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Gaylen Gerber 20 September - 21 December Opening Reception: 20 September 2018 at 6 – 7:30 P.M
Gaylen Gerber 20 September - 21 December Opening Reception: 20 September 2018 at 6 – 7:30 p.m. Gallery Talk with Forrest Nash: 21 September 2018 at 12:00 – 1:00 p.m. The Arts Club of Chicago is pleased to present the first survey of Gaylen Gerber’s Supports, an ongoing series in which the artist intervenes upon collected artifacts. Offering pause for reflection on a shared history, Gerber’s art is indebted to both the monochrome and the readymade. Supports features objects of diverse origin, each painted uniformly in institutional gray or white. Whether a mirror from the Kennedy winter White House, a Brazilian milagre, or a vintage coke bottle, each is undated and bears the title Support. Gerber’s attentive, almost “reverential” brushstrokes, as Roberta Smith has described them in the New York Times, render the objects visible in a new way. This survey elaborates on the decentralization of attention while it affirms the all-encompassing aspects of the artists’ practice. For his exhibition at The Arts Club of Chicago, Gerber places the works in the gallery to suggest a cohesive visual field, yet at the same time, he differentiates each object through the regularity of its painted surface. The resulting installation encourages recognition of a shared reality, even as it enables diverse emotional responses to individual Supports, ranging from delight to distress. Gerber acknowledges the undertakings of vast cultural traditions as well as their often beautiful, sometimes poignant limitations. The exhibition further addresses a larger question about how and why objects so often remain compelling. The survey affirms the more inclusive aspects of the artist’s practice. -
Culturalupdate
CONCIERGE UNLIMITED INTERNATIONAL July 2016 culturalupdate Volume XXVI—Issue VII “Fireworks and temperatures are exploding!” Did You Know? ♦Independence Day♦Beach Getaways♦Festivals♦and more♦ The Wrigley Building was the first air-conditioned office building in Chicago! New/News Arts/Museums ♦Bad Hunter (802 W. Randolph, Chicago) Opens 2 Witness MCA Chicago Bad Hunter is coming to the West Loop. Slated to 15 Copying Delacroix’s Big Cats Art Institute Chicago open in late summer, Bad Hunter will specialize 15 Post Black Folk Art in America Center for Outsider Art in meats fired up on a wooden grill, along with a 16 The Making of a Fugitive MCA Chicago lower-alcohol cocktail menu. 26 Andrew Yang MCA Chicago ♦The Terrace At Trump (401 N. Wabash, Chicago) Through 3 Materials Inside and Out Art Institute Chicago The Terrace At Trump just completed 3 Diane Simpson MCA Chicago renovations on their rooftop! Enjoy a 10 Eighth BlackBird Residency MCA Chicago signature cocktail with stellar views and 11 The Inspired Chinese Brush Art Institute Chicago walk away impressed! 17 La Paz Hyde Park Art Center 17 Botany of Desire Hyde Park Art Center ♦Rush Hour Concerts at St. James Cathedral (65 E. Huron) 17 Steve Moseley Patience Bottles Center for Outsider Art Forget about sitting in traffic or running to your destination. Enjoy 18 Antiquaries of England Art Institute Chicago FREE rush hour concerts at St. James Cathedral Tuesday’s in July! Ongoing ♦5th: Russian Romantic Arensky Piano Trio No. 1 What is a Planet Adler Planetarium ♦12th: Debroah Sobol -
Best Art Shows of 2013
Best art shows of 2013 'Impressionism' at Art Institute best in show in a funky year December 13, 2013 By Claudine Ise, Special to the Tribune Phyllis Bramson, "Idle Hours" (2000). (Elmhurst Art Museum) When it came to Chicago's visual art exhibitions, 2013 was not a historic year. There were few if any truly ambitious new art works, nor did we see many museums experimenting with innovative exhibition forms. Instead, 2013 was a year where artists and art institutions alike were consumed with the subject of history itself. Is looking backward the only way to move forward? For now, the answer seems to be yes, so we'll follow suit. Below, in no particular order, are this year's highlights. 