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Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
The Almost Series Guide Written by Dr
RECOGNIZING THE WORLD AS IT SHOULD BE, THROUGH THE MIRACLES OF JESUS OF MIRACLES THE THROUGH BE, SHOULD IT AS WORLD THE RECOGNIZING RECOGNIZING THE WORLD AS IT SHOULD BE, THROUGH THE MIRACLES OF JESUS The Almost Series Guide Written by Dr. Timothy Gillespie, D.MIn. Lead Pastor, Crosswalk Church Cover Design By Emily Poulin www.EmilyPoulin.com Typesetting by Manny Peralta www.MannyPeralta.com COPYRIGHT © 2019 BY CROSSWALK All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher, addressed “CROSSWALK,” at the address below. CROSSWALK Church 10421 Corporate Dr, Redlands, CA 92374 Ordering Information: Quantity sales. Special discounts are available on quantity purchases by corporations, associations, and others. For details, contact the publisher at the address above. Scripture quotations are taken from the Holy Bible, New Living Translation, copyright ©1996, 2004, 2015 by Tyndale House Foundation. Used by permission of Tyndale House Publishers, a Division of Tyndale House Ministries, Carol Stream, Illinois 60188. All rights reserved. Explanation: The miracles of Jesus demonstrate Jesus’s absolute authority and power over thedevil, sickness, death, and nature, thereby confirming to all that he is indeed the Messiah and the Son of God. Also, the signs and wonders of Jesus testify to his limitless compassion for people and his longing to see people set free from all bondage. -
RELIENT K CELEBRATES 10Th ANNIVERSARY with the BIRD and the BEE SIDES EP, SCHEDULED for JULY 1St RELEASE on GOTEE RECORDS
FOR IMMEDIATE RELEASE May 30, 2008 RELIENT K CELEBRATES 10th ANNIVERSARY WITH THE BIRD AND THE BEE SIDES EP, SCHEDULED FOR JULY 1st RELEASE ON GOTEE RECORDS 26-Track EP Includes 13 Brand New Songs Plus Career-Spanning Collection Of B-Sides; Online Scavenger Hunt Kicks Off June 16th, Giving Fans A Chance To Download Additional B-sides For Free Band Co-Headlines Vans Warped Tour ’08, Kicking Off June 20th Relient K’s The Bird and the Bee Sides – scheduled for July 1st release by Gotee Records – is by far the most ambitious EP of the band’s career. In fact, with 26 songs (including 13 brand new ones) and a running time of 70 minutes, it may be one of the most ambitious EPs ever released, period. And, as improbable as it sounds, there’s still more: Prior to street date, Relient K will launch an online scavenger hunt that will give fans a chance to download numerous b-sides that will not be included on the disc. The hunt begins June 16th at the band’s MySpace site and will continue through June 30th. For additional information and clues, visit: http://www.myspace.com/relientk The band typically releases an EP between studio albums. So following Five Score And Seven Years Ago – which debuted at #6 on The Billboard 200 in 2007, becoming Relient K’s highest charting album to date – the guys decided to make their latest EP something of an alternate career retrospective, comprised of b-sides, demos and other rarities from its 10 year history. -
Rezz and Grabbitz Release “Someone Else (Underoath Remix)”
REZZ AND GRABBITZ RELEASE “SOMEONE ELSE (UNDEROATH REMIX)” LISTEN HERE (Los Angeles – August 7th, 2020) Today, Rezz and Grabbitz release the Underoath Remix for their track “Someone Else” via RCA Records. Listen HERE. This is Rezz and Underoath’s second collaboration following “Falling” which released in January of 2019. The original “Someone Else” was released in April and has garnered over 13.2 million streams worldwide and has reached #15 on Alt Radio in the US and #1 in Canada. Billboard called Rezz and Grabbitz coming together “a match made in electronic heaven.” Rezz says, “After