Maria Gaspar Based in Chicago. EDUCATION AWARDS + GRANTS
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Back to the Books, Winter Or Not!
Wednesday, January 16, 2013 VOLUME 31 / NUMBER 16 www.uicnews.uic.edu facebook.com/uicnews twitter.com/uicnews UIC NEWS youtube.com/uicmedia For the community of the University of Illinois at Chicago “Education is not preparation for life; education is life itself.” — John Dewey Photos: Roberta Dupuis-Devlin As the new semester begins, the student centers are busy with activities for Winter Welcome Week. Left: Kimberly Randall tells Bolaji Oke-Samuel about Primo Dance Troupe at the Student Organization Fair in the Ward Lounge; Krystal Fowlkes and Sara Wissmiller have lunch in Inner Circle; Abdul Aduib, Mahair Chamout and Ahmad Alomari share a table in the Pier Room. The rest of the week includes Thirsty Thursday, with free hot chocolate and mentalist Craig Karges in Student Center West, and a UIC Fashion Show open house through Friday, Student Center East. More info at www.uic.edu/depts/campusprograms Back to the books, winter or not! INSIDE: Profile / Quotable 2 | Campus News 4 | Calendar 8 | Student Voice 9 | Police / Deaths 10 | Sports 12 Osamah Hasan’s dream: better Dee Alexander balances careers Architecture grad Dan Meis, the Freshman steps up, leads Flames health care for developing nations on campus and onstage man with the Tatlin’s Tower tattoo to Horizon League victory More on page 2 More on page 5 More on page 6 More on page 12 2 UIC NEWS I www.uicnews.uic.edu I JANUARY 16, 2013 profile Send profile ideas to Gary Wisby, [email protected] His ambition: bringing health care to people of developing nations By Gary Wisby Osamah Hasan’s ambition is to be a globe-trotting physician, bringing primary health care to people in developing nations. -
Gaylen Gerber 20 September - 21 December Opening Reception: 20 September 2018 at 6 – 7:30 P.M
Gaylen Gerber 20 September - 21 December Opening Reception: 20 September 2018 at 6 – 7:30 p.m. Gallery Talk with Forrest Nash: 21 September 2018 at 12:00 – 1:00 p.m. The Arts Club of Chicago is pleased to present the first survey of Gaylen Gerber’s Supports, an ongoing series in which the artist intervenes upon collected artifacts. Offering pause for reflection on a shared history, Gerber’s art is indebted to both the monochrome and the readymade. Supports features objects of diverse origin, each painted uniformly in institutional gray or white. Whether a mirror from the Kennedy winter White House, a Brazilian milagre, or a vintage coke bottle, each is undated and bears the title Support. Gerber’s attentive, almost “reverential” brushstrokes, as Roberta Smith has described them in the New York Times, render the objects visible in a new way. This survey elaborates on the decentralization of attention while it affirms the all-encompassing aspects of the artists’ practice. For his exhibition at The Arts Club of Chicago, Gerber places the works in the gallery to suggest a cohesive visual field, yet at the same time, he differentiates each object through the regularity of its painted surface. The resulting installation encourages recognition of a shared reality, even as it enables diverse emotional responses to individual Supports, ranging from delight to distress. Gerber acknowledges the undertakings of vast cultural traditions as well as their often beautiful, sometimes poignant limitations. The exhibition further addresses a larger question about how and why objects so often remain compelling. The survey affirms the more inclusive aspects of the artist’s practice. -
Best Art Shows of 2013