1. "Impressionism, Fashion and Modernity" at the Art Institute of http://articles.chicagotribune.com/2013-12-13/entertainment/chi-best-art-shows-2013-20131213_1_art- institute-arts-club-imagism Chicago, June 26-September 29: It was designed to be a wildly popular, world-touring blockbuster, and in that it succeeded, but this incisive look at figurative painting's relationship to Parisian fashion from the 1860s-1880s also drew on rock-solid scholarship and offered fresh perspectives on familiar Impressionist classics — not to mention close- up views of the chicly beribboned garments that inspired them. 2. "Africobra in Chicago," The South Side Community Art Center, the Reva and David Logan Center for the Arts, and The Dusable Museum of African American History, May 10 – September 29: Not only did this vibrant trio of exhibitions and related programs offer the most comprehensive survey yet of the aesthetics, culture, and political philosophy of AFRICOBRA (African Commune of Bad Relevant Artists), they provided a necessary corrective to the notion that Imagism and its offshoots were Chicago's only historically significant postwar art movements. -
FOR IMMEDIATE RELEASE August 2, 2017 Lollapalooza 2017 Tip Sheet Important Facts & Features of Lollapalooza
FOR IMMEDIATE RELEASE August 2, 2017 Lollapalooza 2017 Tip Sheet Important Facts & Features of Lollapalooza Lollapalooza returns with four full days in Grant Park August 3-6, 2017. This four-day extravaganza will transform the jewel of Chicago into a mecca of music, food, art, and fashion featuring over 170 bands on eight stages, including Chance The Rapper, The Killers, Muse, Arcade Fire, The xx, Lorde, blink-182, DJ Snake, and Justice, and many more. Lollapalooza will host 100,000 fans each day, and with so much activity, we wanted to provide some top highlights: •SAFETY FIRST: In case of emergency, we urge attendees to be alert to safety messaging coming from the following sources: • Push Notifications through The Official Lollapalooza Mobile App available on Android and iOS • Video Screens at the Main Entrance, North Entrance, and Info Tower by Buckingham Fountain • Video Screens at 4 Stages – Grant Park, Bud Light, Lake Shore and Perry’s • Audio Announcements at All Stages • Real-time updates on Lollapalooza Twitter, Facebook and Instagram In the event of a weather evacuation, all attendees should follow the instructions of public safety officials. Festival patrons can exit the park to the lower level of one of the following shelters: • GRANT PARK NORTH 25 N. Michigan Avenue Chicago, IL 60602 Underground Parking Garage (between Monroe and Randolph) *Enter via vehicle entrance on Michigan Ave. • GRANT PARK SOUTH 325 S. Michigan Avenue Chicago, IL 60604 Underground Parking Garage (between Jackson and Van Buren) *Enter via vehicle entrance on Michigan Ave. • MILLENIUM LAKESIDE 5 S. Columbus Drive Chicago, IL 60603 Underground Parking Garage (Columbus between Monroe and Randolph) *Enter via vehicle entrance on Michigan For a map of shelter locations and additional safety information, visit www.lollapalooza.com/safety. -
Renoir, Impressionism, and Full-Length Painting
FIRST COMPREHENSIVE STUDY OF RENOIR’S FULL-LENGTH CANVASES BRINGS TOGETHER ICONIC WORKS FROM EUROPE AND THE U.S. FOR AN EXCLUSIVE NEW YORK CITY EXHIBITION RENOIR, IMPRESSIONISM, AND FULL-LENGTH PAINTING February 7 through May 13, 2012 This winter and spring The Frick Collection presents an exhibition of nine iconic Impressionist paintings by Pierre-Auguste Renoir, offering the first comprehensive study of the artist’s engagement with the full-length format. Its use was associated with the official Paris Salon from the mid-1870s to mid- 1880s, the decade that saw the emergence of a fully fledged Impressionist aesthetic. The project was inspired by Renoir’s La Promenade of 1875–76, the most significant Impressionist work in the Frick’s permanent collection. Intended for public display, the vertical grand-scale canvases in the exhibition are among the artist’s most daring and ambitious presentations of contemporary subjects and are today considered masterpieces of Impressionism. The show and accompanying catalogue draw on contemporary criticism, literature, and archival documents to explore the motivation behind Renoir’s full-length figure paintings as well as their reception by critics, peers, and the public. Recently-undertaken technical studies of the canvases will also shed new light on the artist’s working methods. Works on loan from international institutions are La Parisienne from Pierre-Auguste Renoir (1841–1919), Dance at Bougival, 1883, oil on canvas, 71 5/8 x 38 5/8 inches, Museum of Fine Arts, Boston, Picture Fund; photo: © 2012 Museum the National Museum Wales, Cardiff; The Umbrellas (Les Parapluies) from The of Fine Arts, Boston National Gallery, London (first time since 1886 on view in the United States); and Dance in the City and Dance in the Country from the Musée d’Orsay, Paris. -