collaborating with Underoath on “Falling” last year I asked them to remix “Someone Else” and I loveeeee it” About Rezz 25-year-old Canadian DJ/producer Isabelle Rezazadeh AKA Rezz has racked up tens of millions of streams, sold out legendary venues and headlined top festivals around the world. She oozes originality and produces genre-bending electronic works, striking a sharp balance between bass- heavy and minimal tech compositions. Her first independent project - the adventurous Beyond The Senses EP - was released in 2019 and received praise from Alternative Press, SPIN and Billboard who called it “her most impactful project to date.” She graced the cover of Billboard’s 2019 Dance Issue and has been attributed as being at the forefront of the dance and rock music crossover. Already, 2020 has marked a banner year for the producer who released her first single through RCA Records “Someone Else.” Alternative Press praised the song upon its release, including it as the lead track in their weekly playlist. -
Paul Mccartney's
THE ULTIMATE HYBRID DRUMKIT FROM $ WIN YAMAHA VALUED OVER 5,700 • IMAGINE DRAGONS • JOEY JORDISON MODERNTHE WORLD’S #1 DRUM MAGAZINE DRUMMERJANUARY 2014 AFROBEAT 20DOUBLE BASS SECRETS PARADIDDLE PATTERNS MILES ARNTZEN ON TONY ALLEN CUSTOMIZE YOUR KIT WITH FOUND METAL ED SHAUGHNESSY 1929–2013 Paul McCartney’s Abe Laboriel Jr. BOOMY-LICIOUS MODERNDRUMMER.com + BENNY GREB ON DISCIPLINE + SETH RAUSCH OF LITTLE BIG TOWN + PEDRITO MARTINEZ PERCUSSION SENSATION + SIMMONS SD1000 E-KIT AND CRUSH ACRYLIC DRUMSET ON REVIEW paiste.com LEGENDARY SOUND FOR ROCK & BEYOND PAUL McCARTNEY PAUL ABE LABORIEL JR. ABE LABORIEL JR. «2002 cymbals are pure Rock n' Roll! They are punchy and shimmer like no other cymbals. The versatility is unmatched. Whether I'm recording or reaching the back of a stadium the sound is brilliant perfection! Long live 2002's!» 2002 SERIES The legendary cymbals that defined the sound of generations of drummers since the early days of Rock. The present 2002 is built on the foundation of the original classic cymbals and is expanded by modern sounds for today‘s popular music. 2002 cymbals are handcrafted from start to finish by highly skilled Swiss craftsmen. QUALITY HAND CRAFTED CYMBALS MADE IN SWITZERLAND Member of the Pearl Export Owners Group Since 1982 Ray Luzier was nine when he first told his friends he owned Pearl Export, and he hasn’t slowed down since. Now the series that kick-started a thousand careers and revolutionized drums is back and ready to do it again. Pearl Export Series brings true high-end performance to the masses. Join the Pearl Export Owners Group. -
Authorized Catalogs - United States
Authorized Catalogs - United States Miché-Whiting, Danielle Emma "C" Vic Music @Canvas Music +2DB 1 Of 4 Prod. 10 Free Trees Music 10 Free Trees Music (Admin. by Word Music Group, 1000 lbs of People Publishing 1000 Pushups, LLC Inc obo WB Music Corp) 10000 Fathers 10000 Fathers 10000 Fathers SESAC Designee 10000 MINUTES 1012 Rosedale Music 10KF Publishing 11! Music 12 Gate Recordings LLC 121 Music 121 Music 12Stone Worship 1600 Publishing 17th Avenue Music 19 Entertainment 19 Tunes 1978 Music 1978 Music 1DA Music 2 Acre Lot 2 Dada Music 2 Hour Songs 2 Letit Music 2 Right Feet 2035 Music 21 Cent Hymns 21 DAYS 21 Songs 216 Music 220 Digital Music 2218 Music 24 Fret 243 Music 247 Worship Music 24DLB Publishing 27:4 Worship Publishing 288 Music 29:11 Church Productions 29:Eleven Music 2GZ Publishing 2Klean Music 2nd Law Music 2nd Law Music 2PM Music 2Surrender 2Surrender 2Ten 3 Leaves 3 Little Bugs 360 Music Works 365 Worship Resources 3JCord Music 3RD WAVE MUSIC 4 Heartstrings Music 40 Psalms Music 442 Music 4468 Productions 45 Degrees Music 4552 Entertainment Street 48 