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Breakfast with Champions
Breakfast with Champions Saturday, June 10, 2017 | Cal State University, Long Beach ABOUT THE EVENT The Rafer Johnson Breakfast with Champions brings leaders of the business and sports communities together to honor the accomplishments of Special Olympics athletes. The event will follow the Summer Games Opening Ceremony and features a Parade of Champions; keynote speaker; and Special Olympics parent speakers. Individual tickets are $60 and Sponsorships are available from $1,000 to $15,000 Learn more at www.sosc.org/bwc. EVENTS The breakfast begins at 11:30 a.m. in the Student Union Ballroom Parade of Champions, which is led by Olympic Decathlon Gold Medalist Rafer Johnson and includes Special Olympics athletes, U.S. Olympians, and notable sports champions, will open the program. A Special Olympics family member will share some inspiration. The Rafer Johnson Humanitarian Award Winner will be presented. ABOUT RAFER JOHNSON Rafer Johnson, Olympic Decathlon Gold Medalist, founded Special Olympics Southern California along with a small group of dedicated volunteers in 1969. Johnson was inspired by Special Olympics athletes at the first ever International Special Olympics Summer Games held by Eunice Kennedy Shriver in 1968. Ever since then, he has been an integral member of the organization and passionately volunteers his time to help Special Olympic athletes succeed. ABOUT SPECIAL OLYMPICS SOUTHERN CALIFORNIA Founded in 1969 by Olympic decathlon gold medalist Rafer Johnson, Special Olympics Southern California offers opportunities for individuals with intellectual disabilities to participate in year-round sports training and competition. More than 28,000 athletes and growing and 15,000 coaches and volunteers take part in 12 Olympic- style sports. -
Casting Call: Spatial Impressions in the Work of Rachel Whiteread
The Plan Journal 0 (0): 97-110, 2016 doi: 10.15274/TPJ-2016-10008 CASTING CALL: SPATIAL IMPRESSIONS IN THE WORK OF RACHEL WHITEREAD CROSS-DISCIPLINARY STUDIES PETER L. WONG Rachel Whiteread, Ghost, 1990. Casting Call: Spatial Impressions in the Work of Rachel Whiteread Peter L. Wong ABSTRACT - For more than 20 years, Rachel Whiteread has situated her sculpture inside the realm of architecture. Her constructions elicit a connection between: things and space, matter and memory, assemblage and wholeness by drawing us toward a reciprocal relationship between objects and their settings. Her chosen means of casting solids from “ready- made” objects reflect a process of visual estrangement that is dependent on the original artifact. The space beneath a table, the volume of a water tank, or the hollow undersides of a porcelain sink serve as examples of a technique that aligns objet-trouvé with a reverence for the everyday. The products of this method, now rendered as space, acquire their own autonomous presence as the formwork of things is replaced by space as it solidifies and congeals. The effect is both reliant and independent, familiar yet strange. Much of the writing about Whiteread’s work occurs in the form of art criticism and exhibition reviews. Her work is frequently under scrutiny, fueled by the popular press and those holding strict values and expectations of public art. Little is mentioned of the architectural relevance of her process, though her more controversial pieces are derived from buildings themselves – e,g, the casting of surfaces (Floor, 1995), rooms (Ghost, 1990 and The Nameless Library, 2000), or entire buildings (House, 1993). -
Watergate Landscaping Watergate Innovation
