION Roman Catholic, Jesuit LOCATIONS St. Louis, Missouri Madrid, Spain PRESIDENT Fred P. Pestello, Ph.D. Samuel Cupples House /// Saint Louis University 1 COLLEGES AND SCHOOLS NEARLY MORE -
Art Fall Preview: from East Coast to West Coast
Nina Katchadourian Art Fall Preview: From East Coast to West Coast. From Concrete to Ethereal. By Martha Schwendener September 16, 2016 September ELLEN CANTOR: ARE YOU READY FOR LOVE? Drawings, paintings, films and videos by Ellen Cantor (1961-2013) helped shape downtown 1990s post-feminism. Three New York galleries — Participant Inc., Maccarone and Foxy Productions — will also show work by Ms. Cantor. Through Nov. 12, 80WSE Gallery, New York University,steinhardt.nyu.edu/80wse. THE EXPANDED SUBJECT: NEW PERSPECTIVES IN PHOTOGRAPHIC PORTRAITURE FROM AFRICA Africa’s contribution to 20th-century portraiture is expanded upon in this selection of the contemporary work by Sammy Baloji, Mohamed Camara, Saïdou Dicko and George Osodi. Through Dec. 10, Miriam and Ira D. Wallach Art Gallery, Columbia University, columbia.edu/cu/wallach. A FEAST OF ASTONISHMENTS: CHARLOTTE MOORMAN AND THE AVANT-GARDE, 1960s- 1980s Best known for her collaborations with artists like Nam June Paik, Ms. Moorman also mounted festivals in parks and sites like Shea Stadium. Through Dec. 10, Grey Art Gallery, New York University, greyartgallery.nyu.edu. NO LIMITS: ZAO WOU-KI The first retrospective of Zao Wou-Ki (1920-2013) includes paintings and works on paper by this Chinese artist who immigrated to Paris in 1948. Through Jan. 8, Asia Society Museum,asiasociety.org. (The exhibition will be at Colby College Museum of Art, Waterville, Me., Feb. 4- June 4.) SENSES OF TIME: VIDEO AND FILM-BASED WORKS OF AFRICA The films and videos of Yinka Shonibare MBE, Sammy Baloji, Berni Searle, Moataz Nasr, Theo Eshutu, Jim Chuchu and Sue Williamson feature dance, storytelling and postcolonial history, on view concurrently at three institutions. -
NCAR Arts Vibrancy Index II: Hotbeds of America’S Arts and Culture
March 2016 NCAR Arts Vibrancy Index II: Hotbeds of America’s Arts and Culture Zannie Giraud Voss, Glenn Voss, Richard Briesch, with Meghann Bridgeman 1 EXECUTIVE SUMMARY Welcome to the second annual NCAR Arts Vibrancy Index Report, an assessment of arts vibrancy across U.S. communities using a set of data-informed indices. We are not alone in our belief that creativity is a desirable and necessary element for a thriving community. Creative placemaking, which promotes arts and culture as essential to creating more livable and prosperous communities, is a growing movement being advanced by leading entities such as The National Consortium for Creative Placemaking, ArtPlace America, Artspace, and the National Endowment for the Arts. But what factors make up a community’s arts vibrancy, and which cities possess them? To assess arts vibrancy across America, we incorporate four measures each under three main rubrics: demand, supply and public support for arts and culture on a per capita basis. Demand was gauged by measures of total nonprofit arts dollars in the community, supply as total arts providers, and public support as state and federal arts funding. We use multiple measures since vibrancy can manifest in many ways. One might criticize our measures of vibrancy because they say nothing about artistic quality, or the multitude of community conditions that make a place ripe for creative activity, or data on who participates in the arts, or the revenues and expenses of commercial entertainment. Might additional measures be added in the future? Certainly. For now, we believe the metrics used in this report represent a solid start using the most reliable sources of data available on a nationwide scale. -
St. Louis Art Scene: a Feast for the Senses Challenge
