Treesavers Pulling out All the Stops
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June 1, 2016 Dear Customer, Please Be Advised That the Titles On
June 1, 2016 Dear Customer, Please be advised that the titles on this Summer 2016 Deleted Titles list will be DELETED from the Capitol Christian Distribution catalog effective Wednesday, June 8, 2016. These titles will no longer be available for orders on or after that date. All return authorization requests for these titles must be submitted no later than Sunday, August 7, 2016 and all physical returns received in our Jacksonville, IL Distribution Center no later than Thursday, October 6, 2016. As a reminder, you may request your return authorization online 24/7 at www.capitolchristiandistribution.com. Please remember to update your point of sale (POS) system to reflect these changes. If you have any questions about this information please contact your Capitol Christian Distribution sales representative at 1 (800) 877- 4443. Thank you for your attention to this matter. Best Regards, Greg Bays Executive Vice President Capitol Christian Distribution CAPITOL CHRISTIAN DISTRIBUTION SUMMER 2016 DELETED TITLES LIST Return Authorization Due Date August 7, 2016 • Physical Returns Due Date October 6, 2016 RECORDED MUSIC ARTIST TITLE UPC LABEL CONFIG Amy Grant Amy Grant 094639678525 Amy Grant Productions CD Amy Grant My Father's Eyes 094639678624 Amy Grant Productions CD Amy Grant Never Alone 094639678723 Amy Grant Productions CD Amy Grant Straight Ahead 094639679225 Amy Grant Productions CD Amy Grant Unguarded 094639679324 Amy Grant Productions CD Amy Grant House Of Love 094639679829 Amy Grant Productions CD Amy Grant Behind The Eyes 094639680023 Amy Grant Productions CD Amy Grant A Christmas To Remember 094639680122 Amy Grant Productions CD Amy Grant Simple Things 094639735723 Amy Grant Productions CD Amy Grant Icon 5099973589624 Amy Grant Productions CD Seventh Day Slumber Finally Awake 094635270525 BEC Recordings CD Manafest Glory 094637094129 BEC Recordings CD KJ-52 The Yearbook 094637829523 BEC Recordings CD Hawk Nelson Hawk Nelson Is My Friend 094639418527 BEC Recordings CD The O.C. -
A Survey of Christian Cross-Over Songwriting Core Principles and Potential for Impact
CHRISTIAN CROSS-OVER SONGWRITING 1 A Survey of Christian Cross-Over Songwriting Core Principles and Potential for Impact Paul Malhotra A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2013 CHRISTIAN CROSS-OVER SONGWRITING 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ John D. Kinchen III, D.M.A. Thesis Chair ______________________________ Michael Babcock, Ph.D. Committee Member ______________________________ Mr. Don Marsh, M.S. Committee Member ______________________________ Marilyn Gadomski, Ph.D. Assistant Honors Director ______________________________ Date CHRISTIAN CROSS-OVER SONGWRITING 3 Abstract A cross-over song has been defined as a song written by a Christian artist aimed at a mainstream audience. An understanding of the core principles of cross-over songs and their relevance in contemporary culture is essential for Christian songwriters. Six albums marked by spiritual overtones or undertones, representing a broad spectrum of contemporary cross-over music, were examined. Selected songs were critiqued by analyzing the album of origin, lyrical content, author’s expressed worldview, and level of commercial success. Renaissance art also provided a historical parallel to modern day songwriting. Recommendations were developed for Christian songwriters to craft songs with greater effectiveness to impact the culture while adhering to a biblical worldview. CHRISTIAN CROSS-OVER SONGWRITING 4 A Survey of Christian Cross-Over Songwriting An exploration of Christian cross-over music can provide an objective framework for evaluating songs and developing guidelines for Christian songwriters so they can enhance their effectiveness in communicating with their audiences. -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
Rezz and Grabbitz Release “Someone Else (Underoath Remix)”