Innovation Watergate Watergate Landscaping Landscape architect Boris Timchenko faced a major challenge Located at the intersections of Rock Creek Parkway and in creating the interior gardens of Watergate as most of the Virginia and New Hampshire Avenues, with sweeping views open grass area sits over underground parking garages, shops of the Potomac River, the Watergate complex is a group of six and the hotel meeting rooms. To provide views from both interconnected buildings built between 1964 and 1971 on land ground level and the cantilivered balconies above, Timchenko purchased from Washington Gas Light Company. The 10-acre looked to the hanging roof gardens of ancient Babylon. An site contains three residential cooperative apartment buildings, essential part of vernacular architecture since the 1940s, green two office buildings, and a hotel. In 1964, Watergate was the roofs gained in popularity with landscapers and developers largest privately funded planned urban renewal development during the 1960s green awareness movement. At Watergate, the (PUD) in the history of Washington, DC -- the first project to green roof served as camouflage for the underground elements implement the mixed-use rezoning adopted by the District of of the complex and the base of a park-like design of pools, Columbia in 1958, as well as the first commercial project in the fountains, flowers, open courtyards, and trees. USA to use computers in design configurations. With both curvilinear and angular footprints, the configuration As envisioned by famed Italian architect Dr. Luigi Moretti, and of the buildings defines four distinct areas ranging from public, developed by the Italian firm Società Generale Immobiliare semi-public, and private zones. -
Percorsi Bici Depliant
The bicycle represents an excel- lent alternative to mobility-based travel and sustainable tourism. The www.turismoroma.it Eternal City is still unique, even by some bicycle. There are a total of 240 km INFO 060608 of cycle paths in Rome, 110 km of useful info which are routed through green areas, while the remainder follow public roads. The paths follow the courses of the Tiber and Aniene rivers and along the line of the coast at Ostia. Bicycle rental: Bike sharing www.gobeebike.it www.o.bike/it Casa del Parco Vigna Cardinali Viale della Caffarella Access from Largo Tacchi Venturi for information and reservations, call +39 347 8424087 Appia Antica Service Centre Via Appia Antica 58/60 stampa: Gemmagraf Srl - copie 5.000 10/07/2018 For information and reservations, call +39 06 5135316 www.infopointappia.it Rome by bike communication Valley of the Caffarella The main path of the Valley of the Caffarella, scene of myths and legends intertwined with the history of Rome, features a wide range of biodiversity as well as important historical heritage, such as a part of the Triopius of Herod Atticus. Entering the park via the Via Latina entrance in correspondence with Largo Tacchi e Venturi, head right up to Via della Caffarella and follow the path to the Appia Antica, approxima- tely 6 km away. Along the way you'll encounter: the Casale della Vaccareccia, consisting of a medieval tower and a sixteenth century farmhouse, built by Caffarelli who, in the sixteenth century, reclaimed the area; the Sepolcro di Annia Regilla, a sepulchral monument shaped like a small temple, and the meandering Almone river, a small tributary of the Tiber, thought to be sacred by the ancient Romans. -
The Watergate Project: a Contrapuntal Multi-Use Urban Complex in Washington, Dc
THE WATERGATE PROJECT: A CONTRAPUNTAL MULTI-USE URBAN COMPLEX IN WASHINGTON, DC Adrian Sheppard, FRAIC Professor of Architecture McGill University Montreal Canada INTRODUCTION Watergate is one of North America’s most imaginative and powerful architectural ensembles. Few modern projects of this scale and inventiveness have been so fittingly integrated within an existing and well-defined urban fabric without overpowering its neighbors, or creating a situation of conflict. Large contemporary urban interventions are usually conceived as objects unto themselves or as predictable replicas of their environs. There are, of course, some highly successful exceptions, such as New York’s Rockefeller Centre, which are exemplars of meaningful integration of imposing projects on an existing city, but these are rare. By today’s standards where significance in architecture is measured in terms of spectacle and flamboyance, Watergate is a dignified and rigorous urban project. Neither conventional as an urban design project, nor radical in its housing premise, it is nevertheless as provocative as anything in Europe. Because Moretti grasped the essence of Washington so accurately, he was able to bring to the city a new vision of urbanity. Watergate would prove to be an unequivocally European import grafted unto a typical North-American city, its most remarkable and successful characteristic being its relationship to its immediate context and the city in general. As an urban intervention, Watergate is an inspiring example of how a Roman architect, Luigi Moretti, succeeded in introducing a project of considerable proportions in the fabric of Washington, a city he had never visited before he received the commission. 1 Visually and symbolically, the richness of the traditional city is derived from the fact that there exists a legible distinction and balance between urban fabric and urban monument. -
