INDIAN PSYCHIATRIC SOCIETY VOTER LIST 2021 (IPS Membership Till 30Th June 2020) (Membership, Contacts & Obituary Updated & Revised Till 14 August 2020)
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KERALA SOLID WASTE MANAGEMENT PROJECT (KSWMP) with Financial Assistance from the World Bank
KERALA SOLID WASTE MANAGEMENT Public Disclosure Authorized PROJECT (KSWMP) INTRODUCTION AND STRATEGIC ENVIROMENTAL ASSESSMENT OF WASTE Public Disclosure Authorized MANAGEMENT SECTOR IN KERALA VOLUME I JUNE 2020 Public Disclosure Authorized Prepared by SUCHITWA MISSION Public Disclosure Authorized GOVERNMENT OF KERALA Contents 1 This is the STRATEGIC ENVIRONMENTAL ASSESSMENT OF WASTE MANAGEMENT SECTOR IN KERALA AND ENVIRONMENTAL AND SOCIAL MANAGEMENT FRAMEWORK for the KERALA SOLID WASTE MANAGEMENT PROJECT (KSWMP) with financial assistance from the World Bank. This is hereby disclosed for comments/suggestions of the public/stakeholders. Send your comments/suggestions to SUCHITWA MISSION, Swaraj Bhavan, Base Floor (-1), Nanthancodu, Kowdiar, Thiruvananthapuram-695003, Kerala, India or email: [email protected] Contents 2 Table of Contents CHAPTER 1. INTRODUCTION TO THE PROJECT .................................................. 1 1.1 Program Description ................................................................................. 1 1.1.1 Proposed Project Components ..................................................................... 1 1.1.2 Environmental Characteristics of the Project Location............................... 2 1.2 Need for an Environmental Management Framework ........................... 3 1.3 Overview of the Environmental Assessment and Framework ............. 3 1.3.1 Purpose of the SEA and ESMF ...................................................................... 3 1.3.2 The ESMF process ........................................................................................ -
A Postcolonial Reading of O.V. Vijayan's Khasakinteithihasam (The Legends of Khasak)
Literary Endeavour (ISSN 0976-299X) : Vol. X : Issue: 1 (January, 2019) www.literaryendeavour.org 375 70 A POSTCOLONIAL READING OF O.V. VIJAYAN'S KHASAKINTEITHIHASAM (THE LEGENDS OF KHASAK) Akhil V P, Ph.D Scholar, R&D Centre, Bharathiar University Dr. Geetha Senthilkumar, Associate Professor & Chairperson, Department of English, Amrita Vishwa Vidyapeetham Abstarct: Literature of an era reflects the cultural contours of a nation and moreover it responds to the very pulse of the respective time period. This process can be understood as cultural representation in literature. Interpretation and depiction of cultural aspects in literature is undoubtedly a part of this principle.The post-independenceMalayalam literature witnessed a remarkable shift to modernism with the contribution of writers like M.T Vasudevan Nair, O.V Vijayan, Kakkanadan, M. Mukundan, Anand, VaikomMuhammedBasheer, Sethu and PunathilKunhabdullah among many other eminent authors. The researcherhas selected the magnum opus fiction KhasakinteIthihasam (self-translated as The Legends of Khasak) written by O.V Vijayan to analyze the aspect of cultural representation in the post-independence Malayalam literature. Key Words: Colonialism, Post-colonial literature, Cultural representation, Modernism. Post-independence Malayalam literature became more realistic with the advent of modernism. But since Kerala culture is built through the legends of 'vadakkanpattukal' (ballads of the north), 'thekkanpattukal' (ballads of the south), 'pulluvarpattukal' (traditional songs of pulluvar community), 'Mappilapattukal' (traditional songs by the Islamic community) and such other 'pattu' school of poetry and the vast array of myths and legends that form the crux of Dravidian and Aryan ancestry, there could never be a total deviation. Colonialism left its deep imprint upon almost all wakes of Kerala history and literature was no exception. -