Flex 4th Son Music 4th teepee on the right music 5 Acre Publishing 50 Miles 50 States Music 586Beats 59 Cadillac Music 603 Publishing 66 Ford Songs 68 Guns 68 Guns 6th Generation Music 716 Music Publishing 7189 Music Publishing 7Core Publishing 7FT Songs 814 Stops Today 814 Stops Today 814 Today Publishing 815 Stops Today 816 Stops Today 817 Stops Today 818 Stops Today 819 Stops Today 833 Songs 84Media 88 Key Flow Music 9t One Songs A & C Black (Publishers) Ltd A Beautiful Liturgy Music A Few Good Tunes A J Not Y Publishing A Little Good News Music A Little More Good News Music A Mighty Poythress A New Song For A New Day Music A New Test Catalog A Pirates Life For Me Music A Popular Muse A Sofa And A Chair Music A Thousand Hills Music, LLC A&A Production Studios A. -
Treesavers Pulling out All the Stops
MOVIES MUSIC ‘THE DARJEERLING LIMITED’ SHINES PAGE 14 UNDEROATH IS ROCKING FOR JESUS PAGE 12 Visit us online at smdp.com FRIDAY, OCTOBER 5, 2007 Volume 6 Issue 278 Santa Monica Daily Press DO YOU HATE THIS GUY? SEE PAGE 13 Since 2001: A news odyssey THE HASHING IT OUT ISSUE SPORTS ONON TARGETTARGET SamohiSamohi triestries toto hithit thethe markmark againstagainst LosLos AlAl STORYSTORY BYBY MELODYMELODY HANATANIHANATANI PAGEPAGE 77 Fabian Lewkowicz [email protected] Treesavers pulling out all the stops max Monday, when city crews plan to begin uprooting more City Attorney Marsha Moutrie and Craig Perkins, the Local advocates hire legal help than 50 mature ficus and palm trees as part of a downtown director of environmental and public works, did not return beautification project. requests seeking comment on Thursday. in their fight against City Hall Thomas Nitti, the attorney representing the Santa Whether or not this latest action will have an impact on Monica Treesavers, gave City Hall notice on Thursday that the project — expected to commence on Monday at 7:30 BY MELODY HANATANI I Daily Press Staff Writer he was going to the Los Angeles Superior Court in a.m. — remains to be seen. Downtown Los Angeles this morning to request a restrain- “The city has decided that the trees are exempt from the DOWNTOWN A local attorney secured by environmental ing order to prevent the removal and transplantation of the California Environmental Quality Act, and we disagree,” activists plans to file an injunction today against Santa trees from Second and Fourth streets. Nitti said. Monica City Hall to halt the removal and relocation of more The Treesavers do not believe City Hall followed proper The trees are a small, but controversial, part of an $8.2 than 50 trees from commercial corridors. -
Hold Fast: Technologies of Distinction in the Australian Hardcore Music Scene
Hold Fast: Technologies of Distinction in the Australian Hardcore Music Scene Author Driver, Christopher Published 2018-12 Thesis Type Thesis (PhD Doctorate) School School of Hum, Lang & Soc Sc DOI https://doi.org/10.25904/1912/957 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/385865 Griffith Research Online https://research-repository.griffith.edu.au Hold Fast: Technologies of Distinction in the Australian Hardcore Music Scene by Christopher Driver B/Comms, MA, BA (Hons) School of Humanities, Languages and Social Science Griffith University This thesis is submitted in fulfillment of the requirements of the degree of Doctor of Philosophy December 2018 1 Abstract Having emerged in the discourse of suburban American iterations of punK in the late 1970s, hardcore music has become an important cultural resource for groups around the world. The subsequent spread of the original musical tropes and development of multiple trajectories of musical and stylistic innovation have resulted in a complex and multifaceted constellation of ideas, practices and