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An Aristotelian Approach to Jane Austen's Mansfield Park Katherine A
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2015 An Aristotelian Approach to Jane Austen's Mansfield Park Katherine A. (Katherine Amanda) Guin Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES AN ARISTOTELIAN APPROACH TO JANE AUSTEN’S MANSFIELD PARK By KATHERINE A. GUIN A Dissertation submitted to the Department of Philosophy in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2015 Katherine A. Guin defended this dissertation on March 30, 2015. The members of the supervisory committee were: David McNaughton Professor Directing Dissertation Eric Walker University Representative John Roberts Committee Member J. Piers Rawling Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii To my father and mother, And To my husband iii ACKNOWLEDGMENTS This project began almost twenty years ago when I read Mansfield Park and the Nicomachean Ethics both for the first time and in quick succession. My father, Greg Guin, had pushed me to read both and I waited far too long to take his excellent advice. I am very grateful not only to my father but his friend, Bill Henry, for inspiring my interest in great literature. As an undergraduate at Millikin University, I had the privilege of being taught by several gifted teachers in the Philosophy, English, and History departments. I thank my English Professor, Bonnie Gunzenhauser, for encouraging me in my first attempt at exploring the connection between Austen and Aristotle. -
Commissioned Orchestral Version of Jonathan Dove’S Mansfield Park, Commemorating the 200Th Anniversary of the Death of Jane Austen
The Grange Festival announces the world premiere of a specially- commissioned orchestral version of Jonathan Dove’s Mansfield Park, commemorating the 200th anniversary of the death of Jane Austen Saturday 16 and Sunday 17 September 2017 The Grange Festival’s Artistic Director Michael Chance is delighted to announce the world premiere staging of a new orchestral version of Mansfield Park, the critically-acclaimed chamber opera by composer Jonathan Dove and librettist Alasdair Middleton, in September 2017. This production of Mansfield Park puts down a firm marker for The Grange Festival’s desire to extend its work outside the festival season. The Grange Festival’s inaugural summer season, 7 June-9 July 2017, includes brand new productions of Monteverdi’s Il ritorno d'Ulisse in patria, Bizet’s Carmen, Britten’s Albert Herring, as well as a performance of Verdi’s Requiem and an evening devoted to the music of Rodgers & Hammerstein and Rodgers & Hart with the John Wilson Orchestra. Mansfield Park, in September, is a welcome addition to the year, and the first world premiere of specially-commissioned work to take place at The Grange. This newly-orchestrated version of Mansfield Park was commissioned from Jonathan Dove by The Grange Festival to celebrate the serendipity of two significant milestones for Hampshire occurring in 2017: the 200th anniversary of the death of Austen, and the inaugural season of The Grange Festival in the heart of the county with what promises to be a highly entertaining musical staging of one of her best-loved novels. Mansfield Park was originally written by Jonathan Dove to a libretto by Alasdair Middleton based on the novel by Jane Austen for a cast of ten singers with four hands at a single piano. -
"Knit Your Own Stuff"; Or, Finishing Offjane Austen
Terry: "Knit Tour Oun Stuff ' 1.1 "Knit Your Own Stuff"; or, Finishing OffJane Austen JUDITH TERRY Faculty of Education, University of Victoria, Victoria, BC I'm sure you are wondering how this talk came by its title. As I set about explaining, I do want to assure you that, unlikely as it seems, I am on the way to Stanton Parsonage. I shall take a rather roundabout route, bythe back lanes, but I shall end up at the Watsons' front door. I start out from the home ofJoan Austen-Leigh. That was where I once not held Jane's housewife, where, for a sudden startled moment, looking so much at the housewife as the minute size of the needle inside it, I had a very intense sensation of knowing Jane, glimpsing the Jane we do not know. It was Jane de-familiarized-Jane sewing, not Jane writing- although the question that was passing through my mind might have referred to either: how did she do it? I don't Pretend this experience is unique-although it was peculiarly female. We all have these moments. Mini remained with me, and had some part, I am sure, in my later desire, decision, to write Miss Abigail's Part or Version E Diuersion, which in a way reflects thatjuxtaposition ofthe needle and the pen, since it is the other side ofJane too, the story of Mansfield Park from the servant's point of view, the underside of that large household, the side you don't see. This kind of literary inbreeding is not new-oneJaneite friend ofmine has pleasant memories of Pemberley Shades, which follows the fortunes of Ltzzy andDarcy after they are married-but it is especially popular these days and has reached new heights of sophistication. -
