La Visita Regia De José Bonaparte a Granada
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Dueling, Honor and Sensibility in Eighteenth-Century Spanish Sentimental Comedies
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2010 DUELING, HONOR AND SENSIBILITY IN EIGHTEENTH-CENTURY SPANISH SENTIMENTAL COMEDIES Kristie Bulleit Niemeier University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Niemeier, Kristie Bulleit, "DUELING, HONOR AND SENSIBILITY IN EIGHTEENTH-CENTURY SPANISH SENTIMENTAL COMEDIES" (2010). University of Kentucky Doctoral Dissertations. 12. https://uknowledge.uky.edu/gradschool_diss/12 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Kristie Bulleit Niemeier The Graduate School University of Kentucky 2010 DUELING, HONOR AND SENSIBILITY IN EIGHTEENTH-CENTURY SPANISH SENTIMENTAL COMEDIES _________________________________________________ ABSTRACT OF DISSERTATION _________________________________________________ A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of the University of Kentucky By Kristie Bulleit Niemeier Lexington, Kentucky Director: Dr. Ana Rueda, Professor of Spanish Literature Lexington, Kentucky 2010 Copyright © Kristie Bulleit Niemeier 2010 ABSTRACT OF DISSERTATION DUELING, HONOR AND -
Of 1808: Ideological Disquiet and Certainty in Moratín Jesús Pérez-Magallón Mcgill University
The “Perfidious Invasion” of 1808: Ideological Disquiet and Certainty in Moratín Jesús Pérez-Magallón McGill University Leandro Fernández de Moratín’s political profile was drawn by Luis Sánchez Agesta in his article, “Moratín and the Political Thought of Enlightened Despotism.” In this article, which is more interested in showing that the famous playwright was in favor of enlightened despotism than in exploring and analyzing Moratín’s political thinking, Sánchez Agesta links Moratín with enlightened despotism in at least three ways: First, by way of Moratín’s participation in governmental politics related to theatrical reform; second, by recalling Moratín’s friendship and intellectual rapport with some of the most representative figures of enlightened despotism; and third, “through the ideas that become clear in his correspondence and in the precepts of his Discurso preliminar ” (573). Sánchez Agesta summarizes Moratín’s ideas as follows: “the reform of customs, the law and the entire order of a society based on traditional principles in order to rebuild it on the basis of utility. Two instruments of reform that oppose the revolutionary spirit are mentioned: the actions of an enlightened government, and the soft, continuous pressure of education” (373). Beyond this brief summary, Sanchez Agesta alludes to what he calls “the pedagogical themes of Moratín’s theater.” In short, the playwright is presented as one more among many of those who shared and supported the tenets of enlightened despotism from within the specific sphere of culture; in this case from within the world of the theater. Although Sánchez Agesta adds that Moratín’s “exact place is not among the afrancesados , but rather among the men of letters of enlightened despotism’s second phase, who were supported by Manuel Godoy,” his opinion is but a complement to the label of afrancesado or collaborationist that Moratín has carried since the War of Independence. -
Spanish Identity: Nation, Myth, and History
Studies in 20th & 21st Century Literature Volume 33 Issue 2 Identities on the Verge of a Nervous Article 2 Breakdown: The Case of Spain 6-1-2009 Spanish Identity: Nation, Myth, and History Jesús Torrecilla University of California, Los Angeles Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Modern Literature Commons, and the Spanish Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Torrecilla, Jesús (2009) "Spanish Identity: Nation, Myth, and History," Studies in 20th & 21st Century Literature: Vol. 33: Iss. 2, Article 2. https://doi.org/10.4148/2334-4415.1699 This Introductory Material is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Spanish Identity: Nation, Myth, and History Abstract In the last two centuries, conservatives and liberals have offered two mutually exclusive visions of Spanish history, each with distinct myths, symbols, and heroes. The conservative image, formed in the Middle Ages, was based on the myth of the Reconquest and the need to restore (or keep) the homogeneity of a country characterized by its Christian religion and Latin culture. At the beginning of the nineteenth century, faced with Napoleon’s invasion, Spanish liberals understood the danger of associating their modern ideas with France and invented a progressive and democratic Spanish tradition. According to their interpretation, the most authentic Spain was not the one identified with the Reconquest and the Empire, but the Spain of all those who had been excluded from the nation-building process because of their religion or ideas: the tolerant al-Andalus Muslims, the freedom-fighter comuneros and the defenders of the democratic medieval fueros. -
