Sigourney Weaver

Total Page：16

File Type：pdf, Size：1020Kb

Sigourney Weaver Mul Award Winning TV and Film Actress Called 'The Sci-Fi Queen' on account of her many science ficon and fantasy films Sigourney Weaver received worldwide recognion for her role as Ellen Ripley in Ridley Sco's Alien, Aliens, and two other sequels in the Alien series. She is also known for her roles in the Ghostbusters films, Gorillas in the Mist, The Ice Storm, Heartbreakers, Holes and in Avatar. TOPICS: IN DETAIL: The Film Industry Born in New York, she was named Susan Alexander Weaver and later chose her Women's Issues name Sigourney Weaver; she graduated from Stanford University with an English The Environment degree. She spent some me living in Israel on a kibbutz before enrolling at the Host and Awards Yale School of Drama. One of the very few actresses so honoured for a role in a The Impact of New Technologies from a science ficon movie, she is a three-me Academy Award nominee for her Celebrity Point of View performances in Aliens, Gorillas in the Mist, and Working Girl winning Golden Globe Awards in the laer two films. She has done voice work in television and film and LANGUAGES: also hosted two episodes of the long-running NBC sketch show Saturday Night Live. In 2009, she starred in her first made-for-TV movie, Prayers for Bobby, for She presents in English. which she was nominated for an Emmy Award. WHAT SHE OFFERS YOU: Three mes Oscar-nominated Sigourney Weaver is a great keynote speaker and host for tech. companies, women's events or anything environmental or SciFi related. Sigourney speaks on many plaorms, but is uniquely able to speak about technology and its impacts from a celebrity point of view. She is also available for personal appearances and endorsements. HOW SHE PRESENTS: Sigourney Weaver has a unique presence and charisma, adding presge and glamour to any event. She gives a human face and personal perspecve to the changing landscape of the film industry. © 2019 Celebrity Speakers Ltd To book call: +44 (0)1628 601 400 Email: [email protected] Visit: www.speakers.co.uk.

Copy Link

Recommended publications

Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
[Show full text]
SATURDAY MOVIES Hannah and Her Sisters DVD | Color | 1986 | 106 Min | MGM | Rated PG-13
SATURDAY MOVIES Hannah and Her Sisters DVD | Color | 1986 | 106 min | MGM | Rated PG-13 November 1, 2 p.m., 6th floor A Woody Allen Manhattan mosaic, Hannah and Her Sisters concerns the lives, loves, and infidelities among a tightly-knit artistic clan. Hannah (Farrow) regularly meets with her sisters Holly (Wiest) and Lee (Hershey) to discuss the week’s events. It’s what they don’t always tell each other that forms the film’s various subplots. Directed by Woody Allen Starring Woody Allen, Mia Farrow, Dianne Wiest, Barbara Hershey, Michael Caine, Max von Sydow, and Carrie Fisher Broadway Danny Rose DVD | Black & White | 1984 | 86 min | MGM | Rated PG November 8, 2 p.m., 6th floor Danny Rose (Allen) is a fourth rate talent agent whose client list is filled with some of the oddest acts in show business. A good-hearted loser, Danny is willing to go to extremes to keep his acts happy and get them jobs. It’s this dedication that gets him in trouble when he becomes involved with his top client’s mistress and some unfriendly gangsters who mistake Danny as her lover. Directed by Woody Allen Starring Woody Allen, Mia Farrow, Nick Apollo Forte, Paul Greco, and Frank Renzulli Film schedule continues on opposite page Elevators access the 6th floor after 1:30 p.m. All programs are free and subject to last minute change or cancellation SATURDAY MOVIES Grumpy Old Men DVD | Color | 1993 | 104 min | Warner Bros. | Rated PG-13 November 15, 2 p.m., 6th floor John and Max are elderly men living next door to each other.