INTRODUCTION: DID JANE AUSTEN REALLY MEAN THAT? 1. the Novels Oj}Ane Austen, Edited by R
NOTES INTRODUCTION: DID JANE AUSTEN REALLY MEAN THAT? 1. The Novels oj}ane Austen, edited by R. W. Chapman. Further references from Austen's novels are to this edition and are included in the text. 2. Claudia Johnson forged a new direction for Austen studies in Jane Austen: WrJmen, Politics, and the Novel. I am deeply indebted to her work as weil as to that of William H. Galperin, The Historical Austen, Deidre Shauna Lynch, The Economy of Character: Novels, Market Culture, and the Business ofInner Meaning, and Mary Ann O'Farrell, Telling Complexions: The Nineteenth-Century English Novel and the Blush. That said, different concerns do shape my project. O'Farreil and I share a central focus on the body in Austen, though we tend to move in dissimilar directions about the kind of somatic work this novelist performs; while O'Farrell commits herself to an understanding of the blush as an expression of pleasure, she also analyzes it in su btle Foucauldian terms as a regulatory device. Lynch's book places Austen at the capstone of her ambitious study of the relationship between the novel's development and economic change; in this context, she demon strates how the kind of "characters" associated with the novel (individ uals with depth) emerge as a way for people to accommodate themselves to a new and commercialized world. I share with her an interest in the play between surface and depth in characters, and my focus on material objects opens an avenue, I hope, for further explo ration of how Austen uses things to foster a sense of inwardness for the characters in her fiction. -
Love and Freindship [I.E. Friendship] : and Other Early Works
FREINDSHIP OTHER, EAKIX'WORKS m. JANE 'AUSTEN V \ LOVE AND FREINDSHIP Reproduction, about half size, from a page of the ORIGINAL MANUSCRIPT LOVE & FREINDSHIP AND OTHER EARLY WORKS NOW FIRST PVBLISHED FROM THE ORIGINAL MS. BY JANE A USTEN WITH A PREFACE BY G. K. CHESTERTON NEW YORK FREDERICK A. STOKES COMPANY PUBLISHERS Copyright, 1922, ly J. R. SANDERS A II Rights Reserved Printed in the United States of America To Madame la Comtesse DE FEVILLIDE this Novel is inscribed by her obliged Humble Servant THE AUTHOR. "Deceived in Frefeidship and Betrayed in Love' PREFACE a recent newspaper controversy about the INconventional silliness and sameness of all the human generations previous to our own, some- body said that in the world of Jane Austen a lady was expected to faint when she received a pro- posal. To those who happen to have read any of the works of Jane Austen, the connection of ideas will appear slightly comic. Elizabeth Bennett, for instance, received two proposals from two very confident and even masterful ad- mirers; and she certainly did not faint. It would be nearer the truth to say that they did. But in any case it may be amusing to those who are thus amused, and perhaps even instructive to those who thus need to be instructed, to know that the earliest work of Jane Austen, here published for the first time, might be called a satire on the fable of the fainting lady. "Beware of fainting fits ... though at times they may be refresh- ing and agreable yet believe me they will in the end, if too often repeated and at improper sea- sons, prove destructive to your Constitution." Such were the words of the expiring Sophia to the afflicted Laura; and there are modern critics vii PREFACE capable of adducing them as a proof that all soci- ety was in a swoon in the first decade of the nine- teenth century. -
Life of Jane Austen
^c A jO>' ^i:?]JJNYSUl-- /v Ya- ] t » aii lit trr%n EDITED BY PROFESSOR ERIC S. ROBERTSON, M.A. LIFE OF JANE AUSTEN. LIFE OF JANE AUSTEN. BY A-^ — ^ GOLDWIN SMITH. \ , D LONDON WALTER SCOTT, 24, WARWICK LANE 1890 (AH rights reserved.) ^2-g O TfL 6^/ . X^ CONTENTS. -- CHAPTER I. in December Jnne Austen's position literary history ; born, i6, the Austen 1775, at the Parsonage, Steventon ; family ; Steventon and its society the basis of Jane Austen's and tastes childish works ; her early days literary ; pro- ductions; a precocious genius; "Pride and Prejudice" " " and " (1796), Sense and Sensibility (1797), Northanger Abbey" (1798), written at Steventon; rejected by the in her work and in her home life publishers ; delight pre- she moves with her father to vents discouragement ; P)ath, father removal to iSoi ; her dies, 1805 ; consequent considers herself an old maid views Southampton ; ; near thereon and on dress ; removal to Chawton, Win- " " chester, 1809; "Emma," Mansfield Park," and Per- " at of suasion written Chawton ; anonymous publication the novels, 1811-18; Jane Austen and Madame de the novels Sir Walter Stael ; appreciated by Scott, also the Prince and other leading men ; by Regent ; librarian illness officiousness of the Prince Regent's ; ; her of removal to Winchester ; death, July 18, 1817; view of her letters a foe to a life ; the tone ; sentimentality ; lover of nature ; a mild Conservative ; her novels accu- social life of the time her views rately depict the ; on her moral wealth ; religion ; the clergy ; teaching ; the CONTENTS. PAGE but novels not didactic, nor propngandist, very human ; country life as depicted in her novels compared with that the novels of unromantic their cha- of to-day ; necessity ; —the racters taken from a limited class gentry ; her work narrow in compass, but perfect in detail . -
