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Descendents All Mp3, Flac, Wma
Descendents All mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: All Country: US Released: 1987 Style: Punk MP3 version RAR size: 1791 mb FLAC version RAR size: 1728 mb WMA version RAR size: 1631 mb Rating: 4.4 Votes: 365 Other Formats: WMA MP3 ASF MMF DTS MIDI AHX Tracklist Hide Credits All 1 0:05 Lyrics By, Music By – Stevenson*, McCuistion* Coolidge 2 2:47 Lyrics By, Music By – Alvarez* No, All! 3 0:05 Lyrics By, Music By – Stevenson*, McCuistion* Van 4 3:01 Lyrics By – Aukerman*Music By – Alvarez*, Egerton* Cameage 5 3:05 Lyrics By, Music By – Stevenson* Impressions 6 3:08 Lyrics By – Aukerman*Music By – Egerton* Iceman 7 3:14 Lyrics By – Aukerman*Music By – Egerton* Jealous Of The World 8 4:04 Lyrics By, Music By – Aukerman* Clean Sheets 9 3:15 Lyrics By, Music By – Stevenson* Pep Talk 10 3:06 Lyrics By – Stevenson*, Aukerman*Music By – Aukerman* All-O-Gistics 11 3:04 Lyrics By – Stevenson*, McCuistion*Music By – Egerton* Schizophrenia 12 6:50 Lyrics By – Aukerman*Music By – Egerton* Uranus 13 2:15 Written-By – Descendents Companies, etc. Phonographic Copyright (p) – SST Records Manufactured By – Laservideo Inc. – CI08141 Recorded At – Radio Tokyo Copyright (c) – Alltudemic Music Credits Bass, Artwork [Drawings] – Karl Alvarez Drums, Producer – Bill Stevenson Engineer – Richard Andrews Guitar – Stephen Egerton Management, Other [Booking] – Matt Rector Vocals – Milo Aukerman Vocals [Gator] – Dez* Notes Similar to Descendents - All except the disc is silver with blue lettering Recorded January 1987 at Radio Tokyo ℗ 1987 SST Records © 1987 Alltudemic Music (BMI) Barcode and Other Identifiers Barcode: 0 18861-0112-2 6 Matrix / Runout: MANUFACTURED IN U.S.A. -
The Correctional Oasis January 2020, Volume 17, Issue 1 Contents: 1
The Correctional Oasis January 2020, Volume 17, Issue 1 Contents: 1. Breaking the “I’m Good” Code of Silence 2. CF2F Instructor Training in CO 3. We Suffer in Silence 4. Michigan House of Representa/0es ,earing 1. 2esert )aters’ Book Bundles 3 S.ecials through January 4. The 5aughing 5ady 7. CF) Instructor Training in CO 8. ,a0e you Found Meaning in 5ife7 Scientific Study Says the Answer Could 2etermine ,ealth and 5onge0ity 9. Comments about True Grit: Building Resilience in Corrections Professionals=$ 10. TG Instructor Training in CO 11. My Christmas E0e in Prison 12. 2)CO’s Research Ser0ices 13. Many Thanks 14. Quote of the Month )ishing you a year of .eace and growth in e0ery good way@ 2)CO 17 Aears32003-2020 To contact us, go to htt.:CCdesertwaters.comC7.age_idE744 or call 719-784-4727. 2esert )aters Correctional Outreach, Inc., hel.s correctional agencies counter Corrections Fatigue in their staff by culti0ating a healthier work.lace climate and a more engaged workforce through targeted skill-based training and research. Breaking the I’m Good$ Code of Silence 2020 F Caterina S.inaris, Ph2 )hat It Is and ,ow It )orks )hen we hear the term code of silence$ most of us think of .eer .ressure to not re.ort .olicy 0iolations or any other ty.e of .rofessional misconduct committed by co-workers in a law enforcement setting. This article is about another kind of code of silence, the I’m good$ code of silence one that, sadly, may be of e.idemic .ro.ortions in corrections. -
California Christian Criminal California Christian Criminal
CALIFORNIA CHRISTIAN CRIMINAL CALIFORNIA CHRISTIAN CRIMINAL and/or Dusty’s Book of Before & After Salvation Poetry w/Ax-Grindings RICHARD GARTNER WITH GEORGE GARTNER ACKNOWLEDGMENTS My brother, George Gartner, who did his best to add to, edit, and dial in this book, after my basic formatting, and who accepted me without question, and across the board since we first met while both of us were in our twenties. (George, as in this book, is also helping with the second book in the Angel series The Archangel Michael with me, and, as the Lord wills, will continue with or without me in Angel, Demons, and Spiritual Warfare, which is the next book planned