WHERE to GO Spend the Christmas Holidays at It's Home, As Usual

Total Page:16

File Type:pdf, Size:1020Kb

WHERE to GO Spend the Christmas Holidays at It's Home, As Usual months when he switches to the Red Hill Nov. 14-16. Ahmad and Dakota Classified Ads Stair.i will be at the Thanksgiving FOR ALL INSTRUMENTS 30c PER WORD—MINIMUM CHARGE $4.50 night affair Nov. 27 at the Broad­ wood ballroom. Warren Covington DEADLINE: 20 days prior to 506—STUART MUSICAL SLIDERULE. Four "on sale" date of issue. will appear at a dance in nearby separate slide rules give all chords, transposition and scales at a E*nce' Remittance must accompany copy Bristol the same night . Freddie Also 14 choices of harmonizing any Count Name, Address, City and State Cole, billed as Nat’s brother, played melody note. Complete................ .75 Box Number Service, 5Oc Extra with the group at Spider Kelly’s . 523—SELF-INSTRUCTION IN HARMONY Î1.M __________ARRANGEMENTS Ray McKinley’s Glenn Miller band 499—HOW TO CREATE YOUR OWN JAZZ CHORUSES ........................................... SI so ORIGINAL 4-PART Vocal, Solo Arrangements, was at Pottstown’s Sunnybrook ball­ 52—HOW TO HARMONIZE MELODIES $100 04—MODERN CHORD SUBSTITUTIONS '50 Modern, R & B. You select tune, we'll arrange. room Oct. 25. List tunes desired, voice ranges. FREE ar­ 959—SIGHT READING TECHNIQUE ‘50 rangement with first order. $5.00. Post Office —dave bittan 57—HOW TO MEMORIZE MUSIC u Box 2(>7, North Tonawanda, N.Y. 16—HOW TO PLAY MODERN JAZZ $1.50 WI 365—AD-LIB JAZZ PHRASES. 1728 modern MUSIC COPYING, songs transposed, arranging and San Francisco twomeasure jazz phrases to fit all frie orchestrating. George Rogers, 4474 So. Oaken- chords .................................................... |$1.00 wald, Chicago 15, Illinois. 902—PROGRESSIVE JAZZ PASSAGES .50 JAZZNOTES: Turn-back-the- 371—MODERN BLUES STYLES ane DAVE PELLSTYLED ARRANGEMENTS for trumpet, .75 372—NEW STYLE AD-LIB SOLOS tenor, trombone, bary-alto, rhythm. B Eber dockniks could have reveled in these $125 hart, P. O. Box 323, East Lansing, Michigan 47—IMPROVISING and HOT PLAYING It's nostalgic sounds during the past Hundreds of improvisation patterns SMALL BANDSII Smooth, danceable, lull sounding shown on all chords............................. $1.00 thr arrangements voiced for the following: Trumpet, fortnight or two in San Francisco: 58—BASS IMPROVISING BY CHORDS .50 Mto, Tenor plus rhythm; Trumpet, Tenor. 498—PLAYING BY CHORDS .50 Trombone plus rhythm; Trumpet, Alto, Tenor, George Gershwin’s Oh Kay at the 501—LESSONS IN AD-LIB PLAYING $1.00 the Trombone plus rhythm. Also MEDLEYS for Opera Ring theater; Bob Mielke’s 997—HOW TO TRANSPOSE AT SIGHT $150 4 sax's, trumpet, rhythm. _ Arranging Service 24 524—ENCYCLOPEDIA OF CHORDS $100 hin Lincoln Ave.. Pitt.sford. New York Bearcats singing and playing My Baby Just Cares for Me; customers DC FOR SALE FOR PIANO asking for Vernon Dalhart records FINE ITALIAN BASS—Magnificent tone $950.; also 528—SELF-INSTRUCTION IN POPULAR PIANO on French ¿4 bass $175. NE 9-5013, New York at Jack’s Record Gellar, where 78 Complete Beginners Course. $1.50 City._____________________________________ rpm still reigns; Jesse Fuller, play­ 492—PIANO INTROS, BREAKS, ENDINGS. BE USED WHITE ORCHESTRA COATS SINGLE BREASTED RUNS ....................... $1.50 $5. TUXEDO TROUSERS $4 KALE UNIFORMS, 1210 ing three instruments simultaneously 940—NEW CHORDS FOR STANDARD HITS JEFFERSON, CHICAGO, ILL._________________ Exciting different harmonizations $1.00 while singing Stack O’ Lee Blues; 376—MODERN CHORD PROGRESSIONS FOR ~ MISCELLANEOUS Anson Weeks, at the Sheraton Palace PIANO ............................................. $100! 