Harold Pinter's Transmedial Histories
Introduction: Harold Pinter’s transmedial histories Article Published Version Creative Commons: Attribution 4.0 (CC-BY) Open Access Bignell, J. and Davies, W. (2020) Introduction: Harold Pinter’s transmedial histories. Historical Journal of Film, Radio & Television, 40. pp. 481-498. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2020.1778314 Available at http://centaur.reading.ac.uk/89961/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/01439685.2020.1778314 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Historical Journal of Film, Radio and Television ISSN: 0143-9685 (Print) 1465-3451 (Online) Journal homepage: https://www.tandfonline.com/loi/chjf20 Introduction: Harold Pinter’s Transmedial Histories Jonathan Bignell & William Davies To cite this article: Jonathan Bignell & William Davies (2020): Introduction: Harold Pinter’s Transmedial Histories, Historical Journal of Film, Radio and Television To link to this article: https://doi.org/10.1080/01439685.2020.1778314 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 18 Jun 2020. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=chjf20 Historical Journal of Film, Radio and Television, 2020 https://doi.org/10.1080/01439685.2020.1778314 INTRODUCTION: HAROLD PINTER’S TRANSMEDIAL HISTORIES Jonathan Bignell and William Davies This article introduces the special issue by exploring the transmediality of Harold Pinter's work. -
Jane Austen: the French Connection 107 with Footnotes on Every Page
Jane Austen: t The French Connection :Li JOAN AUSTEN-LEIGH Joan Austen-Leigh is the co-founder, with Jack Grey and Henry Burke, of the Jane Austen Society of North America. For nineteen years, she edited this journal. Mr. Austen was once asked by a neighbor, a man of many acres, whether Paris was in France or France was in Paris. I cannot help but feel that I have almost as little right as that shamefully clueless squire to be addressing the subject of Jane Austen and the French Connection. Now, having delivered myself of that disclaimer, the first aspect of this subject that interests me, especially as I am deficient in that respect myself, is, how well did Jane Austen speak French? If she were here with us today, would she be quite at ease in Quebec City, choos- ing some gloves or purchasing a sponge cake? First, it’s time for a brief history lesson from your impartial, unprejudiced, and, until beginning to work on this paper, abysmally ignorant historian. I have now informed myself that sixteen years before Jane Austen was born, on September 13, 1759, Wolfe defeated Montcalm. The battle lasted one hour, and the history of Canada was forever changed. It has been estimated that there were, then, approximately sev- enty thousand French settlers. Today, in a Canadian population of about twenty-nine million, more than four million speak French only. Why do I tell you these things? Because the French, as a nation, have always been protective of their language and culture, and I have 106 PERSUASIONS No. -
Operaharmony
#OPERAHARMONY CREATING OPERAS IN ISOLATION 1 3 WELCOME TO #OPERA HARMONY FROM FOUNDER – ELLA MARCHMENT Welcome to #OperaHarmony. #Opera Harmony is a collection of opera makers from across the world who, during this time of crisis, formed an online community to create new operas. I started this initiative when the show that I was rehearsing at Dutch National Opera was cancelled because of the lockdown. Using social media and online platforms I invited colleagues worldwide to join me in the immense technical and logistical challenge of creating new works online. I set the themes of ‘distance’ and ‘community’, organised artist teams, and since March have been overseeing the creation of twenty new operas. All the artists involved in #OperaHarmony are highly skilled professionals who typically apply their talents in creating live theatre performances. Through this project, they have had to adapt to working in a new medium, as well as embracing new technologies and novel ways of creating, producing, and sharing work. #OperaHarmony’s goal was to bring people together in ways that were unimaginable prior to Covid-19. Over 100 artists from all the opera disciplines have collaborated to write, stage, record, and produce the new operas. The pieces encapsulate an incredibly dark period for the arts, and they are a symbol of the unstoppable determination, and community that exists to perform and continue to create operatic works. This has been my saving grace throughout lockdown, and it has given all involved a sense of purpose. When we started building these works we had no idea how they would eventually be realised, and it is with great thanks that we acknowledge the support of Opera Vision in helping to both distribute and disseminate these pieces, and also for establishing a means in which audiences can be invited into the heart of the process too . -