University of Dundee MASTER of PHILOSOPHY Changing British Perceptions of Spain in Times of War and Revolution, 1808 to 1838
University of Dundee MASTER OF PHILOSOPHY Changing British Perceptions of Spain in Times of War and Revolution, 1808 to 1838 Holsman, John Robert Award date: 2014 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 MASTER OF PHILOSOPHY Changing British Perceptions of Spain in Times of War and Revolution, 1808 to 1838 John Robert Holsman 2014 University of Dundee Conditions for Use and Duplication Copyright of this work belongs to the author unless otherwise identified in the body of the thesis. It is permitted to use and duplicate this work only for personal and non-commercial research, study or criticism/review. You must obtain prior written consent from the author for any other use. Any quotation from this thesis must be acknowledged using the normal academic conventions. It is not permitted to supply the whole or part of this thesis to any other person or to post the same on any website or other online location without the prior written consent of the author. -
Encountering the Enlightenment: Science, Religion, and Catholic Epistemologies Across the Spanish Atlantic, 1687-1813
Encountering the Enlightenment: Science, Religion, and Catholic Epistemologies across the Spanish Atlantic, 1687-1813 by Copyright 2016 George Alan Klaeren Submitted to the graduate degree program in History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. _______________________________ Chairperson Dr. Luis Corteguera _______________________________ Dr. Elizabeth Kuznesof _______________________________ Dr. Robert Schwaller _______________________________ Dr. Marta Vicente _______________________________ Dr. Santa Arias Date Defended: February 23, 2017 ii The Dissertation Committee for George Alan Klaeren certifies that this is the approved version of the following dissertation: Encountering the Enlightenment: Science, Religion, and Catholic Epistemologies across the Spanish Atlantic, 1687-1813 _________________________________ Chairperson Dr. Luis Corteguera Date approved: February 23, 2017 iii ABSTRACT During the eighteenth century, a wave of thought inundated the Spanish empire, introducing new knowledge in the natural sciences, religion, and philosophy, and importantly, questioning the very modes of perceiving and ascertaining this knowledge. This period of epistemic rupture in Spain and her colonies, commonly referred to as the Enlightenment, not only presented new ways of knowing, but inspired impassioned debates among leading intellectuals about the epistemology and philosophy that continued throughout the century. The previous scholarly literature -
The Mexican Inquisition and the Masonic Movement: 1751-1820
New Mexico Historical Review Volume 44 Number 2 Article 2 4-1-1969 The Mexican Inquisition and the Masonic Movement: 1751-1820 Richard E. Greenleaf Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation Greenleaf, Richard E.. "The Mexican Inquisition and the Masonic Movement: 1751-1820." New Mexico Historical Review 44, 2 (). https://digitalrepository.unm.edu/nmhr/vol44/iss2/2 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. 93 THE MEXICAN INQUISITION AND THE MASONIC MOVEMENT: 1751-1820 RICHARD E. GREENLEAF ENLIGHTENMENT MAN was cosrr10politan, a person devoted to the promotion of brotherhood across social classes and national boun daries. The close association of philosophe thought with Free masonry was evident in France and in Spain during the eighteenth century, and secret societies all over Europe encouraged the idea of the fraternity of man. Freemasonry proposed to break down bar riers which separated man, integrating within its ranks intellectuals, professionals, and other men of good will, encouraging fellowship and philanthropy.among them. Often the transcendental views of Masons were transfused with the new social and political philos~ ophies of the Enlightenment, and Masonic groups carried ·o:~ political activities. The members kept their ideas within the group, and each depended upon the others to be loyal and to keep discus sions secret so that established institutions would not feel chal lenged by the Masonic quest to better the human condition. -
Housing the Enemy: Non-Competing Moral Demands in Marqués Y Espejo’S Anastasia (1818)