Best art shows of 2013 'Impressionism' at Art Institute best in show in a funky year December 13, 2013 By Claudine Ise, Special to the Tribune Phyllis Bramson, "Idle Hours" (2000). (Elmhurst Art Museum) When it came to Chicago's visual art exhibitions, 2013 was not a historic year. There were few if any truly ambitious new art works, nor did we see many museums experimenting with innovative exhibition forms. Instead, 2013 was a year where artists and art institutions alike were consumed with the subject of history itself. Is looking backward the only way to move forward? For now, the answer seems to be yes, so we'll follow suit. Below, in no particular order, are this year's highlights. 1. "Impressionism, Fashion and Modernity" at the Art Institute of http://articles.chicagotribune.com/2013-12-13/entertainment/chi-best-art-shows-2013-20131213_1_art- institute-arts-club-imagism Chicago, June 26-September 29: It was designed to be a wildly popular, world-touring blockbuster, and in that it succeeded, but this incisive look at figurative painting's relationship to Parisian fashion from the 1860s-1880s also drew on rock-solid scholarship and offered fresh perspectives on familiar Impressionist classics — not to mention close- up views of the chicly beribboned garments that inspired them. 2. "Africobra in Chicago," The South Side Community Art Center, the Reva and David Logan Center for the Arts, and The Dusable Museum of African American History, May 10 – September 29: Not only did this vibrant trio of exhibitions and related programs offer the most comprehensive survey yet of the aesthetics, culture, and political philosophy of AFRICOBRA (African Commune of Bad Relevant Artists), they provided a necessary corrective to the notion that Imagism and its offshoots were Chicago's only historically significant postwar art movements. -
Art-Related Archival Materials in the Chicago Area
ART-RELATED ARCHIVAL MATERIALS IN THE CHICAGO AREA Betty Blum Archives of American Art American Art-Portrait Gallery Building Smithsonian Institution 8th and G Streets, N.W. Washington, D.C. 20560 1991 TRUSTEES Chairman Emeritus Richard A. Manoogian Mrs. Otto L. Spaeth Mrs. Meyer P. Potamkin Mrs. Richard Roob President Mrs. John N. Rosekrans, Jr. Richard J. Schwartz Alan E. Schwartz A. Alfred Taubman Vice-Presidents John Wilmerding Mrs. Keith S. Wellin R. Frederick Woolworth Mrs. Robert F. Shapiro Max N. Berry HONORARY TRUSTEES Dr. Irving R. Burton Treasurer Howard W. Lipman Mrs. Abbott K. Schlain Russell Lynes Mrs. William L. Richards Secretary to the Board Mrs. Dana M. Raymond FOUNDING TRUSTEES Lawrence A. Fleischman honorary Officers Edgar P. Richardson (deceased) Mrs. Francis de Marneffe Mrs. Edsel B. Ford (deceased) Miss Julienne M. Michel EX-OFFICIO TRUSTEES Members Robert McCormick Adams Tom L. Freudenheim Charles Blitzer Marc J. Pachter Eli Broad Gerald E. Buck ARCHIVES STAFF Ms. Gabriella de Ferrari Gilbert S. Edelson Richard J. Wattenmaker, Director Mrs. Ahmet M. Ertegun Susan Hamilton, Deputy Director Mrs. Arthur A. Feder James B. Byers, Assistant Director for Miles Q. Fiterman Archival Programs Mrs. Daniel Fraad Elizabeth S. Kirwin, Southeast Regional Mrs. Eugenio Garza Laguera Collector Hugh Halff, Jr. Arthur J. Breton, Curator of Manuscripts John K. Howat Judith E. Throm, Reference Archivist Dr. Helen Jessup Robert F. Brown, New England Regional Mrs. Dwight M. Kendall Center Gilbert H. Kinney Judith A. Gustafson, Midwest -
Bald and Bold for St. Baldrick's
Wednesday, February 26, 2014 VOLUME 33 / NUMBER 22 www.uicnews.uic.edu facebook.com/uicnews twitter.com/uicnews NEWS UIC youtube.com/uicmedia For the community of the University of Illinois at Chicago Photo: S.K. Vemmer Carly Harte and Andrea Heath check each other’s new look after their heads were shaved in a fundraiser for St. Baldrick’s Foundation Thursday. The roommates drove from Milwaukee to Children’s Hospital University of Illinois for the event, which benefits pediatric cancer research at UIC and elsewhere. More on page 3; watch the video atyoutube.com/uicmedia Bald and bold for St. Baldrick’s INSIDE: Profile / Quotable 2 | Campus News 4 | Calendar 12 | Student Voice 13 | Police 14 | Sports 16 Composer Steve Everett finds the Honoring UIC’s Researchers of Cai O’Connell’s once-in-a-lifetime Women’s basketball gets ready to right notes the Year Olympics assignment break the record More on page 2 More on page 7 More on page 11 More on page 16 2 UIC NEWS I www.uicnews.uic.edu I FEBRUARY 26, 2014 profile Send profile ideas to Gary Wisby,[email protected] Composer Steve Everett hits right notes with technology By Gary Wisby Princeton and a guest composer at Eastman School of Music, Conservatoire National Supérieur de Mu- Epilepsy. sique de Paris, Conservatoire de Musique de Genève The chemical origins of life. in Switzerland, Rotterdam Conservatory of Music A young prostitute who lived in and Utrecht School of the Arts in the Netherlands. New Orleans’ notorious Storyville His compositions have been performed in Paris, 100 years ago. -