St. Louis Art Scene: A Feast for the Senses Challenge St. Louis’ art scene is active, vibrant, and engaging. It is filled with music, motion, and artistic expression. Art in St. Louis is easily found: in traditional spaces like museums and galleries, on the street through an impressive array of murals and sculpture, and on the spot through live performance. Even historic places, like Bellefontaine Cemetery, abound with art through their architecture, design, and landscape. St. Louis’ art ranges from the transcending to the whimsical. Come explore the St. Louis arts scene, a feast for the senses! The St. Louis Art Scene Challenge is sponsored by the St. Louis Arts Chamber of Commerce. The STL Arts Chamber supports artists and arts organizations as they continue building their businesses and the region into a vibrant and kinetic arts community. The St. Louis Arts Chamber of Commerce advocates for all genres of the arts, from drawing to dance, storytelling to theatre, fiber arts to sculpture, and all creative arts avenues in between. St. Louis Art Scene Challenge … Visit at least 10 art related sites in at least five different categories listed below. Snap your photograph at the location. Click on the map links to explore the sites in each category. Remember: Missouri Explorers must be registered in the program, and they are responsible for checking hours and availability of sites. Upload your verification photographs using the online submission form at https://missouri2021.org/missouri-explorers/ to receive your merit badge button. Remember, Missouri Explorers, you are responsible for checking hours and availability of sites before arriving. -
Group Tour Manual
Group Tour GUIDE 1 5 17 33 36 what's inside 1 WELCOME 13 FUN FACTS – (ESCORT NOTES) 2 WEATHER INFORMATION 17 ATTRACTIONS 3 GROUP TOUR SERVICES 30 SIGHTSEEING 5 TRANSPORTATION INFORMATION 32 TECHNICAL TOURS Airport 35 PARADES Motorcoach Parking – Policies 36 ANNUAL EVENTS Car Rental Metro & Trolley 37 SAMPLE ITINERARIES 7 MAPS Central Corridor Metro Forest Park Downtown welcome St. Louis is a place where history and imagination collide, and the result is a Midwestern destination like no other. In addition to a revitalized downtown, a vibrant, new hospitality district continues to grow in downtown St. Louis. More than $5 billion worth of development has been invested in the region, and more exciting projects are currently underway. The Gateway to the West offers exceptional music, arts and cultural options, as well as such renowned – and free – attractions as the Saint Louis Art Museum, Zoo, Science Center, Missouri History Museum, Citygarden, Grant’s Farm, Laumeier Sculpture Park, and the Anheuser-Busch brewery tours. Plus, St. Louis is easy to get to and even easier to get around in. St. Louis is within approximately 500 miles of one-third of the U.S. population. Each and every new year brings exciting additions to the St. Louis scene – improved attractions, expanded attractions, and new attractions. Must See Attractions There’s so much to see and do in St. Louis, here are a few options to get you started: • Ride to the top of the Gateway Arch, towering 630-feet over the Mississippi River. • Visit an artistic oasis in the heart of downtown. -
Group Outing
Group Outing... ALL WITHIN REACH Eat & Drink Sample Itineraries Available St. Louis is home to a rich mix of cultures and culinary America’s Music Corridor interests. From Italian and German fare to Bosnian and Architectural Tour Vietnamese cuisine, there’s something to satisfy every Black Heritage craving at the hundreds of one-of-a-kind restaurants dotting the city’s culinary landscape. Explore the Environmentally Friendly St. Louis neighborhoods listed below to find the best restaurants Feed Me in St. Louis and dining experiences St. Louis has to offer. Heavenly Attractions Historic St. Louis The Hill Holiday Tour Laclede’s Landing The Loop Lewis & Clark Adventure Soulard Get Your Kicks on Route 66 South Grand 1904 World’s Fair Music, Dance & Theatre Casinos Dance St. Louis www.dancestl.org Casino Queen Fabulous Fox Theatre (Aug-May) www.fabulousfox.com Hollywood Casino The Muny (June-Aug) www.muny.org Lumiére Place Opera St. Louis (May-June) www.opera-stl.org River City Peabody Opera House www.peabodyoperahouse.com Powell Symphony Hall (Sept-June) www.stlsymphony.org Repertory Theatre St. Louis (Sept-April) www.repstl.org St. Louis Black Repertory Company (Jan-June) www.theblackrep.org Stages St. Louis (May-Oct) www.stagesstlouis.com RESIDENCE INN BY MARRIOTT DOWNTOWN ST. LOUIS Sample Itinerary COURTYARD BY MARRIOTT C L A M JEFF R ERSON A K Day 1 R A K V E E T . W A S PEAR TREE 23RD H IN G Gateway Arch & Museum of Westward Expansion INN T O N A LEGEND 22ND V E . Anheuser-Busch brewery tour Urgent Care 22ND Lunch: Soulard Metrolink Stop 21ST 21ST One-Way Street Forest Park: Zoo, Art Museum, Science Center, DRURY INN 20TH Green Space History Museum UNION STATION Visitor Center ION T A T 25 DOUBLETREE Dinner: The Hill 19TH N S IO N U Downtown Bicycle Station 18TH 18TH CID Day 2 17TH 16TH 16TH Grant’s Farm T R AN G C S A E P T N O E Lunch: The Landing/Downtown T W R E T A R 15TH A R Y E T T N IO N E N IC C IV D E Old Courthouse C L M A R 14TH 14TH City Museum 13TH Dinner and theatre O C L C M SHERATON C U A O HE L . -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
