DOCSLIB.ORG

Fine European Ceramics Wednesday 18 June 2014

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fine European Ceramics Wednesday 18 June 2014 fine european ceramics Wednesday 18 June 2014 FINE EUROPEAN CERAMICS Wednesday 18 June 2014 at 10.30 101 New Bond Street, London Viewing enquiries customer serVices physical condition of Sunday 15 June 11.00 to 15.00 Sebastian Kuhn Monday to Friday 8.30 to 18.00 lots in this auction Monday 16 June 9.00 to 16.30 +44 (0) 20 7468 8384 +44 (0) 20 7447 7447 Tuesday 17 June 9.00 to 16.30 [email protected] PLEASE NOTE THAT ANY Please see page 2 for bidder REFERENCE IN THIS information including after-sale CATALOGUE TO THE PHYSICAL sale number Nette Megens 21853 collection and shipment CONDITION OF ANY LOT IS +44 (0) 20 7468 8348 FOR GENERAL GUIDANCE [email protected] catalogue ONLY. INTENDING BIDDERS MUST SATISFY THEMSELVES £25.00 Sophie von der Goltz AS TO THE CONDITION OF +44 (0) 20 7468 8349 ANY LOT AS SPECIFIED IN bids sophie.vondergoltz@bonhams. CLAUSE 14 OF THE NOTICE TO +44 (0) 20 7447 7448 BIDDERS CONTAINED AT THE +44 (0) 20 7447 7401 fax com END OF THIS CATALOGUE. To bid via the internet please visit bonhams.com John Sandon +44 (0) 20 7468 8244 As a courtesy to intending bidders, Bonhams will provide a Please note that bids should be [email protected] written indication of the physical submitted no later than 4pm on condition of lots in this sale if a the day prior to the sale. New Department Administration request is received up to 24 bidders must also provide proof Vanessa Howson hours before the auction starts. of identity when submitting bids. +44 (0) 20 7468 8243 This written Indication is issued Failure to do this may result in [email protected] subject to Clause 3 of the Notice your bid not being processed. to Bidders. Live online bidding is available for this sale important information Please email [email protected] The United States Government with ‘live bidding’ in the subject has banned the import of ivory line 48 hours before the auction into the USA. Lots containing to register for this service ivory are indicated by the symbol Ф printed beside the lot number in this catalogue. Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Andrew McKenzie, Simon Mitchell, Jeff Muse, Registered Office: Montpelier Galleries Colin Sheaf Deputy Chairman, Antony Bennett, Matthew Bradbury, Mike Neill, Charlie O’Brien, Giles Peppiatt, Montpelier Street, London SW7 1HH Malcolm Barber Group Managing Director, Harvey Cammell, Simon Cottle, Andrew Currie, Peter Rees, Julian Roup, Iain Rushbrook, Matthew Girling CEO UK and Europe, David Dallas, Paul Davidson, Jean Ghika, John Sandon, Tim Schofield, Veronique Scorer, +44 (0) 20 7393 3900 Geoffrey Davies, Jonathan Horwich, Charles Graham-Campbell, Miranda Grant, James Stratton, Roger Tappin, Ralph Taylor +44 (0) 20 7393 3905 fax James Knight, Patrick Meade, Robin Hereford, Asaph Hyman, Charles Lanning, Shahin Virani, David Williams, Caroline Oliphant, Hugh Watchorn. Sophie Law, Camilla Lombardi, Fergus Lyons, Michael Wynell-Mayow, Suzannah Yip. Paul Maudsley, Gordon McFarlan, Central Middlesex sale Hospital information Park Royal Coronation Road W Bonhams, e d s P t Park Royal a e a rn r o A k R v e R e s A4 o 0 a y Park a h l C Royal Western Ave A40 R o 0 Station a 0 d Acton 0 4 Cemetery North A Acton d Station a o R a i r o t c i V Bids Collection and Storage The United Kingdom VAT refunds on exports from +44 (0) 20 7447 7448 after sale Government has imposed an the EU West Acton Horn Lane +44 (0) 20 7447 7401 fax All sold lots will remain in Stationalmost complete prohibition To submit a claim for refund