REZZ AND GRABBITZ RELEASE “SOMEONE ELSE (UNDEROATH REMIX)” LISTEN HERE (Los Angeles – August 7th, 2020) Today, Rezz and Grabbitz release the Underoath Remix for their track “Someone Else” via RCA Records. Listen HERE. This is Rezz and Underoath’s second collaboration following “Falling” which released in January of 2019. The original “Someone Else” was released in April and has garnered over 13.2 million streams worldwide and has reached #15 on Alt Radio in the US and #1 in Canada. Billboard called Rezz and Grabbitz coming together “a match made in electronic heaven.” Rezz says, “After collaborating with Underoath on “Falling” last year I asked them to remix “Someone Else” and I loveeeee it” About Rezz 25-year-old Canadian DJ/producer Isabelle Rezazadeh AKA Rezz has racked up tens of millions of streams, sold out legendary venues and headlined top festivals around the world. She oozes originality and produces genre-bending electronic works, striking a sharp balance between bass- heavy and minimal tech compositions. Her first independent project - the adventurous Beyond The Senses EP - was released in 2019 and received praise from Alternative Press, SPIN and Billboard who called it “her most impactful project to date.” She graced the cover of Billboard’s 2019 Dance Issue and has been attributed as being at the forefront of the dance and rock music crossover. Already, 2020 has marked a banner year for the producer who released her first single through RCA Records “Someone Else.” Alternative Press praised the song upon its release, including it as the lead track in their weekly playlist. -
Brand New Cd & Dvd Releases 2006 6,400 Titles
BRAND NEW CD & DVD RELEASES 2006 6,400 TITLES COB RECORDS, PORTHMADOG, GWYNEDD,WALES, U.K. LL49 9NA Tel. 01766 512170: Fax. 01766 513185: www. cobrecords.com // e-mail [email protected] CDs, DVDs Supplied World-Wide At Discount Prices – Exports Tax Free SYMBOLS USED - IMP = Imports. r/m = remastered. + = extra tracks. D/Dble = Double CD. *** = previously listed at a higher price, now reduced Please read this listing in conjunction with our “ CDs AT SPECIAL PRICES” feature as some of the more mainstream titles may be available at cheaper prices in that listing. Please note that all items listed on this 2006 6,400 titles listing are all of U.K. manufacture (apart from Imports which are denoted IM or IMP). Titles listed on our list of SPECIALS are a mix of U.K. and E.C. manufactured product. We will supply you with whichever item for the price/country of manufacture you choose to order. ************************************************************************************************************* (We Thank You For Using Stock Numbers Quoted On Left) 337 AFTER HOURS/G.DULLI ballads for little hyenas X5 11.60 239 ANATA conductor’s departure B5 12.00 327 AFTER THE FIRE a t f 2 B4 11.50 232 ANATHEMA a fine day to exit B4 11.50 ST Price Price 304 AG get dirty radio B5 12.00 272 ANDERSON, IAN collection Double X1 13.70 NO Code £. 215 AGAINST ALL AUTHOR restoration of chaos B5 12.00 347 ANDERSON, JON animatioin X2 12.80 92 ? & THE MYSTERIANS best of P8 8.30 305 AGALAH you already know B5 12.00 274 ANDERSON, JON tour of the universe DVD B7 13.00 -
Just Dropping In
~----------- - Sloan's Jay Fergurson reminisces Online petitons are useless, about past performances in tattoos are beautiful and St. John's and spills the details yuppies don't always save on the band's new album the planet - Page 6 - Page 4 Volume 56 Numbet'·. Just dropping in JUSTIN MADOL Newfoundland-born pro Corey Sheppard pops over a large drop while excited spectators surround the area for a glimpse of the action. See "Pro skateboarders" on page 2 for the details. Faculty, alumni, and will only see 'Memorial', (and that is] is boldly attempting to distance itself frankly, a mistake," she said. "It will from the province in the name of glo students condemn make us a generic university." balization." MUN alumna and Faculty of Marketing and Communications MUN's new look Medicine member June Harris shares responded to the allegation on its Drake's sentiment. "It really eliminates web site: "Memorial University's BY PHIL HOWELL our geographic identifier," she said. "It p1ace in the world, as the university of eliminates where people can associate Newfoundland and Labrador, will be The beginning of a video presentation us with." referenced in all the materia]s and ad on Memorial's new brand asks the ques "Over halfof all Canadian universi vertisements that are prepared as part tion, "What have we become?" Ifyou ask ties have a name which incorporates a of the marketing initiative. The uni some students, faculty, and alumni, the geographical reference, either a city or versity has no intentions of eschewing answer is "anonymous." a province," added geography professor connections with Newfoundland and Since Marketing and Chris Sharpe. -
Paul Mccartney's