Masculinity and the Structuring of the Public Domain in Kerala: a History of the Contemporary
MASCULINITY AND THE STRUCTURING OF THE PUBLIC DOMAIN IN KERALA: A HISTORY OF THE CONTEMPORARY Ph. D. Thesis submitted to MANIPAL ACADEMY OF HIGHER EDUCATION (MAHE – Deemed University) RATHEESH RADHAKRISHNAN CENTRE FOR THE STUDY OF CULTURE AND SOCIETY (Affiliated to MAHE- Deemed University) BANGALORE- 560011 JULY 2006 To my parents KM Rajalakshmy and M Radhakrishnan For the spirit of reason and freedom I was introduced to… This work is dedicated…. The object was to learn to what extent the effort to think one’s own history can free thought from what it silently thinks, so enable it to think differently. Michel Foucault. 1985/1990. The Use of Pleasure: The History of Sexuality Vol. II, trans. Robert Hurley. New York: Vintage: 9. … in order to problematise our inherited categories and perspectives on gender meanings, might not men’s experiences of gender – in relation to themselves, their bodies, to socially constructed representations, and to others (men and women) – be a potentially subversive way to begin? […]. Of course the risks are very high, namely, of being misunderstood both by the common sense of the dominant order and by a politically correct feminism. But, then, welcome to the margins! Mary E. John. 2002. “Responses”. From the Margins (February 2002): 247. The peacock has his plumes The cock his comb The lion his mane And the man his moustache. Tell me O Evolution! Is masculinity Only clothes and ornaments That in time becomes the body? PN Gopikrishnan. 2003. “Parayu Parinaamame!” (Tell me O Evolution!). Reprinted in Madiyanmarude Manifesto (Manifesto of the Lazy, 2006). Thrissur: Current Books: 78. -
Postcoloniality, Science Fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, Banerjee [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 Other tomorrows: postcoloniality, science fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Banerjee, Suparno, "Other tomorrows: postcoloniality, science fiction and India" (2010). LSU Doctoral Dissertations. 3181. https://digitalcommons.lsu.edu/gradschool_dissertations/3181 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. OTHER TOMORROWS: POSTCOLONIALITY, SCIENCE FICTION AND INDIA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In The Department of English By Suparno Banerjee B. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2000 M. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2002 August 2010 ©Copyright 2010 Suparno Banerjee All Rights Reserved ii ACKNOWLEDGEMENTS My dissertation would not have been possible without the constant support of my professors, peers, friends and family. Both my supervisors, Dr. Pallavi Rastogi and Dr. Carl Freedman, guided the committee proficiently and helped me maintain a steady progress towards completion. Dr. Rastogi provided useful insights into the field of postcolonial studies, while Dr. Freedman shared his invaluable knowledge of science fiction. Without Dr. Robin Roberts I would not have become aware of the immensely powerful tradition of feminist science fiction. -
