FEBRUARY 2002 Winner for PARENTS, EDUCATORS & STUDENTS
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177 Mental Toughness Secrets of the World Class
177 MENTAL TOUGHNESS SECRETS OF THE WORLD CLASS 177 MENTAL TOUGHNESS SECRETS OF THE WORLD CLASS The Thought Processes, Habits And Philosophies Of The Great Ones Steve Siebold 177 MENTAL TOUGHNESS SECRETS OF THE WORLD CLASS 177 MENTAL TOUGHNESS SECRETS OF THE WORLD CLASS The Thought Processes, Habits And Philosophies Of The Great Ones Steve Siebold Published by London House www.londonhousepress.com © 2005 by Steve Siebold All Rights Reserved. Printed in Hong Kong. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the prior written permission of the copyright owner. Ordering Information To order additional copies please visit www.mentaltoughnesssecrets.com or visit the Gove Siebold Group, Inc. at www.govesiebold.com. ISBN: 0-9755003-0-9 Credits Editor: Gina Carroll www.inkwithimpact.com Jacket and Book design by Sheila Laughlin 177 MENTAL TOUGHNESS SECRETS OF THE WORLD CLASS DEDICATION This book is dedicated to the three most important people in my life, for their never-ending love, support and encouragement in the realization of my goals and dreams. Dawn Andrews Siebold, my beautiful, loving wife of almost 20 years. You are my soul mate and best friend. I feel best about me when I’m with you. We’ve come a long way since sub-man. I love you. Walter and Dolores Siebold, my parents, for being the most loving and supporting parents any kid could ask for. Thanks for everything you’ve done for me. -
2019-20 Guide to Music Schools
The 2019-20 Guide to September MUSIC SCHOOLS 2019 Editor’s Note MUSIC SCHOOLS For our 2019-20 Guide to Music Schools, we have culled about 60 institutions from our data For those schools in the listings, you’ll find detailed information on degrees offered, available areas of study, numbers of base of nearly 1200, using a variety of criteria. The key measure across an increasingly broad students and teachers, career and post-graduate assistance, and links to social media and financial information. We also asked spectrum—from schools offering only a certificate to those with multiple Ph.D. options— each institution to describe its most “distinguishing characteristics.” We relied on the schools to tell their own stories. is quality and reputation, not necessarily size. Academy of Vocal Arts ............................................................2 Robert McDuffie Center for Strings .......................................27 Arizona State University School of Music ................................3 New England Conservatory ..................................................27 For example, enrollment may be a mere 23 students, such as at the Academy of Vocal Arts Bard College Conservatory of Music .......................................4 New World Symphony, America’s Orchestral Academy .........28 in Philadelphia, or it could be 1,600 students at the Jacobs School of Music on Indiana Henry and Leigh Bienen School of Music ................................5 Oberlin Conservatory of Music ..............................................29 University’s Bloomington campus. Running a close second in numbers to the Jacobs School Blair School of Music ..............................................................6 Pacific Region International is the University of North Texas College of Music, with 1568, followed by the University of Michigan’s School of Music, Conservatorio di Musica “Arrigo Boito” ...................................6 Summer Music Academy (PRISMA) .................................29 Theater, & Dance, which boasts 1100 music students. -
Organizing Books and Did This Process, I Discovered That Two of Them Had a Really Yucky Feeling to Them
Jennifer Hofmann Inspired Home Office © 2014 This graphic is intentionally small to save your printer ink.:) 1 Inspired Home Office: The Book First edition Copyright 2014 Jennifer E. Hofmann, Inspired Home Office All rights reserved. No part of this book may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recorded, or otherwise without written permission by the author. This publication contains the opinion and ideas of the author. It is intended to provide helpful and informative material on the subject matter covered, and is offered with the understanding that the author is not engaged in rendering professional services in this publication. If the reader requires legal, financial or other professional assistance or advice, a qualified professional should be consulted. No liability is assumed with respect to the use of the information contained herein. Although every precaution has been taken to produce a high quality, informative, and helpful book, the author makes no representation or warranties of any kind with regard to the completeness or accuracy of the contents of the book. The author specifically disclaims any responsibility for any liability, loss or risk, personal or otherwise, which is incurred as a consequence, directly or indirectly, from the use and application of any of the contents of this publication. Jennifer Hofmann Inspired Home Office 3705 Quinaby Rd NE Salem, OR 97303 www.inspiredhomeoffice.com 2 Table of Contents Introduction.................................................................................................................. -