Chicago Political Artана2014анаthe Newberry Library
Chicago Political Art 2014 The Newberry Library Instructor: Daniel Tucker | [email protected] | 3125157364 Starting with the 1906 publication of The Jungle by Upton Sinclair (held in the Newberry in Case 4A 362 Special Collections 4th floor), this seminar will look at how Chicago was established as a site for artists to use their tools to advocate for social and political transformation. The intersection of arts and crafts with early social work at Hull House will be traced through the AfricanAmerican and Latino community muralists of the 1960s and 70s. More recent events such as Sculpture Chicago’s 1993 outdoor expo Culture in Action will be explored alongside of more activist public art like Department of Space and Land Reclamation in 2001. This course will address many artists (Ellen Gates Starr, Upton Sinclair, John T. McCutcheon, The Dill Pickle Club, Gwendolyn Brooks) that draw from reproduced materials or selections from the Newberry Library Core, Special Collections, and online exhibitions. Additionally, the students will be exposed to ephemera and publications related to more recent (1960sPresent) artists drawn together in the instructor’s newly organized “Chicago Ephemera Archives” (neverthesame.org). Through a fellowship at the Gray Center for Arts and Inquiry at the University of Chicago, the Never The Same archive is being developed to document local political art since the 1960s. These materials will be made available to the students to provide handson connection with the sourcematerial and printed matter related to these practices. The artists and events covered in this seminar tell the story of the city, as well as the evolution of different aesthetic and artistic strategies and social movements. -
Corey Postiglione, Ukrainian Museum of Modern Art, Chicago, Dates TBD
C O R E Y P O S T I G L I O N E E-mail: [email protected] Website: www.coreypostiglione.com Born Chicago, IL Education MA The School of the Art Institute of Chicago 20th Century Art History, Theory, and Criticism Studied with Judith Kirshner, Craig Owens, and Richard Shiff BA University of Illinois Chicago Painting/Sculpture/Printmaking Teaching Experience 2013 - 14 Coordinator, Art History, Columbia College Chicago 1999 - 03 Coordinator, 2-D Design, Columbia College Chicago 1990 - 99 Coordinator, Art History, Columbia College Chicago Professor Art History, Critical Theory, and Studio Arts 1975-90 Adjunct Assistant Professor, Department of Architecture, Illinois Institute of Technology, Chicago 1979-89 Instructor, Contemporary Art History, Drawing, Painting, 2-D design, Columbia College Chicago 1983-84, 86 Adjunct Assistant Professor, Drawing (Summer Session), University of Illinois Chicago 1981-83 Visiting Artist, Drawing and Composition, School of the Art Institute of Chicago 1971-79 Instructor, Contemporary Art History, Painting and Drawing, Evanston Art Center, Evanston, IL Selected One-Person and Upcoming Exhibitions 2021 (Two-Person) “Kindred Spirits: Recent Work by Kathie Shaw and Corey Postiglione, Ukrainian Museum of Modern Art, Chicago, dates TBD 2020 Two Person Exhibition, “Corey Postiglione and Kathie Shaw, Innovation and Collaboration,” Metropolitan Capital Bank, April-Sept. Chicago iL 2020 (Two-Person) “Kindred Spirits: Recent Work by Kathie Shaw and Corey Postiglione, St. Francis University, Joliet, IL, exact fall dates TBD 2018 (Two-Person) “Kindred Spirits: Recent Work by Kathie Shaw and Corey Postiglione, Koehnline Museum of Art, Des Plaines, IL, May 10 – June 24 2017 Featuring Corey Postiglione, Westbrook Modern Gallery, Carmel, CA (ongoing) 2016 “Population #5,” Experimental Sound Studio Gallery, Installation & Wall Painting, Chicago (Nov 5 - Dec 18) 1 2016 “Fusion: Tango Abstraction,” new work by Corey Postiglione, Gallery 116, St. -
