DOCSLIB.ORG

2018-2019 Season Brochure

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2018-2019 Season Brochure BALCONY A Main Floor Rows A–O MEZZANINE B Main Floor Rows P–T & Mezzanine C Main floor left and right sides * NOVEMBER 17, 2018 D Balcony * *C & D includes 2 FREE student tickets STAGE MSO Season Ticket Packages (does not include Daryl Stuermer Show) BEFORE AFTER Section Sept 3 Sept 3 Quantity 10 00 A $89 $99 x ________ =$ 30 00 The world-renowned virtuoso guitarist creates a truly unforgettable evening B $78 $87 x ________ =$ with the Daryl Stuermer of Genesis Symphony Concert. Since becoming lead guitarist 70 00 C* $56 $63 x ________ =$ and a touring member of the super-group Genesis in 1978, Daryl Stuermer has toured 70 00 the world to sold-out crowds. With his core band featuring a dynamic vocalist, D* $56 $63 x ________ =$ 2018-2019 PERFORMANCES Stuermer joins with Manitowoc Symphony Orchestra to reinvent the Genesis concert Student $2058 $2286 x ________ =$ experience with unique renditions of hits and classics. www.darylstuermer.com subtotal =$ Capitol Civic Centre • Manitowoc NOT PART OF SEASON PACKAGE. TICKETS SOLD SEPARATELY. plus 5% sales tax =$ All performances begin at 7:30 pm VIP tickets include seating in first 3 rows, an autographed CD, and a pre-show plus CCC preservation fee ($6 per season ticket pkg) =$ “meet and greet” with the artist (watch manitowocsymphony.org for event details). manitowocsymphony.org MSO SEASON TICKET TOTAL =$ Nov. 17 Daryl Stuermer Symphony (not included in Season Packages) Quantity VIP Meet & Greet $65 each x ________ = $ Adult $40 each x ________ = $ Student $25 each x ________ = $ subtotal = $ plus 5% sales tax = $ OCTOBER 13, 2018 FEBRUARY 9, 2019 APRIL 13, 2019 Our season opens with a program in celebration of the plus CCC preservation fee ($2 per ticket) = $ completion of the Spirit of the Rivers project. Glinka, Goedicke, Rimsky-Korsakov, Manitowoc’s Own Garth Neustadter DARYL STUERMER CONCERT TICKET TOTAL = $ Lawrence University trumpet professor John and Shostakovich From Gershwin to Hamilton, with Rodgers Daniel is featured in Trumpeting the Stone, a A buoyant overture, a scintillating trumpet feature and Hammerstein, Cole Porter, and so Additional Individual Tickets for MSO Season Concerts musical portrait of the Oneida, “the Standing and a melodious and colorful suite are the much more in between, Manitowoc’s Section Oct 13 Feb 9 Apr 13 Stone People,” and their resilient culture. complements to the brooding, dramatic master musician Garth Neustadter 00 Including a pulse-pounding evocation and heroic Fifth Symphony of Shostakovich, displays his many talents in a guided tour A _______ _______ _______ @ $33 each = $ of the Battle of the Little Big Horn, an outstanding masterpiece of 20th century of the best of Broadway. The greatest tunes B _______ _______ _______ @ $2900 each = $ from the greatest shows, backed by 00 John Harmon’s Crazy Horse music and a triumph of the human spirit over C _______ _______ _______ @ $21 each = $ Symphony is colorful, a full symphony orchestra, will political and artistic oppression. $ 00 moving and uplifting; make this an unforgettable musical D _______ _______ _______ @ 21 each = $ 62 a masterpiece of Soloist: memory. And so much cheaper Student _______ _______ _______ @ $7 each = $ than going to New York! formal clarity, brilliant William D. Hampton, subtotal = $ orchestration and trumpet www.garthneustadter.com plus 5% sales tax = $ deeply felt emotion. plus CCC preservation fee ($2 per ticket) = $ INDIVIDUAL MSO CONCERT TICKET TOTAL = $ EARLY BIRD DISCOUNT! SAVE 10% WHEN YOU MAIL BY SEPT. 3, 2018 2018-2019 SPECIAL EVENTS Name JAZZ ON THE LAKE SERVICE Saturday, October 6, 2018 NON-PROFIT ORGANIZATION Annual fundraiser featuring live jazz MANITOWOC, WI MANITOWOC, Address FRICKE PRINTING US POSTAGE PAID US POSTAGE and dancing to Erin Krebs. City HOLIDAY TOUR OF HOMES State/Zip Saturday, December 1, 2018 Tour homes beautifully decorated Phone by local florists and designers. Email By providing your e-mail address, you agree to receive ONLINE AUCTION updates and other important news from MSO. February 2019 Purchase or place your bids on unique auction MSO Season ticket total from reverse $ Manitowoc