Chicagomade Chicago Creative Industries Economic Impact Study

Total Page:16

File Type:pdf, Size:1020Kb

Chicagomade Chicago Creative Industries Economic Impact Study CHICAGOMADE CHICAGO CREATIVE INDUSTRY ECONOMIC IMPACT STUDY FULL MATERIALS MAY 23, 2019 Next Street Financial LLC © Copyright 2019 – CONFIDENTIAL 1 TABLE OF CONTENTS Project Overview Executive Summary Creative Industry Definition & Project Parameters Fact-Based Assessment of Chicago’s Creative Economy Quantitative Profile Qualitative Profile Opportunities & Recommendations for WBC Next Street Financial LLC © Copyright 2019 – CONFIDENTIAL 2 PROJECT CONTEXT AND OBJECTIVES > World Business Chicago’s ChicageMade initiative works to support entrepreneurs in the Creative Industry and serve as a connector to the broader ecosystem of Creative Industry resources in the region > As part of this mission, ChicagoMade aims to enhance the profile of Creative Industry in Chicago, given their role as a driver of both innovation and culture to the local and national economy > ChicagoMade has engaged Next Street and Development Strategies to conduct a study that demonstrates the economic impact that the Creative Industry have in Chicago and its economy > Our work includes a fact base assessment, comprised of upfront alignment on the definition for the “Creative Industry”, quantitative and qualitative analyses, best practices research on peer cities, and recommendations on areas of opportunity to better elevate creative entrepreneurs Our project objective is to deliver a fact base assessment of entrepreneurs in the Creative Industry in Chicago, thereby identifying areas of opportunity to better support and articulate the impact of these entrepreneurs The outcomes of this assessment will be used to inform World Business Chicago’s business plan and the broader economic development strategy of the City of Chicago Next Street Financial LLC © Copyright 2019 – CONFIDENTIAL 3 PROJECT TIMELINE Next Street Development Strategies Feb Mar Apr May Phase 1: Fact Finding Alignment & definition Quantitative assessment Profile of Creative Industries & small businesses Assessment of Creative Industries compared to other industries in Chicago Profile of occupations and talent Profile of Creative Industries’ role in neighborhood economies Comparison of Chicago’s creative economy to comparable cities Qualitative assessment Best practices research Phase 2: Synthesis & Recommendations Strategy Profile Development Final recommendations Bi-weekly Check-ins with Project Team Milestone Meetings with Working Group Fact-base Readout (4/1) Recommendations & Synthesis (5/22) Next Street Financial LLC © Copyright 2019 – CONFIDENTIAL 4 PRELIMINARY THINKING FROM MILESTONE MEETING #1 CHICAGOMADE STRATEGIC PLAN RECAP ChicagoMade’s previous Strategic Plan highlighted several strengths, weaknesses, and opportunities for Chicago’s creative economy that we have begun to test through our fact-base assessment ChicagoMade Strategic Plan Preliminary Insights and Learnings Takeaways Chicago has a strong creative entrepreneur > While several resources for creative entrepreneurs exist, there is a general lack of 1 support infrastructure to build from, including awareness of resources and programs, and no single source for identifying available numerous museums, network of innovation programs (to be addressed, to an extent, for small businesses broadly, through spaces, City of Chicago incentives and SBDCs, ChiBizHub) among others > Existing programs vary in quality and relevance to creative entrepreneurs; entrepreneurs cited City’s Boombox pop-ups and community-based initiatives (Stony Island Arts Bank, Chicago Urban Art Retreat) as being key resources, whereas others, like City grant programs, are seen as ineffective at benefiting those they aim to support Creative Industry contributes significant > Alignment from entrepreneurs and other stakeholders that industry impact should 2 economic impact to Chicago’s economy and capture not only quantitative impact, but also cultural influence on neighborhood impart unique cultural identities to level; community development, political activism, and neighborhood pride were cited as neighborhoods across the city key motivators for engaging in Creative Industry 3 Unequal access to business assistance amongst > Unequal access to resources and customers is rooted in systemic racism in South Side creative entrepreneurs, and opportunity