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David Mannes Music School at 154 East 70th Street (MA040101_000020) Sign for the David Mannes Music School (MA040101_000085) David Mannes with Violin The David Mannes Music School (MA040101_000067) (MA040101_000071) Mannes School of Music Junior Orchestra (MA040101_000110) Ernest Bloch (MA040101_000073) David Mannes (MA040101_000114) David Mannes (MA040101_000115) Concert at the Metropolitan Museum of Art (MA040101_000012) Opera Performance at Mannes College of David Mannes at the Metropolitan Museum Music (MA040101_000058) of Art (MA040101_000061) Leopold Mannes (MA040101_000010) Page 1 of 8 David Mannes at the Metropolitan Museum David Mannes Teaching Piano and Violin of Art (MA040101_000062) to Children (MA040101_000113) David Mannes Holding a Violin Mannes School of Music Student (MA040101_000116) Performance (MA040101_000013) David Mannes Conducts Mannes College Mannes College Opera Students "Cosi Fan Tutte" Performance by Mannes of Music Student Orchestra Performing Mozart (MA040101_000015) (MA040101_000014) College of Music Students (MA040101_000065) Carl Bamberger Conducts at Mannes College of Music (MA040101_000057) David Mannes Playing Violin for Children The Mannes, Gimpel, Silva Trio Elizabeth Aaron at Piano (MA040101_000112) (MA040101_000063) (MA040101_000052) Mannes College of Music Students Perform Mozart's "Cosi fan Tutte" (MA040101_000011) Page 2 of 8 Edward Aldwell (MA040101_000047) Richard Goode at Piano Murray Perahia at Piano Carl Bamberger with Mannes College of (MA040101_000048) (MA040101_000049) Music Orchestra -
A History of the School of Music
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1952 History of the School of Music, Montana State University (1895-1952) John Roswell Cowan The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Cowan, John Roswell, "History of the School of Music, Montana State University (1895-1952)" (1952). Graduate Student Theses, Dissertations, & Professional Papers. 2574. https://scholarworks.umt.edu/etd/2574 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. NOTE TO USERS Page(s) missing in number only; text follows. The manuscript was microfilmed as received. This reproduction is the best copy available. UMI A KCSTOHY OF THE SCHOOL OP MUSIC MONTANA STATE UNIVERSITY (1895-1952) by JOHN H. gOWAN, JR. B.M., Montana State University, 1951 Presented In partial fulfillment of the requirements for tiie degree of Master of Music Education MONTANA STATE UNIVERSITY 1952 UMI Number EP34848 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction Is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, If material had to be removed, a note will Indicate the deletion. -
An Exploration of the Availability and Implementation of Undergraduate Degrees in Conducting in the United States Erik Lee Garriott University of South Carolina
University of South Carolina Scholar Commons Theses and Dissertations 2017 An Exploration of the Availability and Implementation of Undergraduate Degrees in Conducting in the United States Erik Lee Garriott University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Other Music Commons Recommended Citation Garriott, E. L.(2017). An Exploration of the Availability and Implementation of Undergraduate Degrees in Conducting in the United States. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/4100 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. An Exploration of the Availability and Implementation of Undergraduate Degrees in Conducting in the United States by Erik Lee Garriott Bachelor of Arts Point Loma Nazarene University, 2010 Master of Music California State University Northridge, 2013 _________________________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Conducting School of Music University of South Carolina 2017 Accepted by: Donald Portnoy, Major Professor Cormac Cannon, Chair, Examining Committee Andrew Gowan, Committee Member Alicia Walker, Committee Member Kunio Hara, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Erik Lee Garriott, -
Martin Stommel
