Pants on Women
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
History and Drafting of Hose By: Adelheid Holtzhauer
History and Drafting of Hose By: Adelheid Holtzhauer Introduction Leg coverings of some sort have been worn throughout history by both men and women. For the purposes of this class, the hose we will be looking at are fitted, closed footed and made of woven fabric. There are many garments called Hose and Hosen worn throughout history. Extant examples have been found dating back to the 2nd century such as the footed hose found a Martres-de- Veyre. Image 1: Womens woollen twill hose excavated at Martres-de-Veyre Although there are many different garments that could be referred to as hose, in this class we will be focusing on "Single Hose" and "Attached Hose". Single hose cover one leg and can vary in length/height. Attached hose are essentially tight fitted trews. Over the course of time, single hose went from knee length and gartered with trim, to full fitted "pants" to thigh high and attached with to a belt at the waist, to detached and gartered under the knee to the full legging style common in the late 161h century. Image 2 shows a pair of attached hose which are carbon dated to 1355 AD and were found in the Damendorf Bog. Image 2: Susan Moller- Image 4: After a photo in Wlering: War and worship, p Nockert: 114 Bockstenmannen och Image 3: Margareta hans drakt Nockert: Bockstenmannen och hans drakt. pg 61 The knee high hose in image 3 were found on the Bocksten Bog Man generally dated to the th 14 century but were carbon dated between 1290 and 1430. -
How to Build a Model Illustrating Sea-Floor Spreading and Subduction
U.S. DEPARTMENT OF THE INTERIOR U.S. GEOLOGICAL SURVEY How to Build a Model Illustrating Sea-Floor Spreading and Subduction by John C. Lahr Open-File Report 99-132, Paper Edition This report is preliminary and has not been reviewed for conformity with U.S. Geological Survey editorial standards. Any use of trade, product, or firm names is for descriptive purposes only and does not imply endorsement by the U.S. Government. Denver Federal Center Box 25946, Mail Stop 966 Denver, CO 80225 Phone: (303) 273-8596 Email: [email protected] -2- In trod uct ion This report describes how to build a model of the outer 300 km (180 miles) of the Earth that can be used to develop a better understanding of the principal features of plate tectonics, including sea-floor spreading, the pattern of magnetic stripes frozen into the sea floor, transform faulting, thrust faulting, subduction, and volcanism. In addition to a paper copy of this report, the materials required are a cardboard shoebox, glue, scissors, straight edge, and safety razor blade. Structure of the Earth The Earth consists of an iron-rich core with a radius of 3,500 km (2,100 miles), surrounded by a 2,800-km- (1,680-mile-) thick mantle of mostly silicon, magnesium, and oxygen, and finally an 80-km- (50-mile-) thick lithosphere. While 96% of the volume of the core is liquid, there is a solid inner core with a radius of 1,200 km (720 miles). Electric currents within the metallic- liquid outer core create the Earth's magnetic field. -
Fashion,Costume,And Culture
FCC_TP_V4_930 3/5/04 3:59 PM Page 1 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages FCC_TP_V4_930 3/5/04 3:59 PM Page 3 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages Volume 4: Modern World Part I: 19004 – 1945 SARA PENDERGAST AND TOM PENDERGAST SARAH HERMSEN, Project Editor Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages Sara Pendergast and Tom Pendergast Project Editor Imaging and Multimedia Composition Sarah Hermsen Dean Dauphinais, Dave Oblender Evi Seoud Editorial Product Design Manufacturing Lawrence W. Baker Kate Scheible Rita Wimberley Permissions Shalice Shah-Caldwell, Ann Taylor ©2004 by U•X•L. U•X•L is an imprint of For permission to use material from Picture Archive/CORBIS, the Library of The Gale Group, Inc., a division of this product, submit your request via Congress, AP/Wide World Photos; large Thomson Learning, Inc. the Web at http://www.gale-edit.com/ photo, Public Domain. Volume 4, from permissions, or you may download our top to bottom, © Austrian Archives/ U•X•L® is a registered trademark used Permissions Request form and submit CORBIS, AP/Wide World Photos, © Kelly herein under license. Thomson your request by fax or mail to: A. Quin; large photo, AP/Wide World Learning™ is a trademark used herein Permissions Department Photos. Volume 5, from top to bottom, under license. The Gale Group, Inc. Susan D. Rock, AP/Wide World Photos, 27500 Drake Rd. © Ken Settle; large photo, AP/Wide For more information, contact: Farmington Hills, MI 48331-3535 World Photos. -