to and West Side neighborhoods; future initiatives should be community-driven and elevate creativity of neighborhoods locally and focus on alleviating risk and financial burden, and driving foot traffic to businesses in globally underserved neighborhoods 4 Incubator cited as potential solution for > Incubator could fill a significant gap in “back-office” / business needs – both through providing creative entrepreneurs with a single direct training to entrepreneurs and connecting creatives with existing service location for accessing and learning about providers; these services would alleviate commonly cited bandwidth issues and enable relevant resources entrepreneurs to focus more attention on creative aspects of their business > In addition to business training and resources, an incubator or similar model could serve as hub for networking, mentor relationships, partnerships, and career exposure programs to further cultivate Chicago’s collaborative, creative entrepreneur landscape > Continued research on needs of creative entrepreneurs is underway, and we anticipate solutions set could be broader than incubator model Next Street Financial LLC © Copyright 2019 – CONFIDENTIAL 5 TABLE OF CONTENTS Project Overview Executive Summary Creative Industry Definition & Project Parameters Fact-Based Assessment of Chicago’s Creative Economy Quantitative Profile Qualitative Profile Opportunities & Recommendations for WBC Next Street Financial LLC © Copyright 2019 – CONFIDENTIAL 6 EXECUTIVE SUMMARY: CHICAGO’S CREATIVE ECONOMY Chicago’s Creative Economy is large, integral to the economic health of the city, and can be defined through six core industry clusters Chicago’s Creative Economy Employs The Creative Industry’s More than 250,000 Employees in More Economic Impact2 than 37,000 Businesses1 Creative Economy establishments Total Creative Economy employees by number of employees 253,511 $144B of total direct and $34B in total direct 24,496 indirect economic output Non-Employers and indirect wages is equates to nearly four equivalent to 11% of Non-Employer Micro (1-9) Businesses times Healthcare and personal income in Small (10-49) Employees of 229,016 24,496 Social Assistance Cook County Businesses revenues in Cook County ($300B) 10,276 ($40B in 2012) 3,043 The Industry Clusters of Chicago’s Creative Economy Creative Goods and $ Design and Planning 660,000 direct and Fashion Design and Services indirect jobs supported is $2B in state tax Manufacturing equivalent to over 30% revenue generated is of private sector equivalent to 5% of Fine Arts and Creative Goods and employment in Cook state tax revenue in Performing Arts Fashion Wholesale County (2.2M) 2016 Entertainment, Digital Creative Culinary Media, and Creative Businesses Professional Services 1. US Census, County Business Patterns, Cook County (2012, 2016); Nonemployer Statistics (2012, 2016); 2. U.S. Census County Business Patterns; Bureau of Economic Analysis; IL Dept. of Employment Security; IL Dept. of Revenue Next Street Financial LLC © Copyright 2019 – CONFIDENTIAL 7 EXECUTIVE SUMMARY: WHO CHICAGO CREATIVES ARE Chicago’s Creative Economy is not demographically representative of Chicago as a whole; women and People of Color are underrepresented and face barriers to inclusion Business Ownership in Chicago’s Creative Economy1 “The people making decisions about arts funding Ownership by race for businesses need to look like artists. They need to look like the with paid employees city and the people who live here.” [arts center director] White Black 87% Asian “The food industry is so male dominated. People write me 2% Some Other Race 1% 19% off, don’t necessarily respect me as a business owner or chef. Have to fight for respect.” Ownership by ethnicity for businesses with paid employees [catering company, formerly food truck] 95% Not Hispanic or Latinx “We had a meeting with the mayor: 12 organizations were Hispanic or Latinx 5% represented. I was the only Latino, and the only one whose organization wasn’t based in the Loop.” Ownership by gender for [museum director] businesses with paid employees Female “When black people aren’t a part of the conversation about what’s going to happen, it doesn’t go well. People avoid 62% Male inclusion because it means working outside of our ego.” Equal Male- 25% [designer and architect] 13% Female Ownership 1. Survey of Business Owners, Illinois, 2012 Next Street Financial LLC © Copyright 2019 – CONFIDENTIAL 8 EXECUTIVE SUMMARY: HOW CHICAGO COMPARES Chicago’s Creative Industry employs nearly 10% of all Chicagoans, but peer cities offer helpful examples in how to grow Chicago’s Creative Economy and make it a more inclusive and supportive industry for all Share of Creative Industry Employment1 to Total Employment by Primary County, 2016 Det Hou Phil USA Chi Atl NY LA 5% 8.1% 9.5% 20% Learnings from four peer cities (New York, Los Angeles, Philadelphia, and Detroit) Support offerings for artists in the Creative Economy should be flexible and adaptable to meet artists’ 1 needs Robust business support services for the Creative Industry can elevate artists within a city’s economy, 2 creating downstream economic and cultural impact Organizations providing support to creative entrepreneurs should leverage the expertise of partners to 3 extend their
Recommended publications
  • How to Collect Coins a Fun, Useful, and Educational Guide to the Hobby
    $4.95 Valuable Tips & Information! LITTLETON’S HOW TO CCOLLECTOLLECT CCOINSOINS ✓ Find the answers to the top 8 questions about coins! ✓ Are there any U.S. coin types you’ve never heard of? ✓ Learn about grading coins! ✓ Expand your coin collecting knowledge! ✓ Keep your coins in the best condition! ✓ Learn all about the different U.S. Mints and mint marks! WELCOME… Dear Collector, Coins reflect the culture and the times in which they were produced, and U.S. coins tell the story of America in a way that no other artifact can. Why? Because they have been used since the nation’s beginnings. Pathfinders and trendsetters – Benjamin Franklin, Robert E. Lee, Teddy Roosevelt, Marilyn Monroe – you, your parents and grandparents have all used coins. When you hold one in your hand, you’re holding a tangible link to the past. David M. Sundman, You can travel back to colonial America LCC President with a large cent, the Civil War with a two-cent piece, or to the beginning of America’s involvement in WWI with a Mercury dime. Every U.S. coin is an enduring legacy from our nation’s past! Have a plan for your collection When many collectors begin, they may want to collect everything, because all different coin types fascinate them. But, after gaining more knowledge and experience, they usually find that it’s good to have a plan and a focus for what they want to collect. Although there are various ways (pages 8 & 9 list a few), building a complete date and mint mark collection (such as Lincoln cents) is considered by many to be the ultimate achievement.
    [Show full text]
  • WILDLIFE WATCHING and TOURISM a Study on the Benefits and Risks of a Fast Growing Tourism Activity and Its Impacts on Species IMPRINT
    WILDLIFE WATCHING AND TOURISM A study on the benefits and risks of a fast growing tourism activity and its impacts on species IMPRINT Published by United Nations Environment Programme (UNEP) and the Secretariat of the Convention on the Conservation of Migratory Species of Wild Animals (CMS). Wildlife Watching and Tourism: A study on the benefits and risks of a fast growing tourism activity and its impacts on species UNEP / CMS Secretariat, Bonn, Germany. 68 pages. Produced by UNEP / CMS Convention on Migratory Species and TUI Author Richard Tapper, Environment Business & Development Group, E-mail: [email protected] Editing & Coordinator Paola Deda, CMS Secretariat, E-mail: [email protected] Publishing Manager Muriel M. Mannert Design Karina Waedt © 2006 United Nations Environment Programme (UNEP) / Convention on Migratory Species (CMS). This publication may be reproduced in whole or in part and in any form for educational or non-profit purposes without special permission from the copyright holder, provided acknowledgement of the source is made. UNEP would appreciate receiving a copy of any publication that uses this publication as a source. No use of this publication may be made for resale or for any other commercial purpose whatsoever without prior permis- sion in writing from the United Nations Environment Programme. DISCLAIMER The contents of this volume do not necessarily reflect the views of UNEP or contributory organizations.The designations employed and the presentations do not imply the expression of any opinion whatsoever on the part of UNEP or contri- butory organizations concerning the legal status of any country, territory, city or area in its authority, or concerning the delimitation of its frontiers or boundaries.
