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Fairy Tails Contes Merveilleux
Fairy Tails Contes merveilleux Fairy Tails Contes merveilleux Fairy Tails Contes merveilleux Amalie Atkins, Aganetha Dyck, Meryl McMaster, Sylvia Ptak, Vicky Sabourin, Diana Thorneycroft, Anna Torma, Laura Vickerson, Janice Wright Cheney Anne Koval Curator / commissaire owens art Gallery Galerie d’art owens Mount allison university université Mount allison 2020 library and archives canada cataloGuinG in Publication Title: Fairy tails / curator, Anne Koval ; works by Amalie Atkins, Aganetha Dyck, Meryl McMaster, Sylvia Ptak, Vicky Sabourin, Diana Thorneycroft, Anna Torma, Laura Vickerson, Janice Wright Cheney = Contes merveilleux / commissaire, Anne Koval ; œuvres par Amalie Atkins, Aganetha Dyck, Meryl McMaster, Sylvia Ptak, Vicky Sabourin, Diana Thorneycroft, Anna Torma, Laura Vickerson, Janice Wright Cheney. Other titles: Fairy tails (Owens Art Gallery) | Contes merveilleux | Fairy tails (Owens Art Gallery). French Names: Koval, Anne, organizer. | Owens Art Gallery, host institution, issuing body. Description: Catalogue of an exhibition held at the Owens Art Gallery, Sackville, from January 10 to March 13, 2020. | Includes bibliographical references. | Text in English and French. Identifiers: Canadiana 20200292730e | isbn 9780888282668 (softcover) Subjects: lcsh: Fairy tales–History and criticism. | lcsh: Animals in literature–Exhibitions. | lcsh: Animals in art–Exhibitions. | lcGFt: Exhibition catalogs. Classification: lcc Gr550 .F35 2020 | ddc 398/.369074–dc23 cataloGaGe avant Publication de bibliothèque et archives canada Titre: Fairy tails / curator, Anne Koval ; works by Amalie Atkins, Aganetha Dyck, Meryl McMaster, Sylvia Ptak, Vicky Sabourin, Diana Thorneycroft, Anna Torma, Laura Vickerson, Janice Wright Cheney = Contes merveilleux / commissaire, Anne Koval ; œuvres par Amalie Atkins, Aganetha Dyck, Meryl McMaster, Sylvia Ptak, Vicky Sabourin, Diana Thorneycroft, Anna Torma, Laura Vickerson, Janice Wright Cheney. Autres titres: Fairy tails (Owens Art Gallery) | Contes merveilleux | Fairy tails (Owens Art Gallery). -
ROSALIE FAVELL | Www
ROSALIE FAVELL www.rosaliefavell.com | www.wrappedinculture.ca EDUCATION PhD (ABD) Cultural Mediations, Institute for Comparative Studies in Art, Literature and Culture, Carleton University, Ottawa, Ontario, Canada (2005 to 2009) Master of Fine Arts, University of New Mexico, Albuquerque, New Mexico, United States (1998) Bachelor of Applied Arts in Photographic Arts, Ryerson Polytechnical Institute, Toronto, Ontario, Canada (1984) SELECTED SOLO EXHIBITIONS 2018 Rosalie Favell: Shifting Focus, Latcham Art Centre, Stoufville, Ontario, Canada. (October 20 – December 8) 2018 Facing the Camera, Station Art Centre, Whitby, Ontario, Canada. (June 2 – July 8) 2017 Wish You Were Here, Ojibwe Cultural Foundation, M’Chigeeng, Ontario, Canada. (May 25 – August 7) 2016 from an early age revisited (1994, 2016), Wanuskewin Heritage Park, Regina, Saskatoon, Saskatchewan, Canada. (July – September) 2015 Rosalie Favell: (Re)Facing the Camera, MacKenzie Art Gallery, Regina, Saskatchewan, Canada. (August 29 – November 22) 2014 Rosalie Favell: Relations, All My Relations, Minneapolis, Minnesota, United States. (December 12 – February 20, 2015) 2013 Muse as Memory: the Art of Rosalie Favell, Gallery of the College of Staten Island, New York City, New York, United States. (November 14 – December 19) 2013 Facing the Camera: Santa Fe Suite, Museum of Contemporary Native Art, Santa Fe, New Mexico, United States. (May 25 – July 31) 2013 Rosalie Favell, Cube Gallery, Ottawa, Ontario, Canada. (April 2 – May 5) 2013 Wish You Were Here, Art Gallery of Algoma, Sault Ste. Marie, Ontario, Canada. (February 28 – May 26) 2012 Rosalie Favell Karsh Award Exhibition, Karsh Masson Gallery, Ottawa, Ontario, Canada. (September 7 – October 28) 2011 Rosalie Favell: Living Evidence, Mount Saint Vincent University Art Gallery, Halifax, Nova Scotia, Canada. -
Aganetha Dyck Fonds (MSS 511 (A2014-111))
