Eddie Cantor Papers, 1915-1964
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Who's Who at Metro-Goldwyn-Mayer (1939)
W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H. -
August 6, 1948
" .~ emple Beth-Et Broad .& Glenham St s·, P~Otid~nc~, R~ I. ,THE JEWISH. I-IERALD VOL. xxxm. NO. 22 . FRIDAY, AUGUST 6, -1948 PROVIDENCE, R. I. 7 CENTS THE COPY Eddie . Cantor To Laullch GJC Drive . I Senate Gro11p Blocks Drive lo Admif Initial Gifts Meeting Jewish DPs, Polish Pogrom Victims Sept. 1 al Ledgemont Eddie Cantor, one of America's , WASHINGTON- A drive by migx:ation Subcommittee has best-known and best-loved cele seven prominent Republican sena- .taken no notice of · it although brit ies and entertainers; o n c e tors to open the \ way for immi- general amendments to the immi again will appear in a leading gration to the U.- S. A. of victims gration Jaws are now under study. role--this time as the guest of of the anti-Jewish violence in In view of the probable shortness honor at the General Jewish Com Poland after the war is bogging of the present special session, each mittee's Initial Gifts Dinner at the down in the Immigration sub- day that is lost makes it more and Ledgemont Country Club, Wed ·committee headed by Sen. Chap- more likely that the measure will nesday evening, Sept. 1. man Revercomb (R., W. Va.). die. The dramatic news that the al The bill woulq change the ter- Virtually Dead most-legendary Cantor had ac mination date of those eligible to More ambitious efforts to amend cepted the local GJC's invitation· come in under the Displaced Per- the act Ii '> as to bring in 400,000 to highlight the official opening sons Act from December, 194_5, to immigrants instead· of the 200,000 oi this year's drive, iri behalf of April, 1947. -
Jim,My Lucas Marjorie Macgregor Michele Morgan Patty Orr Bela Lugosi Frank Mchugh Ralph Morgan William Orr Keye Luke Robert Mcji
Jim,my Lucas Marjorie MacGregor Michele Morgan Patty Orr Bela Lugosi Frank McHugh Ralph Morgan William Orr Keye Luke Robert McJimcy Patricia Morison Orv ilia Lum &Abner Silvia McKay Maro and Yocanella Maureen O'Sullivan Bill Lundigan Fay McKenzie Amarillo Morris Madame Ouspenskaya The Luther Twins Victor McLaglen Chester Morris Lynne Overman Diana Lynn Barton MacLane Ella May Morris Charles Overman Jeffrey Lynn Fred MacMurray Lili Morris Charles Owens Mary Lynn Haven MacQuarrie Zero Mostel Gene Owens Dorothy McQuire Alan Mowbray Jack Owens Eve McVeigh Paul Muni Rita Owin Jeanette MacDonald Martha Mears Ethel Madison Ona Munson Jane Melardy Corinna Mura Marjorie Main P-38's (Dancers) Melody Girls George Murphy Sally Paine Jerry Mann Harry Mendosa Rose Murphy John Pallett Marjorie Manners Adolphe Menjou Senator Murphy Cecilia Parker Martha Manners Johnny Mercer Ken Murray Eleanor Parker Philip Merivale Irene Manning Clarence Muse Hats Parker Virginia Maples Lynn Merrick Music Maids Lou Merrill Jean Parker Adele Mara Carmel Myers Jetsy Parker Frederic March Merry Macs Mary Ellen Myron • Murray Parker Dorie Marie Ray Middleton Odette Myrtil Parkyakarkus Mona Marris Ray Milland Patsy Lee Parsons June Marlowe Ann Miller Anne Nagel Gail1Patrick Nancy Marlowe Miller & Barlow Conrad Nagel Vera Marsh Edwin Miller Richard Paxton Cliff Nasarro John Payne Herbert Marshall Glenn Miller (·Orch.) Nasimova Mary Martin Jimmie Miller Al Pearce Charles Neff Neva Peoples Tony Martin Lorraine Miller Ossie Nelson Barbara Pepper Johnny Marvin Sidney Miller John Nesbit Buddy Pepper Chico Marx Mills Brothers Nicholas Brothers Tommy Perry Groucho Marx Minne & Billy Nicodemus Susan Peters Harpo Marx Carmen Miranda Gertrude Niessen Mrs. -