Art-Related Archival Materials in the Chicago Area
ART-RELATED ARCHIVAL MATERIALS IN THE CHICAGO AREA Betty Blum Archives of American Art American Art-Portrait Gallery Building Smithsonian Institution 8th and G Streets, N.W. Washington, D.C. 20560 1991 TRUSTEES Chairman Emeritus Richard A. Manoogian Mrs. Otto L. Spaeth Mrs. Meyer P. Potamkin Mrs. Richard Roob President Mrs. John N. Rosekrans, Jr. Richard J. Schwartz Alan E. Schwartz A. Alfred Taubman Vice-Presidents John Wilmerding Mrs. Keith S. Wellin R. Frederick Woolworth Mrs. Robert F. Shapiro Max N. Berry HONORARY TRUSTEES Dr. Irving R. Burton Treasurer Howard W. Lipman Mrs. Abbott K. Schlain Russell Lynes Mrs. William L. Richards Secretary to the Board Mrs. Dana M. Raymond FOUNDING TRUSTEES Lawrence A. Fleischman honorary Officers Edgar P. Richardson (deceased) Mrs. Francis de Marneffe Mrs. Edsel B. Ford (deceased) Miss Julienne M. Michel EX-OFFICIO TRUSTEES Members Robert McCormick Adams Tom L. Freudenheim Charles Blitzer Marc J. Pachter Eli Broad Gerald E. Buck ARCHIVES STAFF Ms. Gabriella de Ferrari Gilbert S. Edelson Richard J. Wattenmaker, Director Mrs. Ahmet M. Ertegun Susan Hamilton, Deputy Director Mrs. Arthur A. Feder James B. Byers, Assistant Director for Miles Q. Fiterman Archival Programs Mrs. Daniel Fraad Elizabeth S. Kirwin, Southeast Regional Mrs. Eugenio Garza Laguera Collector Hugh Halff, Jr. Arthur J. Breton, Curator of Manuscripts John K. Howat Judith E. Throm, Reference Archivist Dr. Helen Jessup Robert F. Brown, New England Regional Mrs. Dwight M. Kendall Center Gilbert H. Kinney Judith A. Gustafson, Midwest -
Artefacts XXIII, Adler Planetarium, October 14-16, 2018 Preliminary Program (Draft)
Artefacts XXIII, Adler Planetarium, October 14-16, 2018 Preliminary program (draft) Sunday, 14 10:00 - 2:00 Registration & badge pick-up Free museum exploration and sky shows at discretion w/ conference badge* *Complimentary tickets to sky shows and to the Atwood Sphere to be requested at the box office 2:00-2:15 Welcoming remarks Johnson Family Star Theater 2:15-4:00 Paper session 1, Johnson Family Star Theater: Thinking relevance through object histories Lippisch DM 1, Museum Artifact Reassessed Russel Lee, Smithsonian National Air and Space Museum The Hofgaard machine: Prototype of an ingenious invention, or just a piece of metal scrap? Dag Andteassen, Norwegian Museum of Science and Technology How science works: the 'failure' of MiniGRAIL Dirk van Delft, Rijksmuseum Boerhaave / Leiden University Collections as a spur to scholarship: Women's Great War uniforms Barton Hacker, Smithsonian Institution (emeritus) Margaret Vining, Smithsonian Institution (emeritus) 4:00-4:30: Coffee break 4:30-6:00 Paper session 2, Johnson Family Star Theater: Bringing collections to life Game On: Using Digital Technologies to Bring Collections to Life Erin Gregory, Ingenium Canada (Canada Aviation and Space Museum) “Hear My Voice”: Learning from Alexander Graham Bell’s Volta Laboratory Sound Recordings Carlene Stephens, National Museum of American History Making silent artifacts speak: Tinfoil recordings, digitization projects, and the relevance of collections Frode Weium, The Norwegian Museum of Science and Technology 6:00-7:00 - Gallery tours 7:00 - 9:00 - Conference dinner Monday, 15 8:00-9:00 - Breakfast 9:00-10:15 Roundtable, Johnson Family Star Theater: Art and Artifact: Collections, Museum Practice, and the Aesthetics of Science and Technology Claudia Swan, Northwestern University Jennifer Nelson, School of the Art Institute of Chicago Jonathan Tavares, Art Institute of Chicago Pedro M. -
Chicago Political Artана2014анаthe Newberry Library
