PROFILE 2 Higher Purpose
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Covenant Blu/Grand Center Blu/Grand Covenant
2016 Neighborhood Profile Covenant Blu/Grand Center Blu/Grand Covenant Washington University Medical Center A partnership between BJC HealthCare and Washington University in St. Louis 1 Covenant Blu/Grand Center Neighborhood Introduction The Covenant Blu- Grand Center neigh- borhood is located at the geographic center of the City of St. Louis, home to a dynamic and diverse array of anchor institutions, residents , and venues for the arts. The neighborhood suffered from precipitous decline in the latter half of the 20th century while dealing with significant structural changes, but has been engaging in revitalization efforts with its stakeholder institutions since the 1980s, achieving great progress along the way. Covenant Blu- Grand Center is located just north of Saint Louis University, centered around the Grand Center Arts District on North Grand Blvd, home to the Fabulous Fox Theatre, Powell Symphony Hall, The Pulitzer Foundation for the Arts, and a host of additional arts, media, and civic institutions and venues. With the motto, “The Intersection of Art & Life”, Grand Center is arguably the center of the high arts community in St. Louis while presenting a skyline of architectural landmarks recognizable and visible to St. Louisans throughout the city. In the early decades of the 20th Century, the area was known as the social hub of Saint Louis, with the city’s 2 grandest social clubs, fraternities, hotels, and classic theatres. However, by the middle of the century, these venues fell out of fashion as society moved westward and many were shuttered. As private investment withdrew from the City, the urban fabric of the neighborhood surrounding the Grand Center Arts District experienced great decline. -
“Folk Music in the Melting Pot” at the Sheldon Concert Hall
Education Program Handbook for Teachers WELCOME We look forward to welcoming you and your students to the Sheldon Concert Hall for one of our Education Programs. We hope that the perfect acoustics and intimacy of the hall will make this an important and memorable experience. ARRIVAL AND PARKING We urge you to arrive at The Sheldon Concert Hall 15 to 30 minutes prior to the program. This will allow you to be seated in time for the performance and will allow a little extra time in case you encounter traffic on the way. Seating will be on a first come-first serve basis as schools arrive. To accommodate school schedules, we will start on time. The Sheldon is located at 3648 Washington Boulevard, just around the corner from the Fox Theatre. Parking is free for school buses and cars and will be available on Washington near The Sheldon. Please enter by the steps leading up to the concert hall front door. If you have a disabled student, please call The Sheldon (314-533-9900) to make arrangement to use our street level entrance and elevator to the concert hall. CONCERT MANNERS Please coach your students on good concert manners before coming to The Sheldon Concert Hall. Good audiences love to listen to music and they love to show their appreciation with applause, usually at the end of an entire piece and occasionally after a good solo by one of the musicians. Urge your students to take in and enjoy the great music being performed. Food and drink are prohibited in The Sheldon Concert Hall. -
The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
1.800.Slu.For.U 1.800.Slu.For.U (314) 977.2222
1.800.SLU.FOR.U WWW.SLU.EDU 1.800.SLU.FOR.U (314) 977.2222 ADMISSION: GRADUATE (314) 977.2240 UNDERGRADUATE (314) 977.2500 WWW.SLU.EDU SLU Facts and Numbers The Mission FOUNDED: 1818 Statement RELIGIOUS AffILIATION: OF SaINT LOUIS UNIVERSITY Catholic, Jesuit 86.5% 12-1 student-faculty ratio of all The Mission of Saint Louis University is the pursuit of truth for the LOCATIONS: students greater glory of God and for the service of humanity. The University St. Louis, Missouri Average seeks excellence in the fulfillment of its corporate purposes of teaching, Madrid, Spain receive $880 million research, health care and service to the community. It is dedicated to class size ENDOWMENT AS OF leadership in the continuing quest for understanding of God’s creation TOTAL ENROLLMENT: 14,073 financial aid JUNE 30, 2011 and for the discovery, dissemination and integration of the values, 8,670 undergraduate is 23.6 knowledge and skills required to transform society in the spirit