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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
DVD Movie List by Genre – Dec 2020
Action # Movie Name Year Director Stars Category mins 560 2012 2009 Roland Emmerich John Cusack, Thandie Newton, Chiwetel Ejiofor Action 158 min 356 10'000 BC 2008 Roland Emmerich Steven Strait, Camilla Bella, Cliff Curtis Action 109 min 408 12 Rounds 2009 Renny Harlin John Cena, Ashley Scott, Aidan Gillen Action 108 min 766 13 hours 2016 Michael Bay John Krasinski, Pablo Schreiber, James Badge Dale Action 144 min 231 A Knight's Tale 2001 Brian Helgeland Heath Ledger, Mark Addy, Rufus Sewell Action 132 min 272 Agent Cody Banks 2003 Harald Zwart Frankie Muniz, Hilary Duff, Andrew Francis Action 102 min 761 American Gangster 2007 Ridley Scott Denzel Washington, Russell Crowe, Chiwetel Ejiofor Action 113 min 817 American Sniper 2014 Clint Eastwood Bradley Cooper, Sienna Miller, Kyle Gallner Action 133 min 409 Armageddon 1998 Michael Bay Bruce Willis, Billy Bob Thornton, Ben Affleck Action 151 min 517 Avengers - Infinity War 2018 Anthony & Joe RussoRobert Downey Jr., Chris Hemsworth, Mark Ruffalo Action 149 min 865 Avengers- Endgame 2019 Tony & Joe Russo Robert Downey Jr, Chris Evans, Mark Ruffalo Action 181 mins 592 Bait 2000 Antoine Fuqua Jamie Foxx, David Morse, Robert Pastorelli Action 119 min 478 Battle of Britain 1969 Guy Hamilton Michael Caine, Trevor Howard, Harry Andrews Action 132 min 551 Beowulf 2007 Robert Zemeckis Ray Winstone, Crispin Glover, Angelina Jolie Action 115 min 747 Best of the Best 1989 Robert Radler Eric Roberts, James Earl Jones, Sally Kirkland Action 97 min 518 Black Panther 2018 Ryan Coogler Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o Action 134 min 526 Blade 1998 Stephen Norrington Wesley Snipes, Stephen Dorff, Kris Kristofferson Action 120 min 531 Blade 2 2002 Guillermo del Toro Wesley Snipes, Kris Kristofferson, Ron Perlman Action 117 min 527 Blade Trinity 2004 David S. -
Revlon Signs Oscar-Nominated Actress Julianne Moore
Revlon Signs Oscar-Nominated Actress Julianne Moore November 20, 2001 NEW YORK, Nov. 20 /PRNewswire/ -- Revlon announced today that two time Oscar-nominated actress Julianne Moore has joined the company's exclusive group of spokespeople. Moore, star of the highly acclaimed films ``Hannibal,'' ``Boogie Nights'' and ``The Big Lebowski,'' will appear in advertising campaigns for the company and will participate in philanthropic efforts dedicated towards the fight against women's cancers. Moore will appear in various advertising campaigns for the Revlon brand, with the first television commercial scheduled to break nationally in January 2002. In addition, Revlon and Moore have committed to work together towards a common goal -- the fight against breast and ovarian cancers. Moore will participate in select corporate and philanthropic events for the company. ``Julianne is the perfect example of today's modern woman,'' said Revlon CEO and President Jeff Nugent. ``As a beautiful, respected actress and dedicated mother, Julianne balances her hectic schedule with grace and ease. She knows what's important in life and pursues it with confidence and integrity. We're thrilled to have such a remarkable woman representing the company,'' Nugent said. Moore most recently starred in the blockbuster hit ``Hannibal,'' opposite Anthony Hopkins and Gary Oldham. Her next role will be in the highly anticipated Miramax film, ``The Shipping News'' co-starring Kevin Spacey, Judi Dench and Cate Blanchett. The film is scheduled to be released in December 2001. ``I'm very excited to be working with a well-respected company like Revlon,'' said Julianne Moore. ``I have always admired their dedication to women's health issues and their long-standing position as a truly iconic American beauty company. -
Australian Films
AUSTRALIAN FILMS: The Rage in Placid Lake Just out of prep school -- where he was the target of tyrannical bullies -- misfit teen Placid Lake (Ben Lee) yearns to be a regular Joe. When a mishap lands Placid in a body cast for months, he formulates a plan to reinvent himself by donning a suit and taking a job as a drone at an insurance agency. But he soon discovers that conformity isn't what it's cracked up to be in this offbeat Aussie comedy from rookie director Tony McNamara. Strictly Ballroom This quirky, tenderly hilarious romantic comedy is sure to leave you tapping your toes. Directed by Baz Luhrmann, Strictly Ballroom is the off-beat story of a championship ballroom dancer (Paul Mercurio) who breaks all the rules by choosing an ugly duckling dancing partner (Tara Morice). Sweet, funny and original, this is one you won't forget quickly. The Castle When plans for an airport expansion threaten the home of Darryl Kerrigan (Michael Caton) and his family, the patriarch refuses to move from his "castle" -- in