University of Manitoba Archives & Special Collections Finding Aid - Aganetha Dyck fonds (MSS 511 (A2014-111)) Generated by Access to Memory (AtoM) 2.3.1 Printed: August 15, 2017 Language of description: English Language of description: French University of Manitoba Archives & Special Collections 330 Elizabeth Dafoe Library Winnipeg Manitoba Canada R3T 2N2 Telephone: 204-474-9986 Fax: 204-474-7913 Email: [email protected] http://umanitoba.ca/libraries/units/archives/ http://umlarchives.lib.umanitoba.ca/index.php/aganetha-dyck-fonds Aganetha Dyck fonds Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 4 Notes ................................................................................................................................................................ 4 Access points ................................................................................................................................................... 4 Physical condition ........................................................................................................................................... 4 Series descriptions .......................................................................................................................................... -
ERIC CAMERON Born 1935, Leicester, England
ERIC CAMERON Born 1935, Leicester, England Lives and works in Calgary, Alberta EDUCATION 1953-1957 King’s College, Newcastle, Durham University under Lawrence Gowing, Victor Pasmore and Richard Hamilton. 1957-1959 Studied History of Art at the Courtauld Institute, University of London. SELECTED EXHIBITIONS Solo 2018 Eric Cameron, TrépanierBaer, Calgary, AB 2010 Eric Cameron, Musée national Marc Chagall, Nice, France 2009 Record of Work, Canadian Cultural Centre, Paris, France - Exhibition accompanied by catalogue 2008 Eric Cameron: Works from 1963 to 2008, TrépanierBaer, Calgary, Alberta 2005 Material Mysticism and Mystical Materialism, The Prairie Gallery, Grande Prairie, Alberta 2004 Eric Cameron, The Nickle Arts Museum, Calgary (special solo show to mark Governor General's Award) TrépanierBaer, Calgary, Alberta 1999 English Roots, Hatton Gallery, Newcastle, England 1998 Desire and Dread, Muttart Public Art Gallery, Calgary, Alberta English Roots, Tate Gallery, St. Ives, England English Roots, (different content from Tate Gallery), Leeds City Art Gallery, Leeds, England Exposed/Concealed, Art Gallery of Ontario, Toronto, Ontario Installations in Perspective, Deacon Ulrich Fine Arts, Calgary, Alberta 1996 Solo Exhibition, contextualized with works by other artists, University of Lethbridge Art Gallery, Lethbridge, Alberta 1994 Squareness, Owens Art Gallery, Sackville, New Brunswick 1993 Exposer/Cacher, Galerie Arena, Arles, France Squareness, Southern Alberta Art Gallery, Lethbridge, Alberta 1992 The Shadow of Self, Art Museum of the -
MAWA Newsletter, Spring 2009
february, march, april, 2009 611 main street winnipeg manitoba canada r3b 1e1 204-949-9490 | [email protected] | www.mawa.ca news from main street news from MAWA is a mere 15-minute walk from downtown. Talk about neighbourhood: more people on the street, a diversity of services location, location, location! Yet the Disraeli Highway cuts us off and some historic preservation. So far, most of these initiatives have from the Exchange with speed, noise and pollution, and perhaps been inclusive of existing businesses and residents. So far, few have nowhere in the city is the legacy of colonization – poverty and been displaced. substance abuse – more evident. This winter the City of Winnipeg is revising Plan Winnipeg by As Richard Florida describes in The Rise of The Creative Class, creating a secondary plan for South Point Douglas, which they define the reclamation of neglected neighbourhoods often begins with a as extending from MAWA north to the tracks and east to the Louise first wave of pioneers who move in, make improvements, and create Bridge. Our mayor has been quoted as describing the neighbourhood safety and community. Who are these brave urbanistas? According as a “jewel”. And it is! As long as our city and business leaders see to Florida, largely artists. Certainly that is true on North Main: diversity as its greatest asset, and don’t approach the area with a MAWA, the Edge, Manitoba Printmakers…. But there are also older literal or figurative demolition ball, creating a blank slate upon businesses and many individuals who make North Main home. -