80—THE BLOCK CHORD STYLE $1.001 JAKE TRUSSELL’S AFTER HOURS Poetry. Your jazz bouncing through When My Baby 88—MODERN BLOCK CHORD PROGRES­ literature collection is incomplete without it. SIONS. Examples end exercises Smiles at Me: Burt Bales faithfully Written by ■ jazz disc jockey listed in "On 49—DESCENDING PIANO RUNS The Dial”. For personally autographed copies recreating The Pearls a la Jelly-Roll 904—ASCENDING PIANO RUNS send $1.00 to Jake Trussell, Box 951, Kings­ 66—PROGRESSIVE PIANO HARMONIZATIONS ville, Texas. Price includes mailing. Morton: Vince Cattolica, with Marty Marsala’s band, sounding like early 354—MODERN CHORD APPLICATION. How la ARE YOU WORKING? If not, send for our booklet use fourth chords. 9th, 11th ond 13th "How to Make a Living in the Music Busi­ Goodman on King Porter Stomp; chords in modern jazz piano styling ness”. Professional Music Service, 2907 Kil­ 364—LEFT HAND IDEAS FOR MODERN burn, Dallas. Texas. $2.00. Ralph Sutton's reverent version of PIANIST and how to apply them DO1 23.000 PROFESSIONAL COMEOY LINES, PARODIES, In a Mist; a depressionistic Al Jolson 353—SINGLE NOTE IMPROVISATIONS Ad lib jazz phrases to fit the most used chord ROUTINES. SIGHT-BITS. 1700 PAGES! FREE CATA­ exci LOG. WRITE: ORBEN PUBLICATIONS, 111 E. singing You Are Too Beautiful in an progressions . CARPENTER ST., VALLEY STREAM, N. Y.______ _ 980—MODERN JAZZ ACCOMPANIMENTS 50 will obscure movie revived by a local 64—NEW CHORD STRUCTURES .50 MUSIC COMPOSED for songs. Records made Send house of antique films; Joe Sullivan 907—HOW TO REHARMONIZE SONGS .75 of il lyrics. Free Ex-amination. Crown Music Com­ 10—MODERN PIANO RUNS, 180 Professional pany, 49-DB West 32nd Street, New York alternating with Earl Hines nightly runs on all chords ........................... I $1.00 $3.4 at the Hangover; Turk Murphy's LEARN PIANO TUNING AND REPAIRING AT HOME. over WRITE KARL BARTENBACH, 1001 WELLS ST., gentle treatment of Gene Gilford’s FOR GUITAR LAFAYETTE, INDIANA. Chri soliloquy, Squareface: Kid Ory play­ 500—WALKING BASS FOR GUITAR SONGWRITERS, protect your ideas! Hold all songs, ing his own Muskrat Ramble. 344—1 ITH CHORDS FOR GUITAR supf poems! Write for safe, correct procedure. 503—CHORD ROUTINES. The most used chord SONG SERVICE. Dept. DB. 333 West 56th Johnny Markham and Vernon sequences as found in all popular music. St.. New York 19, N. Y. The "Formula" of all chord progres­ Alley, drums and bass respectively, sions ................................................. .50 WRITE SONGS?? Read "Songwriter's Review” maga­ .75 zine. 1650-DB Broadway, New York 19, 25c helped Lou Levy accompany Ella .50 copy; $2.50 year. 353—SINGLE NOTE IMPROVISATIONS Fitzgerald during her stay at the 42—GUITAR CHORDS, in diagram $1.25! 