    [Show full text]
  • 2016 Pub Rpt HOBBY COLLECTIONS Revised
    Publicity Report - Premium Placing State Fair of Texas Page 1 Standard Sept. 30 - Oct. 23, 2016 Department - F HOBBY COLLECTIONS Place / Rank Name City/State Club/Farm Name Department F - HOBBY COLLECTIONS Class F - Lot 100 - ADVERTISING ITEMS HOBBY COLLECTIONS 1st DENNIS BARDIN Quinlan, TX 2nd BOB CHAMBLEE Prosper, TX 3rd LAURA MCCARTHY Dallas, TX HM LOU ANNA CHAMBERS Dallas, TX Lot 101 - AMERICAN GLASS, ANY TYPE HOBBY COLLECTIONS 1st LOU ANNA CHAMBERS Dallas, TX 2nd LESLIE WALLIS DURHAM Dallas, TX 3rd BRAD PATTERSON Keller, TX Lot 102 - AMERICAN POTTERY HOBBY COLLECTIONS 1st JAN WIER Dallas, TX 2nd MIKE JAMES Dallas, TX 3rd FREDERICK STANWISE Dallas, TX Lot 103 - APOTHECARY ITEMS HOBBY COLLECTIONS 1st MISTY ALLEN-GUINN Garland, TX 2nd ANGELA KING Arlington, TX 3rd PATTI BREWER Dallas, TX Lot 104 - BANKS - STILL HOBBY COLLECTIONS 1st CHARLES BERG DALLAS, TX 2nd EVELYN CHEEK Mesquite, TX HM CAROL A GRIMES Mc Kinney, TX Lot 105 - BARBER ITEMS HOBBY COLLECTIONS 1st RICK LEAL Grand Prairie, TX 2nd COLLIN PITTMAN Dallas, TX 3rd JANET L BLACKWELL Richardson, TX Lot 106 - BASKETS-CRYSTAL OR GLASS ONLY HOBBY COLLECTIONS 1st JUDY SPENCER CREED Euless, TX Lot 107 - BELT BUCKLES HOBBY COLLECTIONS 1st ERNEST CARR Duncanville, TX 2nd ANN PERDUE Carrollton, TX 3rd SUE TURNER FERRIS, TX Printed At 09/06/2016 12:59:42 PM Publicity Report - Premium Placing State Fair of Texas Page 2 Standard Sept. 30 - Oct. 23, 2016 Department - F HOBBY COLLECTIONS Place / Rank Name City/State Club/Farm Name Lot 108 - BOOKS, CHILDREN'S HOBBY COLLECTIONS 1st LINDA ROE
    [Show full text]
  • BEYOND the CLASSROOM TOUR & TRAVEL Columbus Academy
    BEYOND THE CLASSROOM TOUR & TRAVEL Columbus Academy Art Trip 2020 Chicago Program Dates Saturday February 15 – Monday February 17, 2020 PROGRAM OVERVIEW ★ Three Days and 2 Nights in Chicago ★ Hotel accommodations (quad occupancy for students) for two nights at The Congress Plaza Hotel H Chaperones housed in single rooms H All hotel taxes and occupancy fees ★ Hotel baggage handling upon arrival and departure (one bag per person) ★ Two Dinners in Chicago (Giordano’s Pizza and The Fireplace Inn) ★ Breakfast included at the hotel each morning H Two ($15) Lunch Stipends ★ Guided Tour of Frank Lloyd Wright Home & Studio H Guided Tour of Frederick C Robie House ★ Admission to the Art Institute of Chicago ★ Private Tour of Stony Island Arts Bank H Admission to Museum of Contemporary Art H Admission at the Museum of Contemporary Photography ★ Screen Printing Workshop at Lillstreet Art Center ★ Attend performance at The Neo-Futurists Theater H Opportunities to visit The Chicago Cultural Center and view public art in Grant Park and Millennium Park ★ RT Motor Coach Transportation via Lakefront Lines including driver room, driver gratuity, tolls, and parking ★ Night time security at the hotel ★ A Full-time Tour Director to accompany your group 24 hours a day from departure to arrival home ★ Comprehensive Insurance Policies. In addition, all participants are provided accident coverage ★ Individual Trip Cancellation Insurance Available when you register on the Beyond The Classroom web site BEYOND THE CLASSROOM TOUR & TRAVEL TOTAL PER PERSON COST $605
    [Show full text]
  • GINNY SYKES Lives and Works in Chicago, IL Ginnysykes.Com
    GINNY SYKES Lives and works in Chicago, IL ginnysykes.com EDUCATION MA, Women Studies and Gender Studies, Loyola University, Chicago, IL, 2014 BFA, Painting, Washington University, St. Louis, MO, 1979 Studio Cecil Graves, Classical Painting and Art History, Florence, Italy, 1991 EXHIBITIONS AND PERFORMANCES 2016 Water Tower Arts Festival, (installation and performance), Fabrika 126, Sofia, Bulgaria By Land or By Sea, LACE Contemporary Exhibitions, Los Angeles, CA HearteartH Festival, Berlin, Germany 2015 Arceo Press: Santitos, Presidents Gallery, Chicago State University, Chicago, IL Traffic Jam #4, Festival de Arte Contemporáneo, Saltillo Contemporary, Saltillo, Mexico Omaggio del Cilento a Palma Bucarelli, Palazzo Marchesale, Pisiotta, Italy Traffic Jam #4, Can Gelabert Casal de Cultura, Binissalem, Malorca and Centre d’Art I Creació de Ses Voltes, Palma de Mallorca, Spain 2014 Finding Space, (solo exhibition), Chicago Art Source Gallery, Chicago, IL Continuum, (solo exhibition), Prospectus Gallery, Chicago, IL Los Santitos, Studio Art Schools International, Florence, Italy 2013 Bodies of Memory, (multimedia theater production), Next Theatre, Evanston, IL Deliberate Dissonance, (solo exhibition), Art on Armitage, Chicago, IL Supermarket 2013, Kulturhuset, Stockholm, Sweden 2012 Surface, Chicago Art Source Gallery, Chicago, IL Los Santitos, Loyola University Museum of Art, Chicago, IL; Universidad Michoacana de San Nicolás de Hidalgo, Morelia, Michoacán, México; Benedictine University, Lisle, IL; Fundación Casa de los Tres Mundos, Granada,