MOWRY BADEN and DISPLACEMENT
MOWRY BADEN and DISPLACEMENT Mowry Baden, Russian Thistle, 2013, Luanne Martineau, Dangler, 2008, steel, rubber. Collection of the artist. wool, silk, dye. Collection of the Photo: Mark Alldrit Vancouver Art Gallery. Purchased with the support of the Canada Council for the Arts Acquisition Assistance. TEACHER’S STUDY GUIDE Winter–Spring 2019 Contents Program Information and Goals ................................................................................................................... 2 a. Background to the Exhibition Mowry Baden and Displacement ....................................... 3 b. Artists’ Backgrounds ................................................................................................................... 4 Pre- and Post-Visit Activities 1. About the Artists ................................................................................................................................. 6 2. Artist Information Sheet ................................................................................................................... 7 c. Student Worksheet ..................................................................................................................... 8 d. Sketching with both hands (all levels) .................................................................................... 9 e. Objects with Meaning (adaptable to all levels) ................................................................. 14 f. The Art of the Participatory Sculpture (all levels) ............................................................ -
Pan Dora's B Ox D
Amanda Cachia Pandora’s Box Dunlop Art Gallery Laylah Ali Ghada Amer Shary Boyle Amy Cutler Chitra Ganesh Annie Pootoogook Wangechi Mutu Pandora’s Box Leesa Streifler Kara Walker Curated by Amanda Cachia Su-en Wong library and archives canada cataloguing in publication Contents Cachia, Amanda, 1978- Pandora’s Box. Essays by Amanda Cachia and Joan Borsa. Catalogue of an exhibition held at the Dunlop Art Gallery, Regina, Sask., May 16-July 20, 2008. Includes bibliographical references. isbn 978-1-894882-28-6 1. Women artists--Canada-- Exhibitions. 2. Women artists-- United States--Exhibitions. 3. Women in art--Exhibitions. 4. Art, Canadian-- Dunlop Art Gallery Saskatchewan--Regina--21st century Foreword Pandora’s Box --Exhibitions. 5. Art, American-- Regina Public Library 4 2311-12th Avenue May 16 – July 20, 2008 Saskatchewan--Regina--21st century Dr. Elizabeth McLuhan p.o. Box 2311 Central Gallery --Exhibitions. I. Borsa, Joan M. II. Regina, Saskatchewan Curated by Amanda Cachia Dunlop Art Gallery III. Title. Canada, S4P 3Z5 6 Introduction N6496.3.C3R44 2008 This publication originates from an tel (306) 777-6040 Joan Borsa exhibition organized by the Dunlop Art 704’.0420971074712445 fax (306) 949-7264 Gallery, a department of the Regina C2008-901152-X Public Library. Financial support [email protected] Bearing Gifts: The Myth of Pandora www.dunlopartgallery.org 12 from the Regina Public Library, the Amanda Cachia Saskatchewan Arts Board, and The Canada Council for the Arts is cover Shary Boyle, Migrations, 2006. gratefully acknowledged. Projected cut-out, coloured gels. Artist Biographies From Shadow Songs collaboration 52 with Christine Fellows. Photography: Shary Boyle 54 Contributors design Zab Design & Typography 56 List of Works printing Welter Studio, Toronto 58 Acknowledgements water in one hand/the tricky minded presented in solo exhibitions have the beginning. -
Curriculum Vitae