The Power of Images in the Age of Mussolini
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 The Power of Images in the Age of Mussolini Valentina Follo University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Follo, Valentina, "The Power of Images in the Age of Mussolini" (2013). Publicly Accessible Penn Dissertations. 858. https://repository.upenn.edu/edissertations/858 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/858 For more information, please contact [email protected]. The Power of Images in the Age of Mussolini Abstract The year 1937 marked the bimillenary of the birth of Augustus. With characteristic pomp and vigor, Benito Mussolini undertook numerous initiatives keyed to the occasion, including the opening of the Mostra Augustea della Romanità , the restoration of the Ara Pacis , and the reconstruction of Piazza Augusto Imperatore. New excavation campaigns were inaugurated at Augustan sites throughout the peninsula, while the state issued a series of commemorative stamps and medallions focused on ancient Rome. In the same year, Mussolini inaugurated an impressive square named Forum Imperii, situated within the Foro Mussolini - known today as the Foro Italico, in celebration of the first anniversary of his Ethiopian conquest. The Forum Imperii's decorative program included large-scale black and white figural mosaics flanked by rows of marble blocks; each of these featured inscriptions boasting about key events in the regime's history. This work examines the iconography of the Forum Imperii's mosaic decorative program and situates these visual statements into a broader discourse that encompasses the panorama of images that circulated in abundance throughout Italy and its colonies. -
Ancient Roman Tour Walk with the Ancient Romans TOUR DIFFICULTY EAZY MEDIUM HARD
SHORE EXCURSION BROCHURE FROM THE PORT OF ROME DURATION 10 hr Ancient Roman Tour Walk With The Ancient Romans TOUR DIFFICULTY EAZY MEDIUM HARD our driver will pick you up at your cruise ship for an experience of a lifetime. YYour Own Italy’s Private Rome shore excursion of Ancient Rome includes the Colosseum, Appian Way, Pantheon, Ancient Rome Forum and much more. Ideal for families and those looking for an in-depth and thoroughly entertaining tour focusing on the life and times of Ancient Romans. First, with your private English-speaking guide, visit the alluring remains of the Ancient Roman Forum. While walking through the ruins of the imposing ancient buildings, you will lis- ten to its history -- peppered with anecdotes about the structure of Roman so- ciety, their beliefs, their social and political life. Learn how the Romans managed to create and control such a vast territory and how that empire declined. hen, avoiding the lines to get in to the Colosseum, you’ll visit the imposing Tarena and relive the days of Ancient Rome! Enjoy a thorough tour of the building, learning about the inner workings of the Colosseum and the special effects and showmanship of the ferocious games played there…the role the Col- osseum had in Roman society…and what it meant to a Roman to attend these games…what different games where held in the amphitheater. Afterwards, you will be taken on a short drive through the center of Rome to see the Pantheon, and learn about the rich history of one of Rome’s most important and beautiful buildings. -
The Economic Costs of Civil War: Synthetic Counterfactual Evidence and the Effects of Ethnic Fractionalization 1