    [Show full text]
  • Creative Industries
    KEY INDUSTRY CREATIVE INDUSTRIES Colorado is a global leader in the creative INDUSTRY FACTS industries, which include six creative sub-groups: design, film and media, heritage, literary and publishing, performing arts, and visual arts and crafts: • Design applies artistic content to commercial products, services and the $300 environment, and includes companies that purchase fabrics, design, cut, sew and assemble garments and other sewn products ranging from footwear to handbags and luggage. Companies that provide design-related services (such as architectural, MILLION home interiors, graphic, and advertising-related agencies) are also included. EXPORTS 2013 TOTAL • Film and media companies provide technical and distributive elements of EXPORT Colorado’s entertainment industry, including companies that provide technical TOP 3 MARKETS production support systems such as sound, lighting, digital art, animation, sets and studios, broadcasting and distribution channels via motion picture, video and music 1. Canada production companies. • Heritage includes Colorado’s historical sites, museums and botanical gardens. 2. Mexico • Literary and publishing companies print newspapers, books, labels, stationary 3. Japan and other materials, and perform support activities such as data imaging and bookbinding. Companies that wholesale and publish newspapers, magazines, books, directories and mailing lists, and software are also included. • Performing arts includes actors, musicians, promoters, producers and directors and the venues at which they perform. Musical instrument and supply stores are also NUMBER OF included. COMPANIES • Visual arts and crafts companies manufacture metal, wood, jewelry, silverware, dolls and stuffed toys, games, musical instruments, wholesale toy and hobby goods, jewelry and precious metals. Photography studios, galleries, photofinishing laboratories, fine arts schools, art dealers, and sewing and needlework stores are also included.
    [Show full text]
  • Artropolischicago.Com Friday Through Monday at The
    Preview Night, Thursday, April 24, 2008 April 25–28 Friday through Monday at The Merchandise Mart artropolischicago.com April 25–28, 2008 at The Merchandise Mart Artropolis Tickets Good for admission to all five shows atT he Merchandise Mart Adults $20 daily or $25 multi-day pass Seniors, Students or Groups $15 multi-day pass Children 12 and under FREE Additional collegiate and high school information can be obtained by emailing [email protected] Tickets available online at artropolischicago.com Table of Contents 3 Welcome 19 Map 4 About the Exhibitions 21 Fine Art Museums 5 Art Chicago 22 Architecture and 8 NEXT Sculpture 10 The Merchandise Mart 23 Art Centers & Events International Antiques Fair 23 Dance 12 The Artist Project 24 Film 13 The Intuit Show of Folk 24 Institutions and Outsider Art 25 Museums 14 Program & Events 26 Music 14 Friday, April 25 27 Theatre 16 Saturday, April 26 29 Travel & Hotel Information 17 Sunday, April 27 30 Daily Schedules 18 Monday, April 28 Media Sponsor: Cover photo: Cloud Gate 18 Artropolis Cultural by Anish Kapoor at the AT&T Plaza in Millennium Park. Courtesy of the City of Chicago/Walter Mitchell Partners © 2008 Merchandise Mart Properties, Inc. 2 Welcome to Artropolis! There is no city as well-suited to host a major international art show as Chicago. It is home to top museums for modern and contemporary art, celebrated cultural institutions, thriving art galleries, and some of the world’s greatest artists, collectors and patrons. As Artropolis flourishes, it stimulates growth in each of the companion shows.
