Curriculum Vitae
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CV 6084 Rue Waverly, Montréal, QC H2T2Y3 Canada Tel: 438-884 5387 [email protected]
Adam Basanta - CV 6084 rue Waverly, Montréal, QC H2T2Y3 Canada Tel: 438-884 5387 [email protected] www.adambasanta.com Selected Solo Exhibitions 2018 • ***Upcoming*** Title TBA. Klangraum Krems, Krems, Austria. • ***Upcoming*** All we’d ever need is one another. Ellephant Gallery, Montreal QC, Canada. • Variations on a Theme. Galerie Bon Accueil, Rennes, France. 2017 • Variations on a Theme. FOFA Gallery. Montreal, QC Canada. • Five Lines, Crossing. Galerija SC. Zagreb, Croatia. 2016 • A Room Listening to Itself. Gallery 1C03, Winnipeg MB Canada. • Inversion as literary device. Galeria Skolska28. Prague, CZ. • Systems of Listening, Systems for Listening. Nutting Gallery. West Liberty University, WV. • Principle of Distance. Museum of Transitory Art. Ljubliana, Slovenia. • Louder than a beating heart. Galeria Swinton and Grant. Madrid, Spain. 2015 • A Room Listening to Itself. Open Space Gallery. Victoria BC. • The sound of empty space. Carroll/Fletcher Gallery. London UK. • Louder than a beating heart. Titanik Galerie. Turku Finland. • A room listening to itself. Centre for Contemporary Arts - Santa Fe. NM, USA. • The sound of empty space. Galerie B-312, Montreal QC. 2012 • Room Dynamics. Artscape Wychwood Barns, Toronto, ON, Canada. October 26-Dec 15, 2012. • Room Dynamics. The Bridge Gallery, Charlotsville, VA, USA. September 21-30 2012. Selected Group Exhibitions 2018 • ***Upcoming*** Robot Love. Van Abbemuseum, Eindhoven, • ***Upcoming*** Exposition rétrospective 10 ans. Eastern Bloc, Montreal QC Canada. • ***Upcoming*** Data Dating. Galerie Charlotte, • ***Upcoming*** … move or be moved by something rather than oneself. Critical Distance, Toronto ON Canada. • ***Upcoming*** Festival Interstice. Caen, France. • Sonic Arts Series. HAVN. Hamilton, ON, Canada. • 36ème Rendez-vous Québec Cinéma. Cinematheque Quebecois, Montreal QC Canada. -
Patrick L. Mahon
CURRICULUM VITAE Patrick L. Mahon EXHIBITIONS Recent Collaborative or Group Exhibition Projects: 2019-20 Speculative Energy Future: Prototypes for Possible Worlds – Beer, Baier, Caulfield, Esfahani, Fisher, Igharas, Makokis, Moore, Simpson, etc. Co-curated by Natalie Loveless & Sheena Wilson, FAB Gallery, U of AB, Department of Art & Design, (Brochure) 2019 C3+ Engineering Building/Wind Tunnel Sculpture – Kelly Jazvac, Patrick Mahon, Tegan Moore. Permanent Outdoor Installation 2018 The Living River Project: Art, Water and Possible Worlds – Mahon + Bou, Miner, Garoo, Rodney, Smallboy,Ouellette, Bariteau, Esfahani, Chitty, Willet, Coates, Gardiner. Co-Curated with Stuart Reid, Art Gallery of Windsor (Online Catalogue forthcoming) 2017-20 <Immune Nations> – Curated by Natalie Loveless (Caulfied, Fischer, Humphrey, Viader-Knowles with Hoffman, Hou et al) – Galerie KiT, Trondheim Academy of Fine Arts, Trondheim, Norway; UNAIDS Headquarters, Geneva, Switzerland; McMaster Museum of Art (Sept. 2020) (catalogue + journal) International 2016 Mountains and Rivers Without End - Gautam Garoo, Patrick Mahon, Gu Xiong, Esteban Ayala (Hidalgo), Jenny Jaramillo, Ulises Unda – Municipal Museum Modern Art, Cuenca, Equador; CAC, Quito, Ecuador; ArtLab Gallery, Western University, London, ON – Organized with Ulises Unda with Patrick Mahon (catalogue) International 2015 A Gust of Wind: Caulfield, Fuglem, Linge, Mahon, Merritt, Savard, Moore, with Artifacts from the Boundary Layer Wind Tunnel, Organized/Curated by P. Mahon - DNA Artspace, London ON, (brochure) -
Adam Basanta - CV B