items with all proceeds going to support MSO. Daryl Stuermer ticket total from reverse $ Symphony Orchestra KENTUCKY DERBY PARTY Saturday, May 4, 2019 Individual MSO concert ticket total from reverse $ Invites you to be part of Big hats and mint juleps! Annual fundraiser featuring derby-themed fun and games. ADDITIONAL DONATIONSTHANK YOU!! our stellar 68th season MSO Education Fund $ of symphony concerts We are truly blessed to have a symphony orchestra of exceptional MSO Endowment Fund, Music Director’s Chair $ and special events. quality in our community. The selfless contributions of musicians, MSO Programming $ volunteers and Board members, and the generosity of local businesses and individuals all come together to create the miracle Total enclosed $ SEASON TICKETS that is the Manitowoc Symphony. NOW ON SALE. When you buy a ticket to the MSO, you become part of the miracle Beyond buying a ticket, please consider making a donation to the MSO. Our educational projects connect students to the symphony by supporting quality cultural programming in your own backyard. and help to create the orchestra and the audience of the next And when you buy your season ticket in advance, not only are you generation. And your contribution to our Endowment Fund will manitowocsymphony.org guaranteed your seat in the section of your help to sustain our operations for years to come. Donations to choice, but you’ll save 10% with our Early Bird programming are used to meet ongoing expenses for special price when you order before September 3. programs/concerts. MSO is a 501(c)(3) organization. We look forward to sharing a stellar season Please complete both sides of this form and return with you! Want to learn more about the music? Come to a free pre-concert “informance” led with a check payable to “Capitol Civic Centre.” by Jim Miller. And after the show, enjoy light CAPITOL CIVIC CENTRE refreshments while you “meet the music” at our Wayne Wildman post-concert receptions. MSO Music Director P.O. BOX 399 MANITOWOC, WI 542210399 Your tickets will be mailed to the address provided prior to the first performance. Capitol Civic Centre Box Office Hours Open Mon—Fri from 9:00am to 4:30pm and Saturdays from Manitowoc Symphony Orchestra Orchestra Symphony Manitowoc 54221-0606 WI 606, Manitowoc, PO Box 10:00am to 1:00pm and again at 5:00pm on performance nights. 2018-2019 PERFORMANCE SEASON manitowocsymphony.org manitowocsymphony.
Load more

Recommended publications
  • Budget Plan Moves to Senate by Jane Rider Upon Its Receiving a Telephone "A Lot of Our Funding Is Based Within This Total Amount
    Quote the Index Rip-off"fails p. 3 "We were able to sell our Definition as weapon 4 product." uwm Student art displayed 6 —Scott Dacey, United Council Stuermer treats fans 7 president-elect, on that group's Panthers split 9 successful efforts to retain state campuses in UC membership But is it art?. 12 See story below Vol. 28, No. 56 April 24, 1984 Budget plan moves to Senate by Jane Rider upon its receiving a telephone "A lot of our funding is based within this total amount. If it does on the computer printout on how After a review of 92 organiza­ not receive a phone system, SFC's much (the organization) spent this tions' budget requests, the Senate deficit would be reduced to $98. year provided by the Dean of Finance Committee made recom­ Students Office (Carmen Witt)," The committee's nine mem­ mendations for the allocation of said Nichole Gantshar, chair of bers' criterion for their alloca­ $243,398 in segregated fees for the Senate Finance Committee. tion recommendations is based on the 1984-85 fiscal year last Thurs­ Gantshar said the recommenda­ services, salaries and travel ex­ day night. tions barely include any of the penses. The services an organiza­ travel expenses requested. These recommendations will be tion will provide to students are "We're asking groups to come voted on by the Student Senate listed as the most 'important back and ask for those amounts in Sunday night at 6 p.m. in Bolton criterion used by the SFC. 85. A majority vote is needed for October to fund their travel ex­ approval of such legislation.
    [Show full text]
  • November 1983
    VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T.