Chicago Political Art 2014 The Newberry Library Instructor: Daniel Tucker | [email protected] | 3125157364 Starting with the 1906 publication of The Jungle by Upton Sinclair (held in the Newberry in Case 4A 362 Special Collections 4th floor), this seminar will look at how Chicago was established as a site for artists to use their tools to advocate for social and political transformation. The intersection of arts and crafts with early social work at Hull House will be traced through the AfricanAmerican and Latino community muralists of the 1960s and 70s. More recent events such as Sculpture Chicago’s 1993 outdoor expo Culture in Action will be explored alongside of more activist public art like Department of Space and Land Reclamation in 2001. This course will address many artists (Ellen Gates Starr, Upton Sinclair, John T. McCutcheon, The Dill Pickle Club, Gwendolyn Brooks) that draw from reproduced materials or selections from the Newberry Library Core, Special Collections, and online exhibitions. Additionally, the students will be exposed to ephemera and publications related to more recent (1960sPresent) artists drawn together in the instructor’s newly organized “Chicago Ephemera Archives” (neverthesame.org). Through a fellowship at the Gray Center for Arts and Inquiry at the University of Chicago, the Never The Same archive is being developed to document local political art since the 1960s. These materials will be made available to the students to provide handson connection with the sourcematerial and printed matter related to these practices. The artists and events covered in this seminar tell the story of the city, as well as the evolution of different aesthetic and artistic strategies and social movements. -
Culturalupdate
CONCIERGE UNLIMITED INTERNATIONAL culturalupdate August 2019 Volume XXVIIII—Issue VIII new / news arts / museums ♦The Laurel Room, Special Events 640 North LaSalle 8/7,14 Jazzin’ At The Shedd Shedd Aquarium 8/15 Adler After Dark: Taste of Space Adler Planetarium The team behind Pacific Standard Time 8/23 Doane at Dusk Adler Planetarium brings a new seasonal, breezy rooftop lounge and eatery to River North. The Laurel Opens Room features west coast vibes with hints 8/10 Expressive Ink Art Institute of Chicago of California architecture, relaxed seating 8/24 Eleanor Antin: Time’s Arrow Art Institute of Chicago options, as well as a selection of light food through and drink options. 8/18 What is a Planet? Adler Planetarium 8/18 National Mexican of Francois Frankie, Cross Currents ♦ Museum of Art 222 West Randolph Street 8/25 Jonathas De Andrade MCA Chicago Inspired by the famous bar inside New Orleans’ Free Admission to Museums* Hotel Monteleone, Francois Frankie brings new Art Institute of Chicago All Thursdays after 5 pm energy to the Loop with a revolving carousel Chicago History Museum All Tuesdays after 12:30 pm bar. Diners can anticipate a menu focused on DuSable Museum 8/6, 13, 20, 27 classics such as salmon, chicken and seafood. Muesum of Contemporary Art 8/6, 13, 20, 27 Illinois Holocaust Museum 8/10 we recommend *Available to Illinois residents only. Must show valid ID. ♦Chicago Architecture Center ballet / dance Discover Chicago’s amazing architecture through a walking or bus tour with the 8/9 SummerDance at the Spirit Grant Park Chicago Architecture Center (CAC). -
MELISSA LEANDRO [email protected] | Melissaleandro.Tumblr.Com
MELISSA LEANDRO [email protected] | www.melissaleandro.com| melissaleandro.tumblr.com Solo Exhibitions __________________________________________________________________ 2015 Selected Work. President/Provost office, School of the Art Institute of Chicago IL. Recuerdos de Un Paseo. Wright Museum of Art. Beloit College, Beloit, Wisconsin 2014 Explosiones Locales. Autotelic Studios, Chicago, IL. Pequenos Pasos, Intelligentsia, Chicago IL. New Work-Woman’s History Month. Sulzer Regional Library. Chicago IL. {Artist Talk} 2012 Rooftop Flag Installation: Winter Artist. Lillstreet Art Center, Chicago IL. Selected Exhibitions __________________________________________________________________ 2016 Doc6 Collective. Design and Art series #9. Chicago, IL International Young Textile Art Triennial. The Central Museum of Textiles in Łódź Poland. {catalogue} Present Standard, Chicago Cultural Center, Chicago, IL 2015 [But Three's A Crowd], Efrain Lopez Gallery, Chicago, IL Mom & Pops. Arts Incubator, University of Chicago, Chicago, IL. Visual Arts Exhibition: Luminarts Cultural Foundation. Union