Modernism, Postmodernism, Creativity, and Colonialism in Malayalam Literature
MODERNISM, POSTMODERNISM, CREATIVITY, AND COLONIALISM IN MALAYALAM LITERATURE M.G.S. Narayanan It has become fashionable among critics to indulge in the fireworks of modernist and post-modernist Jargon, obviously in a bid to perplex tile poor reader. The modernist and the post-modernist in the West invented then- new phraseology to convey something different from their existing tradition, some new experience related to social change in the twentieth century, following the two World Wars which shattered all values and banished all finer sentiments from life. They were the victims of then’ own enlightenment faith in progress, equality and peace. Then’ predicament was unenviable. This agony gave birth to cynicism about human nature and the future of civilization. Bookish Indian scholars who never went through the hell and horror of such European war-experience, but blindly aped their counterparts in the West, cut sorry figures in their comic roles as critics. Tile pretentious and hollow preaching shows the distance between them and the realities of life among the people. The artist, the poet, the fiction writer has to be an organic part of life in the society in which lie lives and moves, breaths and thinks, and shared the passion of human existence. Living in an ivory tower, or pretending to live there, is an act of snobbery in a fools’ paradise, - no, in a fools’ inferno, if there is one. In Kerala, fortunately for us, we had a bunch of writers who were steeped in tile passions, witch moved the people - poverty, betrayal in love, inequality, dishonesty, perversion, ambition, disillusionment and frustration. -
Library Stock.Pdf
Acc.No. Title Author Publication Samuhyashasthra Vidyarthimithram, 1 Vidhyabyasathinte saithadhika Rajeshwary V.P Kottayam Adisthanangal-1 Samuhyashasthra Vidyarthimithram, 2 Vidhyabyasathinte saithadhika Rajeshwary V.P Kottayam Adisthanangal-1 Samaniashasthra Vidhyabyasathinte Vidyarthimithram, 3 saithadhika Rajeshwary V.P Kottayam Adisthanangal-1 Samaniashasthra Vidhyabyasathinte Vidyarthimithram, 4 saithadhika Rajeshwary V.P Kottayam Adisthanangal-1 Adhunika Vidhyabyasathinte Vidyarthimithram, 5 Rajeshwary V.P Saithathikadisthanangal-2 Kottayam Adhunika Vidhyabyasathinte Vidyarthimithram, 6 Rajeshwary V.P Saithathikadisthanangal-2 Kottayam MalayalaBasha Bodhanathinte Vidyarthimithram, 7 Saithathikadisthanam (Pradhesika Rajapan Nair P.K Kottayam Bashabothanam-1) MalayalaBasha Bodhanathinte Vidyarthimithram, 8 Saithathikadisthanam (Pradhesika Rajapan Nair P.K Kottayam Bashabothanam-1) Samuhyashasthra Vidyarthimithram, 9 Vidhyabyasathinte saithadhika Thomas R.S Kottayam Adisthanangal-2 Samuhyashasthra Vidyarthimithram, 10 Vidhyabyasathinte saithadhika Thomas R.S Kottayam Adisthanangal-2 Samaniashasthra Vidhyabyasathinte Vidyarthimithram, 11 saithadhika Rajeshwary V.P Kottayam Adisthanangal-2 Samaniashasthra Vidhyabyasathinte Vidyarthimithram, 12 saithadhika Rajeshwary V.P Kottayam Adisthanangal-2 Samaniashasthra Vidhyabyasathinte Vidyarthimithram, 13 saithadhika Rajeshwary V.P Kottayam Adisthanangal-2 MalayalaBasha Bodhanathinte Vidyarthimithram, 14 Saithathikadisthanam (Pradhesika Rajapan Nair P.K Kottayam Bashabothanam-2) MalayalaBasha -
Umashankar Joshi (1911-1988) Is a Gujariti