objects that now constitute the hardcore music scene. Despite its growth, scholarly discourse in the field continues to operate almost exclusively in response to what has come to be called the ‘subcultures’ framework (Clarke et al 1976). The focus has been placed on the question of whether such forms can be conceptualised in terms of coherent and subversive ideologies, effectively setting the parameters of the debate in ways that have marginalised considerations of the musical experiences of participation, and which have limited sociological attempts to comprehend the significance of hardcore music as a social force. -
(CAPA) Underoath
PARTITURA PARA BATERIA DE: Por: Anderson Cleiton Rodrigues “Desperate Times, 09/2012 BATERA CENTER-SBO/SP. Desperate Measures” A banda "UNDEROATH“ Formada em 1997, Tampa, Flórida, EUA, pelo vocalista Dallas Taylor, atualmente a banda Cristã é composta por: Integrantes atuais: Tim McTague e James Smith (guitarra), Christopher Dudley (teclado), Grant Brandell (baixo), Spencer Chamberlain (vocal), U N D E R O A T H Daniel Davison (bateria). A música “DESPERATE TIMES, DESPERATE MEASURES" A canção é faixa (9) do álbum “Lost in the Sound of Separation” de 2008, o sexto trabalho da banda. O disco atingiu o nº 8 da Billboard 200, o nº 15 do Top Canadian Albums, o nº 1 do Top Christian Albums e o nº 8 do Top Internet Albums. A versão Deluxe foi limitada a 5 mil cópias, numeradas manualmente e assinadas pelos membros da banda. Integrantes nesse álbum: Grant Brandell (Baixo), Spencer Chamberlain (Vocal), Christopher Dudley (Teclado), Timothy McTague (guitarra, vocal de apoio), James Smith (Guitarra base), Aaron Gillespie (bateria). OObateristabaterista ““AARONAARON GILLESPIEGILLESPIE”” Aaron Roderick Gillespie nasceu dia 18 de Julho de 1983, Clearwater, Flórida, EUA, e veio de uma família cristã que ia a igreja regularmente. Quando tinha 14 anos de idade, Aaron começou a trabalhar em uma igreja, onde também tocava, porém lhe disseram que além de ele não tocar muito bem, tocava alto de mais. Nessa mesma época, Aaron foi convidado a integrar a banda Underoath, como baterista e vocal de apoio. Aaron tocou no “Underoath” até 2010, ficando somente com a banda “The Almost”, que era um projeto criado pelo próprio Aaron em 2005, onde ele canta e toca guitarra. -
Anarchism, Hardcore Music, and Counterculture
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2016 Don't Let the World Rot: Anarchism, Hardcore Music, and Counterculture Pearson Bolt University of Central Florida Part of the Critical and Cultural Studies Commons, and the Ethnomusicology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Bolt, Pearson, "Don't Let the World Rot: Anarchism, Hardcore Music, and Counterculture" (2016). Electronic Theses and Dissertations, 2004-2019. 5128. https://stars.library.ucf.edu/etd/5128 DON’T LET THE WORLD ROT: ANARCHISM, HARDCORE, AND COUNTERCULTURE by PEARSON L. BOLT B.A. University of Central Florida, 2013 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2016 Major Professor: Anthony Grajeda © Pearson Bolt 2016 ii ABSTRACT Hardcore music is intrinsically anarchistic. The hardcore music scene represents a radical departure from contemporary society. Rejecting the materialism, militarism, and hedonism of the mainstream music scene—and, by extension, modern culture—hardcore music presents an alternative lifestyle rooted in solidarity, equality, and liberty. Indeed, the culture of the hardcore scene approaches a transitive, nomadic model of an anarchistic commune built on resistance as a way of life. -
Underoath-Critical-Soundbites.Pdf