982—GUITAR INTRODUCTIONS .50 RECORDS Fairmont Hotel . Jimmy Giuffre's 367—UNUSUAL CHORD POSITIONS .75 STEREO TAPE. Two new albums available. Send for last day at the Blackhawk perked up 346—OCTAVE UNISON STYLIZING FOR GUI­ literature. PRT Industries, 391 Quinnipiac TAR. Modern double and triple string Ave., North Haven, Conn. when Andre Previn and Red Mitch­ solo technique and how to apply it ell dropped by to sit in with the WANTED trio . Clarinetist Rowland Work­ Minimum Order $1.00—Money Back Guarantee INSTRUCTOR AND REHEARSER for orchestra Must know most phases of music, degree preferable. ing, last with the Bay City Jazz band, FREE CATALOG OF 500 PUBLICATIONS Free to travel. Write—Richie Purdue Orch., drowned recently . Cal Tjader is c/o Bob Ruff, Personal Mgr., Prospectville, Pa, using a 10-piece latin band for Sun­ PLEASE ORDER BY NUMBER day dances that includes guitarist ☆ ☆ ☆ BUY ☆ ☆ ☆ WALTER STUART music studio inc. “GOD’S CHRISTMAS’’ Eddie Duran. Tjader's regular quin­ Box SO5-F, Union, New Jersey For the Holiday tet is at the Blackhawk until Febru­ Excellent new song, ¡ust published—Now on tale, ary. by “THE SOLVAY DREAMER” Dave Brubeck, now on tour, will in hollywood WHERE TO GO spend the Christmas holidays at It's home, as usual . Virgil Gonzalves’ Los Angeles Area CALL NINA sextet is working weekends in Capi­ The Musicians Exchange HOWARD RUMSEY'S tola . The Mitchell-Ruff duo par­ For Complete 24 Hour Phone Service lighthouta All-Star* ticipated in the “Baroque and Jazz HOIlywood 2-3311 1570 N Gower, Hollywood 28, Calif. THE LIGHTHOUSE Chamber Music’’ concert at Carmel Hermosa Beach on Nov. 4. "Through Our Switchboard Speak tho Top Modem Jazz Name* In Concert —dick hadlock Nicest People In tho World" 56 • DOWN BEAT.
Recommended publications
  • Dee Bell Long
    Biography Discography: Concord Jazz recordings: Let There Be Love with Stan Getz and Eddie Duran One by One with Tom Harrell and Eddie Duran Laser Records recordings Sagacious Grace: with Houston Person, Al Plank, John Stowell, and Michael Spiro Silva • Bell • Elation with Marcos Silva, Andy Narell and Barry Finnerty Commendation: Downbeat Magazine voted Dee, “Talent Deserving Wider Recognition for Female Vocals” for both Concord albums. BAM Magazine nominated Let There Be Love as the Best Debut Album and One by One as Best Jazz Vocal Album, both in their release years. Let There Be Love was a Billboard pick and won the Bay Area Golden Globe award. Dee’s rendition of the title track was chosen by Palo Alto records own Dr. Herb Wong as the signature interpretation of Let There Be Love for the 1988 Hal Leonard Ultimate Jazz Fakebook. All three of Dee’s albums have been in the top of the airplay charts for long runs with Let There Be Love and One by One reaching thirteen and nineteen respectively, Dee and the “historic release” Sagacious Grace at thirty-one. Bell Silva • Bell • Elation biographical liner notes by Jazz Author James Gavin: “Who’s Dee Bell?” wondered many jazz fans in 1983, when that name appeared above RECORD COMPANY those of Stan Getz and an esteemed veteran guitarist, Eddie Duran, on the cover of a Concord Laser Records, LLC Jazz LP, Let There Be Love. Like a jazz Cinderella, this gifted unknown singer – a former hippie and waitress in northern California – had been discovered by Getz and Duran, both of whom 5457 Monroe Road volunteered to play on her debut LP.
    [Show full text]
  • Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
    1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N.