actuality, a shabby suburban tract house. Darryl rallies the troops and takes his battle to the highest court in Australia. This irreverent, warm-hearted comedy is frequently compared to The Full Monty. The Dish July 1969. Neil Armstrong is about to walk on the moon, and everyone's eyes are riveted to their TV screens. In Parkes, Australia, a radio dish antenna is slated to receive Apollo 11's video feed and send that historic sight out to the world … that is, if the Australian staff (including pipe-smoking, absent-minded scientist Sam Neill) and their NASA supervisor (the tense, by-the-book Patrick Warburton) don't make any mistakes! Rabbit Proof Fence Australia's aboriginal integration program of the 1930s broke countless hearts -- among them, those of young Molly (Evelyn Sampi), Gracie (Laura Monaghan) and Daisy (Tiana Sansbury), who were torn from their families and placed in an abusive orphanage. -
For Release: on Approval Motion Picture Sound Editors to Honor
For Release: On Approval Motion Picture Sound Editors to Honor George Miller with Filmmaker Award 68th MPSE Golden Reel Awards to be held as a global, virtual event on April 16th Studio City, California – February 10, 2021 – The Motion Picture Sound Editors (MPSE) will honor Academy Award-winner George Miller with its annual Filmmaker Award. The Australian writer, director and producer is responsible for some of the most successful and beloved films of recent decades including Mad Max, Mad Max 2: Road Warrior, Mad Max Beyond Thunderdome and Mad Max: Fury Road. In 2007, he won the Academy Award for Best Animated Feature for the smash hit Happy Feet. He also earned Oscar nominations for Babe and Lorenzo’s Oil. Miller will be presented with the MPSE FilmmaKer Award at the 68th MPSE Golden Reel Awards, set for April 16th as an international virtual event. Miller is being honored for a career noteworthy for its incredibly broad scope and consistent excellence. “George Miller redefined the action genre through his Mad Max films, and he has been just as successful in bringing us such wonderfully different films as The Witches of Eastwick, Lorenzo’s Oil, Babe and Happy Feet,” said MPSE President MarK Lanza. “He represents the art of filmmaking at its best. We are proud to present him with MPSE’s highest honor.” Miller called the award “a lovely thing,” adding, “It’s a big pat on the back. I was originally drawn to film through the visual sense, but I learned to recognize sound, emphatically, as integral to the apprehension of the story. -
Coldplay? 2016 CILL Season Begins 2016 Primary Election Results: So Goes City Island
Periodicals Paid at Bronx, N.Y. USPS 114-590 Volume 45 Number 4 May 2016 One Dollar Coldplay? 2016 CILL Season Begins By VIRGINIA DANNEGGER and KAREN NANI ria Piri, concession stand managers Jim and singlehandedly did the job of several and Sue Goonan, and equipment manager people. Even though his boys aged out of Lou Lomanaco. Several of these board the league, John still dedicates his time to members have served multiple terms on the help.” He presented John with a framed board. CILL jersey and a plaque in appreciation Mr. Esposito gave special thanks to for his support of the league and the City Photos by RICK DeWITT the outgoing president, John Tomsen, Island community. It was a chilly start to the 2016 Little League season on April 9, but the baseball tradi- who threw out the first pitch. “John has “As many of you know, volunteering tion dating back to 1900 is alive and warm on City Island. There are major, minor and time is a family commitment. Whether it t-ball teams competing once again this season. The ceremonial first pitch was thrown been president of the CILL since 2009 by outgoing president John Tomsen, who was also awarded a framed jersey by the Continued on page 19 new league president, Dom Esposito (right, top photo). New York State Assemblyman Michael Benedetto joined Catherine Ambrosini, Mr. Esposito and Mr. Tomsen (second photo, l. to r.) for the season opener. The American Legion color guard bearers led the teams in the “Star Spangled Banner.” As the weather warms up, head down to Ambro- 2016 Primary Election Results: sini Field next to P.S. -
Funny Female Memoirs (Cont’D) Memoirs (Cont’D) Memoirs (Cont’D)