to be written in the Angel Series.) My niece, Allana, is my heir and is now an entire sixteen years old. She (or the thought of how she could be) inspires me to great efforts now in my last years. My friend and attorney Ray Castello, who if you know the difference between a few and far between friend and a friendly acquaintance (of which we all have many) actually defines the term for my part, though he is just being the way he is with- out trying. My San Jose, California, Pastor, Daniel Herrera, who has been of such a great help and encouragement to me. My friend, Ron Seward, who had the idea for the nucleus of this particular book, as it was his idea to write precursors to my poetry, explaining what happened in my life to inspire a particu- lar poem. As things progressed, doing that made this a book in its own right, instead of inclusions into other books I am writing. -
DATA DIARIES (2003) Art Object
RY E TICS GALL E The accident doesn’t equal failure, but instead erects a new significant state, which would otherwise not have been possible to perceive and that can “reveal something absolutely necessary to knowledge.” —Sylvere lotringer and Paul virilio [1] EXHAUSTION AESTH DATA DIARIES (2003) art object. He lives and works in Brooklyn, New York [2]. Cory Arcangel Arcangel describes the creation process of Data Diaries: Cory Arcangel is a leading exponent of technology-based The old QuickTime file format had a great error-checking art, drawn to video games and software for their ability to bug. If you deleted the data fork of a movie file and left rapidly formulate new communities and traditions and, the header, QuickTime would play through random equally, their speed of obsolescence. In 1996, while study- access memory and interpret it as a video as defined by ing classical guitar at the Oberlin Conservatory of Music, the header. So, for this project, I converted the RAM of Arcangel had his first high-speed Internet connection, my computer into a video for every day of a given month. which inspired him to major in music technology and start All aspects of the video (color, size, frame rate and learning to code. Both music and coding remain his key sound) were determined by modem speeds of the day, tools for interrogating the stated purpose of software and as the videos were debuted and distributed via the Web. gadgets. That is, they were just small enough to stream in real time Reconfiguring web design and hacking as artistic prac- (no small feat!) over a 56k modem in 2003, giving users tice, Arcangel remains faithful to open source culture and a pretty good viewing experience [3]. -
Stock DECEMBER 2020
DISTRO / 2020 DISQUE LP CODE STOCK CHF !Attention! - S/T INLP 859 1 12 562 – Cuando vivir es morir INLP 524 2 14 7 seconds – Leave a light on INLP 780 X 25 7 seconds – The crew INLP 599 x 18 7 seconds – Walk together, rock together INLP 107 1 16 A wilhelm scream – S/T INLP 493 1 17 Accidente – Amistad Y Rebelión INLP 918 1 10 Accidente – Pulso INLP 278 2 13 Accidente – S/t INLP 230 2 10 Adhesive – Sideburner INLP 879 1 18 Adolescents – OC Confidential INLP 622 2 12 Adolescents – S/T INLP 006 1 22 Adult Magic – S/T INLP 133 2 14 Against me! - As the eternal cowboy INLP 748 X 21 Against me! - Is reinventing Axl Rose INLP 228 1 21 Against me! - Searching for a former clarity 2LP INLP 752 1 28 Against me! - Shape Shift With Me INLP 342 1 32 Against me! - Transgender dysphoria blues INLP 751 3 27 Agent Attitude – First 2 Eps INLP 614 1 12 Agnostic front – Another voice INLP 668 1 17 Agnostic front – Live At CBGB INLP 543 x 19 Agnostic front – Victim in pain INLP 010 1 17 Alea Jacta Est – Dies Irae INLP 606 4 16 Alea Jacta Est – Gloria Victis INLP 357 2 10 Alea Jacta Est – Vae Victis INLP 776 1 15 Alkaline trio – Maybe i'll cacth fire INLP 222 x 18 Alkaline trio – My shame is true INLP 626 X 26 Alkaline trio – This addiction INLP 373 x 22 All – Allroy for prez INLP 240 1 20 All – Allroy Saves INLP 939 1 22 All – Allroys revenge INLP 238 X 27 All – Breaking things INLP 319 1 28 All – Pummel INLP 651 2 28 All out War – Dying Gods INLP 338 X 18 All Pigs Must Die – Hostage Animal INLP 698 1 21 All pigs must die – Nothing violates this nature INLP 701 1 22 All pigs must die – s/t INLP 015 1 22 Altair – Nuestro Enemigo INLP 294 2 12 American Football - S/T LP3 INLP 1010 2 28 UK 20 American football – s/t INLP 018 X 24 American Football – S/T (EP) INLP 762 x 16 American Football – S/T LP2 INLP 731 X 25 And So Your Life Is Ruined – s/t INLP 938 1 12 Page 1 DISTRO / 2020 And yo your life is ruined – s/t INLP 835 1 13 Angel Du$t - Pretty Buff INLP 1011 1 28 Angel Dust – A.D. -