[Show full text]
Graphing Yale's Theatrical History
GRAPHING YALE’S THEATRICAL HISTORY Catherine DeRose Yale University Library Digital Humanities Laboratory Alex O’Keefe Robert B. Haas Family Arts Library Yale Digital Conference | June 14, 2019 Why Ensemble@Yale? THE SUBJECT: DESIRED OUTCOMES: Yale Theatre History ● Increase access to ● DRA 37 Archival Collection minimally-processed ● Department / School of Drama - 1925 archives ● Yale Repertory Theatre - 1966 ● Generate database of ● 100+ world premieres Yale theater history ● Famous alumni ● Answer reference ○ Meryl Streep, Wendy Wasserstein, Angela Bassett, William Ivey Long, Liev Schreiber, questions Sigourney Weaver, Michael Yeargan, Frances McDormand, John Guare, Lupita Nyong’o… Project Background Inspired by NYPL Labs’ Ensemble project ● Limits of OCR ● Importance of human judgment ● Semantic relationships ● Hard for computers to see ● Easy for humans to intuit 2013 Project Background TASKS: LESSONS LEARNED: ● Digitize programs ● Usability testing before going live ● Determine organization and ● Fixing errors/preventing junk presentation data ● Adapt Scribe with customized ● How to decide when marking or workflows for theatrical data transcribing is completed? ○ Mark ○ Transcribe Launched May 2017 Demo - Marking Demo - Transcribing Demo - Transcribing Events Dealing with the Data Steps for Completed Programs ● Initial Cleaning [OpenRefine] ● Removing Duplicates [Excel] ● Program Check [student worker / Excel] ● Normalization to Improve Searching ○ Names and Roles ■ Roles example: shift from ‘scenery’ to ‘set design’ ○ Choosing name
[Show full text]
Teaching World History with Major Motion Pictures
Social Education 76(1), pp 22–28 ©2012 National Council for the Social Studies The Reel History of the World: Teaching World History with Major Motion Pictures William Benedict Russell III n today’s society, film is a part of popular culture and is relevant to students’ as well as an explanation as to why the everyday lives. Most students spend over 7 hours a day using media (over 50 class will view the film. Ihours a week).1 Nearly 50 percent of students’ media use per day is devoted to Watching the Film. When students videos (film) and television. With the popularity and availability of film, it is natural are watching the film (in its entirety that teachers attempt to engage students with such a relevant medium. In fact, in or selected clips), ensure that they are a recent study of social studies teachers, 100 percent reported using film at least aware of what they should be paying once a month to help teach content.2 In a national study of 327 teachers, 69 percent particular attention to. Pause the film reported that they use some type of film/movie to help teach Holocaust content. to pose a question, provide background, The method of using film and the method of using firsthand accounts were tied for or make a connection with an earlier les- the number one method teachers use to teach Holocaust content.3 Furthermore, a son. Interrupting a showing (at least once) national survey of social studies teachers conducted in 2006, found that 63 percent subtly reminds students that the purpose of eighth-grade teachers reported using some type of video-based activity in the of this classroom activity is not entertain- last social studies class they taught.4 ment, but critical thinking.
[Show full text]
Filmic Tomboy Narrative and Queer Feminist Spectatorship
UNHAPPY MEDIUM: FILMIC TOMBOY NARRATIVE AND QUEER FEMINIST SPECTATORSHIP A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Lynne Stahl May 2015 © 2015 Lynne Stahl ALL RIGHTS RESERVED UNHAPPY MEDIUM: FILMIC TOMBOY NARRATIVE AND QUEER FEMINIST SPECTATORSHIP Lynne Stahl, Ph.D. Cornell University, 2015 ABSTRACT This dissertation investigates the ways in which American discourses of gender, sexuality, and emotion structure filmic narrative and the ways in which filmic narrative informs those discourses in turn. It approaches this matter through the figure of the tomboy, vastly undertheorized in literary scholarship, and explores the nodes of resistance that film form, celebrity identity, and queer emotional dispositions open up even in these narratives that obsessively domesticate their tomboy characters and pair them off with male love interests. The first chapter theorizes a mode of queer feminist spectatorship, called infelicitous reading, around the incoherently “happy” endings of tomboy films and obligatorily tragic conclusions of lesbian films; the second chapter links the political and sexual ambivalences of female-centered sports films to the ambivalent results of Title IX; and the third chapter outlines a type of queer reproductivity and feminist paranoia that emerges cumulatively in Jodie Foster’s body of work. Largely indebted to the work of Judith Butler, Lauren Berlant, and Sara Ahmed, this project engages with past and present problematics in the fields of queer theory, feminist film criticism, and affect studies—questions of nondichotomous genders, resistant spectatorship and feminist potential within linear narrative, and the chronological cues that dominant ideology builds into our understandings of gender, sexuality, narrative, and emotions.