CURRICULUM VITAE Diana Thorneycroft SELECTED GRANTS AND AWARDS Manitoba Arts Award of Distinction, 2016 Manitoba Arts Council Major Arts Grant, 2016, 2012, 2009, 2001, 1997, 1991 Winnipeg Arts Council Travel Grant, 2016 Deep Bay Residency, Riding Mountain National Park, Manitoba, 2017, 2015, 2013, 2009, 2007 Manitoba Arts Council Travel Grant, 2014 Canada Council Assistance to Visual Artists -Long-term, 2007-09 Manitoba Arts Council “A” Grant, 2006, 2005,1996, 1990, 1982 Established Artist Grant, Canada Council, 2003 Most Outstanding Teacher Award, School of Art, University of Manitoba, 2002 Nomination, Roloff Beny Award, 2002 Fleck Fellowship, Banff Centre for the Arts, 2001 Canada Council “B” Grant, Photography, 1999,1992 City of Winnipeg Visual Arts Grant to Individuals, 2012, 2005,1999,1996, 1990 Canada Council Explorations Grant, 1995 Video Pool First Video Fund, 1994 Canada Council “B” Grant, Interdisciplinary/Collaboration, 1993 Manitoba Arts Council Project Grant, 1991, 1984 Canada Council Project Grant, 1990, 1987 SOLO EXHIBITIONS 2017 O Canada (I'm sorry). Whyte Museum of the Canadian Rockies, Banff, AB O Canada (I'm sorry). Strathcona County Art Gallery @ 501, Edmonton, AB 2016 A People's History. NorVa Centre, Flin Flon, MB Herd. Tom Thomson Art Gallery, Owen Sound, Ontario; Ottawa School of Art Gallery, Orleans, Ontario (solo) 2015 Diana Thorneycroft. Fabien Castanier Gallery, Paris Photo Los Angeles, L.A. 2013-14 Canadians and Americans (best friends forever... it's complicated). Fabien Castanier Gallery, Los Angeles, CA; Art Mûr, Montreal, Quebec; Michael Gibson Gallery, London, Ontario 2013-14 Group of Seven Awkward Moments. Art Gallery of Algoma, Sault Ste. Marie, Ontario; Art Galery of Sudbury, Sudbury, Ontario 2011-13 A People’s History. -
Librarians, Books and Clouds, Toronto, Project Gallery Studios, 17
1 CURRICULUM VITAE Cliff Eyland, b. 1954, Halifax, Canada 1026 McMillan Ave., Winnipeg, Manitoba, Canada R3M 0V8 Cell: 204 297-8421 E-mail: [email protected] www.cliffeyland.com For other websites and social media sites, Google "Cliff Eyland" Post-secondary education: 2014 Lift and Fall/Arrest Training, CAT Rentals, Halifax 1984/85 Exhibitions Officer, Mount Saint Vincent University Art Gallery (see below) 1984 Orientation Program, (one-week) National Gallery of Canada, Ottawa. 1980/82 Bachelor of Fine Art (studio) Nova Scotia College of Art and Design, Halifax, Nova Scotia, Canada. 1980 Certificate of Military Achievement, Canadian Armed Forces, Halifax. 1976/78 Diploma, Holland College School of Visual Arts, Charlottetown, Prince Edward Island, Canada. 1975/76 Arts, Philosophy Major, Art History Minor, (incomplete) Mount Allison University, Sackville, New Brunswick, Canada. Creative Works: SOLO EXHIBITIONS 2017 Cliff Eyland: Recent Work, Library Gallery, Winnipeg, 6 October-3 November; Book Paintings: The Moose Jaw Series, a permanent installation of 300 paintings at the Moose Jaw Museum and Art Gallery lobby;The Queer Set and Opioid Wall Book, July 8-18, Halifax, Nova Scotia. 2016 American Art Magazine Browsing Hexagon (with thanks to Steve Higgins), Library Gallery, Winnipeg, 4 March – 3 June. Cliff Eyland: Librarians, Books and Clouds, Toronto, Project Gallery Studios, 17 November 2016 – 15 January 2017 2015 501 Paintings and Buildings, Actual Gallery, Winnipeg, 30 December (2014) – 21 March 2015. 2014 Make Your Own Swedish Passport, Zsa Zsa West Gallery, Winnipeg, 7 February to 1 March; Book Paintings, Hermes Gallery, Halifax, 24 October to 29 November; permanent installation of 5000 paintings at the Halifax Central Library; permanent installation of 600 paintings at the Edmonton Meadows Library. -
North-West Territories: Council And
TERRITORIES Introduction Those interested in the evolution of the political system in the North-West Territories in the period 1876-1905, leading to the achievement of responsible government in 1897, and the establishment of the Provinces of Saskatchewan and Alberta in 1905, should find this directory of value. For a detailed description of this evolution the reader is referred to L.H. Thomas’s The Struggle for Responsible Government in the North-West Territories, 1870-1897, (2nd ed. Toronto, 1978), and C.C. Lindgard’s Territorial Government in Canada: The Autonomy Question in the Old North-West Territories (Toronto, 1946). The information contained in this directory comes from a variety of sources. In the absence of official election returns, the Canadian Parliamentary