of [email protected] Bonhams New Bond Street on granting a license to permit VAT HMRC require lots to be www.bonhams.com Collections department free of the export of worked antique exported from the EU within charge until Tuesday 1 July 2014. rhinoceros horn from the UK strict deadlines. Payments to any destination outside the Buyers Lots not collected by then may European Union. Please For lots on which Import VAT +44 (0) 20 7447 7447 be subject to storage charges check with the department for has been charged; marked in +44 (0) 20 7447 7401 fax Please refer to the department further details. the catalogue with a * or Ω, lots must be exported within 30 Sellers Payment in advance Important Notice days of Bonhams’ receipt of Payment of sale proceeds Tel: +44 (0) 20 7393 3912/3913 A surcharge of 2% is applicable payment and within 3 months of +44 (0) 20 7447 7447 to ascertain amount due by: when using Mastercard, Visa the sale date. For all other lots +44 (0) 20 7447 7401 fax cash, cheque with banker’s and overseas debit cards. export must take place within 3 card, credit card, bank draft or months of the sale date. Valuations, taxation and traveller’s cheque. The following symbol is used to heritage denote that VAT is due on the For further VAT information +44 (0) 20 7468 8340 Payment at time of collection hammer price and buyer’s please contact: +44 (0) 20 7468 5860 fax By credit card / debit card premium [email protected] [email protected] CITES REGULATIONS † VAT 20% on hammer price Catalogue subscriptions Please be aware that all Lots and buyer’s premium To obtain any Bonhams marked with the symbol Y are catalogue or subject to CITES requlations * VAT on imported items at a to take out an annual when exporting these items preferential rate of 5% on subscription: outside the EU. The regulations hammer price and the prevailing Subscriptions Department may be found at www.ukcites. rate on buyer’s premium +44 (0) 1666 502200 gov.uk or may be requested +44 (0) 1666 505107 fax from: Ruby and Jadeite: [email protected] Please note that as a result of UK CITES Management recent legislation ruby and Shipping Authority jadeite gemstones of Burmese For information and estimates Zone 117 (Myanmar) origin may not be on domestic and international Temple Quay House imported into the US. Rubies shipping as well as export 2 The Square and jadeite of non-Burmese licenses please contact Bonhams Temple Quay origin require certification before Shipping Department on: BRISTOL BS1 6EB import into the US. Items +44 (0) 20 8963 2849 affected are marked with a +44 (0) 20 8963 2850 symbol ≈ +44 (0) 20 7629 9673 fax [email protected] W These lots will be removed to Bonhams Park Royal after the sale. Please read the sale information page for more details. 1 a deruta lustre-decorated maiolica dish, mid 16th century Painted in ochre, blue, green and red with the initial ‘B’ enclosed by foliage in the centre, the rim with a border of pointed arches and flowers and foliage, 26.6cm diam. (restored) £800 - 1,200 €970 - 1,500 Provenance: Lionel Harris (d. 1943); Thomas Harris (1908-64), The Spanish Art Gallery, Conduit Street, London; Thence by descent 2 a maiolica istoriato dish, urbino or possibly lyon, late 16th century Painted with a scene depicting three turban- wearing figures on horseback hunting a lion, 26.1cm diam. (restuck and repainted along repairs) £1,500 - 2,500 €1,800 - 3,000 Provenance: Lionel Harris (d. 1943); Thomas Harris (1908-64), The Spanish Art Gallery, Conduit Street, London; Thence by descent 4 | BonhAmS 3 a deruta maiolica wet drug jar, circa 1530 Painted with a yellow label inscribed ‘SYo D LVPVLI’ within a fruiting wreath edged with blue scrollwork, enclosing a blue ground with trophies and reserved with a pharmacy badge, strap handle, 20.5cm high (some scattered flaking and chips to rims) £2,000 - 3,000 €2,400 - 3,600 The drug label probably refers to a syrup of hops (Humulus lupulus). 