of 3,693 graduate the Gospels. As a Catholic, Jesuit university, this pursuit is motivated 1,710 professional $62.2 by the inspiration and values of the Judeo-Christian tradition and is 114,652 guided by the spiritual and intellectual ideals of the Society of Jesus. FALL 2011 FRESHMAN ALUMNI LIVE APPLICATIONS: 13,389 million in IN 50 STATES AND 139 In support of its mission, the University: research COUNTRIES CLASS OF 2015: 3,858 + Encourages and supports innovative scholarship and effective 1,707 students support teaching in all fields of the arts; the humanities; the natural, health and 42% male; 58% female medical sciences; the social sciences; the law; business; aviation; and 29% are international or DEGREES AWARDED DURING 2010-2011 49 technology. -
St. Louis Fox by Terry Clark,J~
THE CAVERNOUS ST. LOUIS FOX BY TERRY CLARK,J~ The Fox Theatre circuit, perhaps the Thus, a great movie palace, conceived most prodigious builder of cinema pal and partially constructed in the silent aces in an era of extravagant motion pic era, opened in a new age - an age its ture theatre construction, poured its re builders had not foreseen, even with the sources into five great Fox Theatres at ominour forebodings of "sound". Detroit (September 1928), Saint Louis During the eight months preceding the (January 1929), San Francisco (February opening of the house, work went forward 1929), and Philadelphia, and Newark on the $75,000 4/36 Wurlitzer, one of the (September 1929). four great Crawford Specials built during The Saint Louis Fox, a midwestern the last days of the theatre organ con theatre landmark, was lavishly decorated struction. So much of rather conflicting under the personal supervision of Mrs. nature has been written concerning these William Fox. A Moorish motif was instruments, that this writing shall be carried out through the use of expensive confined to the physical aspects of the objects d'art imported from the Far instrument. That the Paramount Wur East. The vast majority of motion pic litzer was the "mother" instrument and Drawing of the facade from the original ture theatres of that era could have been that similar, if not identical instruments souvenir program (Courtesy of George housed comfortably in the grand Lobby went into Detroit, San Francisco, and Swett). and Foyer of the Saint Louis Fox. Saint Louis, cannot be argued. On January 31, 1929, the theatre opened In the Saint Louis Fox, the blower and with Frank Borzage's "Street Angel", relay rooms and the seven chambers starring Janet Gaynor and Charles Far cover a vertical height equal to a five rell. -
Copyrighted Material
INDEX Alabama Jazz Music Hall of American Jazz Museum (Kan- AAA (American Automobile Fame Museum (Birming- sas City, KSMO), 535 Association), 1047 ham, AL), 419 American Museum of Natural AARP, 10 Alabama Shakespeare Festi- History (New York City), 110 Abby Aldrich Rockefeller val (Montgomery), 428–429 American Visionary Art Folk Art Museum (Williams- The Alamo (San Antonio, TX), Museum (Baltimore, DE), burg, VA), 226 644 182 Abiel Smith School (Boston, Ala Moana Beach Park (HI), America the Beautiful Access MA), 36 1002 Pass, 9 Abrams Falls Trail (TN), 299 Alaska, 984–1001 America the Beautiful Senior Absecon Lighthouse (Atlantic Alaska Native Heritage Cen- Pass, 10–11 City, NJ), 144 ter (Anchorage, AK), 999 The Amish Country (PA), Abundant Memories Heritage Alaska Public Lands Informa- 168–171 Village (near Branson, MO), tion Center (Anchorage), Amon Carter Museum (Fort 556 1000 Worth, TX), 626 The Abyss (AZ), 783 Alaska Raptor Center (Sitka, Amtrak, 16, 17 Acadia National Park (ME), AK), 990 Anaehoomalu Bay (A-Bay, 99–103 Alaska State Museum HI), 1016 Accommodations, 25–27 (Juneau, AK), 991–992 Anasazi Heritage Center and Acoma Pueblo (NM), 800 Alaska Zoo (Anchorage), 999 Museum (Dolores, CO), 696 Adamstown (PA), 170 Albuquerque (NM), 794–800 Anchorage (AK), 998–1001 Adirondack Museum (Blue Albuquerque Museum of Art Anchorage Museum at Ras- Mountain Lake, NY), 135 and History (NM), 795–796 muson Center (AK), 999 The Adirondacks (NY), Alcatraz Island (CA), 824 Andrew Low House (Savan- 133–137 Allen Lambe House Museum nah, GA), 256 Adler Planetarium and (Wichita, KS), 1028 Andrew Molera State Park Astronomy Museum Allstate 400 at the Brickyard (CA), 860 (Chicago, IL), 459 (Indianapolis, IN), 496 Andy Warhol Museum (Pitts- Adventureland (Orlando, FL), Alltech FEI (Federation burgh, PA), 176 339–340 Equestre Internationale) Anheuser-Busch Brewery (St. -