Housing the Enemy: Non-competing Moral Demands in Marqués y Espejo’s Anastasia (1818) ANA RUEDA Antonio Marqués y Espejo´s novel Anastasia o la recompensa de la hospitalidad. Anécdota histórica de un casto amor contrariado [Anastasia or Hospitality Rewarded. Historical Anecdote of a Chaste and Opposed Love] (Valencia: Ildefonso Mompie, 1818) features an exemplary case of hospitality that takes place in the Spanish Pyrenees during the Napoleonic wars.1 It attempts to vindicate ancient hospitality which, according to the novel’s Introduction, is practically extinct and has no equivalent in the conveniences pro- vided for the modern traveler. Marqués y Espejo was a man of the Spanish Enlightenment, a priest, and possibly an afrancesado.2 The author of at least one other novel (Memorias de Blanca Capello, Gran Duquesa de Toscana, 1803), several comedies and dramas, popular works on rhetoric, and a history of shipwrecks, Marqués y Espejo drew on French models in much of his writing. He also translated works from French. In Anastasia and his earlier Higiene polí- tica de la España (1808), we see diametrically opposed stances toward the French and, hence, toward the possibility of trans- or international hospitality. While other critics— such as Juan Catalina García López—have been quick to deny Marqués y Espejo a place in Spanish literary history, his novel merits consideration for many reasons. First, it is relevant to the debate on hospitality in Spain that was occassioned by the dramatic in- crease in the number of vagabonds (whose wanderings many perceived as threatening).3 This called for institutional forms of hospitality as practiced by convents and hospicios [orphanages or poorhouses for the sick and destitute]. -
El Primer Liberalismo En España (1808-1833) the First Liberalism In
Historia Contemporánea 43: 547-583 ISSN: 1130-2402 EL PRIMER LIBERALISMO EN ESPAÑA (1808-1833) THE FIRST LIBERALISM IN SPAIN (1808-1833) Ignacio Fernández Sarasola Universidad de Oviedo Entregado el 6-11-2010 y aceptado el 10-6-2011 Resumen: Los orígenes del liberalismo español pueden remontarse al pen- samiento político de sesgo radical que emergió en la última mitad del siglo die- ciocho, en oposición tanto al Despotismo Ilustrado como la Monarquía Tra- dicional. Sin embargo, el liberalismo como tal encontró su mayor desarrollo durante la guerra de la Independencia, momento en el que pudo expresar libre- mente su ideología debido a la debilidad de instituciones legítimas y a la liber- tad de imprenta. Este liberalismo se encontraba muy próximo al pensamiento re- volucionario francés, aunque esta influencia no fue muy explícita en las Cortes de Cádiz, donde se hizo un uso mayor de la argumentación historicista. En todo caso, debe tenerse presente que el liberalismo español no representó un movi- miento homogéneo: junto a una tendencia francófila, existió también un grupo más próximo a la idea inglesa de la constitución equilibrada, e incluso un sector estuvo ideológicamente vinculado al neoescolasticismo español. Sin embargo. En 1821 el liberalismo se dividiría en dos grupos —exaltados y moderados—a los que empezó a designarse como «partidos» y cuyas diferencias no harían sino incrementarse hasta 1833. Palabras clave: liberalismo, guerra de la Independencia, Cortes de Cádiz, Trienio Liberal Abstract: The origins of Spanish liberalism can be found in the radical po- litical thought that grew in the last half of the eighteenth Century against both the Enlighten Absolutism and the Traditional Monarchy. -
The Mexican Inquisition and the Enlightenment 1763•Fi1805
New Mexico Historical Review Volume 41 Number 3 Article 2 7-1-1966 The Mexican Inquisition and the Enlightenment 1763–1805 Richard E. Greenleaf Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation Greenleaf, Richard E.. "The Mexican Inquisition and the Enlightenment 1763–1805." New Mexico Historical Review 41, 3 (1966). https://digitalrepository.unm.edu/nmhr/vol41/iss3/2 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. 181 THE MEXICAN INQUISITION AND THE ENLIGHTENMENT 1763-1805 RICHARD E. GREENLEAF MANY SCHOLARS have called attention to the fact that the Holy Office of the Inquisition was a political instrument. What has not been examined in detail is the relationship that existed between heresy and treason during the three centuries of Spanish and Span ish colonial Inquisition history. The belief that heretics were trai tors and traitors were heretics led to the conviction that dissenters of any kind were social revolutionaries trying to subvert the politi cal and religious stability of the community. These tenets were not later developments in the history of the Spanish Inquisition; they were inherent in the rationale of the institution from the fifteenth century onward, and were apparent in the Holy Office's dealing with the Jews, Protestants, and other heretics during the sixteenth century. The use of the Inquisition by the later eighteenth-century Bourbon kings in Spain as an instrument of regalism was not a de parture from tradition. -
This Is © Text 2015 Wendy Bird © Illustrations 2015 Sarah Maycock