NATIONAL LITERATURE IN TRANSLATION Fragmented- Umashankar Joshi About the author: Umashankar joshi (1911-1988) is a Gujariti writer of prose fiction, poetry and drama, whose works display nationalist sentiments and social awareness as well as concern for the predicament of human life in society. His major works include Vasant Varsa, Gangotri and Pracina. Introduction : 'Fragmented' works with opposing ideas: of being fragmented and being whole, of love and hate, of memory and forgetfulness, of heat and coolness, and so on. The poet does not reach any definite conclusions, no solutions are provided for this state of affairs. Instead, the poem serves as a meditation on an individual's circumstances and in it can be read echoes of the fragmentary nature of the world itself. Summary :The poem has a circular structure: beginning and ending with the line 'I am fragmented'. The notion of being fragmented is one that is particular to the person as well as to the world of the poem. Throughout the poem, the fragmentation of the poet-persona is evoked through symbols, images and metaphors, each of which elaborates the idea and develops it further. For example, the first stanza has three images: of rhythm without metre; of a pattern upon a canvas and of breadcrumbs in a beggar's bowl. The image of the bread crumbs signifies that which is broken, redundant and of little use but which when added to that from several homes goes a little way towards assuaging someone's hunger. “I am fragmented-fallen apart- Like rhythm striving to throb in a poem without metre, Like a pattern trying to emerge upon man's life-canvas. -
ANNEXURE 5.8 (CHAPTER V, PARA 25) FORM 9 List of Applica Ons For
12/2/2020 Form9_AC6_02/12/2020 ANNEXURE 5.8 (CHAPTER V, PARA 25) FORM 9 List of Applicaons for inclusion received in Form 6 Designated locaon identy (where applicaons Constuency (Assembly/£Parliamentary): Avadi Revision identy have been received) From date To date @ 2. Period of applicaons (covered in this list) 1. List number 01/12/2020 01/12/2020 3. Place of hearing* Serial $ Date of Name of Father / Mother / Date of Time of number Name of claimant Place of residence of receipt Husband and (Relaonship)# hearing* hearing* applicaon 1 01/12/2020 Manikandan K Krishnan R (F) 135/8, avadi main road, Paruthipau, , Thiruvallur #20, BOUND STREET, KOVILPATHAGAI, AVADI 2 01/12/2020 PRASANNA E ELANGO R (F) , , Thiruvallur 3 01/12/2020 PRASANNA E ELANGO R (F) #20, BOUND STREET, KOVILPATHAGAI, AVADI, , Thiruvallur NO 6 , 8TH STREET THIRUVALLUVAR 4 01/12/2020 LATHA PARAMASIVAM (H) NAGAR, THIRUMULLAIVOYAL, , Thiruvallur NO 5 PHASE 1, SWATHI NAGAR , KANNADAPALAYAM 5 01/12/2020 BHAVANI S SELVAKUMAR (F) KOVILPATHAGAI AVADI CHENNAI , , Thiruvallur NO 26, 2ND STREET, 4TH CROSS STREET, INDRA 6 01/12/2020 AMANULLAH S SYED MOHAMED (F) NAGAR, CHOLAPURAM, , Thiruvallur NO 72A, SARADHI 7 01/12/2020 RAJAMANI C EAKAMBARAM (F) NAGAR, KARUNAKARACHERI, , Thiruvallur SUBISHANA 8 01/12/2020 DHARMAGURU LAKSHMANAN (F) NO 1, INDRA NAGAR, KOVILPADHAGAI, , Thiruvallur DHARMAGURU NO 72A, SARATHI 9 01/12/2020 C GIRIJA RAJAMANI (H) NAGAR, KARUNAKARACHERI, , Thiruvallur PLOT NO 91, 6 TH STREET THIRUMALAI VASAN NAGAR S 10 01/12/2020 MANU RAMESH R RAMESAN P G (F) M NAGAR POST, -
Enrollment ID Student Name CHM out of 67 MTH out of 67 PHY out of 67 TOTAL out of 201 AIR Ai²ts-2(XI)