THE ULTIMATE HYBRID DRUMKIT FROM $ WIN YAMAHA VALUED OVER 5,700 • IMAGINE DRAGONS • JOEY JORDISON MODERNTHE WORLD’S #1 DRUM MAGAZINE DRUMMERJANUARY 2014 AFROBEAT 20DOUBLE BASS SECRETS PARADIDDLE PATTERNS MILES ARNTZEN ON TONY ALLEN CUSTOMIZE YOUR KIT WITH FOUND METAL ED SHAUGHNESSY 1929–2013 Paul McCartney’s Abe Laboriel Jr. BOOMY-LICIOUS MODERNDRUMMER.com + BENNY GREB ON DISCIPLINE + SETH RAUSCH OF LITTLE BIG TOWN + PEDRITO MARTINEZ PERCUSSION SENSATION + SIMMONS SD1000 E-KIT AND CRUSH ACRYLIC DRUMSET ON REVIEW paiste.com LEGENDARY SOUND FOR ROCK & BEYOND PAUL McCARTNEY PAUL ABE LABORIEL JR. ABE LABORIEL JR. «2002 cymbals are pure Rock n' Roll! They are punchy and shimmer like no other cymbals. The versatility is unmatched. Whether I'm recording or reaching the back of a stadium the sound is brilliant perfection! Long live 2002's!» 2002 SERIES The legendary cymbals that defined the sound of generations of drummers since the early days of Rock. The present 2002 is built on the foundation of the original classic cymbals and is expanded by modern sounds for today‘s popular music. 2002 cymbals are handcrafted from start to finish by highly skilled Swiss craftsmen. QUALITY HAND CRAFTED CYMBALS MADE IN SWITZERLAND Member of the Pearl Export Owners Group Since 1982 Ray Luzier was nine when he first told his friends he owned Pearl Export, and he hasn’t slowed down since. Now the series that kick-started a thousand careers and revolutionized drums is back and ready to do it again. Pearl Export Series brings true high-end performance to the masses. Join the Pearl Export Owners Group. -
How to Play Metalcore on Guitar
How to Play Metalcore on Guitar And Getting Familiar with the Genre A Matura Paper by Yannic Kuna, 2013/2014 In collaboration with Beat Hüppin www.metalcoreonguitar.wordpress.com Contents 1. Acknowledgement ............................................................................................................................... 3 2. Introduction ............................................................................................................................................ 3 3. What is Metalcore? .............................................................................................................................. 5 4. August 2010 (about the author)................................................................................................... 7 5. Before it starts ....................................................................................................................................... 8 5.1 Guitar ............................................................................................................................................................ 8 5.2 Pick (Plectrum) ...................................................................................................................................... 10 5.3 Metronome .............................................................................................................................................. 10 5.4 Tuning ....................................................................................................................................................... -
From Pedro the Lion to Underoath: the Birth of the A-Geographic Subculture
From Pedro The Lion to Underoath: The Birth of the A-geographic Subculture Written by Tyler Paulson in Fall 2010 for Thea Petchler’s Pop Culture Class Somehow, Pedro The Lion’s Whole EP has become one of my favorite albums of all time. Musically, it’s a humble work; simple drum beats and guitar progressions recorded without a lot of flair added, but the ideas explored in its lyrics caught the headwind of a subcultural transformation, making it memorable even thirteen years later. When it released in 1997, a lot of people didn’t know what to do with it. At that time, clas- sifying something as Christian1 music essentially meant that it was safe for the ears of every fifth grader in America and if you presented doubt or conflict in the first verse, it had better be resolved by the end of the chorus. So when Bazan wrote the song “Fix,” essentially an ode to his drug dealer, those inside the Christian music industry didn’t exactly know what to do with it. Here’s how the song ends: “My friend down on the corner says it’s gonna be good times. He pats me on the shoulder and sells me a fix, he says I’ll see you here tomorrow.” In the next song he goes on to say “the chances are slight that I won’t shoot up tonight.” So what’s so unique about this? Musicians talking about drugs and people not liking it isn’t ex- actly unique in the 1990s, but the album doesn’t end there. -