[Show full text]
CINE MEJOR ACTOR JEFF BRIDGES / Bad Blake
CINE MEJOR ACTOR JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) MEJOR ACTRIZ SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) MEJOR ACTOR DE REPARTO MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey - "THE LOVELY BONES" (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa - "INGLOURIOUS BASTERDS" (The Weinstein Company/Universal Pictures) MEJOR ACTRIZ DE REPARTO PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark - "INGLOURIOUS BASTERDS" (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MEJOR ELENCO AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt. J.T.
[Show full text]
Star of the 2008 Historical Drama the Duchess Who Also Played the Title
14 Wednesday, April 5, 2017 Calvin Harris‏ @CalvinHarris My music vision for this year is feel good + inclusive thank u to everyone for having an open mind and embracing it I appreciate u so much Los Angeles eteran actor Morgan Freeman says all his dreams have turned Vout to be a reality. “If I could see my 20-year-old self -- it was when I was in the military -- I think I would tell myself, ‘Your dreams are going to come true’. I never had one that didn’t,” Freeman said in a statement. His new film “Going In Style” -- backed by Warner Bros -- is releasing in India on Friday. Los Angeles Also starring Michael Caine, The Zookeeper’s Wife” director Niki Alan Arkin, Ann-Margret, Caro says he was pleasantly surprised Christopher Lloyd, and Joey King, after“ seeing actress Jessica Chastain’s the film narrates story of three affection towards animals on the film’s set. men over 70 and why they decide Written by Angela Workman, the to rob a bank. It is a remake of film features Chastain along with Johan 1979 film of the same title. Heldenbergh, Michael McElhatton and The actor, who has featured Daniel Bruhl. It features Chastain as historic in cinematic gems like “Street figure Antonina Zabinska, a Polish woman Smart”, “Glory”, “The Shawshank who smuggled Jews out of the country when Redemption”, “Seven” and “Bruce it was occupied during World War II. Almighty”, says he doesn’t know if “The combination of real creatures and an he has done anything to change the actress who has an otherworldly connection course of anybody’s life.
[Show full text]
Written and Directed by Jeremy Podeswa Produced by Robert Lantos Based Upon the Novel by Anne Michaels Runtime: 105 Minutes to D
Written and Directed by Jeremy Podeswa Produced by Robert Lantos Based upon the novel by Anne Michaels Media Contacts: New York Agency: Los Angeles Agency: IDP/Samuel Goldwyn Films Donna Daniels Lisa Danna New York: Amy Johnson Melody Korenbrot Liza Burnett Fefferman Donna Daniels PR Block-Korenbrot, Inc. Jeff Griffith-Perham 20 West 22nd St., Suite 1410 North Market Building Samuel Goldwyn Films New York, NY 1010 110 S. Fairfax Ave., #310 1133 Broadway – Suite 926 T: 347.254.7054 Los Angeles, CA 90036 New York, NY 10010 [email protected] T: 323.634.7001 T: 212.367.9435 [email protected] [email protected] F: 212.367.0853 [email protected] [email protected] [email protected] LA: Mimi Guethe T: 310.860.3100 F: 310.860.3198 [email protected] Runtime: 105 minutes To download press notes and photography, please visit: www.press.samuelgoldwynfilms.com USER NAME: press LOG IN: golden! 1 FUGITIVE PIECES THE CAST Jakob Stephen Dillane Athos Rade Sherbedgia Alex Rosamund Pike Michaela Ayelet Zurer Jakob (young) Robbie Kay Ben Ed Stoppard Naomi Rachelle Lefevre Bella Nina Dobrev Mrs. Serenou Themis Bazaka Jozef Diego Matamoros Sara Sarah Orenstein Irena Larissa Laskin Maurice Daniel Kash Ioannis Yorgos Karamichos Allegra Danae Skiadi 2 FUGITIVE PIECES ABOUT THE STORY A powerful and unforgettably lyrical film about love, loss and redemption, FUGITIVE PIECES tells the story of Jakob Beer, a man whose life is transformed by his childhood experiences during WWII. The film is based on the beloved and best-selling novel by Canadian poet Anne Michaels.