Presidential Handwriting File, 1981-1989
PRESIDENTIAL HANDWRITING FILE: PRESIDENTIAL RECORDS: 1981-1989 – REAGAN LIBRARY COLLECTIONS This collection is available in whole for research use. Some folders may still have withdrawn material due to Freedom of Information Act restrictions. Most frequent withdrawn material is national security classified material, personal privacy, protection of the President, etc. PRESIDENTIAL HANDWRITING FILE: PRESIDENTIAL RECORDS: 1981-1989 The Presidential Handwriting File is an artificial collection created by the White House Office of Records Management (WHORM). The Presidential Handwriting File consists of a variety of documents that Ronald Reagan either annotated, edited, or wrote in his own hand. When documents containing the president's handwriting were received at WHORM for filing, the original was placed in the Presidential Handwriting File and arranged by the order received. A photocopy of the document was placed in the appropriate category of the WHORM: Subject File. The first page of the casefile was stamped Handwriting File, indicating the location of the original documents. However, WHORM often failed to indicate on the original documents the original location (i.e. the six digit tracking number, Subject Category Code). The Presidential Handwriting File, as created by the White House, did not contain handwriting found in staff and office files. The Library will be creating a further series of handwriting material from staff and office files. In order to provide better access to the Presidential Handwriting File, the collection has been arranged into six series. Each series is arranged chronologically by the date of the document. Each document has been marked with the appropriate WHORM: Subject File category and a six digit tracking number. -
Frwmwwk 1 1 Tom Brown Inrl
PAGE 4 THE INDIANAPOLIS TIMES .TAN. 25, 1936 CANTOR TURNS FROM MOUSE TO MAN IN 'STRIKE ME PINK' Screen Enjoy WHERE, WHAT, WHEN While We Freeze, Ladies of the Picnic APOLLO ie's "The Widow Prom Monfe Carlo." Edd Battles With Racketeers with Del Rio and Warren Lead Donkey Dolores Head William, at 11:06. 12 55. 2:44. 4 33. 6:22. 8:11 and 10 00. CIRCLE 'Pane and Claw." with Prank Him and Parkyakarkus Through Hectic Mask Worn Buck, at 11. 1:50. 4 40. 7:30 and 10 20. Also. “Another Face.' with Brian Donlevy and PhvlliT Brooks, at 12:40. 3:30 6:20 and 9 10. INDIANA Scenes; Fewer Less Singing by • Captain Blood." with Errol Flvnn 'Bottom' Rath- 'Beauties/ Olivia De HaviUand and Basil bone. at 11:42. 2:10 4 40 . 7:10 and 9:40. — LOEW’S Charlie Chan Still Is Alive THE MOVIES ‘Widow From Monte Carlo’ Mr. Cagney Uses Headgear "Strike Me Pink." with Eddie Can- tor. Parkvakarkas Sallv Ellers and APOLLO — The Widow From Ethel Merman, at 11:28. 1 35. 3 42. Playing at Lyric in at Apollo—Circle Has in Film, ‘A Midsummer and 10:03 Monte Carlo.” Dolores Del Rio . a fl a- vk' . 5.49. 7:56 m LYRIC and Warren William caper Mystery Film. ‘Another Face.’ Night’s Dream.’ "Charlie Chan's Secret.” with through a jolly intrigue story Warner Oland. on the screen at JOHN W. THOMPSON with Louise Fazenda doing her several 11:26. 2:14. 5.02. 7:50 and 10 29 On BY daring feats. -
Frank Sinatra Part 02 of 29
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MGM Studio News (January 14, 1939)