Dianna Frid Vitae
YOU ARE VIEWING THIS IN AN OLD WEBSITE VISIT DIANNA FRID'S NEW WEBSITE FOR AN UPDATED CV LINK TO UPDATED BIO HERE DIANNA FRID VITAE BORN: MEXICO CITY, MEXICO IMMIGRATED TO VANCOUVER, CANADA IN 1983 LIVES AND WORKS IN CHICAGO, USA WEBSITE: diannafrid.net BLOG: https://words-at-sea.blogspot.com/ EDUCATION 2003 M.F.A. School of the Art Institute of Chicago (SAIC), Chicago, IL, Fiber and Material Studies, Trustees Merit Full Scholarship 1986 – 89 B.A. Candidate, Hampshire College, Anthropology (transferred to SAIC) 1991 B.F.A. The School of the Art Institute of Chicago, Merit Scholar SELECTED GRANTS, FELLOWSHIPS, AWARDS and NOMINATIONS 2020 – 21 Award for Creative Activity, University of Illinois, Office of the Vice-Chancellor of Research recipient 2019 Nominee, Joan Mitchell Foundation Award 2019 Ragdale Residency Fellowship recipient 2019 UIC College of Architecture and the Arts Dean’s Research Prize recipient 2019 Finalist, Creative Capital – Phase 1 Page 1 of 23 DIANNA FRID VITAE SELECTED GRANTS, FELLOWSHIPS, AWARDS and NOMINATIONS – continued 2018 3Arts Award in Visual Arts, Recipient 2018 Invited applicant, Rome Prize 2018 Winner of Public Art Commission for the Chicago Transit Authority (CTA), Peoria Street Bridge, UIC / Halsted Station (contract indefinitely on hold) 2018 Finalist, Creative Capital – Phase 1 2017 – 20 Mac Arthur Foundation, Annual International Connections Fund, Cross- Currents: Habana-Chicago (National Museum of Mexican Art as principal) 2017 Spertus Institute Chicago Artists Fellowship recipient 2017 Anonymous Was -
Oral History Transcript T-0229, Interview with William N. Eisendrath
ORAL HISTORY T-0229 INTERVIEWEES: WILLIAM N. EISENDRATH, JR. INTERVIEWER: IRENE CORTINOVIS ARTISTS AND ART COLLECTORS PROJECT This transcript is a part of the Oral History Collection (S0829), available at The State Historical Society of Missouri. If you would like more information, please contact us at [email protected]. CORTINOVIS: Today is January 8, 1973. This is Irene Cortinovis from the University of Missouri Oral History Program. I have with me today Mr. William Eisendrath who has long worked in the art world both in St. Louis and in Chicago. Well, Bill, suppose we start out and I'm going to be writing down proper names on this folder as we go along and then I'll check with you after we're finished for the spellings. This is for the transcriber. I'd like to know, first about you as an individual. What your education for your work in art, in art museums was, well, just start for instance where you were born and what kind of influence your family had. EISENDRATH; I was born in Chicago. Do you want the date? CORTINOVIS: If you want. EISENDRATH: March 4, 1903, which makes me about 70. CORTINOVIS: I must say you look marvelous for 70. EISENDRATH: I became interested in art in my freshman year at Yale. It was solely an interest. I went abroad after my graduation from Yale and had a year's tour of Europe. CORTINOVIS: What kind of studies did you pursue at Yale, though? EISENDRATH: Almost all together English Literature, but in company with a number of friends I became interested in art. -
EVENT GUIDE SPECIAL ADVERTISING SECTION: This Section Was Edited and Produced by the Chicago Architecture Foundation
ARCHITECTUREFREE FESTIVAL This weekend, get FREE, behind-the-scenes access to 200 buildings across Chicago. openhousechicago.org EVENT GUIDE SPECIAL ADVERTISING SECTION: This section was edited and produced by the Chicago Architecture Foundation. 