    [Show full text]
  • 2021 Outdoor Participation Trends Report Table of Contents
    2021 OUTDOOR PARTICIPATION TRENDS REPORT TABLE OF CONTENTS Executive Outdoor Participant Diversity The Next A Detailed Methodology Summary Participation Profile Generation Look Snapshot EXECUTIVE SUMMARY In 2020, 53 percent of Americans ages 6 and over participated in outdoor recreation at least once, the highest participation rate on record. As the COVID-19 pandemic ravaged communities and forced a nationwide shutdown, outdoor spaces became places of refuge to safely socialize, improve physical and mental health, connect with family and recover from screen fatigue. Remarkably, 7.1 million more Americans participated in outdoor recreation in 2020 than in the year prior. Despite these gains, nearly half of the U.S. population did not share in the proven, positive health outcomes of outdoor physical activity. COVID-19 inspired huge TERMINOLOGY participation growth, as detailed throughout this report. These PARTICIPANT A survey respondent who reported one-year gains, however, did Outdoor Foundation’s Thrive Outside participating in at least one outdoor activity not fundamentally alter the initiative is focused on reversing the in calendar year 2020. Participants often report undertaking multiple activities long-term challenges faced declining trend of outdoor engagement. multiple times throughout the year. by the outdoor industry. To build and strengthen networks that provide children and families with The outdoor industry and its PARTICIPATION RATE repeat and reinforcing experiences in partners are positioned to The proportion of a group that participated the outdoors, Thrive Outside awards in outdoor recreation or in an outdoor champion new ways to engage multiyear, capacity-building grants to activity. For example, if 6 in 10 teenagers outdoor participants and invest diverse communities.
    [Show full text]
  • The Creative Economy of Houston
    JULY 2012 THECREATIVE ECONOMY OF HOUSTON A comprehensive sTUDY OF creaTIVE-SECTor INDUStrieS and their IMPACT ON THE HOUSTON ECONOMY Commissioned by Houston Arts Alliance and University of Houston in partnership with Greater Houston Partnership Data and Analysis by EMSI Thank you to all of the many thoughtful participants in bringing this study to a reality. Nearly three years WELCOME LETTER ago, Houston Arts Alliance and University of Houston convened a group of creative, academic and policy leaders to discuss the broad creative sector in Houston. A few preliminary take-aways have informed the work since then. Among them is the sense that the delineation between the for-profit creative sectors and the non-profit arts is now highly porous. Artists and other creatives move fluidly between work in major arts institutions, community-based organizations, film, design and other creative endeavors. The “arts” today are about creative expression and creative experience, and don’t fall neatly within for-profit and non-profit parameters. We need to shift the perception from the arts as a quality of life attraction for a well-qualified workforce, to the creative sectors as a tremendously powerful component of the economy unto itself. I believe this study reflects these early ideas. This is a conservative study. By design, we asked our colleagues at EMSI to mirror the study as much as possible to successful studies in other major US cities, but to tailor it to Houston. The result are findings that are defendable, easy to grasp, and are presented within the context of Houston’s job sectors.