Magical Clothing Fo R Discerning Adventurers
Magical Clothing fo r Discerning Adventurers Anja Svare Sample file Introduction Table of Contents I really like making magic items. General Clothing 3 Now, there’s nothing wrong with how 5e presents the majority of magic items. But the tend to get a little stale. Potions are all essentially the same, scrolls don’t really have much interest Outerwear 6 other than what spell they contain, you’ve got a few interesting things that aren’t weapons or armor, but that’s about it. Most of those will either break a game because of their power, or Headwear 12 they should require a massive quest of campaign-level, world- spanning heroics to obtain. There just aren’t a lot of items that everyday adventurers want, Footwear 14 that won’t break the bank so to speak, and are things that are actually useful. Everybody wears clothes (I don’t want to think about nude D&D), and everybody loves magic items for their Accessories 16 character.. Combining the two seemed like a good idea, but I didn’t want Special Orders 20 to go with just pants, shirts, etc. I scoured the internet for medieval period clothing, and narrowed down a list of items that were common across a wide range of times and places throughout Europe during the Middle Ages. Now, I did come Glossary 22 across some interesting clothing items that fell outside that range or geography, and a few are included here. None of the items presented here are gender specific. I intentionally left any mention of that out of each item. -
A Study on the Design and Composition of Victorian Women's Mantle
Journal of Fashion Business Vol. 14, No. 6, pp.188~203(2010) A Study on the Design and Composition of Victorian Women’s Mantle * Lee Sangrye ‧ Kim Hyejeong Professor, Dept. of Fashion Design, TongMyong University * Associate Professor, Dept. of Clothing Industry, Hankyong National University Abstract This study purposed to identify the design and composition characteristics of mantle through a historical review of its change and development focusing on women’s dress. This analysis was particularly focused on the Victorian age because the variety of mantle designs introduced and popularized was wider than ever since ancient times to the present. For this study, we collected historical literature on mantle from ancient times to the 19 th century and made comparative analysis of design and composition, and for the Victorian age we investigated also actual items from the period. During the early Victorian age when the crinoline style was popular, mantle was of A‐ line silhouette spreading downward from the shoulders and of around knee length. In the mid Victorian age from 1870 to 1889 when the bustle style was popular, the style of mantle was changed to be three‐ dimensional, exaggerating the rear side of the bustle skirt. In addition, with increase in women’s suburban activities, walking costume became popular and mantle reached its climax. With the diversification of design and composition in this period, the name of mantle became more specific and as a result, mantle, mantelet, dolman, paletot, etc. were used. The styles popular were: it looked like half-jacket and half-cape. Ornaments such as tassels, fur, braids, rosettes, tufts and fringe were attached to create luxurious effects. -
You Were What You Wore in Roman Law: Deciphering the Dress Codes of 1 Timothy 2:9-15
You Were What You Wore in Roman Law: Deciphering the Dress Codes of 1 Timothy 2:9-15 Bruce W. Winter One unique aspect of the first century is the extent to which Roman law, including criminal law, undergirded all aspects of society. This phenomenon was peculiar to that empire, and Roman legal historians contend that it was never replicated to the same extent in subsequent civilizations. That being the case, one would expect that conventions concerning various spheres of life as well as appropriate dress codes would have been reflected in Roman law. In The Digest that codified Roman law and its interpretation, Roman legislators and jurists made rulings based on the premise that in the society of their day "you were what you wore." This applied equally to men and women in daily life. During the time of Augustus there were even sharper distinctions — observed in part by dress and seating arrangements on public occasions such as in the theatre