[Show full text]
Dangerio, Alan
Alan Dangerio Hair Stylist IATSE LOCAL 706 & 798 FEATURE FILMS (Partial Credits): Ocean’s Eight department head – Universal PIctures Dir: Gary Ross – LP: Mike Tadross Cast: Anne Hathaway, Helena Bonham Carter, Mindy Kaling, Sarah Paulson Wonderstruck Hairstylist for Julianne Moore – Amazon Studios Dir: Todd Haynes – LP: Brian Bell Crisis in Six Scenes d epartment head – Amazon Studios (series) Dir: Woody Allen – UPM: Helen Robin Cast: Miley Cyrus, Michael Rapaport, Elaine May, Joy Hehr The Girl on the Train department head – Universal PIctures Dir: Tate Taylor – LP: Celia Costas Cast: Rebecca Ferguson, Edgar Ramierez, Luke Evans, Lisa Kudrow Can You Ever Forgive Hairstylist for Julianne Moore/department head – Fox Searchlight Me Dir: Nicole Holofcener – LP: Pamela Hirsch Zoolander 2 department head – Paramount Pictures Dir: Ben Stiller – LP: Clayton Townsend Cast: Ben Stiller, Kristen Wiig, Penelope Cruz, Owen Wilson Ricki And The Flash Hairstylist for Meryl Streep / department head – TriStar Pictures Dir: Jonathan Demme – LP: Ron Bozman Train Wreck department head – Universal Pictures Dir: Judd Apatow – UPM: Dana Robin Cast: Tilda Swinton, Amy Schumer, Brie Larson, Bill Hader, LeBron James Run All Night Department Head – Warner Bros. Dir: Jaume Collet-Serra – UPM: Ray Quinlan Cast: Joel Kinnaman, Ed Harris, Vincent D’Onofrio, Common, Genesis Rodriquez Seventh Son Hairstylist for Julianne Moore – Universal Pictures Dir: Sergei Bodrov – LP: Brent O’Connor Maps to the Stars Hairstylist for Julianne Moore – Prospero PIctures Dir: David Cronenberg – LP: Joseph Boccia This is Where I Leave Department Head –Warner Bros. You Dir: Shawn Levy – LP: Mary McLaglen Cast: Rose Byrne, Tina Fay, Jane Fonda, Connie Britton, Timothy Olyphant Winter’s Tale Department Head –Warner Bros.
[Show full text]
1 Femininity, Ageing and Performativity in the Work of Amy
1 Femininity, Ageing and Performativity in the Work of Amy Heckerling Frances Smith, University College London Abstract: This article concerns the complex negotiation of ageing and femininity in Amy Heckerling’s two most recent films: I Could Never Be Your Woman (2007) and Vamps (2012). These films are positioned as part of the contemporary postfeminist media culture, (Gill, 2007) noting the scrutiny received by the ageing female body, and its changing status under the prevailing cultural norms of femininity. However, Heckerling’s films also demonstrate a sense of play with these gender norms, and so calls to be read also in terms of Judith Butler’s theorisation of performativity (1990; 1993; 2004). This article contends that Heckerling’s representation of liminality and indeterminacy—in her teen movies, and later work alike—provides a way for women to carve out an autonomous identity that humorously demonstrates the absurdity of mediatised constructions of femininity. Her work, then, is more complex than has hitherto been acknowledged, and the piece concludes by calling for the director and screenwriter to be repositioned as a significant female voice in 21st century screen media. A pivotal scene occurs towards the middle of Amy Heckerling’s I Could Never Be Your Woman (2007) when television producer Rosie (Michelle Pfeiffer) enters the reception area of a TV studio where two other producers are discussing casting. As one (Peter Polycarpou) proposes a series of accomplished female actors, the other (Mackenzie Crook) dismisses them variously as “hags”, or, in the case of actor Emma Thompson, “Brit hag”. Even those women who have taken steps to stall the ageing process do not escape this scrutiny.