CHM MTH PHY TOTAL AIR Enrollment ID Student Name Out of 67 Out of 67 Out of 67 Out of 201 Ai²TS-2(XI) 9062111710163 PRIYANSHU GUPTA 57 56 60 173 1 9062181710078 SIDDHARTH KALRA 55 67 48 170 2 9061921710022 ANUBHAV SRIVASTAVA 60 50 54 164 3 1062111810080 ANANT LUNIA 55 53 49 157 4 9061101710061 DHANANJAY RAMAN 61 43 51 155 5 9020611710196 HARI HARAN NAVEEN S 54 64 37 155 5 9061741710070 ADYASHA PATRA 53 50 51 154 7 1151271910001 LAKSHYA JOSHI 37 57 58 152 8 9061181710048 AKSHIT GOEL 36 61 54 151 9 9062211710003 AAVEG JAIN 57 59 33 149 10 9062211710092 TEJAS ANAND 51 49 49 149 10 9020921710003 SAKSHAM SINGH 49 47 52 148 12 9062121710146 JAMITH KAUR 46 58 44 148 12 1011921810007 VIKRAM ADITYA SINGH 50 57 40 147 14 9061471710146 YASH VIRANI 48 61 38 147 14 9064821710005 HARSHVARDHAN 49 49 49 147 14 1152751910001 RISHIKA 52 39 53 144 17 9062101710019 MANAS SINGLA 52 37 54 143 18 1061111810018 NIKUNJ AGARWAL 59 35 49 143 18 9062201710081 PRANAV AGRAWAL 52 52 39 143 18 1110421910023 KARTIK NAIR 55 43 45 143 18 1062131810015 OM DEHLAN 41 55 46 142 22 9061131710001 VIDUSHI MAHESHWARI 46 58 38 142 22 1062111810077 ADITYA RAJ 49 42 51 142 22 1151111910126 PREET PACHERIZA 49 46 47 142 22 1152721910042 PANCHAJANYA DEY 51 44 46 141 26 9061921710032 MUDIT AGRAWAL 46 54 40 140 27 9062131710053 ANUSHKA JAIN 49 55 35 139 28 1110331910068 RISHIRAJ BRAHMBHATT 54 40 44 138 29 9061731710035 BAIBHAB SAHU 40 39 59 138 29 1151921910001 DIVYANSH GUPTA 52 42 43 137 31 9020221710003 RAVIJA CHANDEL 48 45 43 136 32 9061331710021 MAHARSHI KADEVAL 50 43 43 136 32 9061461710031 -
Supreme Court of India
SUPREME COURT OF INDIA F.No.5/AC/Panel/2020-2022/SCI(II-A) New Delhi, Dated the 18th July, 2020 NOTICE In pursuance of the notice dated 23rd January, 2020, inviting applications from Senior Advocates, Advocates-on-Record and non- Advocates-on-Record for formation of panels of advocates to act as amicus curiae for use of the Registry for a period of two years i.e., from 1st April, 2020 till 31st March, 2022, and consequent upon the directions of the Competent Authority, the advocates mentioned in List ‘A1’, List ‘B1’ and List ‘C1’ have been empanelled to act as amicus curiae for the said period and the advocates in List ‘A2’, List ‘B2’ and List ‘C2’ shall be on the wait list. Both sets of lists are annexed hereto and have been uploaded on the official website of the Hon’ble Court. Allocation of cases to the Senior Advocates, Advocates-on-Record and non-Advocates-on-Record will be made in the chronological order. The existing ratio of 2:1 between Advocates-on-Record and non- Advocates-on-Record will be maintained by the Registry in the matter of allocation of cases. No request for empanelment as amicus curiae for the aforesaid period hereafter will be entertained. …2/- :: 2 :: In case any Advocate-on-Record / non-Advocate-on-Record, upon allocation of case/s, would not file the required number of paper-books within the time specified for that purpose, or would not respond to the request made by the Registry within a reasonable time, or would return the allocated cases without giving any cogent and convincing reason, or would not appear before the Hon’ble Court, his/her name would be deleted from the panel after obtaining the orders of the Competent Authority. -
Malayalam - Novel