Adam Basanta - CV b. 1985 (Tel-Aviv, Israel). Lives and works in Montreal, QC, Canada. [email protected] www.adambasanta.com Selected Solo Exhibitions 2020 • ***Upcoming*** Title TBD. bb15. Linz, Austria. 2019 • The Unknown Future Rolls Towards Us. HBK Braunschweig, Braunschweig, Germany. • All We’d Ever Need Is One Another (Trio). Arsenal Contemporary Toronto, Canada. • Landscape Past Future. Ellephant Gallery, Montreal QC, Canada. • Ballet Pathétique. Galerie Sans Nom. Moncton NB, Canada. • A Large Inscription, A Great Noise. Optica Centre d’Art Contemporain. Montreal QC, Canada. 2018 • All we’d ever need is one another. Ellephant Gallery, Montreal QC, Canada. • Variations on a Theme. Galerie Bon Accueil, Rennes, France. 2017 • Variations on a Theme. FOFA Gallery. Montreal, QC Canada. • Five Lines, Crossing. Galerija SC. Zagreb, Croatia. 2016 • A Room Listening to Itself. Gallery 1C03, Winnipeg MB Canada. • Inversion as literary device. Galeria Skolska28. Prague, CZ. • Systems of Listening, Systems for Listening. Nutting Gallery. West Liberty University, WV. • Principle of Distance. Museum of Transitory Art. Ljubliana, Slovenia. • Louder than a beating heart. Galeria Swinton and Grant. Madrid, Spain. 2015 • A Room Listening to Itself. Open Space Gallery. Victoria BC. • The sound of empty space. Carroll/Fletcher Gallery. London UK. • Louder than a beating heart. Titanik Galerie. Turku Finland. • A room listening to itself. Centre for Contemporary Arts - Santa Fe. NM, USA. • The sound of empty space. Galerie B-312, Montreal QC. Selected Group Exhibitions 2020 • ***Upcoming*** Title TBD. Atelierhaus Salzamt. Linz, Austria. • ***Upcoming*** Title TBD. Ellephant Gallery. Montreal QC Canada. 2019 • Montréal ~ Habana : Rencontres en art actuel / Encuentros de Arte Contemporáneo. -
Fairy Tails Contes Merveilleux
Fairy Tails Contes merveilleux Fairy Tails Contes merveilleux Fairy Tails Contes merveilleux Amalie Atkins, Aganetha Dyck, Meryl McMaster, Sylvia Ptak, Vicky Sabourin, Diana Thorneycroft, Anna Torma, Laura Vickerson, Janice Wright Cheney Anne Koval Curator / commissaire owens art Gallery Galerie d’art owens Mount allison university université Mount allison 2020 library and archives canada cataloGuinG in Publication Title: Fairy tails / curator, Anne Koval ; works by Amalie Atkins, Aganetha Dyck, Meryl McMaster, Sylvia Ptak, Vicky Sabourin, Diana Thorneycroft, Anna Torma, Laura Vickerson, Janice Wright Cheney = Contes merveilleux / commissaire, Anne Koval ; œuvres par Amalie Atkins, Aganetha Dyck, Meryl McMaster, Sylvia Ptak, Vicky Sabourin, Diana Thorneycroft, Anna Torma, Laura Vickerson, Janice Wright Cheney. Other titles: Fairy tails (Owens Art Gallery) | Contes merveilleux | Fairy tails (Owens Art Gallery). French Names: Koval, Anne, organizer. | Owens Art Gallery, host institution, issuing body. Description: Catalogue of an exhibition held at the Owens Art Gallery, Sackville, from January 10 to March 13, 2020. | Includes bibliographical references. | Text in English and French. Identifiers: Canadiana 20200292730e | isbn 9780888282668 (softcover) Subjects: lcsh: Fairy tales–History and criticism. | lcsh: Animals in literature–Exhibitions. | lcsh: Animals in art–Exhibitions. | lcGFt: Exhibition catalogs. Classification: lcc Gr550 .F35 2020 | ddc 398/.369074–dc23 cataloGaGe avant Publication de bibliothèque et archives canada Titre: Fairy tails / curator, Anne Koval ; works by Amalie Atkins, Aganetha Dyck, Meryl McMaster, Sylvia Ptak, Vicky Sabourin, Diana Thorneycroft, Anna Torma, Laura Vickerson, Janice Wright Cheney = Contes merveilleux / commissaire, Anne Koval ; œuvres par Amalie Atkins, Aganetha Dyck, Meryl McMaster, Sylvia Ptak, Vicky Sabourin, Diana Thorneycroft, Anna Torma, Laura Vickerson, Janice Wright Cheney. Autres titres: Fairy tails (Owens Art Gallery) | Contes merveilleux | Fairy tails (Owens Art Gallery). -
UAAC Conference.Pdf
Friday Session 1 : Room uaac-aauc1 : KC 103 2017 Conference of the Universities Art Association of Canada Congrès 2017 de l’Association d’art des universités du Canada October 12–15 octobre, 2017 Banff Centre for Arts and Creativity uaac-aauc.com UAAC - AAUC Conference 2017 October 12-15, 2017 Banff Centre for Arts and Creativity 1 Welcome to the conference The experience of conference-going is one of being in the moment: for a few days, we forget the quotidian pressures that crowd our lives, giving ourselves over to the thrill of being with people who share our passions and vocations. And having Banff as the setting just heightens the delight: in the most astonishingly picturesque way possible, it