4 a castel durante maiolica apothecary jar, circa 1580 Painted with an oval medallion depicting ‘Fortuna’ riding a dolphin against a blue ground decorated with trophies, the label below inscribed ‘S.DE. CEDRO’, grotesque mask handles to the sides, 21cm high (restuck) £2,000 - 3,000 €2,400 - 3,600 Provenance: Lionel Harris (d. 1943); Thomas Harris (1908-64), The Spanish Art Gallery, Conduit Street, London; Thence by descent The label refers to citrus syrup. Fine European Ceramics | 5 5 an urbino small maiolica istoriato dish, mid 16th century Painted with a scene depicting a classical lady seated holding a book in front of elaborate rockwork, 16.7cm diam. (restored) £800 - 1,200 €970 - 1,500 Provenance: Lionel Harris (d. 1943); Thomas Harris (1908-64), The Spanish Art Gallery, Conduit Street, London; Thence by descent 6 a castelli syrup jar, third quarter 18th century Attributed to Saverio Grue, the spout unusually moulded with a satyr mask, painted with the crest of a double-headed eagle within a cartouche surrounded by very elaborate rococo scrollwork and coloured flowers, the inscription OL: HYPERIC: COMPOSIT: underneath, 20cm high (small haircrack with flat chip to foot) £1,300 - 1,600 €1,600 - 1,900 This jar contained a compound of St. John’s Wort. A two-handled jar from the same series with similar rococo scrollwork and eagle crest is in the Matricardi Collection, exhibited in ‘Masterworks of Castelli Majolica’ in Teramo, 2012. Related decoration attributed to Saverio Grue can be seen on pharmacy jars in the Museo delle caramiche di Castelli, illustrated in I Maestri della Maiolica nel Museo di Castelli (2004), p.114, no.120, and p.129, fig.142.
Load more

Recommended publications
  • Rachel Feinstein: Maiden, Mother, Crone November 1, 2019 - March 22, 2020 the Jewish Museum, New York
    Rachel Feinstein: Maiden, Mother, Crone November 1, 2019 - March 22, 2020 The Jewish Museum, New York Exhibition Checklist All works by Rachel Feinstein St. Sebastian, 2012 Polymer resin, steel, wire, and wood 100 x 48 x 24 in. Private Collection, Greenwich, Connecticut Model, 2000 Mirror, wood, plaster, and enamel paint 90.75 x 40.5 x 52 in. Courtesy of the artist and Gagosian Gallery St. Michael, 2012 Polymer resin, steel, wire, and wood 102 x 56 x 30 in. Courtesy of the artist and Gagosian Gallery Crucifixion, 2003 Plaster, plywood, fabric and enamel paint 108 x 73 x 25 in. Hall Collection A small wooden Crucifixion group from around 1500 was the inspiration for this life-size abstraction. Feinstein has a deep interest in the high European craft of medieval Germany, but her multipart composition was roughly cut with a jigsaw from sheets of plywood. Its hand-hewn materiality reflects the urgency of its time; this was the first piece she made and exhibited after the September 11 terrorist attack, which she witnessed from her downtown New York apartment. The Walrus Is Paul, 2000 Wood and enamel paint 48 x 72 x 20 in. Private collection, New York Mr. Time, 2015 Powder-coated aluminum, vinyl, and working clock 91.5 x 73 x 22 in. Courtesy of the artist and Gagosian Gallery This sculpture is based on a drawing by the artist’s son, Francis Currin, made when he was ten years old. Like many of Feinstein’s works, Mr. Time leaves traces of its dramatic transformation from a small pencil drawing to a human- scale, three-dimensional metal object.