    [Show full text]
  • The Orth Family Finds Sparkle to Life in Whitefish Bay
    JULY 2016 The Orth Family Finds Sparkle to Life in Whitefish Bay Boutique Photographer JULY 2016 1 Linda SmallpageBAY LEAVES GARDENING Growing a Victory Garden in Whitefish Bay By Christine McBride I’ll be the first to admit, that my family installed in our backyard. A group of young can be considered a little ‘granola’. We have women came and drilled, hammered and belonged to a farm share for 6 years, we wheel-barreled all the items needed to set have a water barrel set up and use it to us up for success. From there, we went to water our garden, and we do a number of the local plant store and picked out what farm dinners each year. When my husband items we wanted to plant and harvest. We mentioned wanting to grow a vegetable are hopeful that we will be growing lots garden, I reached out to the local non- of tomatoes, cucumbers, peppers, green profit Victory Garden Initiative for some beans and numerous herbs. For the next guidance. The group has been around for few months I’ll give updates on our success, over 8 years, and their mission is to “build and my neighbors might be lucky enough communities that grow their own food, to enjoy some fresh vegetables as well! As creating a community-based, socially just, Mary Creegan, one of the women who set environmentally sustainable, nutritious up my garden said, “It’s not a good day food system for all.” unless there’s dirt under your fingers.” For After registering for a flatbed and soil to more information on the local movement be delivered, it was exciting to see it actually please visit: victorygardeninitiative.org • If you need home coverage, I can help.
    [Show full text]
  • Large-Scale Strategy and Compositional Design in the Early Music of Genesis
    Copyrighted Material 12 Large-Scale Strategy and Compositional Design in the Early Music of Genesis MARK SPICER Th e title of this chapter might remind some readers of an article by Andrew Mead that appeared in Perspectives of New Music more than two decades ago (Mead 1985), in which the author used sophisticated set-theoretic analytical techniques to dig beneath the surface of Arnold Schoenberg’s music, disclos- ing a “large-scale strategy” at work within several of the twelve-tone composi- tions. Mead had the advantage of writing for a scholarly community already well convinced of Schoenberg’s genius. I suspect the idea of placing the music of the British rock group Genesis in the same league as Schoenberg would be greeted with considerable skepticism—if not downright horror—by many musicologists, and this is certainly not my intent in the present essay. (Alas, it will probably require some drastic revolutions in taste before such early- Genesis classics as “Th e Return of the Giant Hogweed” are admitted into the canon of twentieth-century masterworks.) But I do hope to show that despite being several musical worlds removed from Schoenberg, Genesis’ music is rich, diverse, and equally worthy of our analytical attention. One of the most infl uential and long-lasting of the so-called “progressive rock” bands that emerged in Britain around 1970 in the wake of the Beatles, Genesis is probably better known to most pop-rock fans as the supergroup who made frequent appearances on the Billboard charts during the 1980s and early 1990s, with
    [Show full text]
  • December 2002
    PORTABLE • BILL STEWART • CONSUMERS POLL RESULTS DENNISDENNIS CHAMBERS,CHAMBERS, KARLKARL PERAZZO,PERAZZO, RAULRAUL REKOWREKOW SSANTANAANTANA’’SS FFINESTINEST RRHYTHMHYTHM TTEAMEAM?? WWEEZEREEZER’’SS PPATAT WWILSONILSON TTHROUGHHROUGH TTHEHE YYEARSEARS WWITHITH TTERRYERRY BBOZZIOOZZIO NNEWEW FFOUNDOUND GGLORYLORY’’SS CCYRUSYRUS BBOLOOKIOLOOKI TTRADINGRADING FFOURSOURS WWITHITH PPHILLYHILLY JJOEOE $4.99US $6.99CAN 12 PPLUSLUS CCARLOSARLOS SSANTANAANTANA TTALKSALKS DDRUMMERSRUMMERS!! 0 74808 01203 9 ContentsContents Volume 27, Number 12 Cover photo by Paul La Raia SANTANA’S DENNIS CHAMBERS, RAUL REKOW, AND KARL PERAZZO The heaviest rhythm section in rock has just gotten heavier. Even Carlos Santana himself is in awe of his new Dennis Chambers–led ensemble. a a by Robin Tolleson i i a a R R a a L L l l u u a a 56 P P UPDATE 24 Portable’s Brian Levy WEEZER’S Wayward Shamans’ Barrett Martin AT ILSON 80 P W Fugazi’s Brendan Canty From Neil Peart obsessive to Muppet hostage, Pat Wilson has Mickey Hart been through a lot in ten years with Daryl Stuermer’s John Calarco pop gods Weezer. Oh, he plays the heck out of the drums, too. by Adam Budofsky MD CONSUMERS POLL RESULTS 50 The best in today’s gear—according to you. A DIFFERENT VIEW 74 a a i i a a NEW FOUND R R CARLOS SANTANA a a L L Just a sample of his drum cohorts over the l l GLORY’S u u a a years: Michael Shrieve, Jack DeJohnette, Horacio P P CYRUS BOLOOKI Hernandez, Tony Williams, Carter Beauford, 150 Chester Thompson, and now, Dennis Chambers. Even a disastrous fall from a Take your seats, class is about to begin.