H i C N Households in Conflict Network The Institute of Development Studies - at the University of Sussex - Falmer - Brighton - BN1 9RE www.hicn.org The Economic Costs of Civil War: Synthetic Counterfactual Evidence and the Effects of Ethnic Fractionalization 1 Stefano Costalli 2, Luigi Moretti3 and Costantino Pischedda4 HiCN Working Paper 184 September 2014 Abstract: There is a consensus that civil wars entail enormous economic costs, but we lack reliable estimates, due to the endogenous relationship between violence and socio-economic conditions. This paper measures the economic consequences of civil wars with the synthetic control method. This allows us to identify appropriate counterfactuals for assessing the national-level economic impact of civil war in a sample of 20 countries. We find that the average annual loss of GDP per capita is 17.5 percent. Moreover, we use our estimates of annual losses to study the determinants of war destructiveness, focusing on the effects of ethnic heterogeneity. Building on an emerging literature on the relationships between ethnicity, trust, economic outcomes, and conflict, we argue that civil war erodes interethnic trust and highly fractionalized societies pay an especially high “price”, as they rely heavily on interethnic business relations. We find a consistent positive effect of ethnic fractionalization economic war-induced loss. 1 We would like to thank participants at the Conflict Research Society Conference (University of Essex, 2013), the Midwest Political Science Association 72nd Annual Conference (Chicago, 2014), and the European Political Science Association Conference (Edinburgh, 2014) for comments on previous drafts of the paper. The usual disclaimer applies. 2 Stefano Costalli, Department of Government, University of Essex, Wivenhoe Park, Colchester, CO43SQ, United Kingdom. -
MUSSOLINI's ITALIAN and ITALIAN AMERICAN STUDIES Stanislao G
MUSSOLINI'S ITALIAN AND ITALIAN AMERICAN STUDIES Stanislao G. Pugliese Hofstra University Series Editor This publishing initiative seeks to bring the latest scholarship in Italian and Ital ian American history, literature, cinema, and cultural studies to a large audience of specialists, general readers, and students. I&IAS will feature works on mod ern Italy (Renaissance to the present) and Italian American culture and society by established scholars as well as new voices in the academy. This endeavor will help to shape the evolving fields of Italian and Italian American Studies by re emphasizing the connection between the two. The following editorial board of esteemed senior scholars are advisors to the series editor. REBECCA WEST JOHN A. DAVIS University of Chicago University of Connecticut FRED GARDAPHE PHILIP V. CANNISTRARO Stony Brook University Queens College and the Graduate School, CUNY JOSEPHINE GATTUSO HENDIN VICTORIA DeGRAZIA New York University Columbia University Queer Italia: Same-Sex Desire in Italian Literature and Film edited by Gary P. Cestaro July 2004 Frank Sinatra: History, Identity, and Italian American Culture edited by Stanislao G. Pugliese October 2004 The Legacy ofPrimo Levi edited by Stanislao G. Pugliese December 2004 Italian Colonialism edited by Ruth Ben-Ghiat and Mia Fuller July 2005 Mussolini's Rome: Rebuilding the Eternal City Borden W Painter Jr. July 2005 Representing Sacco and Vanzetti edited by Jerome A. Delamater and Mary Ann Trasciatti forthcoming, September 2005 Carlo Tresca: Portrait ofa Rebel Nunzio Pernicone forthcoming, October 2005 MUSSOLINI'S Rebuilding the Eternal City BORDEN W. PAINTER, JR. MUSSOLINI'S ROME Copyright © Borden Painter, 2005. Softcover reprint of the hardcover 1st edition 2005 978-1-4039-6604-9 All rights reserved. -
January 12 1990