    [Show full text]
  • Biography Dee Bell
    Biography Discography: Concord Jazz recordings: Let There Be Love with Stan Getz and Eddie Duran One by One with Tom Harrell and Eddie Duran Laser Records recordings Sagacious Grace: with Houston Person, Al Plank, John Stowell, and Michael Spiro Silva • Bell • Elation with Marcos Silva, Andy Narell and Barry Finnerty Commendation: Downbeat Magazine voted Dee, “Talent Deserving Wider Recognition for Female Vocals” for both Concord albums. BAM Magazine nominated Let There Be Love as the Best Debut Album and One by One as Best Jazz Vocal Album, both in their release years. Let There Be Love was a Billboard pick and won the Bay Area Golden Globe award. Dee’s rendition of the title track was chosen by Palo Alto records own Dr. Herb Wong as the signature interpretation of Let There Be Love for the 1988 Hal Leonard Ultimate Jazz Fakebook. All three of Dee’s albums have been in the top of the airplay charts for long runs with Let There Be Love and One by One reaching thirteen and nineteen respectively, Dee and the “historic release” Sagacious Grace at thirty-one. Bell Silva • Bell • Elation biographical liner notes • jazz author James Gavin: “Who’s Dee Bell?” wondered many jazz fans in 1983, when that name appeared above RECORD COMPANY those of Stan Getz and an esteemed veteran guitarist, Eddie Duran, on the cover of a Concord Laser Records, LLC Jazz LP, Let There Be Love. Like a jazz Cinderella, this gifted unknown singer – a former hippie and waitress in northern California – had been discovered by Getz and Duran, both of whom 5457 Monroe Road volunteered to play on her debut LP.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • Dee Bell Silver Bells Was the Bell Family Signature Christmas Song
    Why Silva • Bell • Elation? • Dee Bell Silver Bells was the Bell Family signature Christmas song. It was a tradition in our family holiday jam sessions. Because of this, the merging of the two names Marcos Silva and Dee Bell seemed tunefully obvious. Elation was the result of the Silva Bell musical partnership. From the first recording with Stan Getz to the present, the rhythms and music of Brazil have infused new tonal colors and energy into the music that enlivens my spirit. Stan and Eddie Duran introduced me to those rhythms and prompted deeper exploration into the music of Antonio Carlos Jobim, Ivan Lins, Maria Bethania, Simone, Dori and Nana Caymmi, Joyce, Toninho Horta, Chico Buarque, Djavan, Gilberto Gil, Caetano Veloso, Elis Regina to mention a few. Maria Marquez, a contemporary of mine also living and performing in San Francisco in the 80s, generously made a tape for me of these artists and several others that further inspired. Bless you Maria! This music has sustained my spirit through the last thirty years of life’s crushing waves and lean times. The first two Concord recordings Let There Be Love and One by One were successfully acclaimed, then the waves began to hit. By the time the third recording, Sagacious Grace, was Dee finally revived from certain death by recording engineers Bud Spangler and Dan Feizli, the Bell heart of the recording and my musical director, Al Plank, had, to quote James Gavin in Silva • Bell • Elation’s liner notes, “moved on to the next world.” The dilemma of how to present a RECORD COMPANY CD release show without the master musician left me stymied.
    [Show full text]
  • LINER NOTES Print
    LONG NOTES GEORGE WINSTON LINUS AND LUCY – THE MUSIC OF VINCE GUARALDI – VOL. 1: George Winston on Vince Guaraldi (Vince’s name is pronounced “Gurr-al-dee”, beginning with a hard “G) “Vince Guaraldi once said that he wanted to write standards, not just hits, and that he did,” says George Winston. “His music is very much a part of the fabric of American culture, but not many people know the man behind the music, and it is unusual for someone’s music to be better known than their name (some other composers who have also been in this situation are Allen Toussaint, Randy Newman (in the early and mid 1960s), Joni Mitchell (in the mid 1960s), Leonard Cohen (in the mid-1960s), Laura Nyro, Percy Mayfield, Otis Blackwell, and Wendy Waldman). If I play Linus & Lucy and other Vince Guaraldi Peanuts pieces for most kids they will usually say right away, ‘That’s Charlie Brown music’. Vince’s soundtracks for the first 16 of the Peanuts animations from the 1960s & 1970s continue to delight millions of people around the world, and many of his albums remain in print. I like to help make the connection for people that Vince Guaraldi was a great jazz pianist, and that he was the composer of the soundtracks for the first 16 of the Peanuts animation, as well as of many other great jazz pieces. Vince’s best known standards are Cast Your Fate to the Wind, Linus and Lucy, Christmas Time is Here, as well as Skating, and Christmas is Coming. A lot of Vince’s music is seasonal, and it reminds me very much of my upbringing in Montana.