    [Show full text]
  • FAQ - Fragen Und Antworten Zu Den - Mitgliedern
    www.foxtrot.de Frank Müller -------------------------------------------------------------------------------------------------------------------------------------------------------------------------- FAQ - Fragen und Antworten zu den - Mitgliedern ----------------------------------------------------------------------------------------------------------------- www.foxtrot.de Aufgrund der langjährigen Bandhistorie gibt es natürlich jede Menge zu berich- ten. Zwar werdet Ihr auf dieser Seite zu den Band-Mitgliedern vergeblich suchen, ob Klein-Tony Banks sein erstes Milchzähnchen links oben oder rechts unten bekam, hoffe aber, dass Ihr mit den anderen von mir aufgezählten Details trotz- dem erstmal zufriedengestellt seid. Ausgabe: V.2.39 Verzeichnis: II.1 Warum Anthony Phillips die Band verließ II.2 Wie Phil Collins zu Genesis kam II.3 Wann Steve Hackett dazustieß II.4 Was Peter Gabriel zu den Verkleidungen inspirierte II.5 Wer Richard Macphail ist II.6 Warum Peter Gabriel ausstieg II.7 Wie Phil Collins zum Sänger avancierte II.8 Wie Bill Bruford hinzukam II.9 Warum Bill Bruford so schnell wieder wegging II.10 Warum sich Steve Hackett zum Ausstieg entschied II.11 Wie Daryl Stuermer dazu kam II.12 Wie die Band Nick D´Virgilio fand II.13 Wie die Bands hießen, in denen Phil außerdem noch spielte II.14 Wie Peter Gabriel zu einem genagelten Knie kam II.15 Wo Mike Rutherford sonst noch mitmischt(e) II.16 Wer Mick Barnard war II.17 Was es über Nir Zidkyahu zu berichten gibt II.18 Warum Phil Collins (von 1996 – 2006) ausstieg II.19 Was Daryl Stuermer
    [Show full text]
  • MARK SPICER Genesis's Foxtrot* One of the Most Ironic
    MARK SPICER Genesis’s Foxtrot* One of the most ironic developments in Billboard chart history occurred in July 1986, when Genesis, basking in the success of having finally scored their first (and only) U.S. #1 hit with Invisible Touch were knocked out of the top spot just one week later by their former frontman Peter Gabriel, who, in turn, scored his first (and only) U.S. #1 with Sledgehammer. While I must admit to having a personal affection for their later records, I think it is safe to say that most fans would prefer to forget the slick, synthesizer-driven pop that characterized much of Genesis’s output in the 1980s and 1990s, and instead look back fondly to the first half of the 1970s — the golden age of British progressive rock — when the group was famous for crafting epic rock pieces in which the multiple shifts of texture, affect, tonality and groove echo those typically found, say, in a large-scale symphonic work by Liszt or Holst. Like Yes, Emerson, Lake & Palmer (ELP), Gentle Giant, King Crimson, Jethro Tull, Soft Machine, Henry Cow, and their other compatriots in British progressive rock during this remarkable period, Genesis did not set out to create music that was immediately catchy or danceable (although one can certainly imagine dancing, however awkwardly, to many of their odd-metered grooves). Theirs was serious music intended for serious listeners. Indeed, as John Covach has put it, “there was the perception [among fans] that these musicians were attempting to shape a new kind of classical music — a body of music that would not disappear after a few weeks or months on the pop charts, but would instead be listened to (and perhaps even studied), like the music of Mozart, Beethoven and Brahms, for years to come.” (Covach, 1997: 4) Figure 1 shows a chronology of Genesis albums released through October 1977, when guitarist Steve Hackett left the group and the three remaining members decided to continue as a trio.