724349070998 25 Sunday School
UPC Title Artist Description SRP ReleaseDate Class Config CMTA Genre code ProdStatus 724349070998 25 Sunday School Songs 25 Kids Song Series Straightway Music $8.99 9/18/2003 Video DVD VHCHFB !None 820413126698 3-2-1 Penguins! The Complete Season 321 Penguins Big Idea $9.99 8/31/2012 Video DVD VHCHXX !None 819113010109 Mercy (Live) Aaron & Amanda Difference Media $19.99 9/15/2013 Video DVD VHMCXX !None 602537930296 Hero Advent Film Group AFG Movie Two $19.99 9/1/2014 Video DVD !None 617884918194 Angels Among Us Hymns & Gospel Alabama Gaither Music $19.99 8/3/2015 Video DVD VHMCXX !None 687797961198 Running Forever Alchemy First Look Studios $14.99 12/21/2015 Video DVD VHGNXX New Release 687797160195 My Dad's A Soccer Mom Alchemy First Look Studios $14.99 7/6/2015 Video DVD VHFFFE !None 687797158741 Brother's Keeper Combo Pack Alchemy First Look Studios $24.99 7/6/2015 Video DVD VHGNXX !None 687797158796 Brother's Keeper Alchemy First Look Studios $19.99 7/6/2015 Video DVD VHGNXX !None 687797160591 Comeback Dad Alchemy First Look Studios $14.99 7/6/2015 Video DVD VHFFFE !None 687797159694 Saving Westbrook High Alchemy First Look Studios $14.99 7/6/2015 Video DVD VHFFFE !None 687797160096 Back To The Jurassic Alchemy First Look Studios $14.99 5/25/2015 Video DVD VHFFFY !None 687797160294 Dinosaur Island Alchemy First Look Studios $14.99 5/25/2015 Video DVD VHFFFY !None 687797955296 A Gift Horse Alchemy First Look Studios $14.99 4/27/2015 Video DVD VHFFFY !None 888295059848 Messenger of the Truth Alchemy First Look Studios $19.99 2/16/2015 -
(CAPA) Underoath
PARTITURA PARA BATERIA DE: Por: Anderson Cleiton Rodrigues “Desperate Times, 09/2012 BATERA CENTER-SBO/SP. Desperate Measures” A banda "UNDEROATH“ Formada em 1997, Tampa, Flórida, EUA, pelo vocalista Dallas Taylor, atualmente a banda Cristã é composta por: Integrantes atuais: Tim McTague e James Smith (guitarra), Christopher Dudley (teclado), Grant Brandell (baixo), Spencer Chamberlain (vocal), U N D E R O A T H Daniel Davison (bateria). A música “DESPERATE TIMES, DESPERATE MEASURES" A canção é faixa (9) do álbum “Lost in the Sound of Separation” de 2008, o sexto trabalho da banda. O disco atingiu o nº 8 da Billboard 200, o nº 15 do Top Canadian Albums, o nº 1 do Top Christian Albums e o nº 8 do Top Internet Albums. A versão Deluxe foi limitada a 5 mil cópias, numeradas manualmente e assinadas pelos membros da banda. Integrantes nesse álbum: Grant Brandell (Baixo), Spencer Chamberlain (Vocal), Christopher Dudley (Teclado), Timothy McTague (guitarra, vocal de apoio), James Smith (Guitarra base), Aaron Gillespie (bateria). OObateristabaterista ““AARONAARON GILLESPIEGILLESPIE”” Aaron Roderick Gillespie nasceu dia 18 de Julho de 1983, Clearwater, Flórida, EUA, e veio de uma família cristã que ia a igreja regularmente. Quando tinha 14 anos de idade, Aaron começou a trabalhar em uma igreja, onde também tocava, porém lhe disseram que além de ele não tocar muito bem, tocava alto de mais. Nessa mesma época, Aaron foi convidado a integrar a banda Underoath, como baterista e vocal de apoio. Aaron tocou no “Underoath” até 2010, ficando somente com a banda “The Almost”, que era um projeto criado pelo próprio Aaron em 2005, onde ele canta e toca guitarra. -
Anarchism, Hardcore Music, and Counterculture
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2016 Don't Let the World Rot: Anarchism, Hardcore Music, and Counterculture Pearson Bolt University of Central Florida Part of the Critical and Cultural Studies Commons, and the Ethnomusicology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Bolt, Pearson, "Don't Let the World Rot: Anarchism, Hardcore Music, and Counterculture" (2016). Electronic Theses and Dissertations, 2004-2019. 5128. https://stars.library.ucf.edu/etd/5128 DON’T LET THE WORLD ROT: ANARCHISM, HARDCORE, AND COUNTERCULTURE by PEARSON L. BOLT B.A. University of Central Florida, 2013 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2016 Major Professor: Anthony Grajeda © Pearson Bolt 2016 ii ABSTRACT Hardcore music is intrinsically anarchistic. The hardcore music scene represents a radical departure from contemporary society. Rejecting the materialism, militarism, and hedonism of the mainstream music scene—and, by extension, modern culture—hardcore music presents an alternative lifestyle rooted in solidarity, equality, and liberty. Indeed, the culture of the hardcore scene approaches a transitive, nomadic model of an anarchistic commune built on resistance as a way of life.