Art Fall Preview: from East Coast to West Coast
Nina Katchadourian Art Fall Preview: From East Coast to West Coast. From Concrete to Ethereal. By Martha Schwendener September 16, 2016 September ELLEN CANTOR: ARE YOU READY FOR LOVE? Drawings, paintings, films and videos by Ellen Cantor (1961-2013) helped shape downtown 1990s post-feminism. Three New York galleries — Participant Inc., Maccarone and Foxy Productions — will also show work by Ms. Cantor. Through Nov. 12, 80WSE Gallery, New York University,steinhardt.nyu.edu/80wse. THE EXPANDED SUBJECT: NEW PERSPECTIVES IN PHOTOGRAPHIC PORTRAITURE FROM AFRICA Africa’s contribution to 20th-century portraiture is expanded upon in this selection of the contemporary work by Sammy Baloji, Mohamed Camara, Saïdou Dicko and George Osodi. Through Dec. 10, Miriam and Ira D. Wallach Art Gallery, Columbia University, columbia.edu/cu/wallach. A FEAST OF ASTONISHMENTS: CHARLOTTE MOORMAN AND THE AVANT-GARDE, 1960s- 1980s Best known for her collaborations with artists like Nam June Paik, Ms. Moorman also mounted festivals in parks and sites like Shea Stadium. Through Dec. 10, Grey Art Gallery, New York University, greyartgallery.nyu.edu. NO LIMITS: ZAO WOU-KI The first retrospective of Zao Wou-Ki (1920-2013) includes paintings and works on paper by this Chinese artist who immigrated to Paris in 1948. Through Jan. 8, Asia Society Museum,asiasociety.org. (The exhibition will be at Colby College Museum of Art, Waterville, Me., Feb. 4- June 4.) SENSES OF TIME: VIDEO AND FILM-BASED WORKS OF AFRICA The films and videos of Yinka Shonibare MBE, Sammy Baloji, Berni Searle, Moataz Nasr, Theo Eshutu, Jim Chuchu and Sue Williamson feature dance, storytelling and postcolonial history, on view concurrently at three institutions. -
NCAR Arts Vibrancy Index II: Hotbeds of America’S Arts and Culture
March 2016 NCAR Arts Vibrancy Index II: Hotbeds of America’s Arts and Culture Zannie Giraud Voss, Glenn Voss, Richard Briesch, with Meghann Bridgeman 1 EXECUTIVE SUMMARY Welcome to the second annual NCAR Arts Vibrancy Index Report, an assessment of arts vibrancy across U.S. communities using a set of data-informed indices. We are not alone in our belief that creativity is a desirable and necessary element for a thriving community. Creative placemaking, which promotes arts and culture as essential to creating more livable and prosperous communities, is a growing movement being advanced by leading entities such as The National Consortium for Creative Placemaking, ArtPlace America, Artspace, and the National Endowment for the Arts. But what factors make up a community’s arts vibrancy, and which cities possess them? To assess arts vibrancy across America, we incorporate four measures each under three main rubrics: demand, supply and public support for arts and culture on a per capita basis. Demand was gauged by measures of total nonprofit arts dollars in the community, supply as total arts providers, and public support as state and federal arts funding. We use multiple measures since vibrancy can manifest in many ways. One might criticize our measures of vibrancy because they say nothing about artistic quality, or the multitude of community conditions that make a place ripe for creative activity, or data on who participates in the arts, or the revenues and expenses of commercial entertainment. Might additional measures be added in the future? Certainly. For now, we believe the metrics used in this report represent a solid start using the most reliable sources of data available on a nationwide scale. -
St. Louis Art Scene: a Feast for the Senses Challenge
St. Louis Art Scene: A Feast for the Senses Challenge St. Louis’ art scene is active, vibrant, and engaging. It is filled with music, motion, and artistic expression. Art in St. Louis is easily found: in traditional spaces like museums and galleries, on the street through an impressive array of murals and sculpture, and on the spot through live performance. Even historic places, like Bellefontaine Cemetery, abound with art through their architecture, design, and landscape. St. Louis’ art ranges from the transcending to the whimsical. Come explore the St. Louis arts scene, a feast for the senses! The St. Louis Art Scene Challenge is sponsored by the St. Louis Arts Chamber of Commerce. The STL Arts Chamber supports artists and arts organizations as they continue building their businesses and the region into a vibrant and kinetic arts community. The St. Louis Arts