    [Show full text]
  • Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites
    Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites – 750 Vallejo In North Beach, SF “The Jam” Mike Bloomfield and friends at Fillmore West - January 30-31-Feb. 1-2, 1970? Feb. 11, 1970 -- Fillmore West -- Benefit for Magic Sam featuring: Butterfield Blues Band / Mike Bloomfield & Friends / Elvin Bishop Group / Charlie Musselwhite / Nick Gravenites Feb. 28, 1970 – Mike Bloomfield, Keystone Korner, SF March 19, 1970 – Elvin Bishop Group plays Keystone Korner , SF Bloomfield was supposed to show for a jam. Did he? March 27,28, 1970 – Mike Bloomfield and Nick Gravenites, Keystone Korner ***** MICHAEL BLOOMFIELD AND FRIENDS 1970. Feb. 27. Eagles Auditorium, Seattle 1. “Wine” (8.00) This is the encore from Seattle added on the bootleg as a “filler”! The rest is from Long Beach Auditorium Apr. 8, 1971. 1970 1 – CDR “JAMES COTTON W/MIKE BLOOMFIELD AND FRIENDS” Bootleg 578 ***** JANIS JOPLIN AND THE BUTTERFIELD BLUES BAND 1970. Mar. 28. Columbia Studio D, Hollywood, CA Janis Joplin, vocals - Paul Butterfield, hca - Mike Bloomfield, guitar - Mark Naftalin, organ - Rod Hicks, bass - George Davidson, drums - Gene Dinwiddle, soprano sax, tenor sax - Trevor Lawrence, baritone sax - Steve Madaio, trumpet 1. “One Night Stand” (Version 1) (3.01) 2. “One Night Stand” (Version 2) wrong speed 1982 1 – LP “FAREWELL SONG” CBS 32793 (NL) 1992 1 – CD “FAREWELL SONG” COLUMBIA 484458 2 (US) ?? 2 – CD-3 BOX SET CBS ***** SAM LAY 1970 Producer Nick Gravenites (and Michael Bloomfield) Sam Lay, dr, vocals - Michael Bloomfield, guitar - Bob Jones, dr – bass ? – hca ? – piano ? – organ ? Probably all of The Butterfield Blues Band is playing. Mark Naftalin, Barry Goldberg, Paul Butterfield 1.
    [Show full text]
  • Silva.Bell.Band Now Booking
    Now booking The Silva.Bell.Band Dee Bell . Marcos Silva . Phil Thompson . Scot Thompson Dee and Marcos have both recorded on Concord Jazz and Laser Records Each have performed professionally domestically & internationally for over 30 years Dee has recorded with: Marcos is the professor of Phil Thompson’s CD That Rio Stan Getz Brazilian Jazz studies at the Thing was highly acclaimed. He Tom Harrell California Conservatory has performed with Houston Person Berkeley and has served as Toninho Horta Eddie Duran Music Director for: Mark Murphy Marcos Silva Toninho Horta Claudio Roditi John Stowell, Flora Purim Pete Escovedo Barry Finnerty Andy Narell Edu Lobo and many more. Al Plank and has recorded with too many Vince Lateano to name Scott Thompson is the first call Pete Rugalo and more Brazilian bassist and has recorded with Chico Pinheiro Two albums in National top twenty deebell.net [email protected] 415.302.6274 Now booking Dee Bell . Vocals Marcos Silva . Piano Damien Masterson’s Intercambio; Sandy Cressman’s : Homenagem Brasileira. (Produced) Discography: Multi-instrumentalist, composer, Sempre no Coração. arranger and educator Eddie Pasternak/Joel Evans Concord Jazz recordings: project A Dozen Roses Ago. Let There Be Love Nominated for a Grammy, (Produced) with Stan Getz and Eddie Duran Airto’s Missa Espiritual, Struck Toured with by lightning, One by One Paquito D’Rivera, Flora & Airto’s The Sun is out, The with Tom Harrell and Eddie Duran Bud Shank, Magicians, Midnight Sun, Dori Caymmi, The Colors of Life, Queen of the Laser Records recordings Sagacious musical director for Flora Purim and Night, Speak no Evil Flora’s Song , Grace: Airto Moreira for 23 years.