A British Homecoming: Growing up Alongside Austen, Dickens, and Dahl
Claudia Dantoin, Undergraduate A British Homecoming: Growing Up Alongside Austen, Dickens, and Dahl On a spelling test in primary school, I was marked incorrect on one word: Color. That little word, to which I added the needed letter “u” highlights much of my character and growth as a book collector. As a young girl, home, for me, was always one of two places. The first was my own sanctuary, the family house, nestled amongst the rolling hills and red-barned landscapes of a small Wisconsin town. The second was amongst books, be they at the library or the local bookshop whose bespeckled shopkeepers knew me by name. However, such books magically shared one common point of origin. From the tender age of seven when I first picked up a Roald Dahl novel, I knew that I had found my ink and paper kin in a tiny island nation over 3,000 miles away: Britain. Amongst books, I sought out the avenues available for a magical trip across the pond. Into the rabbit hole. Through the looking glass. By means of the great glass elevator. All of these delightful inventions of the classic British authors enthralled me. Perhaps growing up with four siblings in the house made life a bit of a tornado of activity. From the chaos of everyday life, I would find peace in the rolling hillsides of Surrey and the perpetual magic of London. Through my British books I could find a world where Sherlock always solved the crime, tea arrived promptly at 4 pm on the nose, and small boys could change the mind of stodgy Lord Fauntleroys. -
Legal Issues in Austen's Life and Novels
DePaul Journal of Art, Technology & Intellectual Property Law Volume 27 Issue 2 Spring 2017 Article 2 Reading Jane Austen through the Lens of the Law: Legal Issues in Austen's Life and Novels Maureen B. Collins Follow this and additional works at: https://via.library.depaul.edu/jatip Part of the Computer Law Commons, Cultural Heritage Law Commons, Entertainment, Arts, and Sports Law Commons, Intellectual Property Law Commons, Internet Law Commons, and the Science and Technology Law Commons Recommended Citation Maureen B. Collins, Reading Jane Austen through the Lens of the Law: Legal Issues in Austen's Life and Novels, 27 DePaul J. Art, Tech. & Intell. Prop. L. 115 (2019) Available at: https://via.library.depaul.edu/jatip/vol27/iss2/2 This Lead Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Journal of Art, Technology & Intellectual Property Law by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Collins: Reading Jane Austen through the Lens of the Law: Legal Issues in READING JANE AUSTEN THROUGH THE LENS OF THE LAW: LEGAL ISSUES IN AUSTEN'S LIFE AND NOVELS Maureen B. Collins I. INTRODUCTION Jane Austen is most closely associated with loves lost and found and vivid depictions of life in Regency England. Austen's heroines have served as role models for centuries to young women seeking to balance manners and moxie. Today, Austen's characters have achieved a popularity she could have never foreseen. There is an "Austen industry" of fan fiction, graphic novels, movies, BBC specials, and Austen ephemera. -
Of Jane Austen Study Shows the Effects of Its Long History in Several Ways
"79 NCI NQ,2-3950 JANE AUSTEN AND HER CRITICS, 194[.0-1954 THESIS Presented to the Graduate Council of the North Texas State College in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS by Betty Ann Bowen, B. A. Denton, Texas August1, 9% TABLE OF CONTENTS Chapter Page I. BIOGRAPHY: 19&O-19.54 . 1 II. CRITICISM: 1940-1954 . 27 The Janeites The Non-Janeites III. CONCLUSION . 96 BIBLIOGRAPHY . 101 iii CHAPTER I BIOGRAPHY: 1940-1954 Nearly a century and a half has passed since Jane Austen lived and wrote, and the amount of biographical and critical material devoted to her during that time is of imposing, even intimidating proportions. The present state of Jane Austen study shows the effects of its long history in several ways. Because scholarship and criticism tend to assimilate earlier discoveries and opinions, recent publi- cation is difficult to assess accurately; and because biogra- phy and criticism tend to overlap, much of that recently published is difficult to categorize clearly. These factors and the immense volume of the material can present several problems to one who must select material for a specific pur- pose, and the nature of its contents makes a bibliographical guide almost necessary. The purpose of this thesis is to survey Jane Austen biography and criticism published since 1940 in order to show the present state of Jane Austen study while providing a bibliographical guide to recent material. 1 By surveying 1 The titles included in this survey are collected from the following bibliographies: Modern Humanities Research Association, Annual Bibliography of EnglishLanguage and Literature, Vols.