. STUDIO NEWS Eddie Cantor Signed by M-G-M Star in Big Musical Comedy 'PIP ID -J Sf g W To Eddie Cantor will return to the screen under the banner of Metro- Goldwyn-Mayer. A contract just signed assures exhibitors at least Published In the Interests of Metro-Goldwyn-Mayer Pictures Studios one big Cantor musical comedy during 1939 with the star of “Kid VOL. V—CULVER CITY, CALIFORNIA, SATURDAY, JANUARY 14, 1939— No. 13 Boots,” “Whoopee,” “The Kid from Spain” and “Roman Scandals.” Although Cantor has not made a picture since “Ali Baba Goes to Town,” devoting Title Is Changed for all his time to radio, his activity on the New Nelson Eddy Film air has kept him closely associated with the As this issue of Studio News goes screen. to press, announcement is made His personal appear- that a new title has been chosen ances have been terrific for “Song of the West,’’ the Metro- successes in the Goldwyn-Mayer production star- and ring Nelson Eddy, with Virginia course of his radio work Bruce and Victor McLaglen. The he has constantly kept picture will be released as “The his audiences picture- Dusty Road.” minded with his screen discoveries. The latest is Cantor Terry Kilburn, the English boy actor who Wallace Beery scored in “Lord Jeff” and “Christmas Carol.” Cantor also was responsible to a Starts Work On great degree for the careers of Deanna Durbin and Bobby Breen. °Sergt. Madden' Detailed plans for Cantor’s first picture under his contract with M-G-M will be With “Stand Up and Fight” on its announced shortly. -
One Night with Fanny Brice
The American Century Theater presents Audience Guide Edited by Jack MarshallNovember 5–27 Rosslyn Spectrum Theater you can afford to seesee———— ppplaysplays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. The American Century Theater is supported in part by Arlington County through the Cultural Affairs Division of the Department of Parks, Recreation, and Cultural Resources and the Arlington Commission for the Arts. This arts event is made possible in part by the Virginia Commission on the Arts and the National Endowment for the Arts, as well as by many generous donors. -
2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M. -
STOKOWSKI “VIRGINIA.” Phone Alex 3491 I
-----— Audience Watches Barnes the fine points of disrobing There’s No entertainingly, yet without disturb- Just Gratitude Real ing the censors. in Theaters This Week Strip Tease, Binnie proved an apt pupil. The Washington scene was soon filmed. , Ex-Lifeguard Ronald Reagan Saved Photoplays Reacts .. .. ■■■■■' ■■■ next was t !■■■■■■.. -|| Properly Rogeirs task to record an audience reaction to the Barnes Was Thanked Once WEEK OF MAY 4 I SUNDAY j MONDAY TUESDAY | WEDNESDAY THURSDAY FRIDAY 8ATURDAY B> the Associated Press. Many, Only Several didn't AmHiamw I ‘This-Thin?: Called This Thing Called “Arise, My Love. and “Ariw- My Love." and Melody and Moon- “Melody and Moon- “South of Suez" and HOLLYWOOD. undressing. attempts Bt the Associated Press. Mcaatmy and “Light of t” and of "Boss of Bullion HOLLYWOOD. Love.. nnd Love*. pnd Xhe Devll Com. The Devil Com- light Ugl "Light What’s the best way of getting a go so well. Finally he said to Misa 6th and G Bta. 81 1 “Escape toGlory“Escape to Glory_mands_/|_ _mauds.”_Western Stars.”_Western 8tars.”_City.”_ Would you feel grateful if, your last, a you favorable audience reaction to an Troy. gasping lifeguard pulled Irene”Dunne and Irene Dunne and Irene Dunne and Irene Dunne and Irene Dunne and Merle Oberon. Dennis Merle Oberon. Dennis to safety? nmuabbauur Cary Grant in Cary Grant in Cary Grant in Cary Grant in Cary Grant in Morgan. ‘Affection- Morgan. AfTection- tease from a theater ** imaginary strip ‘'How about the real thing?" but 18th and Columbia Rd. “Penny Serenade.'* Penny Serenade.'* “Penny Serenade "Penny Serenade.” "Penny Yours.” Maybe, Movie Actor Ronald Reagan won't take any bets. -