MARTIN STOMMEL Biography 2012 ART.FAIR Köln, Galerie Mühlfeld & Stohrer / ART Karlsruhe, Martin Stommel was born in 1969. From 1994 to 1997 Stommel first Galerie Mühlfeld & Stohrer studied at the State Academy of Arts in Munich with professor 2012 Kunstverein Südsauerland, Olpe, Germany Bernhard Weißhaar. In 1998 he changed to the University of Arts, 2012 Galerie Mühlfeld & Stohrer, Frankfurt a. M., Germany Berlin (HdK) with Klaus Fußmann. In the years 2001 to 2007 Stommel 2011 ART.FAIR Köln, Galerie Mühlfeld & Stohrer, Germany came into contact with the world of circus, resulting in a series of 2011 Galerie Mühlfeld & Stohrer, Frankfurt a. M., Germany paintings and drawings of circus performers and scenes in the circus 2010 Galerie Hyna, Tegernsee, Germany ring. He portrayed the most famous clowns of our time, like Oleg 2010 Katholische Akademie in Bayern, München, Germany Popov, Francesco Caroli, David Larible or Fumagalli, cooperating 2008 Galerie Conzen, Frankfurt a. M., Germany especially with Berhard Paul's Circus Roncalli. 2007 Thyssen Krupp, Duisburg, Germany 2006 Galerie Oltmanns, Unkel, Germany Selected Exhibitions 2006 30 Jahre Galerie Dürr, München (group show) 2006 Istituto Italiano di Cultura, Frankfurt a. M., Germany 2018 Arthus Galerie, Zell a.H., Germany 2005 Theatre Princesse Grace, Monaco 2018 Kunstraum David / Circus Roncalli, Wien, Austria unter der Schirmherrschaft von HSH Prince Rainier III 2018 Hilbert Raum, Berlin 2005 Galerie Bernd Duerr , München (group show) 2017 artfein gallery, Berlin 2005 Konrad Adenauer Stiftung, -
Desperate Housewives a Lot Goes on in the Strange Neighborhood of Wisteria Lane
Desperate Housewives A lot goes on in the strange neighborhood of Wisteria Lane. Sneak into the lives of five women: Susan, a single mother; Lynette, a woman desperately trying to b alance family and career; Gabrielle, an exmodel who has everything but a good m arriage; Bree, a perfect housewife with an imperfect relationship and Edie Britt , a real estate agent with a rocking love life. These are the famous five of Des perate Housewives, a primetime TV show. Get an insight into these popular charac ters with these Desperate Housewives quotes. Susan Yeah, well, my heart wants to hurt you, but I'm able to control myself! How would you feel if I used your child support payments for plastic surgery? Every time we went out for pizza you could have said, "Hey, I once killed a man. " Okay, yes I am closer to your father than I have been in the past, the bitter ha tred has now settled to a respectful disgust. Lynette Please hear me out this is important. Today I have a chance to join the human rac e for a few hours there are actual adults waiting for me with margaritas. Loo k, I'm in a dress, I have makeup on. We didn't exactly forget. It's just usually when the hostess dies, the party is off. And I love you because you find ways to compliment me when you could just say, " I told you so." Gabrielle I want a sexy little convertible! And I want to buy one, right now! Why are all rich men such jerks? The way I see it is that good friends support each other after something bad has happened, great friends act as if nothing has happened. -
Lettheriverrun Ebook.Pdf
How God Used Ordinary People to Do Extraordinary Things Dan Scott, with Austin & Tiffany Cagle This book is lovingly dedicated to the first generation of Christ Church, who, under the leadership of L.H. and Montelle Hardwick, took the time to build a life-giving community that has changed the world. Their vision lives. © All contents of this manuscript are protected by copyrights owned by Epiclesis, Inc., 1717 Park Terrace Lane, Nolensville, TN 37135 and may not be reproduced in any manner without the express written consent of the publisher 3 Table of Contents .............................................................. 4 Introduction ...................................................................... 5 A Visitor Blows Up Our Dam ........................................... 9 The River Starts Flowing ............................................... 26 Telling Money Where to Flow ........................................ 33 Currency Really Is a Current ......................................... 43 A Russian River Flows Through .................................... 57 Going With the Flow ....................................................... 74 A River Has Banks ........................................................ 87 Dancing with the River ................................................ 104 Keepers of the Spring ................................................... 117 Finding the Source ....................................................... 125 Three Streams Converge .............................................. 133 The River Keeps -
PHAE-Mariposajournal