    [Show full text]
  • FINE EUROPEAN CERAMICS Including the Collezione Fiordalisi of Neapolitan Porcelain Thursday 7 December 2017
    FINE EUROPEAN CERAMICS Including the Collezione Fiordalisi of Neapolitan porcelain Thursday 7 December 2017 SPECIALIST AND AUCTION ENQUIRIES EUROPEAN CERAMICS Sebastian Kuhn Nette Megens Sophie von der Goltz lot 44 FINE EUROPEAN CERAMICS Including the Collezione Fiordalisi of Neapolitan porcelain Thursday 7 December 2017 at 2pm New Bond Street, London VIEWING ENQUIRIES CUSTOMER SERVICES PHYSICAL CONDITION OF Sunday 3 December Nette Megens Monday to Friday 8.30am LOTS IN THIS AUCTION 11am - 5pm Head of Department to 6pm PLEASE NOTE THAT ANY Monday 4 December +44 (0) 20 7468 8348 +44 (0) 20 7447 7447 REFERENCE IN THIS 9am - 4.30pm [email protected] CATALOGUE TO THE PHYSICAL Tuesday 5 December Please see page 2 for bidder CONDITION OF ANY LOT IS FOR 9am - 4.30pm Sebastian Kuhn information including after-sale GENERAL GUIDANCE ONLY. Wednesday 6 December Department Director collection and shipment INTENDING BIDDERS MUST 9am - 4.30pm +44 (0) 20 7468 8384 SATISFY THEMSELVES AS TO Thursday 7 December [email protected] THE CONDITION OF ANY LOT by appointment AS SPECIFIED IN CLAUSE 14 OF Sophie von der Goltz THE NOTICE TO BIDDERS SALE NUMBER Specialist CONTAINED AT THE END OF 24224 +44 (0) 20 7468 8349 THIS CATALOGUE. [email protected] CATALOGUE As a courtesy to intending Rome bidders, Bonhams will provide a £25.00 Emma Dalla Libera written indication of the physical Director condition of lots in this sale if a BIDS request is received up to 24 hours +44 (0) 20 7447 7447 +39 06 485900 before the auction starts. This +44 (0) 20 7447 7401 fax [email protected] written Indication is issued To bid via the internet please subject to Clause 3 of the Notice visit bonhams.com International Director European Ceramics & Glass to Bidders.
    [Show full text]
  • Bustelli's Creations
    Bustelli's creations Objekttyp: Chapter Zeitschrift: Mitteilungsblatt / Keramik-Freunde der Schweiz = Revue des Amis Suisses de la Céramique = Rivista degli Amici Svizzeri della Ceramica Band (Jahr): - (1997) Heft 111 PDF erstellt am: 04.10.2021 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch We must return to an earlier age for another vignette of the and most of the 18th centuries, troupes of the Commedia Commedia dell'Arte. In 1568, even before Italian comedians dell'Arte, but latterly more often players of the Théâtre journeyed to France, Hans Fugger of the renowned Augsburg Italien, roamed across the Continent, to Bohemia, Hungary family of bankers and merchants, had arranged for a and Poland, to Scandinavia, and via Flanders to England, company of four players, the troupe of Maestro Jacopo da from France to Spain and to Germany.
    [Show full text]
  • The Sarah Belk Gambrell Collection of European Porcelain
    THE SARAH BELK GAMBRELL COLLECTION OF EUROPEAN PORCELAIN Thursday, June 24, 2021 DOYLE.COM THE SARAH BELK GAMBRELL COLLECTION OF EUROPEAN PORCELAIN AUCTION Thursday, June 24, 2021 at 10am Eastern EXHIBITION Friday, June 18, Noon – 5pm Saturday, June 19, Noon – 5pm Sunday, June 20, Noon – 5pm Monday, June 21, 10am – 6pm And by Appointment at other times Safety protocols will be in place with limited capacity. Please maintain social distance during your visit. LOCATION Doyle Auctioneers & Appraisers 175 East 87th Street New York, NY 10128 212-427-2730 This Gallery Guide was created on (date) Please see addendum for any changes The most up to date information is available On DOYLE.COM Sale Info View Lots and Place Bids Doyle New York 1 2 Elizabeth I Silver-Mounted Rhenish Böttger Red Stoneware Coffee Pot and Cover Saltglazed 'Tigerware' Jug Circa 1710-15, designed by J.J. Irminger Circa 1580, the silver mount inscribed on the Of squared pear form, the conforming domed hinge 'PETER ELY, OBT. 1684', on the cover cover with pagoda knop, the scroll handle with 'GEO. GUNNING 1815 WATERLOO' and on the channeled sides and a studded exterior, the underside of the foot 'GIVEN BY KING squared curved spout issuing from the gaping CHARLES THE SECOND' and 'G.G. TO M.G. jaws of a scaly serpent, a double-scroll bridge 1834' support above, each side of the body lightly Globular with cylindrical neck and loop handle polished, on a flaring stepped square foot. mottled in brown, the repoussé cover caste with Height 7 3/4 inches, width 6 1/2 inches.