Leading Social Entrepreneurs
LEADING SOCIAL ENTREPRENEURS LEADING SOCIAL ENTREPRENEURS ABOUT THE COVER LEADING SOCIAL ENTREPRENEURS How Thinking Inside the Box Helped One Ashoka Fellow Tackle What The New York Times Called “The Biggest Health Crisis No One Has Heard Of” Two-and-a-half billion people in the world live with poor vision, which is not only a health problem, but also excludes people from attaining literacy, education and employment, as well as gaining access to information and participating as active citizens. Untreated vision problems cost the global economy $200 billion annually to lost productivity, according to the World Health Organization. Cue Ashoka Fellow Martin Aufmuth, who invented a machine in his laundry room that can make a complete pair of eyeglasses in twelve minutes. His organization, OneDollarGlasses (ODG), uses this “porta- The bending unit – this wooden box contains a complete ble optician’s workshop” in-a-box to train communities to produce optician’s workshop. © Martin Aufmuth customizable eyeglasses, circumventing the traditional provider-pa- tient model and affordability challenges that keep glasses out of reach for so many people around the world. Now in eight countries and spreading, ODG doesn’t just provide glasses; by training people in communities to produce eyeglasses, his solution not only results in affordable glasses so people can work, study and live healthier lives, but also contributes to livelihoods and self-reliance. Training community members to make eyeglasses. Community members are trained to give eye exams, like the trainees © Marianne Dötzer, 2014 on our cover, and then make the glasses, like these trainees from Burkino Faso, (middle right). -
70S Pro-Choice Plaintiff in Roe V. Wadeto Speak on New Pro-Life
Dead Week = Deadlines Getting I.V. Up to Code Mickey Mouse Is Not Smiling . Study for all your important finals, for they could be À longtime Isla Vista resident con The UCSB men’s basketball team your last! tends that the proposed mandatory ended its season on a sour note in an housing inspection program is overtime loss against Pacific at' the simply not feasible. Anaheim Convention Center Thursday. See Opinion p.4 See Sports p.8 Friday jï M Sunset March 9, 2001 6:01 p.m. Tides ^ www.ucsbdailynexus.com High:9:06 a.m. Low: 3:43 p.m. Volume 81, No.94 Two Sections, 12 Pages 70s Pro-Choice Plaintiff in Roe v.Wade To Speak on New Pro-Life Stance By Ladan Moeenziai cuss the transition from law. The lawsuit was Staff Writer pro-choice to her current appealed to the U.S. pro-life beliefs, despite the Supreme Court, and its pivotal role she played in decision legalized abortion Norma McCorvey, legalizing abortion in the in all 50 states. “Jane Roe” in the 1973 United States. In 1969, In 1995, McCorvey United States Supreme McCorvey unsuccessfrilly publicly renounced her Court case Roe v. Wade, sought an illegal abortion involvement in Roe v. will speak in Isla Vista in Texas, and ultimately Wade and announced her Theater on Sunday at 7:30 ended up as the plaintiff in conversion to Christianity. p.m. a class action lawsuit McCorvey will dis against the state’s abortion See ROE, p.3 UC Berkeley Rally Calls for Affirmative Action Thousands of students filled Berkeley’s testers, it would be a symbolic victory; Sproul Plaza on Thursday to call for the because Affirmative Action is outlawed in return of Affirmative Action in California under the voter-passed California. -