Exposing Eddie Cantor, Trouble -Maker Why Frank Munn Sings to a Lost Love
THE LARGEST CIRCULATION OF ANY RADIO MAGAZINE FRED ALLEN AND PORTLAND HOFFA EXPOSING EDDIE CANTOR, TROUBLE -MAKER WHY FRANK MUNN SINGS TO A LOST LOVE . www.americanradiohistory.com New Kind of Dry Rouge aCt y Ataiz.0 on ag cz'ary. ALL NIGMT f , ,d,u.,.,g,r.,,,, ,1,1 de, ,,,h, , . ra :°;'.r,;, NAIL 1,1_ How often you have noticed that most dry rouge seems to lose the i uiry of its color within an hour or so of its application. That is beeatse the sr.droucc particles are so coarse ve n texture, , that they simply, fall areuy from your skin. SAVAGE Rouge, as Your ,nse of touch will instantly tell you, is a great ,lead finer in restore and :miter thin ordinary rouge. Its particles being so infinitely line. adhere much more closely to the skin than rouge has ever clung before. In leer, SAVAGE Rouge, for this reason, clings so insistently, it seems to bee a part of the skin itself ... refusing to y eld, even to the savage caresses its tempting smoorhirers and poise- quickening color might easily invite. The price its ?Cc and the shades, to keep sour lips and cheeks in thrilling harmony, match perfects' drove of SAVAGE LIPSTICK . known as the o transparent-colored indelible lipstick that aer1.1,11y keeps lips seductively soft instead Of drain.e them as indelible lipstick usually does. Apply it rub it in, and delight i ,hiding your lips lusciously, lastingly tinted, yet utterly grease- less. Only :Cc .rid each or the tout hues is as vibrantly alluring, as completely intoxicating as a ¡oriole niche Everyone has found them so. -
Theatrs Thears Theatrs
THE EVENING STAR, Washington, D. C. AMUSEMENTS. MONDAY,MAT 2«. 1952 AMUSEMENTS. A-14 Where and When Stage Dancer - The Passing Show Current Theater Attractions In Second Film As brutally outspoken as And Time of Showing HOLLYWOOD. the words Allyn Stage. McLerie, dancing Broad- way actress who I this betrayed iKerima Is Conrad's Girl, National—“ Call Me Madam”; makes her screen wt *jm 8:30 p.m. bow in Warner Bros.’ “Where’s Charley?” has been assigned b> husband hurls But Screen. to portray She's Also Herself Ambassador —“The San Fran- Jack L. Warner the sultry harem girl, Azuri. in “The mkm, his • By Jay Carmody 3:20, 5:25, Yf at wife... cisco Story”: 1:15, 7:30 Desert Song,” Technicolor mmf- and 9:40 p.m. musi- Growing up, a book-wormy kid back there in Illinois, the words cal. in Ahoy!”; Vs lU, the fury of .of Josepji Conrad seemed gospel true—although naturally quite dif- Capitol—“Skirts 11 a.m. Miss McLerie, contracted by the 1:45, 4:30, 7:15 and 10 p.m. Stage: ¦'uSP-'U’ VI f%- fferent. Burbank studio following her per- $lB discovery! There was his description of Aissa In “Outcast of the Islands,” 12:55, 3:40, 6:25 and 9:10 p.m. formance opposite Ray Bolger in RUtHT 51~i «or example: Columbia “Bingin’ in the both the stage and film versions “Even in repose it is impossible not to be aware of the sinuous Rain”; 11 a.m., 1:10, 3:20, 5:30, of “Where’s Charley?” has re- JERRY WALD l NORMAN XRASNA oi ner Doay, tne strange 7:40 and 9:50 p.m.