GIVE STL DAY After Her Son, Alex, Took His Own Life While Battling Introduced by the St
ST. LOUIS COMMUNITY FOUNDATION 2015 CENTENNIAL REPORT 3 A TIMELESS COMMITMENT TO ST. LOUIS AS THE SECOND COMMUNITY FOUNDATION ESTABLISHED IN THE UNITED STATES, WE CONTINUE TO ADHERE TO THE VALUES THAT SHAPED US A CENTURY AGO. Today, the St. Louis Community Foundation continues to pursue the mission set forth a century ago and more: To facilitate philanthropic and community partnerships that inspire regional good. It acts as a steward of charitable funds which support the causes and organizations that reflect the variety of interests and passions of the generous St. Louisans who donated them – yesterday, today, and even tomorrow. The Foundation also serves as a community resource and provides a forum for nonprofits, funders, donors, and civic leaders to convene and address community opportunities and challenges. Through it all, as it has for 100 years, the St. Louis Community Foundation ensures that the charitable wishes and the legacies of its donors are adhered to and continue to benefit the St. Louis region – for years and decades to come. Take the story of Edward Bredell. Although he died in 1894, he continues to make contributions to St. Louis institutions, thanks to a fund he established in 1896, which is now under the charitable umbrella of the St. Louis Community Foundation. Leaving a legacy in your hometown that spans a century is not only generous … IT’S GIVING FOR GOOD. OUR ST. LOUIS COMMUNITY FOUNDATION MAKES THAT POSSIBLE. 4 1 FREDERICK H. GOFF The greatest use of TYPES OF FUNDS OPERA THEATRE OF ST. LOUIS I n 1914, Frederick H. Goff transformed 2003 philanthropy by creating the “community 9% ARTS, CULTURE fund” concept, which enables citizens to leave a life is to spend it a giving legacy by combining their charitable- giving assets to fund meaningful community on something that SCHOLARSHIP projects. -
Fall/Winter 2018
FALL/WINTER 2018 Yale Manguel Jackson Fagan Kastan Packing My Library Breakpoint Little History On Color 978-0-300-21933-3 978-0-300-17939-2 of Archeology 978-0-300-17187-7 $23.00 $26.00 978-0-300-22464-1 $28.00 $25.00 Moore Walker Faderman Jacoby Fabulous The Burning House Harvey Milk Why Baseball 978-0-300-20470-4 978-0-300-22398-9 978-0-300-22261-6 Matters $26.00 $30.00 $25.00 978-0-300-22427-6 $26.00 Boyer Dunn Brumwell Dal Pozzo Minds Make A Blueprint Turncoat Pasta for Societies for War 978-0-300-21099-6 Nightingales 978-0-300-22345-3 978-0-300-20353-0 $30.00 978-0-300-23288-2 $30.00 $25.00 $22.50 RECENT GENERAL INTEREST HIGHLIGHTS 1 General Interest COVER: From Desirable Body, page 29. General Interest 1 The Secret World Why is it important for policymakers to understand the history of intelligence? Because of what happens when they don’t! WWI was the first codebreaking war. But both Woodrow Wilson, the best educated president in U.S. history, and British The Secret World prime minister Herbert Asquith understood SIGINT A History of Intelligence (signal intelligence, or codebreaking) far less well than their eighteenth-century predecessors, George Christopher Andrew Washington and some leading British statesmen of the era. Had they learned from past experience, they would have made far fewer mistakes. Asquith only bothered to The first-ever detailed, comprehensive history Author photograph © Justine Stoddart. look at one intercepted telegram. It never occurred to of intelligence, from Moses and Sun Tzu to the A conversation Wilson that the British were breaking his codes. -
Reciprocal Museum List