    [Show full text]
  • Phil Collins Something Happened on the Way to Heaven Mp3, Flac, Wma
    Phil Collins Something Happened On The Way To Heaven mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Something Happened On The Way To Heaven Country: US Released: 1990 Style: Pop Rock MP3 version RAR size: 1861 mb FLAC version RAR size: 1592 mb WMA version RAR size: 1606 mb Rating: 4.5 Votes: 537 Other Formats: AC3 ADX TTA VOC VQF DMF APE Tracklist Hide Credits Something Happened On The Way To Heaven A 4:41 Written-By – Daryl Stuermer B Lionel (Do You Remember? - Demo) 4:40 Companies, etc. Mastered At – Masterdisk Pressed By – Specialty Records Corporation Credits Engineer [Assistant] – Simon Osbourne Engineer, Producer, Mixed By – Hugh Padgham Producer, Mixed By, Written-By – Phil Collins Barcode and Other Identifiers Matrix / Runout (Run-out Side A, etched (MASTERDISK stamped)): STA-58852-1 I-I MASTERDISK SP Matrix / Runout (Run-out Side B, etched (MASTERDISK stamped)): STA-58853-1 I-I MASTERDISK SP Other versions Category Artist Title (Format) Label Category Country Year Something Happened On The Way VS 1251 Phil Collins Virgin VS 1251 UK 1990 To Heaven (7", Single) Something Happened On The Way VSP1251 Phil Collins Virgin VSP1251 UK 1990 To Heaven (7", Gat) Something Happened On The Way VS 1251 Phil Collins Virgin VS 1251 UK 1990 To Heaven (7", Pap) Something Happened On The Way 9031-71447-7 Phil Collins WEA 9031-71447-7 Europe 1990 To Heaven (7", Single) Something Happened On The Way PRCD 3503-2 Phil Collins Atlantic PRCD 3503-2 US 1990 To Heaven (CD, Single, Promo) Related Music albums to Something Happened On The Way To Heaven by Phil Collins Phil Collins - Don't Let Him Steal Your Heart Away Phil Collins - 12"ers Phil Collins - Sussudio Phil Collins - You Can't Hurry Love Phil Collins - One More Night / The Man With The Horn Phil Collins - In The Air Tonight Phil Collins - I Wish It Would Rain Down Phil Collins - You've Been In Love (That Little Bit Too Long) Phil Collins - Live Phil Collins - Hang In Long Enough.
    [Show full text]
  • Genesis Free Download
    GENESIS FREE DOWNLOAD John H. Walton | 176 pages | 11 May 2013 | ZONDERVAN | 9780310492085 | English | Grand Rapids, United States Start Bitcoin mining today! Genesis your career with Genesis Genesis. Whether it is immediate help, or counseling for you and your children, Genesis is here to guide you. By using our website and our services, you agree Genesis our use Genesis cookies as described in our Cookie Policy. Two years later, the group outdid itself with the release of its most commercially successful album to date, Genesis Touch, which -- driven by a quintet of Top Ten U. Charterhouse alumnus, recording artist, and producer Jonathan King heard the Genesis and Genesis for the group to continue working in the studio, and it was also King who Genesis the Genesis Genesis. Genesis group was Genesis hiatus for most of the next decade, Genesis saw the release of a Genesis of box sets, Genesis Archives, Vol. Categoria no Commons. To play this content, you'll need the Spotify app. Join over 2. E Genesis Zebulom. Get your first mining output today You will get periodic mining outputs to your designated wallet. Teu genro, Genesis teus filhos, e Genesis filhas, e todos quantos tens na cidade, tira-os para fora deste Genesis. Por isso ainda mais o odiavam por causa dos seus sonhos e das suas palavras. Genesis Live featured songs from across three of their albums, including "The Knife," "The Musical Box," and "Watcher of the Skies," presented in their most recent Genesis dramatic incarnations. The group's next release, Selling England by the Poundwas also their Genesis seller to date, reaching number three in England and number 70 in America.