1 PRESENTED BY About the Chicago Architecture Foundation Five years ago, the Chicago to embark on a tour, workshops for Architecture Foundation (CAF) students, lectures for adults and decided to bring a city-wide festival of field trip groups gathered around architecture and design to Chicago— our 1,000-building scale model of the quintessential city of American Chicago. architecture. London originated the In addition to Open House Chicago, “Open House” concept more than 20 CAF is best known for our 85 different years ago, New York City had several Chicago-area tours, including the top- years under its belt and even Toronto ranked tour in the city: the Chicago produced a similar festival. By 2011, it Architecture Foundation River Cruise was Chicago’s time and Open House aboard Chicago’s First Lady Cruises. Chicago was born. Our 450 highly-trained volunteer CAF was founded in 1966. As a docents lead more than 6,000 walking, STS. VOLODYMYR & OLHA UKRAINIAN CATHOLIC CHURCH (P. 10) photo by Anne Evans nonprofit organization dedicated boat, bus and L train tours each year. to inspiring people to discover why CAF also offers exhibitions, public designed matters, CAF has grown programs and education activities Ten things to know about over the years to become a hub for for all ages. Open House Chicago learning about and participating in Learn more about CAF and our architecture and design. -
EVENT GUIDE SPECIAL ADVERTISING SECTION: This Section Was Edited and Produced by the Chicago Architecture Foundation
ARCHITECTUREFREE FESTIVAL This weekend, get FREE, behind-the-scenes access to 200+ buildings across Chicago. openhousechicago.org EVENT GUIDE SPECIAL ADVERTISING SECTION: This section was edited and produced by the Chicago Architecture Foundation. 2 PRESENTED BY ABOUT THE CHICAGO ARCHITECTURE FOUNDATION Six years ago, the Chicago Architecture Foundation (CAF) launched the first Open House Chicago. This free, citywide festival drew 23,000 people in its first year. By 2016, it grew to 100,000 attendees, making it one of the largest architecture events in the world. This year is our biggest yet, with more than 200 sites. OHC is just one of many CAF programs that inspire people to discover why design matters. Today, when you visit CAF at 224 S. Michigan Ave., you’ll find visitors embarking on tours, FIRST CHURCH OF DELIVERANCE, BRONZEVILLE (p. 15) camps for children, lectures for adults and field trip groups gathered around our 3D model of Chicago. TEN THINGS TO KNOW ABOUT In summer 2018, CAF will open the Chicago Architecture Center at CHICAGO ARCHITECTURE CENTER — OPEN HOUSE CHICAGO (OHC) COMING IN SUMMER 2018 111 E. Wacker Dr. This new location is situated above the dock for the 1. OHC is a FREE public festival with behind-the-scenes access Chicago Architecture Foundation River CAF’s 450 expert volunteer docents to 200+ buildings across Chicago—no tickets required. Cruise aboard Chicago’s First Lady will lead 85+ tours from the Center, Cruises—the city’s top-ranked tour. by boat, bus, L train and on foot for SPECIAL CHICAGO ARCHITECTURE FOUNDATION ADVERTISING SECTION | THURSDAY, OCTOBER 12, 2017 ADVERTISING SECTION | THURSDAY, SPECIAL CHICAGO ARCHITECTURE FOUNDATION 2. -
Morgan Street Mural Makes History
Wednesday, September 25, 2013 VOLUME 32 / NUMBER 5 www.uicnews.uic.edu facebook.com/uicnews twitter.com/uicnews NEWS UIC youtube.com/uicmedia For the community of the University of Illinois at Chicago Photo: Britney Musial Artist Nick Goettling works on a mural under way at Morgan and 15th streets. The artwork includes symbols of the neighborhood’s diversity, its history — including the railroads and South Water Market — and the impact of UIC. “The mural is so colorful and vibrant,” says Elsa Soto, a UIC graduate and staff member who is one of the project’s organizers. For more about the mural, see page 11. Morgan Street mural makes history INSIDE: Profile / Quotable 2 | Campus News 4 | Calendar 8 | Student Voice 9 | Sports 12 Sociologist Maria Krysan studies Time to map detours for Circle Grad’s gift to bioengineering Five straight for soccer, location and segregation Interchange project boosts biotechnology at UIC with four shutout wins More on page 2 More on page 3 More on page 5 More on page 12 2 UIC NEWS I www.uicnews.uic.edu I SEPTEMBER 25, 2013 profile Send profile ideas to Gary Wisby,[email protected] Maria Krysan examines racial integration in neighborhoods By Gary Wisby continue to live in separate neighbor- hoods,” she said. “Other factors are Maria Krysan reminds us that it’s all driving segregation.” about location, location, location. One such factor is how much one “So much of what happens to you in knows about various Chicago neigh- life depends on where you live,” she said. borhoods or suburbs.