Funny Funny Funny Female Female Female Memoirs Memoirs Memoirs Confessions of a Prairie Bitch by Confessions of a Prairie Bitch by Confessions of a Prairie Bitch by Alison Arngrim (Biography) Alison Arngrim (Biography) Alison Arngrim (Biography) Hyperbole and A Half by Allie Hyperbole and A Half by Allie Hyperbole and A Half by Allie Brosh (792.7028 Brosh) Brosh (792.7028 Brosh) Brosh (792.7028 Brosh) How Did You Get This Number by How Did You Get This Number by How Did You Get This Number by Sloane Crosley (814.6 Crosley) Sloane Crosley (814.6 Crosley) Sloane Crosley (814.6 Crosley) Seriously...I’m Kidding by Ellen Seriously...I’m Kidding by Ellen Seriously...I’m Kidding by Ellen DeGeneres (792.7028 DeGeneres) DeGeneres (792.7028 DeGeneres) DeGeneres (792.7028 DeGeneres) Girl Walks into a Bar by Rachel Girl Walks into a Bar by Rachel Girl Walks into a Bar by Rachel Dratch (Biography) Dratch (Biography) Dratch (Biography) Bossypants by Tina Fey Bossypants by Tina Fey Bossypants by Tina Fey (Biography) (Biography) (Biography) Wishful Drinking by Carrie Fisher Wishful Drinking by Carrie Fisher Wishful Drinking by Carrie Fisher (Biography) (Biography) (Biography) Are You There Vodka? It’s Me, Are You There Vodka? It’s Me, Are You There Vodka? It’s Me, Chelsea by Chelsea Handler Chelsea by Chelsea Handler Chelsea by Chelsea Handler (306.7092 Handler) (306.7092 Handler) (306.7092 Handler) Is Everyone Hanging Out Without Is Everyone Hanging Out Without Is Everyone Hanging Out Without Me? By Mindy Kaling (818.602 Me? -
This Action Thriller Futuristic Historic Romantic Black Comedy Will Redefine Cinema As We Know It
..... this action thriller futuristic historic romantic black comedy will redefine cinema as we know it ..... XX 200-6 KODAK X GOLD 200-6 OO 200-6 KODAK O 1 2 GOLD 200-6 science-fiction (The Quiet Earth) while because he's produced some of the Meet the Feebles, while Philip Ivey composer for both action (Pitch Black, but the leading lady for this film, to Temuera Morrison, Robbie Magasiva, graduated from standing-in for Xena beaches or Wellywood's close DIRECTOR also spending time working on sequels best films to come out of this country, COSTUME (Out of the Blue, No. 2) is just Daredevil) and drama (The Basketball give it a certain edginess, has to be Alan Dale, and Rena Owen, with Lucy to stunt-doubling for Kill Bill's The proximity to green and blue screens, Twenty years ago, this would have (Fortress 2, Under Siege 2) in but because he's so damn brilliant. Trelise Cooper, Karen Walker and beginning to carve out a career as a Diaries, Strange Days). His almost 90 Kerry Fox, who starred in Shallow Grave Lawless, the late great Kevin Smith Bride, even scoring a speaking role in but there really is no doubt that the been an extremely short list. This Hollywood. But his CV pales in The Lovely Bones? Once PJ's finished Denise L'Estrange-Corbet might production designer after working as credits, dating back to 1989 chiller with Ewan McGregor and will next be and Nathaniel Lees as playing- Quentin Tarantino's Death Proof. South Island's mix of mountains, vast comes down to what kind of film you comparison to Donaldson who has with them, they'll be bloody gorgeous! dominate the catwalks, but with an art director on The Lord of the Dead Calm, make him the go-to guy seen in New Zealand thriller The against-type baddies. -
Outpouring Support for Asian American Community
WEDNESDAY, MARCH 24, 2021 128 YEARS OF SERVING UNC STUDENTS AND THE UNIVERSITY VOLUME 129, ISSUE 6 TITLE IX ‘This is what community is supposed to be’ Preventing gendered violence on campus UNC searches for new leadership to address Title IX issues By Anna Neil Assistant University Editor [email protected] After 3 1/2 years in her position as the director of Title IX compliance/ Title IX coordinator at UNC, Adrienne Allison will be stepping away from the role. While conducting the search for Allison’s replacement, the University also looks to fill the new position of senior prevention strategy officer. Expansion of leadership to address Title IX is not unfamiliar. In 2013, the University appointed DTH/CALLI WESTRA Howard Kallem, Allison’s Local residents honor the victims of the Atlanta shooting during a gathering of solidarity on Franklin St organized by the Chinese American Friendship predecessor, as the Title IX Association and North Carolina Asian Americans Together on March 21, 2021. The shootings came in the wake of a recent rise in anti-Asian American violence. coordinator, under the leadership of then-Chancellor Carol Folt. At the same time, UNC hired an additional Outpouring support for Asian American community Title IX investigator, deputy Title IX coordinator and a communications By Praveena Somasundaram Stop AAPI Hate, an initiative that tracks and night after the Atlanta shootings, March 17, NCAAT position for the office. Audience Engagement Editor responds to anti-Asian incidents, counted nearly 3,800 and UNC’s Asian American Center co-hosted a Here’s how UNC’s leadership of [email protected] incidents between March 2020 and February 2021. -
Smoothing the Wrinkles Hollywood, “Successful Aging” and the New Visibility of Older Female Stars Josephine Dolan