[Show full text]
Experiencing Reel Spirituality Spirituality and Film
Experiencing Reel Spirituality Spirituality and Film Theme Speaker The Rev. Douglas E. Wadkins Camp Eliot August 2013 Day 1 The Daily Round “Let the Great World Spin” Day 2 Joy and Laughter “To Truly Laugh” Day 2 Joy and Laughter “To Truly Laugh” Day 3 Sadness & Loss "It's Not That I am Afraid to Die..." Day 4 Forgiveness, Faith, Fear & Film The Fantastic Four (?) Day 4 Forgiveness, Faith, Fear & Film The Fantastic Four (?) Day 5 Love and Other Redemptions Day 6 “The Play’s the Thing” Befriending Film Frederic and Mary Ann Brussat 1. Be Prepared 2. Remember your intention to be hospitable 3. Connect with the characters Befriending Film 4. Pay attention to your reactions 5. Consider the significance of what you are seeing 6. Look for the bigger picture Befriending Film 7. Watch for epiphanies 8. Don’t turn away from the shadow 9. Let the movie simmer Frederic and Mary Ann Brussat Links Home Page: http://www.spiritualityandpractice.com Spirituality & Film: http://www.spiritualityandpractice.com/films Rotten Tomatoes Critic Page: http://www.rottentomatoes.com/critic/frederic-and-mary-ann-brussat Filmography 1 Baraka. Dir. Ron Fricke. Magidson Films, 1992. Film. Beasts of the Southern Wild. Dir. Benh Zeitlin. Perf. Quvenzhané Wallis, Dwight Henry, Jovan Hathaway et al. Cinereach, 2012. Film. Defending Your Life. Dir. Albert Brooks. Perf. Albert Brooks, Michael Durrell, Lee Grant, Meryl Streep et al. Producer Robert Grand, 1991. Film. The Descendants. Dir. Alexander Payne. Perf. George Clooney, Patricia Hastie et al. Fox Searchlight Pictures, 2011. Film. The Impossible. Dir. J.A. Bayona. Perf.
[Show full text]
For Immediate Release
‘GENERATION GAP’ CAST BIOS EDWARD ASNER (Bart Cahill) - Versatile, committed, eloquent and talented are all adjectives that describe actor/activist Ed Asner. Perhaps best known for his comedic and dramatic crossover as the gruff but soft-hearted journalist Lou Grant, the role he originated on the landmark TV news room comedy “The Mary Tyler Moore Show” and continued in the newspaper-set drama “Lou Grant” -- which earned him five Emmys® and three Golden Globe® Awards. Asner received two more Emmy® and Golden Globe® Awards for the mini-series’ “Rich Man, Poor Man” and “Roots.” His prolific and much honored acting career demonstrates a consummate ability to transcend the line between comedy and drama. One of the most honored actors in the history of television; Asner has been the recipient of seven Emmy® Awards and 16 nominations, as well as five Golden Globe® Awards and served as National President of the Screen Actors Guild for two terms. He was inducted into the TV Academy Hall of Fame in 1996. Asner received the Ralph Morgan Award from the Screen Actors Guild in 2000 -- presented periodically for distinguished service to the Guild's Hollywood membership. In March 2002, he was again honored by The Guild as the 38th recipient of the prestigious Life Achievement Award for career achievement and humanitarian accomplishment, presented annually to an actor who fosters the highest ideals of the profession. In addition to his professional versatility, Asner has consistently served and committed himself to the rights of the working performer in addition to advocating for human rights, world peace, environmental preservation and political freedom.
[Show full text]