Coursepack Prices: the Big Rip-Off
~ THE ·MICHIGAN REVIEW Volume 13, Number 4 The Campus Affairs Journal of the University of Michigan [1:iUi]@IilBE Coursepack Prices: The Big Rip-Off BY EDDIE ARNER ! plausible explanation for the outcome preme Court where a final decision can ers have refused to take a position on of the case. be made. this topic. Perhaps they realize that OURSEPACKS, COLLEC Section 106 enumerates the rights Until such time, Smith intends to they will lose no matter which side they tions of articles, and parts of of copyright holders, but specifically continue his practice of voluntarily col take. Cworks which are assigned by pro states that its regulations are "subject lecting one permy per copied page as If this notion seems absurd, there fessors for use by students are an inte to sections 107 through 120." Section royalty for the publishers of copyrighted , are numerous other examples of the gral part of the educational experience 107 is titled "Limitations on exclusive material. publishers' greed and lack of customer at the University of Michigan and have rights: Fair use." While there is no The U-M libraries charge students appreciation. The New York Times, been for nearly twenty years. Unfortu generally accepted definition of "fair 7 cents per page and pay no royalties. If which charges 75 cents for a daily pa nately, in the past several years, the use," section 107 is quite explicit. It students are allowed to make such cop per, has requested up to 1 dollar per prices of coursepacks have risen dra reads, "the fair use of a copyrighted ies, one wonders why they should not page in royalty fees. -
A Is for Alibi
"A" is for ALIBI Sue Grafton (A Kinsey Millhone Mystery) Chapter 1 My name is Kinsey Millhone. I'm a private investigator, licensed by the state of California. I'm thirty-two years old, twice divorced, no kids. The day before yesterday I killed someone and the fact weighs heavily on my mind. I'm a nice person and I have a lot of friends. My apartment is small but I like living in a cramped space. I've lived in trailers most of my life, but lately they've been getting too elaborate for my taste, so now I live in one room, a "bachelorette". I don't have pets. I don't have houseplants. I spend a lot of time on the road and I don't like leaving things behind. Aside from the hazards of my profession, my life has always been ordinary, uneventful, and good. Killing someone feels odd to me and I haven't quite sorted it through. I've already given a statement to the police, which I initialed page by page and then signed. I filled out a similar report for the office files. The language in both documents is neutral, the terminology oblique, and neither says quite enough. Nikki Fife first came to my office three weeks ago. I occupy one small comer of a large suite of offices that house the California Fidelity Insurance Company, for whom I once worked. Our connection now is rather loose. I do a certain number of investigations for them in exchange for two rooms with a separate entrance and a small balcony overlooking the main street of Santa Teresa. -
The Impact of Music Therapy on Self-Perceived Levels of Independence for Female
The Impact of Music Therapy on Self-Perceived Levels of Independence for Female Survivors of Abuse A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Music Jeffrey C. Wolfe August 2016 © 2016 Jeffrey C. Wolfe. All Rights Reserved. 