UNDEROATHUNDEROATH:::: Critical Soundbites for “Ø (Disambiguation) ” Solid State/Tooth & Nail Cover artwork for Ø (Disambiguation) . “The word “Disambiguation”-the title of Underoath’s seventh album-refers to the clarity that occurs after a source of ambiguity is removed. It would be wrong to interpret the title as a jab at departed drummer/co-vocalist Aaron Gillespie, for the metalcore band’s earnest mash-up of shouted and cleanly sung vocals (of which Gillespie provided the latter) never lacked perspective or style. But by using the line-up shift as a chance to explore different terrain--namely eschewing pop choruses and traditional vocals-- Underoath’s sprawling, at times disquieting music is newly realized. Flashes of U2, Thrice and Dillinger Escape Plan are evident throughout the album, whose free-flowing grace is apparent even during throbbing slightly off-kilter cuts like “In Division,” “Illuminator” and “A Divine Eradication.” That ambience becomes more striking when the sextet lets itself completely unfurl during the gentler “Paper Lung” and prog-jam closer “In Completion.” --Christa Titus, BILLBOARD (CD Review, December 4, 2010) “For all the noisy, atmospheric experiments Underoath's past two albums showed, Ø (Disambiguation) finds the band returning to the far more challenging process of simply writing great songs . Electronics still burble beneath the surface (the Deftones-gorgeous ‘Paper Lung’), and dissonant guitars still carve huge swaths (the Botch-in-a-blender ‘Illuminator’), but these touches serve the music, rather than dominating it. Ø (Disambiguation ) is the first Underoath album in years that you'll walk away humming--even as you pick the shrapnel out of your ears.” --Aaron Burgess, ALTERNATIVE PRESS (4.5 out-of-5 stars review, December 2010) “After a sudden split with lone founding member, UNDEROATH emerge a leaner, meaner machine ……The proof is Ø (Disambiguation ) (Solid State), at once Underoath’s most experimental and primal album, their most raw and mature . -
A Longitudinal Content Analysis of Feminist Themes in Punk Rock
ACT LIKE A PUNK, SING LIKE A FEMINIST: A LONGITUDINAL CONTENT ANALYSIS OF FEMINIST THEMES IN PUNK ROCK SONG LYRICS, 1970-2009 Lauren E. Levine Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2015 APPROVED: Koji Fuse, Major Professor Tracy Everbach, Committee Member Gwen Nisbett, Committee Member Cory Armstrong, Chair of the Frank W. and Sue Mayborn School of Journalism Dorothy Bland, Dean of the Frank W. and Sue Mayborn School of Journalism Costas Tsatsoulis, Interim Dean of the Toulouse Graduate School Levine, Lauren. E. Act Like a Punk, Sing Like a Feminist: A Longitudinal Content Analysis of Feminist Themes in Punk Rock Song Lyrics, 1970-2009. Master of Arts (Journalism), May 2015, 104 pp., 6 tables, references, 123 titles. Punk rock music has long been labeled sexist as copious media-generated accounts and reports of the genre concentrate on male artists, hyper-masculine performances, and lyrics considered to be aggressive, sexist, and misogynist. However, scholars have rarely examined punk rock music longitudinally, focusing heavily on 1980s and 1990s manifestations of the genre. Furthermore, few systematic content analyses of feminist themes in punk rock song lyrics have been conducted. The present research is a longitudinal content analysis of lyrics of 600 punk rock songs released for four decades between 1970 and 2009 to examine the prevalence of and longitudinal shifts in antiestablishment themes, the prevalence of and longitudinal shifts in sexist themes relative to feminist themes, the prevalence of and longitudinal shifts in specific feminist branches, and what factors are related to feminism. Using top-rated albums retrieved from Sputnik Music’s “Best Punk Albums” charts, systematic random sampling was applied to select 50 songs for each combination of three gender types and four decades.