    [Show full text]
  • Body in Transition: Cut This Fat Off of Me! Research on the Visual History of the Body Image and an Attempt to Deconstruct the Hatred in Society Towards Fat
    BODY IN TRANSITION: CUT THIS FAT OFF OF ME! RESEARCH ON THE VISUAL HISTORY OF THE BODY IMAGE AND AN ATTEMPT TO DECONSTRUCT THE HATRED IN SOCIETY TOWARDS FAT by PELİN GÜRE Submitted to the Institute of Social Sciences in partial fulfillment of the requirements for the degree of Master of Arts Sabancı University Summer 2010 1 BODY IN TRANSITION: CUT THIS FAT OFF OF ME! RESEARCH ON THE VISUAL HISTORY OF THE BODY IMAGE AND AN ATTEMPT TO DECONSTRUCT THE HATRED IN SOCIETY TOWARDS FAT APPROVED BY: Assoc. Prof. Lanfranco Aceti ………………………. (Dissertation Supervisor) Selçuk Artut ………………………. Assoc. Prof. Wieslaw Zaremba ...……………………. DATE OF APPROVAL: …………………………. 2 © Pelin Güre 2010 All Rights Reserved 3 ABSTRACT Body in Transition: Cut This Fat off of Me! Research on the Visual History of the Body Image and an Attempt to Deconstruct the Hatred in Society Towards Fat Pelin Güre M.A., Visual Arts and Visual Communication Design Thesis Advisor: Assoc. Prof. Lanfranco Aceti Summer 2010 This study aims to investigate the issues of fat and obesity and analyze how one perceives his/her body image and how corpulence is perceived in the society. It discusses the changes on the representations of the body and how these changes reflect/affect different socially constructed body perceptions by looking at different images of the body from pre-historic times to modernity. Since my interest to research in such an area is based on my long term problematic relationship with obesity, the study first focuses on how do fat people understand and conceptualize their corporeal experiences. Traditional studies approach the issue of fat using either pathological discourses, which treat fatness as a disease, or psychosomatic discourses, which treat fatness as a symptom of a psychological disorder by recognizing corpulence as a medical or social problem.
    [Show full text]
  • Read Book the Spiritual Rococo : Decor and Divinity from the Salons of Paris to the Missions of Patagonia
    THE SPIRITUAL ROCOCO : DECOR AND DIVINITY FROM THE SALONS OF PARIS TO THE MISSIONS OF PATAGONIA PDF, EPUB, EBOOK Gauvin Alexander Bailey | 454 pages | 28 Sep 2014 | Taylor & Francis Ltd | 9781409400639 | English | United Kingdom The Spiritual Rococo : Decor and Divinity from the Salons of Paris to the Missions of Patagonia PDF Book To get the free app, enter mobile phone number. Post was not sent - check your email addresses! This gown had the features of a bodice with large pleats flowing down the back to the ground over a rounded petticoat. The traditional oculus is replaced by the roundel relief of St. The sculpture was closely integrated with the architecture; it was impossible to know where one stopped and the other began. So, you could obtain the definition of the notification from each sentence in the publication. Davis to review? You will find different writing styles and stories that you can day dream about and enjoy. In the late 17th and early 18th century rocaille became the term for a kind of decorative motif or ornament that appeared in the late Style Louis XIV , in the form of a seashell interlaced with acanthus leaves. Published on: Binding: Paperback Most helpful customer reviews See all customer reviews It will certainly relieve you anywhere you need the book soft data to check out. Davis from the most effective writer and author is currently available right here. Customer reviews. It was the first appearance in print of the term "rocaille" to designate the style. The book takes us to every corner of the church, from the glittering gate that greets us upon entering to the choir, transepts, side chapels and beyond.