    [Show full text]
  • 'A '1Oi! Rai Music Showcase with Chab Sahraoui, Shocking Still
    ^rwu clinics wii~S\ MUSIC "A Neil Simon ploy for Orquesta Actualidad. Sat.: Tito Garcia. Pier GORDON BIERSCH BREWERY - Wed.: Rory Texas Border Radio. Smash Tones, the N CONCERT 3. Embarcadero. (415) 346-7783. Snyder. 2 Harrison Street. (415) 243-8246. Spoken. Sat.: Poison Whiskey. 1024 Kearny ANA HOTEL-Tues.-Sat.: Joseph Magdalena. GRANT ANDGREEN-Today, 4 p.m.: Tailfins; Street. (415) 986-MORT. the '90s... Twilight hos USTAD All AKBAR KHAN - With Shri Swa- 50 Third Street. (415) 974-6400. 9 p.m.: Big Bones. Mon. and Wed.: Tommy NEW ORLEANSROOM-Tonight: Larry Dun- Dan Chaudhuri. Sat. at 7:30 om. St. John's BAHIA BRAZILIAN RESTAURANT - Thurs.: Castro. Tues.: The Doorslammers. Thurs. lap. Mon.: Dick Conte. Tues.: Bobbe Norris. Presbyterian Church, 2727 college Avenue, Doug Gittins. Fri.: Claudia Gomes. Sat.: Car- and Sat.: Johnny Nitro. Fri.: Davee Bryan Wed.-Sat.: Les McCann & the Maeic Band. lenty going fe it as Berkeley. (415) 454-6264. los Henrique. 41 Franklin. (415) 626-3306. Band. 1371 Grant Avenue. (415) 693-9565. Fairmont Hotel. California and Mason ANCIENT FUTURE - Fri. at 7 p.m. Free. BAHIA TROPICAL - Wed.: Guava Jelly. Fri.: GRAPELEAF RESTAURANT - Tonight: Arabi- streets. (415) 772-5259. Larkspur Landing Shopping Center, Lark- Charanga, Tumbao y Cuerdas. Sat.: Brazil- an Passion. 4031 Balboa Street. (415) NEW PERFORMANCE GALLERY - Fri.: Dred spur. (415) 721-9935. 668-1515. -.-. ian dance showcase. 1600 Market Street. - - Scott. 3153 17th Street. (415) 863-9830.~- ...- BERKELEY ROCKFEST - With Sonya Hunter, (415) 861-8657. GREAT AMERICAN MUSIC HALL-Tues.: Stan NIGHTBREAK -Today: Far, Tommy Knock- Monica Pasqual, Mercy Street, Stovepipe.
    [Show full text]
  • Keyboard July 1981 by Bob Doerschuk Remembering the Man
    Remembering the Man Behind "Cast Your Fate to The Wind” ONE NIGHT NOT long ago, a group of friends met at the home of Jean Gleason in Berkeley, California. They came from different parts of the Bay Area and different walks of life. Over the dinner table, with the lights of San Francisco and the Bay Bridge as a backdrop through the western windows, the conversation was light and literate, touching on the arts and issues that crop up in gatherings like this throughout the country. But after a while the mood turned mellow. Slowly the guests filed into Jean's living room, arranged themselves on couches and cushions, and waited as the lights dimmed to darkness and a motion picture projector came to life. The film was Anatomy Of A Hit, produced by Jean's late husband, the noted jazz critic Ralph Gleason, for public tele-vision in 1963. For the next few hours, every-one watched silently as images of a short stocky man with thick-rimmed glasses and an improbable mustache flickered across the screen. He joked with acquaintances in the shadows of the past, bustled into late-night bistros long since forgotten by today's young San Franciscans, scribbled messages to him-self on a basement pipe, clambered playfully onto an empty storage shelf in the ware-house at Fantasy records, and above all, he played the piano. In recording studios, in North Beach nightclubs, in his own house, where he kept a battered spinet and a baby grand only a few yards from one another in case inspiration hit too suddenly to move, Vince Guaraldi was filmed behind the keys.