League, Chicago, IL. Dimensions of an Artist. Leroy Neiman Center, School of the Art Institute of Chicago IL. Leandro & Amaral Snow –New Works. The Franklin, Chicago IL. Over Under: Lula Walls. Lula Cafe, Chicago, IL. 2014 Transcending Boundaries: Fiber Artists. Bridgeport Art Center. Chicago, IL. {Chicago Artist Month} 57th Annual Beloit and Vicinity. Wright Museum of Art. Beloit College, Beloit, Wisconsin {catalogue} One Foot x One Foot. VP Fiber Arts Club. University of Missouri, Columbia Small Works. National Association of Women Artists. New York, NY. “Lilliputians March” Small Works Exhibition. Purdue University Galleries. West Lafayette, Indiana FLY, Flag Installation. Gallery 400, University of Chicago, Chicago, IL. Small works: online exhibition. Todd Art Gallery. Middle Tennessee State University. 2013 Group Exhibition. Stairway Studios. Chicago IL. -
Chicago-Area Museums Contribute to Illinois in Valuable Ways
CHICAGO-AREA MUSEUMS, GARDENS, ZOOS, AND AQUARIA Proudly Serving Illinois for 160 years Chicago-area museums contribute to Illinois in valuable ways. ECONOMIC IMPACT: As employers, contractors, and tourist attractions, Chicago-area museums have a major regional economic impact, leading to jobs, tourism, and improved quality of life. $850 million total estimated annual economic impact 3,700 employees 23,000 full-time equivalent jobs supported 5 million non-Illinois visitors annually $40 million in state tax revenue $38 million in city tax revenue These leading museums represent a unique public/private partnership. Of their combined budgets of $427 million, only 14% comes from public sources (Cook County Forest Preserve District/Chicago Park District). The remaining 86% comes from admissions, private philanthropy, competitive research grants, facilities rental fees, museum store sales, and other earned revenue sources. EDUCATION: Chicago-area museums are a resource for local organizations across Illinois to provide effective education, outreach and affordable access. All Illinois school groups are admitted free of charge. 1.6 million school children visit Chicago museums each year. Illinois residents enjoy 52 free days at most of the major Chicago museums. Illinois teachers and active military personnel receive free admission every day. Museums make meaningful contributions to educating a new generation, through: o Teacher Training o Pre-K through 12 Curricula o Support of Home School Communities o Teen Intern Programs o Lifelong Learning Programs for Seniors . EXHIBITING GLOBAL TREASURES: Museums contribute to Chicago’s status as a world-class city. We safeguard 50 million+ collections holdings. By way of comparison, the national collections at the Smithsonian Institution number 141 million items. -
Oral History Transcript T-0229, Interview with William N. Eisendrath
ORAL HISTORY T-0229 INTERVIEWEES: WILLIAM N. EISENDRATH, JR. INTERVIEWER: IRENE CORTINOVIS ARTISTS AND ART COLLECTORS PROJECT This transcript is a part of the Oral History Collection (S0829), available at The State Historical Society of Missouri. If you would like more information, please contact us at [email protected]. CORTINOVIS: Today is January 8, 1973. This is Irene Cortinovis from the University of Missouri Oral History Program. I have with me today Mr. William Eisendrath who has long worked in the art world both in St. Louis and in Chicago. Well, Bill, suppose we start out and I'm going to be writing down proper names on this folder as we go along and then I'll check with you after we're finished for the spellings. This is for the transcriber. I'd like to know, first about you as an individual. What your education for your work in art, in art museums was, well, just start for instance where you were born and what kind of influence your family had. EISENDRATH; I was born in Chicago. Do you want the date? CORTINOVIS: If you want. EISENDRATH: March 4, 1903, which makes me about 70. CORTINOVIS: I must say you look marvelous for 70. EISENDRATH: I became interested in art in my freshman year at Yale. It was solely an interest. I went abroad after my graduation from Yale and had a year's tour of Europe. CORTINOVIS: What kind of studies did you pursue at Yale, though? EISENDRATH: Almost all together English Literature, but in company with a number of friends I became interested in art.