Template: Royal A, Font: , Date: 07/09/2013; 3B2 version: 9.1.406/W Unicode (May 24 2007) (APS_OT) Dir: //integrafs1/kcg/2-Pagination/TandF/GEN_RAPS/ApplicationFiles/9780415527699.3d 31 Smoothing the wrinkles Hollywood, “successful aging” and the new visibility of older female stars Josephine Dolan For decades, feminist scholarship has consistently critiqued the patriarchal underpinnings of Hollywood’s relationship with women, in terms of both its industrial practices and its representational systems. During its pioneering era, Hollywood was dominated by women who occupied every aspect of the filmmaking process, both off and on screen; but the consolidation of the studio system in the 1920s and 1930s served to reduce the scope of opportunities for women working in off-screen roles. Off screen, a pattern of gendered employment was effectively established, one that continues to confine women to so-called “feminine” crafts such as scriptwriting and costume. Celebrated exceptions like Ida Lupino, Dorothy Arzner, Norah Ephron, Nancy Meyers, and Katherine Bigelow have found various ways to succeed as producers and directors in Hollywood’s continuing male-dominated culture. More typically, as recently as 2011, “women comprised only 18% of directors, executive producers, cinematographers and editors working on the top 250 domestic grossing films” (Lauzen 2012: 1). At the same time, on-screen representations came to be increasingly predicated on a gendered star system that privileges hetero-masculine desires, and are dominated by historically specific discourses of idealized and fetishized feminine beauty that, in turn, severely limit the number and types of roles available to women. As far back as 1973 Molly Haskell observed that the elision of beauty and youth that underpins Hollywood casting impacted upon the professional longevity of female stars, who, at the first visible signs of aging, were deemed “too old or over-ripe for a part,” except as a marginalized mother or older sister. -
HAMLET: PRESS RESPONSES Almeida & West End (2017) Shakespeare
HAMLET: PRESS RESPONSES Almeida & West End (2017) Shakespeare www.roberticke.com FINANCIAL TIMES Ian Shuttleworth ★★★★★ I have been privileged to see several first-class Hamlets this century: Simon Russell Beale, Samuel West, David Tennant, Rory Kinnear, Maxine Peake, arguably Lars Eidinger. Andrew Scott is at least as outstanding as any of those, and right now I’m inclined to rank him in front. His Prince is almost always self-aware, but not self-understanding; on the contrary, his keynote is a kind of bemused wonder at goings-on both within and beyond his skin. The great soliloquies seem new-minted, every word a separate question. The playfulness at which Scott so excels (most notably as Moriarty in BBC-TV’s Sherlock) is here kept under a rigorously tight rein. I did not see this production when it opened at the Almeida a few months ago, but my impression is that neither Scott’s nor anyone else’s performance has been ramped up for a venue two and half times the size; the consequent occasional intelligibility problems are far outweighed by the sense of human scale. For this is the glory of Robert Icke’s production. It does not consist of a superlative Prince Hamlet, a clutch of fine supporting performances and a number of sharp directorial ideas stitched together into a plausible fabric; rather, it is whole and entire of itself. Angus Wright’s cool, disciplined Claudius, Juliet Stevenson’s besotted-then-horrified Gertrude, Jessica Brown Findlay’s Ophelia (at first at sea like Hamlet, finally psychologically shattered in a wheelchair), David Rintoul’s doubling of the Ghost and the Player King . -
1 SET a Woman, MA (Ie Brie Larson) and a Boy with Long
SET A woman, MA (ie Brie Larson) and a boy with long hair, JACK (ie Jacob Tremblay) are in SET – ie ROOM. (Yes, this is a spoof of the film ‘Room’.) Jack is walking around saying hello to objects (and a director we can’t see). JACK: Morning, lamp. Morning, camera. Morning, director. Morning, Ma. MA: Jack, come here. I have something to tell you. Jack sits down with her. MA: Do you know what’s on the other side of that wall? JACK: What other side? MA: The other side of that wall. That fake wall. JACK: What do you mean, fake wall? MA: All these walls are fake, Jack. Listen to me: there’s a whole world on the other side of these walls. There’s a world outside of… Set. JACK: I don’t see any outside world. 1 MA: That’s because for months we’ve been trapped inside Set – inside a film studio, making a movie. But trust me, Jack – outside Set there’s a whole world... And it’s beautiful. There are real people and oceans and dogs and cats… JACK: No way. MA: No, really! I just couldn’t explain it before. When we started filming, you were too young. But now the movie’s about to wrap, I think you’re old enough to understand. JACK shakes his head in bewilderment, refusing to believe her. He starts playing with his toys, refusing to make eye contact. MA: Jack, there’s a real world out there – more real than any green screen you’ve ever seen.