makes the separation from everyday life both figurative and literal. Incredibly, the members of the Universities Art Association of Canada have been getting together like this for five decades—2017 is the fifteenth anniversary of the first UAAC conference, held at Queen’s University and organized around the theme of “The Arts and the University.” So it’s fitting that we should reflect on what’s happened in that time: to the arts, to universities, to our geographical, political and cultural contexts. Certainly David Garneau’s keynote presentation, “Indian Agents: Indigenous Artists as Non-State Actors,” will provide a crucial opportunity for that, but there will be other occasions as well and I hope you will find the experience productive and invigorating. I want to thank the organizers for their hard work in bringing this conference together. Thanks also to the programming committee for their great work with the difficult task of reviewing session proposals. -
Aganetha Dyck Fonds (MSS 511 (A2014-111))
University of Manitoba Archives & Special Collections Finding Aid - Aganetha Dyck fonds (MSS 511 (A2014-111)) Generated by Access to Memory (AtoM) 2.3.1 Printed: August 15, 2017 Language of description: English Language of description: French University of Manitoba Archives & Special Collections 330 Elizabeth Dafoe Library Winnipeg Manitoba Canada R3T 2N2 Telephone: 204-474-9986 Fax: 204-474-7913 Email: [email protected] http://umanitoba.ca/libraries/units/archives/ http://umlarchives.lib.umanitoba.ca/index.php/aganetha-dyck-fonds Aganetha Dyck fonds Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 4 Notes ................................................................................................................................................................ 4 Access points ................................................................................................................................................... 4 Physical condition ........................................................................................................................................... 4 Series descriptions .......................................................................................................................................... -
A DECADE of TRANSFORMATION —INSIDE & out the Legacy of Dr
SPRING WINNIPEG 2014 A DECADE OF TRANSFORMatION: The Legacy of Dr. Lloyd Axworthy DISCOVER ACHIEVE BELONG THE UNIVERSITY OF WINNIPEG MAGAZINE 34. 10. 18. Sustainability UNITED Health Community on Campus & RecPlex Learning Reward yourself. Get the BMO® University of Winnipeg MasterCard.®* Reward yourself with 1 AIR MILES®† reward mile for every $20 spent or 0.5% CashBack® and pay no annual fee1,2. Give something back With every purchase you make, BMO Bank of Montreal® makes a contribution to help support the development of programs and services for alumni, at no additional cost to you. Apply now! 1-800-263-2263 Alumni: bmo.com/winnipeg Student: bmo.com/winnipegspc Call 1-800-263-2263 to switch your BMO MasterCard to a BMO University of Winnipeg MasterCard. 1 Award of AIR MILES reward miles is made for purchases charged to your Account (less refunds) and is subject to the Terms and Conditions of your BMO MasterCard Cardholder Agreement. The number of reward miles will be rounded down to the nearest whole number. Fractions of reward miles will not be awarded. 2 Ongoing interest rates, interest-free grace period, annual fees and all other applicable fees are subject to change. See your branch, call the Customer Contact Center at 1-800-263-2263, or visit bmo.com/mastercard for current rates.® Registered trade-marks of Bank of Montreal. ®* MasterCard is a registered trademark of MasterCard International Incorporated. ®† Trademarks of AIR MILES International Trading B.V. Used under license by LoyaltyOne, Inc. and Bank of Montreal. Docket #: 13-321 Ad or Trim Size: 8.375" x 10.75" Publication: The Journal (Univ of Winnipeg FILE COLOURS: Type Safety: – Alumni Magazine) Description of Ad: U. -
MFA Handbook 2015/2016