and at banquets. The status of first-century citizens was readily identified from dress codes. Men were what they wore in Roman Law. Senators were the highest class and were notionally social equals of the emperor. They wore a broad purple stripe on their tunic ( latus clavus ), particular sandals and a gold ring. These and other senatorial privileges were extended to all close relatives and descendants of a senator. Members of equires Romani had long required a property qualification and Augustus distinguished them more markedly from the senatorial class by establishing a financial differential. They secured the right to wear the special gold ring of senators and to sit in the front rows of the theatre. -
Garments, Parts of Garments, and Textile Techniques in the Assyrian
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Terminologies from the Orient to the Centre for Textile Research Mediterranean and Europe, 1000 BC to 1000 AD 2017 Garments, Parts of Garments, and Textile Techniques in the Assyrian Terminology: The eoN - Assyrian Textile Lexicon in the 1st-Millennium BC Linguistic Context Salvatore Gaspa University of Copenhagen Follow this and additional works at: http://digitalcommons.unl.edu/texterm Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Art and Materials Conservation Commons, Classical Archaeology and Art History Commons, Classical Literature and Philology Commons, Fiber, Textile, and Weaving Arts Commons, Indo-European Linguistics and Philology Commons, Jewish Studies Commons, Museum Studies Commons, Near Eastern Languages and Societies Commons, and the Other History of Art, Architecture, and Archaeology Commons Gaspa, Salvatore, "Garments, Parts of Garments, and Textile Techniques in the Assyrian Terminology: The eN o-Assyrian Textile Lexicon in the 1st-Millennium BC Linguistic Context" (2017). Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD. 3. http://digitalcommons.unl.edu/texterm/3 This Article is brought to you for free and open access by the Centre for Textile Research at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Garments, Parts of Garments, and Textile Techniques in the Assyrian Terminology: The Neo- Assyrian Textile Lexicon in the 1st-Millennium BC Linguistic Context Salvatore Gaspa, University of Copenhagen In Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD, ed. -
Custimization Copy
Tighty Whities history customization functions customization contact Customize Yours history customization functions contact Tighty Whities Tighty Whities history customization functions history contact Starting from the Medieval period the suit, more commonly known as long johns, most similar item of undergarment would acted as a second skin. They were generally be the braies. These were pants of knitted as one piced, had a drop flap in varying length and shape worn under a back, and were worn by both men and long tunic. They tended to have laces or women. In 1910 they were split into top and strings tied around the waist to hold them bottom parts. up, and could be argued to be pants as much as undies. The Jock strap came along in 1874, and was originally intended as a device to comfort By the Georgian period braies had given men riding bicycles over the cobblestone way to drawers, which could come in streets of Boston. short, or “small clothes” which were a little longer, or long forms, depending on The 1930s brought about the invention of what was to be worn over the top. what we would consider modern underwear. The jockey, the boxer, and a plethora of About the time the industrial revolution designs long since discarded came about got off the ground, the union suit became then. The greatest innovation? Elastic a common form of underwear. The union < > Tighty Whities history customization your briefs functions contact solid premade style left panel right panel middle stitching piping waist band band stitch add to cart view cart Tighty Whities history customization functions functions contact Flag Flags for any and every country! Fly your tighty whities with pride high in the air. -
Tournament Gallery - Word Search