Published in 2015 by Laurence King Publishing 361–373 City Road London EC1V 1LR United Kingdom T +44 20 7841 6900 F +44 20 7841 6910 [email protected] www.laurenceking.com This is © Text 2015 Wendy Bird © Illustrations 2015 Sarah Maycock Wendy Bird has asserted her right under the Copyright, Designs, and Patent Act 1988, to be identified as the Author of this Work. Goya All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, WENDY BIRD or any information storage or retrieval system, without permission in writing from the publisher. Illustrations by SARAH MAYCOCK A catalogue record for this book is available from the British Library. ISBN: 978 1 78067 109 3 Series editor: Catherine Ingram Printed in China LAURENCE KING PUBLISHING Francisco de Goya y Lucientes was the first artist deliberately to pursue creating works of art for their own sake. Modern art begins with Goya. Straddling the eighteenth and nineteenth centuries, he lived in a time of incredible cultural and social dynamism, when the old concepts of social hierarchy were being shaken by the new concept of equality for all. In this striking self-portait, Goya is in his early fifties and at the height of his career. The unsentimental documenation of his own face and character recalls Rembrandt’s own images of himself, and Goya acknowledged the seventeenth century Dutch master as an important influence. Other influences he cited were the Spanish master Velázquez and Nature. Within a decade of this image, Goya would see his comfortable, progressive world turned upside down and ripped apart by Napoleon’s armies who supposedly represented the new concept of equality. -
The Dreyfus Affair in Spain: Zola and the Rise of the Intellectual in Spain
THE DREYFUS AFFAIR IN SPAIN: ZOLA AND THE RISE OF THE INTELLECTUAL IN SPAIN _______________ A Thesis Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Masters of Arts _______________ By Bethany Joy B. Hood May, 2017 i THE DREYFUS AFFAIR IN SPAIN: ZOLA AND THE RISE OF THE INTELLECTUAL IN SPAIN _______________ An Abstract of a Thesis Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Masters of Arts _______________ By Bethany Joy B. Hood May, 2017 iii ABSTRACT This thesis briefly examines the influence of the Dreyfus Affair in Spain, specifically examining how Émile Zola and the development of the French intellectual directly influenced the creation of a Spanish intellectual movement at the end of the nineteenth century. By examining primary sources like Spanish newspapers and letters written to and from Zola, it seeks to add to the historiographical discussion of the Dreyfus Affair by tracing the role of Zola in Spanish conversations surrounding the Affair. Emboldened by Zola, Spanish intellectuals then used the Dreyfus Affair as a platform to promote their own ideological visions of Spain. Specifically, Spanish intellectuals sought Spanish social and political reform in an corrupt, established two-party political system, publically denouncing the failures of the ruling Spanish regime. It also compares both French and Spanish public sentiment surrounding the Affair, primarily examining urban middle class intellectuals residing in Barcelona, Madrid, Cádiz, and Paris. iv TABLE OF CONTENTS Introduction 1 Chapter 1. -
Historical Palimpsests: Revisiting the Spanish Civil War Through the Bicentennial of the Peninsular War
© 7 Historical Palimpsests: Revisiting the Spanish Civil War Through the Bicentennial of the Peninsular War Luis Álvarez-Castro On July 25th, 2011 RTVE (Spanish Public Television) aired in prime time the first episode of the series Plaza de España, a sitcom about daily life in a small village during the Spanish Civil War.1 Judging from the light-hearted, conciliatory, and sometimes surreal humor that colors the scripts, it would seem that the series’s writers and producers might have thought that Spanish audiences were already able—perhaps even eager—to laugh at the social and ideological causes of this war that took hundreds of thousands of lives and plunged the country into four decades of military dictatorship. After all, General Franco’s coup had happened seventy-five years and one week prior to the date the series premiered. Moreover, this was not the first attempt to turn the Spanish Civil War into a source of popular entertainment by means of a comical representation; the classic routines of standing comedian Gila, a ubiquitous figure in Spanish television throughout the 1980s, or the 1985 film La Vaquilla, written by Luis Azcona and directed by Luis García Berlanga, are among the best examples.2 When the last of the twelve episodes was broadcast, RTVE proudly announced that Plaza de España had become one of the most popular series of the season, with an average of 1.9 million viewers per episode and a share of 13.6 percent (“‘Plaza de España’: Una de las series”). What this official statement failed to admit is that the series’s ratings had decreased by half since the airing of the first episode, prompting RTVE to put plans for a second season on hold (“Fernando”).