    [Show full text]
  • Genesis Three Sides Live Mp3, Flac, Wma
    Genesis Three Sides Live mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Three Sides Live Country: Canada Released: 1982 Style: Pop Rock, Prog Rock MP3 version RAR size: 1337 mb FLAC version RAR size: 1717 mb WMA version RAR size: 1211 mb Rating: 4.4 Votes: 412 Other Formats: MP1 TTA VQF DXD RA VOX MP3 Tracklist 1-1 Turn It On Again 5:23 1-2 Dodo 7:20 1-3 Abacab 8:43 1-4 Behind The Lines 5:24 1-5 Duchess 6:38 1-6 Me And Sarah Jane 5:52 1-7 Follow You Follow Me 4:45 2-1 Misunderstanding 4:05 2-2 In The Cage 11:52 2-3 Afterglow 5:03 2-4 Paperlate 3:15 2-5 You Might Recall 5:28 2-6 Me And Virgil 6:18 2-7 Evidence Of Autumn 4:58 2-8 Open Door 4:04 Companies, etc. Marketed By – Phonogram Phonographic Copyright (p) – Gelring Ltd. Copyright (c) – Hit & Run Music Ltd. Credits Cover – Bill Smith Drums [Live Recordings Only] – Chester Thompson (tracks: 2-4 to 2-6) Drums, Vocals – Phil Collins Engineer – Geoff Callingham Guitar, Bass – Daryl Stuermer (tracks: 2-4 to 2-6) Guitar, Bass, Backing Vocals – Mike Rutherford Keyboards, Backing Vocals – Tony Banks Management – Carol Willis , Charlene Colon, Tony Smith Photography By – Martin Goddard* Producer – Genesis Written-By – Mike Rutherford (tracks: 1-1 to 1-5, 1-7, 2-2, 2-4 to 2-6, 2-9), Phil Collins (tracks: 1-1 to 1-5, 1-7, 2-1, 2-2, 2-4 to 2-6), Tony Banks (tracks: 1-1 to 1-7, 2-2 to 2-7) Notes CD1 in variant 2 has no printing, clean CD.
    [Show full text]
  • Genesis Archive 2 Download Zip Genesis Archive 2 Download Zip
    genesis archive 2 download zip Genesis archive 2 download zip. original releases and leftovers. When you compare the versions on Archive #2 with the original releases you will find that some of the non-album tracks sound better than before. No details were made available as to how far the songs were reprocessed for the Archive. Unless Nick Davis, Geoff Callingham or members of the band talk about it we won’t know whether some of the tracks were remastered or if they just had their levels raised. Two of the studio tracks differ in more than the audio quality from their originals. The only version of Submarine that was known before had a sort of proper ending at 4:32 while the Archive version fades out fourty seconds later without any sort of ending. It’s Yourself had been officially released in two different versions and also, unofficially, on the Trick Of The Tail Outtakes bootleg. The version of the box set does not match any of those three. The version on the Italian Ripples 7” single is some 25 seconds longer and ends in a keyboard line that resembles the beginning of Mad Man Moon at the very end followed by two seconds of studio noises. The Archive version fades out before that. The fadeout occurs even earlier on the German Your Own Special Way single. The version of It’s Yourself that is listed as Beloved Summer on the Trick Of The Tail Outtakes bootleg is circa 60 seconds longer. It would have been more interesting than any other official version.
    [Show full text]
  • Leland Sklar and Daryl Stuermer (Phil Collins, Genesis)
    Leland Sklar and Daryl Stuermer (Phil Collins, Genesis) on their careers, Phil Collins‘ „Not Dead Yet“- tour, future projects and why it’s still exciting to be a musician after 50 years in the business »Everyday is an adventure. That’s why you stick around. You never know what tomorrow will bring.« Leland Sklar, Philipp Röttgers, Daryl Stuermer Leland Sklar and Daryl Stuermer are living legends. Leland Sklar is a bass player and one of the most sought-after session musicians in the world. „Father Time“, as he is also called, has played with pretty much every big artist since the beginning of his career in 1970. He can be heard on more than 800 albums and has played on over 3000 songs. His references include Jackson Browne, Carole King, James Taylor, Toto and of course Phil Collins, for whom he has been playing since 1984 (in alternation with Nathan East, who accompanied Collins on bass in the 1990s). Sklar plays on hits like ‚Sussudio‘, ‚Another Day In Paradise‘ and accompanies Phil Collins on his „Not Dead Yet!“ tour, which started in 2017 and is still running. Daryl Stuermer joined Genesis in 1978 as a live guitarist. In the studio the band consisted of Tony Banks (keyboards), Mike Rutherford (guitar and bass) and Phil Collins (vocals and drums), for live performances they were joined by drummer Chester Thompson and Stuermer, who alternated guitar and bass with Mike Rutherford. When Genesis go on tour, Stuermer is the one who teaches them the songs again. When Phil Collins began his solo career in 1981, Daryl Stuermer was also involved as guitarist and is still the only constant member of Collins‚ solo band.
    [Show full text]