Companion and the Parliamentary Guide are the only comprehensive sources of information available on election results. While, in some instances, the vote totals may be imprecise they are the most reliable available. The aforementioned publications are also the primary source of birth dates of the individuals cited in the directory. Every effort has been made to determine dates of death by searching newspapers, and by contacting appropriate individuals and institutions for information. The bulk of the information in the directory comes from a number of official government documents such as the Journals of the North-West Council, the Journals of the Legislative Assembly of the North-West Territories, the North-West Territories Gazette, and orders-in-council. TERRITORIES LIEUTENANT GOVERNORS Name From To ________________________________________________________________________________________________ Hon. David Laird 1833 – 1914 ................................................................. Oct. 7, 1876 Dec. 2, 1881 Hon. Edgar Dewdney 1835 – 1916 ......................................................... -
Fixed/ Variable
september . october 2007 611 main street winnipeg manitoba canada r3b 1e1 204-949-9490 [email protected] www.mawa.ca fixed / variable Foundation Mentorship Program exhibition 2006/2007 MAWA invites you to join us for the First Annual Foundation Mentorship Program Exhibition. Ironically borrowing a phrase from the world of finance, Fixed/Variable refers to the process experienced by the artists in the Foundation Mentorship Program. What was taken for granted as “fixed” at the beginning of the year became “variable”: perceptions shifted and rearranged; ideas, artworks, and artists have grown, evolved, and changed. Morag Schonken, This Way Home, mixed media, various dimensions, 2007. In 2005, COLETTE BALCAEN obtained her Fine Arts Degree at the University of Manitoba. Issues that affect women, particularly within the domes-tic domain and grind of daily life, motivate her to create installations and performance projects. Suzie Smith, Forest, ink on paper, variable dimensions, 2007. Photo Sheila Spence. KALE BONHAM is a painter who graduated in 2006 from the Pauline A. Braun, Untitled, monotype with Polaroid emulsion transfer on magnani pescia. 31” x 44”. 2007. University of Manitoba School of Art. Her work is influenced by both pop and Abor-iginal cultures. Art is her way down the rabbit hole. PAULINE BRAUN spent most of her life in Northern Manitoba. She has lived and worked in Winnipeg since 2003. Her works are visual fragments of personal wonders that delight, amuse, inspire and amaze her. 611 main st., september 11-29 opening 7pm tuesday september 11 performance by colette balcaen at 7pm sharp JEANNINE CHUDZIK has lived and worked in Winnipeg since 1991. -
Collaborative Cultural Production at CBC Artspots Mary Elizabeth Luka
Towards Creative Citizenship: Collaborative Cultural Production at CBC ArtSpots Mary Elizabeth Luka A Thesis in the Department of Communication Studies Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Communication Studies) at Concordia University Montreal, Quebec, Canada September 2014 © Mary Elizabeth Luka, 2014 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Mary Elizabeth Luka Entitled: Towards Creative Citizenship: Collaborative Cultural Production at CBC ArtSpots and submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: __________________________________________ Chair Dr. Marcie Frank ___________________________________________External Examiner Dr. Catherine Murray __________________________________________ External to Program Dr. Alice Ming Wai Jim __________________________________________ Examiner Dr. Kim Sawchuk __________________________________________ Examiner Dr. Leslie Shade __________________________________________ Thesis Supervisor Dr. Monika Kin Gagnon Approved by __________________________________________________ Chair of Department or Graduate Program Director August 25, 2014 __________________________________________________ Dean of Faculty ABSTRACT Towards Creative Citizenship: Collaborative Cultural