Chamber of Commerce advocates for all genres of the arts, from drawing to dance, storytelling to theatre, fiber arts to sculpture, and all creative arts avenues in between. St. Louis Art Scene Challenge … Visit at least 10 art related sites in at least five different categories listed below. Snap your photograph at the location. Click on the map links to explore the sites in each category. Remember: Missouri Explorers must be registered in the program, and they are responsible for checking hours and availability of sites. Upload your verification photographs using the online submission form at https://missouri2021.org/missouri-explorers/ to receive your merit badge button. Remember, Missouri Explorers, you are responsible for checking hours and availability of sites before arriving. -
Group Tour Manual
Group Tour GUIDE 1 5 17 33 36 what's inside 1 WELCOME 13 FUN FACTS – (ESCORT NOTES) 2 WEATHER INFORMATION 17 ATTRACTIONS 3 GROUP TOUR SERVICES 30 SIGHTSEEING 5 TRANSPORTATION INFORMATION 32 TECHNICAL TOURS Airport 35 PARADES Motorcoach Parking – Policies 36 ANNUAL EVENTS Car Rental Metro & Trolley 37 SAMPLE ITINERARIES 7 MAPS Central Corridor Metro Forest Park Downtown welcome St. Louis is a place where history and imagination collide, and the result is a Midwestern destination like no other. In addition to a revitalized downtown, a vibrant, new hospitality district continues to grow in downtown St. Louis. More than $5 billion worth of development has been invested in the region, and more exciting projects are currently underway. The Gateway to the West offers exceptional music, arts and cultural options, as well as such renowned – and free – attractions as the Saint Louis Art Museum, Zoo, Science Center, Missouri History Museum, Citygarden, Grant’s Farm, Laumeier Sculpture Park, and the Anheuser-Busch brewery tours. Plus, St. Louis is easy to get to and even easier to get around in. St. Louis is within approximately 500 miles of one-third of the U.S. population. Each and every new year brings exciting additions to the St. Louis scene – improved attractions, expanded attractions, and new attractions. Must See Attractions There’s so much to see and do in St. Louis, here are a few options to get you started: • Ride to the top of the Gateway Arch, towering 630-feet over the Mississippi River. • Visit an artistic oasis in the heart of downtown. -
Group Outing
Group Outing... ALL WITHIN REACH Eat & Drink Sample Itineraries Available St. Louis is home to a rich mix of cultures and culinary America’s Music Corridor interests. From Italian and German fare to Bosnian and Architectural Tour Vietnamese cuisine, there’s something to satisfy every Black Heritage craving at the hundreds of one-of-a-kind restaurants dotting the city’s culinary landscape. Explore the Environmentally Friendly St. Louis neighborhoods listed below to find the best restaurants Feed Me in St. Louis and dining experiences St. Louis has to offer. Heavenly Attractions Historic St. Louis The Hill Holiday Tour Laclede’s Landing The Loop Lewis & Clark Adventure Soulard Get Your Kicks on Route 66 South Grand 1904 World’s Fair Music, Dance & Theatre Casinos Dance St. Louis www.dancestl.org Casino Queen Fabulous Fox Theatre (Aug-May) www.fabulousfox.com Hollywood Casino The Muny (June-Aug) www.muny.org Lumiére Place Opera St. Louis (May-June) www.opera-stl.org River City Peabody Opera House www.peabodyoperahouse.com Powell Symphony Hall (Sept-June) www.stlsymphony.org Repertory Theatre St. Louis (Sept-April) www.repstl.org St. Louis Black Repertory Company (Jan-June) www.theblackrep.org Stages St. Louis (May-Oct) www.stagesstlouis.com RESIDENCE INN BY MARRIOTT DOWNTOWN ST. LOUIS Sample Itinerary COURTYARD BY MARRIOTT C L A M JEFF R ERSON A K Day 1 R A K V E E T . W A S PEAR TREE 23RD H IN G Gateway Arch & Museum of Westward Expansion INN T O N A LEGEND 22ND V E . Anheuser-Busch brewery tour Urgent Care 22ND Lunch: Soulard Metrolink Stop 21ST 21ST One-Way Street Forest Park: Zoo, Art Museum, Science Center, DRURY INN 20TH Green Space History Museum UNION STATION Visitor Center ION T A T 25 DOUBLETREE Dinner: The Hill 19TH N S IO N U Downtown Bicycle Station 18TH 18TH CID Day 2 17TH 16TH 16TH Grant’s Farm T R AN G C S A E P T N O E Lunch: The Landing/Downtown T W R E T A R 15TH A R Y E T T N IO N E N IC C IV D E Old Courthouse C L M A R 14TH 14TH City Museum 13TH Dinner and theatre O C L C M SHERATON C U A O HE L . -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more.