PULMONARY HYPERTENSION MariposaJournal WINTER 2013 • PHA EUROPE’S OFFICIAL JOURNAL • N. 11 Best wishes for a Happy New Year! Wilhelmstraße 19 • 1120 Vienna • AUSTRIA • +43 1 4023725 • +43 1 4093528 • [email protected] • www.phaeurope.org Editor’s memo committees of the European Lung Foundation (patient advisory ularly updates its website. This activity will be increased next year committee). It was also present at the annual Congresses of the with better use of social media to include Twitter. Winter 2013 edition main scientific societies: the European Society of Cardiology and European Respiratory Society. These congresses are key events CONCLUSIONS which are consistently attended by thousands of healthcare pro- It is hugely gratifying to see how our community has gradually AustriaAustria fessionals, industry and other interested parties. Our presence built up over the years, the high level of activities the member enables us to present PHA Europe’s activities, distribute mate- associations conduct at country level and the enthusiastic support BelgiumBelgium Dear friends, ADVOCACY rials, to have access to the most up to date information on and participation in PHA Europe projects and campaigns. We PHA Europe’s advocacy activities mainly related to research and treatments and expand our contacts, an essential are proud to have a broad and highly representative membership, BulgariaBulgaria welcome to the Winter 2013 edition of Mariposa, the follow-up of the PH Policy brief and Call to ingredient of networking, while also serving to raise awareness with 29 patient associations from 25 countries. The increasing PHA Europe’s official journal. Another busy and action, presented at the European Parliament in of PH among top medical and industry professionals. -
Appendix A: 1976 Clown College and 1977 Blue Unit Route
A p p e n d i x A : 1 9 7 6 C l o w n College and 1977 Blue Unit Route There’s nothing so dangerous as sitting still. You’ve only got one life, one youth, and you can let it slip through your fingers; nothing easier. Willa Cather, The Bohemian Girl CHAPTER 1 • ROMANCE OF THE RED NOSE Clown College, Ringling Arena, Venice, Sep.–Nov. 1976 CHAPTER 2 • BOWL OF CHERRIES Rehearsals and first performances, Ringling Arena, Venice, Jan. 10–Feb. 2 CHAPTER 3 • RUBBER NOSE MEETS THE ROAD Lakeland Civic Center, Feb. 4–6 Atlanta Omni, Feb. 9–20 Savannah Civic Center, Feb. 22–23 Asheville Civic Center, Feb. 25–27 Raleigh, Dorton Arena, Mar. 1–6 Fayetteville, Cumberland County Memorial Arena, Mar. 8–9 Columbia, Carolina Coliseum, Mar. 11–13 Charlotte Coliseum, Mar. 15–20 CHAPTER 4 • THE SHOW BUSINESS Knoxville, Civic Coliseum, Mar. 22–27 Cincinnati, Riverfront Coliseum, Mar. 30–Apr. 3 168 Appendix A Washington, DC, Armory, Apr. 6–17 Largo, Capital Centre, Apr. 20-May 1 CHAPTER 5 • LOVE ‘EM & LEAVE ‘EM Binghamton, Broome County Veterans Memorial Arena, May 4–8 Hartford, Civic Center, May 10–15 Portland, Cumberland County Civic Center, May 17–22 CHAPTER 6 • GOOD OL’ DAYS? Troy, RPI Field House, May 25–30 Providence Civic Center, June 1–5 Niagara Falls, International Convention Center, June 8–12 Wheeling Civic Center, June 15–19 Charleston Civic Center, June 21–22 Memphis, Mid-South Coliseum, June 24–26 CHAPTER 7 • RODEO ROUTE Little Rock, T.H. Barton Coliseum, June 28–29 Huntsville, von Braun Civic Center, July 1–4 Dallas, Convention Center, July 6–11 New Orleans, Superdome, July 14–17 Houston, Summit, July 20–31 Abilene, Taylor County Expo Center, August 2–3 Lubbock, Civic Center, August 5–7 CHAPTER 8 • SPIRIT OF ST. -
August 2002 Readers’ Platform
• APEX THEORY • YAMAHA OAK CUSTOM KIT • GGOOOO GGOOOO DDOLLSOLLS’’ MIKEMIKE MALININ MALININ MMAXIMUMAXIMUM PPOPOP JJEFFEFF PPORCAROORCARO TTRIBUTERIBUTE TTOO AA SSTUDIOTUDIO GGIANTIANT MMATTATT WWILSONILSON’’SS IIMPROVMPROV PPLAYHOUSELAYHOUSE HHOTOT LLATINATIN JJAZZAZZ:: MMETHENYETHENY’’SS AANTONIONTONIO SSANCHEZANCHEZ TTHREADGILLHREADGILL’’SS DDAFNISAFNIS PPRIETORIETO BBRAZILRAZIL’’SS VVERAERA FFIGUEIREDOIGUEIREDO $4.99US $6.99CAN 08 SSHOPHOP TTALKALK:: BBUILDINGUILDING YYOUROUR OOWNWN DDRUMSETRUMSET!! 0 74808 01203 9 Redefining “Drum Machine” Ever wonder why Evans heads are so consistent and easy to tune? Designed and built in-house by our staff of engineers, this robotic “Drum Machine,” called the Gluing Gantry, ensures that every Evans head has a true collar. A series of vacuum fixtures holds the film in place for each head while the robotic gluing arm circles above the hoop and dispenses epoxy. The result is a drumhead that tunes both easily and consistently. At Evans, we do it right the first time. And every time. Check out what Peter Erskine has to say about Evans drumheads at www.evansdrumheads.com PO Box 290 • Farmingdale, NY 11735 We’ve been making the world’s finest sticks for years. And experience tells us that there are no shortcuts when it comes to making a stick. There is, however a very good short- cut when choosing one. The journey from wooden dowel to finished drumstick is a tough one. Each stick makes its way through the hands of several craftsmen before it leaves us. And at every test, there’s always the chance of getting turned into firewood. But it does get easier when our sticks reach the store. Because once you feel a pair in your hands, you’ll appreciate the time it spent in ours.