RECIPROCAL MUSEUM LIST DIA members at the Affiliate level and above receive reciprocal member benefits at more than 1,000 museums and cultural institutions in the U.S. and throughout North America, including free admission and member discounts. This list includes organizations affiliated with NARM (North American Reciprocal Museum) and ROAM (Reciprocal Organization of American Museums). Please note, some museums may restrict benefits. Please contact the institution for more information prior to your visit to avoid any confusion. UPDATED: 10/28/2020 DIA Reciprocal Museums updated 10/28/2020 State City Museum AK Anchorage Anchorage Museum at Rasmuson Center AK Haines Sheldon Museum and Cultural Center AK Homer Pratt Museum AK Kodiak Kodiak Historical Society & Baranov Museum AK Palmer Palmer Museum of History and Art AK Valdez Valdez Museum & Historical Archive AL Auburn Jule Collins Smith Museum of Fine Art AL Birmingham Abroms-Engel Institute for the Visual Arts (AEIVA), UAB AL Birmingham Birmingham Civil Rights Institute AL Birmingham Birmingham Museum of Art AL Birmingham Vulcan Park and Museum AL Decatur Carnegie Visual Arts Center AL Huntsville The Huntsville Museum of Art AL Mobile Alabama Contemporary Art Center AL Mobile Mobile Museum of Art AL Montgomery Montgomery Museum of Fine Arts AL Northport Kentuck Museum AL Talladega Jemison Carnegie Heritage Hall Museum and Arts Center AR Bentonville Crystal Bridges Museum of American Art AR El Dorado South Arkansas Arts Center AR Fort Smith Fort Smith Regional Art Museum AR Little Rock -
About Animals Hannah's Playground-Breese, IL St
All About Animals Hannah's Playground-Breese, IL St. Louis Zoo Deer Creek Park-St. Louis Purina Farms - Gray Summit, MO Queeny Park-St. Louis Grant's Farm - St. Louis Willoughby Farm - Collinsville, IL Water fun World Bird Sanctuary - Valley Park, MO Splash City Waterpark - Collinsville, IL Lone Elk Park - Valley Park, MO Raging Rivers Waterpark - Grafton, IL Endangered Wolf Center - Eureka, MO Splash Pads -Edwardsville, O’Fallon, Hartford, Bethalto, Millstadt Big Joel's Safari - Wright City, MO Schranz Park-Swansea, IL (small fenced splash pad) Crown Ridge Tiger Sanctuary - Ste. Genevieve, MO Korte Rec Center-Highland, IL (Tue & Fri Toddler Time) Sophia Sachs Butterfly House - Chesterfield, MO Fairview Heights Rec Center Suson Farm - St. Louis Hakuna Matata River Cruises-Grafton, IL Treehouse Wildlife Center - Dow, IL Marcoot Jersey Creamery - Greenville, IL Transportation Fun Rainbow Ranch Petting Zoo - Nashville, IL Museum of Transportation – St. Louis Randy’s Rescue Ranch – O’Fallon, IL Iron Spike Model Train Museum-Washington, MO Tied Dyed Iguana Shop - O'Fallon, IL Wabash, Frisco, & Pacific Railroad-Wildwood, MO Critter Lane Petting Zoo - Bonne Terre, MO Frisco Train Store - Valley Park, MO Ride the ferry at Grafton, Brussels, St. Genevieve, IL Stay Cool Indoors Monkey Joe's - Fairview Heights, IL Outdoor Fun The Edge - Belleville, IL Eckert's Orchards - Belleville, Grafton, Millstadt, IL Edison's Entertainment - Edwardsville, IL Brauetigram Orchards - Belleville Altitude Trampoline Park-Glen Carbon, IL Gateway Fun Park - Collinsville, IL Sky Zone-Fairview Heights, IL Centerfield Fun Park - O'Fallon, IL We Rock the Spectrum Gym-Edwardsville Missouri Botanical Gardens - St. Louis Urban Fort Play Café-St. -
St. Louis Currents: the Fifth Edition
Southern Illinois University Edwardsville SPARK SIUE Faculty Research, Scholarship, and Creative Activity 2018 St. Louis Currents: The Fifth Edition Andrew Theising [email protected] E. Terrence Jones Ph.D. University of Missouri-St. Louis Follow this and additional works at: https://spark.siue.edu/siue_fac Part of the American Politics Commons, Cultural History Commons, Economic History Commons, Environmental Studies Commons, Leisure Studies Commons, Other History Commons, Other Political Science Commons, Public Economics Commons, Social Justice Commons, Taxation Commons, and the Urban Studies and Planning Commons Recommended Citation Theising, Andrew and Jones, E. Terrence Ph.D., "St. Louis Currents: The Fifth Edition" (2018). SIUE Faculty Research, Scholarship, and Creative Activity. 136. https://spark.siue.edu/siue_fac/136 This Book is brought to you for free and open access by SPARK. It has been accepted for inclusion in SIUE Faculty Research, Scholarship, and Creative Activity by an authorized administrator of SPARK. For more information, please contact [email protected],[email protected]. St. Louis Currents The Fifth Edition Edited by Andrew J. Theising Southern Illinois University Edwardsville and E. Terrence Jones University of Missouri–St. Louis Managing Editors: Heather Birdsell and Hugh Pavitt SIUE Institute for Urban Research © 2016 The Board of Trustees of Southern Illinois University, Edwardsville, IL All Rights Reserved. No portion of this book or its illustrations may be reproduced in any form without the expressed written