    [Show full text]
  • Economic Analysis of Outdoor Recreation in Washington State 2020
    ECONOMIC ANALYSIS OF OUTDOOR RECREATION IN WASHINGTON STATE 2020 UPDATE AUTHORS Johnny Mojica Project Director, Earth Economics Angela Fletcher Project Director (Ecosystem Services), Earth Economics Suggested Citation: Mojica, J., Fletcher, A., 2020. Economic Analysis of Outdoor Recreation in Washington State, 2020 Update. Earth Economics. Tacoma, WA. The authors are responsible for the content of this report. ACKNOWLEDGMENTS Research support was provided by Ken Cousins, Trygve Madsen, and Will Golding (Earth Economics) Report design by Cheri Jensen (Earth Economics) Map design by Corrine Armistead (Earth Economics) Project Oversight by Maya Kocian (Earth Economics) Funding provided by: Washington State Recreation and Conservation Office, Washington State Department of Natural Resources, Recreational Equipment, Inc. (REI) We would also like to thank: Wendy Brown (RCO), Kaleen Cottingham (RCO), Jon Snyder (Office of the Governor), Brock Milliern (DNR), Leah Dobey (DNR), Cassie Bordelon (DNR), Tom Bugert (DNR), and Marc Berejka (REI). Earth Economics’ Board of Directors Morgan Collins, David Cosman, Judy I. Massong, Nan McKay, Craig Muska, Ingrid Rasch, and Molly Seaverns. 1 TABLE OF CONTENTS 1 Executive Summary 3 2 Introduction 7 Report Overview 7 Background on Washington State 7 3 Concepts and Methods 9 The Outdoor Recreation Economy 10 Consumer Surplus and Environmental Benefits 11 Recreation Expenditure Flow 12 4 Expenditures and Economic Contribution of Outdoor Recreation in Washington State 13 Outdoor Recreation Participation and Spending
    [Show full text]
  • 2019 Essential Facts About the Computer and Video Game Industry
    2019 ESSENTIAL FACTS About the Computer and Video Game Industry Foreword Table of Contents 2018 was a record-breaking year for our industry, with total video game sales exceeding $43.4 billion. Over 164 million adults in the United States play video games, and three-quarters of all Americans have at least one gamer in their Foreword 3 household. It’s now more important than ever to understand who America’s video At-A-Glance 5 game players really are and what’s driving them. Average Gamer 6 That’s why I’m thrilled to share the 2019 Essential Facts About the Computer and Video Game Industry. For the first time, we at the Entertainment Software Social & Lifestyle 9 Association have taken a comprehensive look at the individual Americans who enjoy video games and their lifestyles in order to better understand their profiles Parents of Gamers 10 and interests. Households with Children 13 The resulting data speaks for itself. Video game players represent a diverse cross- Who Plays 15 section of the American population spanning every age, gender, and ethnicity. They live healthy lives, are civically engaged, and are socially active. More than Purchasing 20 three-quarters report that video games provide them with mental stimulation (79%) as well as relaxation and stress relief (78%). The role of video games in the ESA Partners 22 American family is also changing: nearly three-quarters (74%) of parents believe video games can be educational for their children, and more than half (57%) enjoy ESA Members 23 playing games with their child at least weekly.
    [Show full text]
  • America's Creative Economy: a Study of Recent Conceptions, Definitions, and Approaches to Measurement Across the USA
    America's Creative Economy: A Study of Recent Conceptions, Definitions, and Approaches to Measurement Across the USA Christine Harris Christine Harris Connections Margaret Collins Center for Creative Economy Dennis Cheek National Creativity Network This project was supported in part or in whole by an award from the Research: Art Works program at the National Endowment for the Arts: Grant# 12-3800-7015. The opinions expressed in this paper are those of the author(s) and do not necessarily represent the views of the Office of Research & Analysis or the National Endowment for the Arts. The NEA does not guarantee the accuracy or completeness of the information included in this report and is not responsible for any consequence of its use. AMERICA’S CREATIVE ECONOMY A STUDY OF RECENT CONCEPTIONS, DEFINITIONS, AND APPROACHES TO MEASUREMENT ACROSS THE USA A REPORT FROM THE CREATIVE ECONOMY COALITION (CEC) A WORKING GROUP OF THE NATIONAL CREATIVITY NETWORK CHRISTINE HARRIS MARGARET COLLINS DENNIS CHEEK NATIONAL CREATIVITY NETWORK, OKLAHOMA CITY, OK, IN COLLABORATION WITH CREATIVE ALLIANCE MILWAUKEE, AUGUST 2013 AMERICA’S CREATIVE ECONOMY A STUDY OF RECENT CONCEPTIONS, DEFINITIONS, AND APPROACHES TO MEASUREMENT ACROSS THE USA A Report from the Creative Economy Coalition (CEC), a Working Group of the National Creativity Network ! Oklahoma City, OK: National Creativity Network Reproduction Rights: in collaboration with Creative Alliance Milwaukee, Organizations and individuals may freely August 2013 reproduce this report in whole or in part subject to the following requirements: 1) No copies may be sold, and 2) Excerpts must contain the full Christine Harris, M.Sc. citation of the report as follows: “Reproduced Principal Researcher and Lead Author with permission from America’s Creative Economy: Founder and CEO, Christine Harris Connections A Study of Recent Conceptions, Definitions, and Milwaukee, WI Approaches to Measurement across the USA.
    [Show full text]