HERALDRY Heraldry involves using patterns pictures and colours to represent a knight. Below is an example. Q: Why do you think heraldry was important to a knight? TOURNAMENT Design and GALLERY sketch your own coat of arms KEY STAGE 3 Self-Guided Visit Student Activity Handbook w w w w w w . r r o o Name: y y a a l l a a r r School: m m o o u u r r i i Class: e e s s . o o r r g g Date: © Royal Armouries The Tournament Gallery can be found on Floors 2 and 3 of the Museum. TUDOR TOURNAMENT ARMOUR DECORATION Q: In the Tudor period the tournament was highly popular. Name and describe Find the section in the gallery that describes different ways to the different games associated with the tournament? decorate armour. Q: Name the methods used to decorate these armours A B C D E Q: Why do you think knights and nobles decorated their armour? Q: Find a piece of decorated armour in the gallery sketch it in the box below and describe why you chose it. Armours were made to protect a knight in battle or in the tournament. Q: What are the main differences between armour made to wear in battle and tournament armour? 1 © Royal Armouries © Royal Armouries 2 FIELD OF CLOTH OF GOLD KING HENRY VIII Find the painting depicting the Field of Cloth of Gold tournament. Henry VIII had some of the most impressive armours of his time. To the right of the painting of the Field of Cloth of Gold is a case displaying an armour made for Henry VIII; it was considered to be one of Q: In which year did the Field of Cloth of Gold tournament take place? the greatest armours ever made, why do you think this was? Q: On the other side of the painting is an usual armour. -
Medieval Clothes
Clothes Clothes Men’s linen braies Men’s linen braies — (or Breeches) were the innermost layer of clothing for men, long loose underpants made from linen. They were worn under and filled in the gap between single leg hose in the 13th and 14th centuries. As hose became fuller, braies got shorter and smaller. How do we know about linen braies? There are no surviving examples of braies as linen rots away too quickly. These replicas are “best guesses” worked out from C13th illuminated manuscript evidence. There are many illustrations of men wearing braies in medieval manuscripts, including the Luttrell Psalter. Peasants working in the fields seem to have worn braies without leg hose. Clothes Men’s linen lined woollen single leg hose Men’s linen lined woollen single leg hose — hose began as simple foot coverings and extended upwards covering more of the leg. During 13th and much of the 14th century hose were single-legged garments, and men sometimes wore different colours on each leg. Hose fasten directly to the waistband (breech girdle) of the braies. How do we know about woollen single leg hose? There are many illustrations of men wearing leg hose in medieval manuscripts, including the Luttrell Psalter. Clothes Women’s woollen leg hose Women’s woollen leg hose — women’s hose were knee-length socks cut from woven woollen cloth. They were cut on the bias to give as much movement as possible, were often quite loose and held up by garters tied just below the knee. Rich women may have had garters made from expensive cloth, possibly embroidered, with buckles, and poor women would have used plain twill cloth or braid. -
The Details of English Fashions of the Sixteenth Century: Men's Clothing
The Details of English Fashions of the Sixteenth Century: Men’s Clothing Examined by Decade by Margaret Roe Also published online at http://www.margaretroedesigns.com/fashions.html © 2010 1 Overview 1500s Shirts, cuffs and collars The shirt of the 1500s was full in the body, gathered into the neckline, sometimes with a narrow collar and sometimes into a scoop-neckline. The sleeves are unseen, but are probably either gathered into a small cuff or simply hemmed. Blackwork is not yet seen at the edges of men's shirts. Breeches Breeches of this decade continued to be the joined hose and codpiece of the fifteenth century. Doublets and jerkins Both doublets and jerkins are worn at this time. The doublet usually had a narrow standing collar, no more than 1" high, whereas the jerkin had a low, round neckline. Both had long skirts, extending to the knees, and both were simplify trimmed. Sleeves Sleeves are often difficult to see under the overgown, but appear to be of two common styles: either narrow but loose sleeves, or narrow to just above the elbow and full to the shoulder, possibly stuffed or padded to maintain a full shape. Sleeves usually matched the doublet or jerkin and were probably sewn into it. Over garments Finally, overgowns are seen in most portraits. These gowns fall either to mid-calf or to the ankles. They most often have very full, long sleeves, but occasionally, the sleeves are only elbow-length or are turned back over the elbows. The collar is turned back around the neck to reveal a different colored lining, which was sometimes fur.