MFA Handbook 2015/2016 for Students, Faculty & Staff TABLE OF CONTENTS This handbook is revised annually, and some policies and other information may change between publication dates. The School of Art will provided update/revised materials when critical information is amended. The School of Art ......................................................................................................... 3 Fields of Creative Work and Research .......................................................................................... 3 Research Facilities ....................................................................................................................... 3 Program Admission ..................................................................................................... 4 Application ................................................................................................................................. 4 Application Deadline .................................................................................................................. 4 Program Registration ................................................................................................... 5 General Information .................................................................................................................... 5 Students from Other Faculties at this University ......................................................................... 5 Visiting Students from Another University ................................................................................. -
ERIC CAMERON Born 1935, Leicester, England
ERIC CAMERON Born 1935, Leicester, England Lives and works in Calgary, Alberta EDUCATION 1953-1957 King’s College, Newcastle, Durham University under Lawrence Gowing, Victor Pasmore and Richard Hamilton. 1957-1959 Studied History of Art at the Courtauld Institute, University of London. SELECTED EXHIBITIONS Solo 2018 Eric Cameron, TrépanierBaer, Calgary, AB 2010 Eric Cameron, Musée national Marc Chagall, Nice, France 2009 Record of Work, Canadian Cultural Centre, Paris, France - Exhibition accompanied by catalogue 2008 Eric Cameron: Works from 1963 to 2008, TrépanierBaer, Calgary, Alberta 2005 Material Mysticism and Mystical Materialism, The Prairie Gallery, Grande Prairie, Alberta 2004 Eric Cameron, The Nickle Arts Museum, Calgary (special solo show to mark Governor General's Award) TrépanierBaer, Calgary, Alberta 1999 English Roots, Hatton Gallery, Newcastle, England 1998 Desire and Dread, Muttart Public Art Gallery, Calgary, Alberta English Roots, Tate Gallery, St. Ives, England English Roots, (different content from Tate Gallery), Leeds City Art Gallery, Leeds, England Exposed/Concealed, Art Gallery of Ontario, Toronto, Ontario Installations in Perspective, Deacon Ulrich Fine Arts, Calgary, Alberta 1996 Solo Exhibition, contextualized with works by other artists, University of Lethbridge Art Gallery, Lethbridge, Alberta 1994 Squareness, Owens Art Gallery, Sackville, New Brunswick 1993 Exposer/Cacher, Galerie Arena, Arles, France Squareness, Southern Alberta Art Gallery, Lethbridge, Alberta 1992 The Shadow of Self, Art Museum of the -
The First Enewsletter from the School of Art! the Launch of This Publication Marks an Exciting New Chapter in The
WeWelcome to the first eNewsletter from the School of Art! Director’s Message The launch of this publication marks an exciting new chapter in the long history of the School of Art and arrives near the com- pletion of my first year as its new Director. My adjustment to life in Winnipeg has been both exciting and challenging. In many respects, Winnipeg offers a quintessentially Canadian experience: a city spread out but not too large; the fullness of seasons year ‘round, a verdant landscape; mornings full of light and freshness, intense summer heat and frigid winter cold. This shifting environment constantly stimulates our perceptions of the world, challenges us to engage our senses and, coupled with Winnipeg’s unique geographical centrality, makes us aware of our place in the big picture. For many decades the School of Art has played an important role in