    [Show full text]
  • There Are Three Composers That I Have at One Time Or Another Tried to Play
    Love Will Come – new long web notes: There are three composers that I have at one time or another tried to play all of their songs: New Orleans R&B pianist Professor Longhair, The Doors, and Vince Guaraldi...Vince Guaraldi and his music are so much a part of the deep heart and soul of San Francisco, and of the experience of childhood, and beyond.” — George Winston In 1996, George released his first album of Guaraldi compositions, entitled LINUS AND LUCY - THE MUSIC OF VINCE GUARALDI. It nicely mixed well known-standards like the title track and Cast Your Fate to the Wind, with less well-known material, including some music cues that had only been heard in the soundtracks. George’s second album of Guaraldi music delves even deeper into the repertoire, uncovering some hidden gems. Like many musicians of his generation, George Winston first heard the music of San Francisco based jazz pianist Vince Guaraldi on his 1962 hit Cast Your Fate to the Wind, and on the 1965 televised Peanuts® animation special A Charlie Brown Christmas. First aired on the CBS network in 1965, the television special was created by the Peanuts® comic strip creator Charles Schulz (1922-2000), writer/producer Lee Mendelson (1933-2019), and former Warner Brothers animator Bill Melendez (1916-2008). Vince Guaraldi was hired to compose the jazz soundtrack, a bold step for network television at that time. Vince completed the diamond that was the Dream Team. At first, some executives at CBS weren’t fully on board about using jazz for the music soundtrack.
    [Show full text]
  • Title Format Released & His Orchestra South Pacific 12" 1958 Abdo
    Title Format Released & His Orchestra South Pacific 12" 1958 Abdo, George & The Flames of Araby Orchestra Joy of Belly Dancing 12" 1975 Abdo, Geroge & The Flames of Araby Orchestra Art of Belly Dancing 12" 1973 Abney, Don, Jimmy Raney, Oscar Pettiford Music Minus One: A Rhythm Background Record For Any Musician Or Vocalist 12" 19NA Abrams, Muhal Richard Duet 12" 1981 Adderley, Cannonball The Cannonball Adderley Collection - Vol. 7: Cannonball in Europe 12" 1986 Somethin' Else 12" 1984 Domination 12" 1964 Cannonball Adderley Quintet In Chicago 12" 1959 African Waltz 12" 1961 Cannonball Takes Charge 12" 1959 Adderley, Cannonball Quintet Mercy, Mercy, Mercy! Live at 'The Club' 12" 19NA Ade, King Sunny Synchro System 12" 1983 Adelade Robbins Trio, Barbara Carroll Trio Lookin' for a Boy 12" 1958 Akiyosh, Toshiko-Lew Tabackin Big Band Road Time 12" 2 LPs 1976 Akiyoshi, Toshiko Lew Tabackin Big Band Tales of a Courtesan (Oirantan) 12" 1976 Albam, Manny Jazz Heritage: Jazz Greats of Our Time, Vol. 2 12" 1958 Alexander, Monty Alexander The Great 12" 1965 Facets 12" 1980 Monty Strikes Again: Monty Alexander Live In Germany 12" 1976 Duke Ellington Songbook 12" 1984 Spunky 12" 1965 Alexander, Monty & Ernest Ranglin Just Friends 12" 1981 Alexandria, Lorez The Band Swings Lorez Sings 12" 1988 Alexandria the Great 12" 1964 Lorez Sings Pres: A Tribute to Lester Young 12" 1987 For Swingers Only 12" 1963 Page 1 of 67 Title Format Released Alexandria, Lorez This Is Lorez 12" 1958 More Of The Great Lorez Alexandria 12" 1964 Allen, "Red" With Jack Teagarden And Kid Ory At Newport 12" 1982 Allen, Henry "Red" Giants Of Jazz 3 LP Box Set 1981 Ride, Red, Ride in Hi-Fi 12" 1957 Ridin' With Red 10" 1955 Allison, Mose V-8 Ford Blues 12" 1961 Back Country Suite 12" 1957 Western Man 12" 1971 Young Man Mose 12" 1958 Almeida, Laurindo with Bud Shank Brazilliance, Vol.
    [Show full text]