California State University, San Bernardino CSUSB ScholarWorks Friday Bulletin Arthur E. Nelson University Archives 1-12-1990 January 12 1990 Friday Bulletin Follow this and additional works at: https://scholarworks.lib.csusb.edu/fridaybulletin Recommended Citation Friday Bulletin, "January 12 1990" (1990). Friday Bulletin. 915. https://scholarworks.lib.csusb.edu/fridaybulletin/915 This Article is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Friday Bulletin by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. CALIFORNIA STATE UNIVERSITY, SAN BERNARDINO January 12,1990 Homecoming Plans Feature Athlete Rater Johnson w.orld and Olympic decathlon record holder Rafer Johnson will high light Homecoming festivi ties on campus with a key note speech entitled "Being the Best You Can Be" at 7:30 p.m., Friday, Jan. 26, D.r. Robert Cramer (Psy in the university gymna chology), a faculty member sium. at Cal State since 1978, is Johnson served as torch the campus' outstanding bearer during the 1984 professor for 1990. Olympics and received the Associated Press' Athlete Selected for recognition by of the Year Award in 1960. a committee comprised of He won a gold medal in faculty, staff, alumni and the 1960 Olympic games student members, Cramer and was a silver medalist will represent our campus in Olympic decathlon in the CSU competition to competition in 1956. name the two outstanding Associated with the Cali- professors in the system. fomia Special Olympics since its inception in 1969, Cramer, who holds three Johnson has devoted many psychology degrees, brings hours to the mentally and a wealth of academic train physically handicapped. -
Attraction List
ATTRACTION LIST Normal Adult FREE ENTRY WITH THE OMNIA CARD Entry Fee Sistine Chapel and Vatican Museum (skip the line) € 30.00 72-hour Hop-On Hop-Off Bus Tour € 32.00 Basilica Of St.John In The Lateran and the Cloister € 5.00 Carcer Tullianum € 10.00 Cloister of St. Paul’s Outside the Walls Basilica € 4.00 Normal Adult FREE ENTRY TO THE FIRST TWO ATTRACTIONS WITH THE ROMA PASS Entry Fee Colosseum + Roman Forum + Palatine Hill € 16.00 Castel Sant’Angelo € 15.00 Capitoline Museums € 11.50 Galleria Borghese € 13.00 FURTHER MUSEUMS / ARCHEOLOGICAL SITES ON THE ROMA PASS WITH DISCOUNTED ENTRY National Academy of Saint Luke (Free) Ancient Appian Way - Mausoleum of Cecilia Metella and the Castrum Caetani Ancient Appian Way – Baths of Caracalla Ancient Appian Way - Villa of the Quintili Rome Modern Art Gallery National Gallery of Ancient Art in Palazzo Barberini and Palazzo Corsini Spada Gallery National Gallery of Modern and Contemporary Art MACRO – Rome Contemporary Art Museum MAXXI - National Museum of 21st Century Arts Trajan’s Markets - Museum of the Imperial Forums Museums of Villa Torlonia Carlo Bilotti Orangery Museum in Villa Borghese (Free) Civic Zoology Museum Ara Pacis Museum Museum of Roman Civilization Museum of the Roman Republic and of the Garibaldian Memory (Free) Museum of the City Walls (Free) Casal de’ Pazzi Museum (Free) Rome Museum Rome Trastevere Museum Museum of Ancient Sculpture Giovanni Barracco (Free) Napoleonic Museum (Free) National Museum of Musical Instruments National Museum of Palazzo Venezia National Etruscan -
Appius Claudius Caecus 'The Blind'
Appius Claudius Caecus ‘The Blind’ Faber est quisquis suae fortunae (‘Every man is architect of his own fortune’) Appius Claudius Caecus came from the Claudian gens, a prime patrician family that could trace its ancestors as far back as the decemvirs who authored Rome’s first laws (the Twelve Tables) in the mid-fifth century BC. Although many Roman families could boast successful ancestors, Appius Claudius Caecus has the distinction of being one the first characters in Roman history for whom a substantial array of material evidence survives: a road, an aqueduct, a temple and at least one inscription. His character and his nickname Caecus, ‘The Blind’, are also explained in historical sources. Livy (History of Rome 9.29) claims he was struck down by the gods for giving responsibilities of worship to temple servants, rather than the traditional family members, at the Temple of Hercules. Perhaps a more credible explanation is offered by Diodorus Siculus (20.36), who suggests that Appius Claudius said he was blind and stayed at home to avoid reprisals from the Senate after his time in office. In that case, his name was clearly coined in jest, as is often the case with cognomen. Appius Claudius Caecus, whether or not he was actually blind, is an illuminating case study in the ways that varying types of evidence (literature, inscriptions and archaeology) can be used together to recreate history. His succession of offices, not quite the typical progression of the cursus honorum, records a man who enjoyed the epitome of a successful career in Roman politics (Slide 1).