the development of art in western Canada. The future holds great promise: we are planning for a new home in a renovated Taché Hall and continue to lay the groundwork for an MFA program. I welcome the challenge of shaping the vision of the School of Art during these exciting times and encourage each one of you to consider how each member of the School’s educational community, both present and past, might play an important role in building our success. This newsletter is the first in what I hope will be a series of communications between the School of Art and its extended family of alumni and friends. You are a very special group and one of the most important objectives I have is to welcome you into a dialogue with each other and the School of Art as we move these projects forward. -
Senate - OPEN Wednesday, May 20, 2020 Via Zoom 10:30 AM Page
AGENDA Senate - OPEN Wednesday, May 20, 2020 Via Zoom 10:30 AM Page 1 CALL TO ORDER 2 APPROVAL OF AGENDA a) Agenda - May 20, 2020 3 - 4 May 20 Open Senate Agenda 3 APPROVAL OF MINUTES OF THE MEETING OF APRIL 23, 2020 a) Open Session Minutes - April 23, 2020 5 - 9 Open Session Minutes - 04-23-20 4 REMARKS OF THE CHAIR 5 REPORTS 5.1 Student Services Committee a) 2021-2022 Academic Dates - For Approval 10 - 26 Academic Dates 2021-2022 b) Addition of IELTS Indicator to English Language Proficiency Test - For 27 Approval IELTS Indicator 5.2 Graduate Studies Committee a) MDP Curriculum Revisions - For Approval 28 - 39 MDP Curriculum Revisions 5.3 Annual Reports of Committees a) Annual Reports - For Information 40 - 72 Academic Misconduct Appeals Committee Academic Planning Committee Academic Standards and Misconduct Committee Academic Working Group on Sustainability Budget Review Committee Curriculum Committee Executive Committee Faculty and Staff Awards Committee Graduate Studies Honorary Degrees and Fellowships Committee Indigenous Course Requirement Committee Joint Senate Committee on Master's Programs Library Committee PACE Page 1 of 125 Research Policy Committee Student Appeals Committee Student Services Committee 5.4 Annual Reports of Faculty Councils a) Annual Reports - For Information 73 - 125 Arts Business and Economics Collegiate Education Graduate Studies Gupta Faculty of Kinesiology and Applied Health Science 6 OTHER BUSINESS 7 MOTION TO ENTER CLOSED SESSION 8 APPROVAL OF MINUTES OF THE MEETING OF APRIL 23, 2020 9 REPORTS 10 OTHER BUSINESS 11 ADJOURNMENT Page 2 of 125 a) The University of Winnipeg Senate Agenda May 20, 2020 10:30 a.m. -
MAWA Newsletter, Spring 2009
february, march, april, 2009 611 main street winnipeg manitoba canada r3b 1e1 204-949-9490 | [email protected] | www.mawa.ca news from main street news from MAWA is a mere 15-minute walk from downtown. Talk about neighbourhood: more people on the street, a diversity of services location, location, location! Yet the Disraeli Highway cuts us off and some historic preservation. So far, most of these initiatives have from the Exchange with speed, noise and pollution, and perhaps been inclusive of existing businesses and residents. So far, few have nowhere in the city is the legacy of colonization – poverty and been displaced. substance abuse – more evident. This winter the City of Winnipeg is revising Plan Winnipeg by As Richard Florida describes in The Rise of The Creative Class, creating a secondary plan for South Point Douglas, which they define the reclamation of neglected neighbourhoods often begins with a as extending from MAWA north to the tracks and east to the Louise first wave of pioneers who move in, make improvements, and create Bridge. Our mayor has been quoted as describing the neighbourhood safety and community. Who are these brave urbanistas? According as a “jewel”. And it is! As long as our city and business leaders see to Florida, largely artists. Certainly that is true on North Main: diversity as its greatest asset, and don’t approach the area with a MAWA, the Edge, Manitoba Printmakers…. But there are also older literal or figurative demolition ball, creating a blank slate upon businesses and many individuals who make North Main home.