NEW BOMBAY KERALEEYA SAMAJ , LIBRARY LIBRARY LIST MALAYALAM - NOVEL SR.NO: BOOK'S NAME AUTHOR TYPE 4000 ORU SEETHAKOODY A.A.AZIS NOVEL 4001 AADYARATHRI NASHTAPETTAVAR A.D. RAJAN NOVEL 4002 AJYA HUTHI A.N.E. SUVARNAVALLY NOVEL 4003 UPACHAPAM A.N.E. SUVARNAVALLY NOVEL 4004 ABHILASHANGELEE VIDA A.P.I. SADIQ NOVEL 4005 GREEN CARD ABRAHAM THECKEMURY NOVEL 4006 TARSANUM IRUMBU MANUSHYARUM ADGAR RAICE BAROSE NOVEL 4007 TARSANUM KOLLAKKARUM ADGAR RAICE BAROSE NOVEL 4008 PATHIMOONNU PRASNANGAL AGATHA CHRISTIE D.NOVEL 4009 ABC NARAHATHYAKAL AGATHA CHRISTIE D.NOVEL 4010 HARITHABHAKALKK APPURAM AKBAR KAKKATTIL NOVEL 4011 ENMAKAJE AMBIKA SUDAN MANGAD NOVEL 4012 EZHUTHATHA KADALAS AMRITA PRITAM NOVEL 4013 MARANA CERTIFICATE ANAND NOVEL 4014 AALKKOOTTAM ANAND NOVEL 4015 ABHAYARTHIKAL ANAND NOVEL 4016 MARUBHOOMIKAL UNDAKUNNATHU ANAND NOVEL 4017 MANGALAM RAHIM MUGATHALA NOVEL 4018 VARDHAKYAM ENDE DUKHAM ARAVINDAN PERAMANGALAM NOVEL 4019 CHORAKKALAM SIR ARTHAR KONAN DOYLE D.NOVEL 4020 THIRICHU VARAVU ASHTAMOORTHY NOVEL 4021 MALSARAM ASHWATHI NOVEL 4022 OTTAPETTAVARUDEY RATHRI BABU KILIROOR NOVEL 4023 THANAL BALAKRISHNAN NOVEL 4024 NINGAL ARIYUNNATHINE BALAKRISHNAN MANGAD NOVEL 4025 KADAMBARI BANABATTAN NOVEL 4026 ANANDAMADAM BANKIM CHANDRA CHATTERJI NOVEL 4027 MATHILUKAL VIKAM MOHAMMAD BASHEER NOVEL 4028 ATTACK BATTEN BOSE NOVEL 4029 DR.DEVIL BATTON BOSE D.NOVEL 4030 CHANAKYAPURI BATTON BOSE D.NOVEL 4031 RAKTHA RAKSHASSE BRAM STOCKER NOVEL 4032 NASHTAPETTAVARUDEY SANGAGANAM C.GOPINATH NOVEL 4033 PRAKRTHI NIYAMAM C.R.PARAMESHWARAN NOVEL 4034 CHUZHALI C.RADHAKRISHNAN NOVEL 4035 VERUKAL PADARUNNA VAZHIKAL C.RADHAKRISHNAN NOVEL 4036 ATHIRUKAL KADAKKUNNAVAR C.RADHAKRISHNAN NOVEL 4037 SAHADHARMINI C.RADHAKRISHNAN NOVEL 4038 KAANAL THULLIKAL C.RADHAKRISHNAN NOVEL 4039 POOJYAM C.RADHAKRISHNAN NOVEL 4040 KANGALIKAL C.RADHAKRISHNAN NOVEL 4041 THEVADISHI C.RADHAKRISHNAN NOVEL 4042 KANKALIKAL C.RADHAKRISHNAN NOVEL 4043 MRINALAM C.RADHAKRISHNAN NOVEL 4044 KANNIMANGAKAL C.RADHAKRISHNAN NOVEL 4045 MALAKAMAAR CHIRAKU VEESHUMBOL C.V. -
Annual Report 2016-17 Thunchath Ezhuthachan Malayalam University
THUNCHATH EZHUTHACHAN MALAYALAM UNIVERSITY ANNUAL REPORT 2016-17 THUNCHATH EZHUTHACHAN MALAYALAM UNIVERSITY ANNUAL REPORT CONTENTS 1. Vice Chancellor’s note 2. Aims and objectives 3. Milestones 4. ‘Akhsaram’ Campus 5. Academic activities 6. Library 7. Student’s welfare, hostels 8. Activities with social commitment 9. International co-operation., Gundert Chair 10. Projects 11. 11. Publications 12. Administration 13. Appendix Editor: Dr. P.B.Lalkar English Translation Team Prof. Madhu Eravankara ( Co-ordinator) Dr. M. Vijayalakshmy, Dr. A.P Sreeraj, Dr. Jainy Varghese, Sri K.S Hakeem Design & Lay-out : Lijeesh M.T. Printing : K.B.P.S. Kakkanad, Kochi P R E FA C E Justice (Retd.) P Sathasivam Prof. C Ravindranath K Jayakumar Chancellor Pro Chancellor Vice Chancellor It is with great pleasure that I am presenting the Annual Report of Malayalam University up to March 31, 2017. The university started functioning in 2012 and the admission formalities of the first batch of students were completed in August 2013. Initially we started with 5 M.A courses. When we look back in 2017, it is worthy to note that the university has achieved tremendous growth both in infrastructure and academic level. Within this short span of time, we could start 10 M.A. Courses and Research Programmes. The first two batches of M.A and one batch of M.Phil students are out. Amenities like Library, Studio and Theatre claims self sufficiency. 28 permanent teachers were also appointed. The year 2016-17 witnessed so many important developments. The new library- research block and Heritage Museum, were opened. The year was marked with variety of academic activities and visit of several dignitaries.