2 This thesis titled The Impact of Music Therapy on Self-Perceived Levels of Independence for Female Survivors of Abuse by JEFFREY C. WOLFE has been approved for the School of Music and the College of Fine Arts by Kamile Geist Associate Professor of Music Therapy Elizabeth Sayrs Interim Dean, College of Fine Arts 3 Abstract WOLFE, JEFFREY C., M.M., August 2016, Music Therapy The Impact of Music Therapy on Self-Perceived Levels of Independence for Female Survivors of Abuse Director of Thesis: Kamile Geist Domestic violence is a prevalent issue in our society that leaves survivors traumatized with feelings of helplessness, a lack of trust and independence, guilt, and resistance to treatment, causing challenges in minimal treatment duration and treatment effectiveness. Researchers state that there is a need for alternative treatments due to the side-effects of pharmaceutical treatment and the length of treatment psychotherapy requires with this population. A psychotherapy treatment approach proposed by Robert J Lifton (1961) provides an alternative form of treatment that has resulted in progress for survivors of abuse. A music therapy approach informed by Lifton's approach may reduce the treatment time this approach requires, by providing a safe medium that survivors can immediately access nonverbally and have control of the process to recovery and becoming independent. -
Feminists Alliance for Rights
Feminist Alliance for Rights (FAR)* Contribution to the UN Working Group on Discrimination against Women and Girls: “Women’s and Girls’ Sexual and Reproductive Health and Rights in Situations of Crisis” *More information about FAR: http://feministallianceforrights.org Contact information: Anya Victoria-Delgado, Global Coordinator of FAR [email protected] 1 Table of Contents I. Introduction ............................................................................................................................ 3 Methodology ................................................................................................................................................ 3 Key Findings.................................................................................................................................................. 4 II. Sexual and Reproductive Health and Rights in Situations of Crisis: regional findings ............ 9 I. Africa ............................................................................................................................................... 9 Crisis situations ........................................................................................................................................... 10 Promising Practices..................................................................................................................................... 19 Recommendations for States ..................................................................................................................... -
Virtual Events: Before, During & After
VIRTUAL EVENTS: BEFORE, DURING & AFTER Some best practices from the Cramer perspective. 2 | CRAMER.COM PROLOGUE VIRTUAL EVENTS: WHAT’S INSIDE | 3 While nothing can compete with the power of a face-to-face, virtual events can be powerful too. It’s a matter of shifting your perspective and understanding the unique character of online engagement. From simple webcasting to full virtual and hybrid events, Cramer has done them all. Here are some best practices from our team of strategy, creative, and production experts. PROLOGUE VIRTUAL EVENTS: BEFORE, DURING & AFTER Some best practices from the Cramer perspective. WHAT’S INSIDE WHAT’S 01 Getting started 02 Picking the best platform 03 Designing the right agenda 04 Social media 05 Broadcasting from home 06 Event content WHAT’S INSIDE WHAT’S 6 | CRAMER.COM Making an event virtual is easy. Making it great takes STRATEGY, CREATIVITY and TECHNICAL KNOW-HOW. CHAPTER ONECHAPTER VIRTUAL EVENTS: WHAT’S INSIDE | 7 GETTING STARTED WITH VIRTUAL EVENTS CHAPTER ONECHAPTER 8 | CRAMER.COM 5 KEY INGREDIENTS FOR A GREAT VIRTUAL EVENT Virtual events can run the gamut 01 02 from simple video STRATEGY CONTENT conferencing to Virtual events are like any project; When people tune into your to be successful they need a plan. event they’re sitting in front a full-blown digital That means thinking hard about screen, which creates a lot of your goals, your audience, and viewer expectations whether the experiences. But, your expectations—then devising audience realizes it or not. To hold at its core, every strategies to successfully reach all everybody’s attention you need to three.