    [Show full text]
  • Gagosian Gallery in Los Angeles, Where It’S on View Through February 17
    Architectural Digest January 11, 2018 GAGOSIAN Rachel Feinstein's Latest Work Is A Dream Come True In November 2000, sculptor Rachel Feinstein began a journey that changed her art—and her life Shax Riegler Rachel Feinstein in Nymphenburg with the piece called Ottavio after it emerged from its first firing in the kiln. Like a character in a fairy tale, during a 2000 trip artist Rachel Feinstein fell under the spell of Bavaria’s picturesque towns, sublime landscapes, fantastical castles, and rococo churches. Further enchantment ensued in Munich at Nymphenburg, the legendary porcelain factory on the grounds of the royal family’s once- upon-a-time summer palace. There she succumbed to her own maladie de porcelaine, the fabled “porcelain sickness” that possessed so many aesthetes in the 18th century. Feinstein, whose work has included architectural stage flats, period room–inspired installations, and immersive environments, found herself drawn to the exuberant figurines modeled by Franz Anton Bustelli in the 1750s. But rather than the graceful, colorful characters themselves, the swelling, curvaceous pedestals upon which they stood were what moved her. The artist working at Nymphenburg. She shapes a pair of shoes alongside one of Franz Anton Bustelli’s commedia dell’arte figures, which inspired the project. Ottavio, glazed and awaiting shipment to the Gagosian Gallery in Los Angeles, where it’s on view through February 17. “What’s so fabulous is how one curve gives into another,” notes Feinstein, who envisioned replicating Bustelli’s organic forms at life size. “They practically killed me, because every time I would get something perfect from one side, I’d go to the other side and find it didn’t look right and have to fix the whole thing.
    [Show full text]
  • April 2018 Newsletter
    San Francisco Ceramic Circle An Affiliate of the Fine Arts Museums of San Francisco April 2018 P.O. Box 26773, San Francisco, CA 94126 sfceramic.org—site under construction SFCC APRIL LECTURE Chelsea Porcelain Figures Sunday, April 15, 2018 9:45 a.m., doors open for social time Sally Kevill-Davies 10:30 a.m., program begins Gunn Theater, Legion of Honor Independent Scholar and Lecturer, London About the lecture: Building on our donation of the Carpenter with his tools to the Legion of Honor in 2016, the lecture will show the history of figures made by Chelsea, the artistically most outstanding porcelain factory in 18th-century Britain. About the speaKer: Sally Kevill-Davies is an internationally recognized scholar of English porcelain. She began her career as a ceramics specialist with Sotheby’s in London. She worKed for nine years at the Fitzwilliam Museum, Cambridge, on re-cataloguing the Museum’s English porcelain. The most recent of her many publications is her 2015 catalogue, Sir Hans Sloane’s Plants on Chelsea Porcelain, for StocKspring AntiQues, London, which has become the definitive worK on the subject. She has lectured in England for the National Association of Decorative and Fine Arts Societies, Sotheby’s Institute, the National Trust, and the Oxford, London and English Ceramic Circles. She also has lectured at the New YorK Ceramics Fair and served on its Vetting Committee. She has an M.A. in Historic Interiors and Decorative Arts from the University of BucKingham, in conjunction with the Wallace Collection, and she served for nine years as a ceramics expert on the original AntiQues Roadshow.
    [Show full text]
  • An Embarrassment of Riches: Fifteen Years of European Decorative Arts Author(S): Ghenete Zelleke Source: Art Institute of Chicago Museum Studies, Vol
    Art Institute of Chicago An Embarrassment of Riches: Fifteen Years of European Decorative Arts Author(s): Ghenete Zelleke Source: Art Institute of Chicago Museum Studies, Vol. 28, No. 2, Gift Beyond Measure: The Antiquarian Society and European Decorative Arts, 1987-2002 (2002), pp. 22-89+93-96 Published by: Art Institute of Chicago Stable URL: http://www.jstor.org/stable/4113042 Accessed: 03-03-2016 20:29 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Art Institute of Chicago is collaborating with JSTOR to digitize, preserve and extend access to Art Institute of Chicago Museum Studies. http://www.jstor.org This content downloaded from 198.40.29.65 on Thu, 03 Mar 2016 20:29:11 UTC All use subject to JSTOR Terms and Conditions FIFTEEN YEARS OF EUROPEAN DECORATIVE ARTS This content downloaded from 198.40.29.65 on Thu, 03 Mar 2016 20:29:11 UTC All use subject to JSTOR Terms and Conditions . This content downloaded from 198.40.29.65 on Thu, 03 Mar 2016 20:29:11 UTC All use subject to JSTOR Terms and Conditions Gifts Beyond Measure Tea Service for Two n the seventeenth century, the introduc- c.
    [Show full text]
  • Undressing and Redressing the Harlequin: an Australian Designer's Perspective
    Edith Cowan University Research Online Theses: Doctorates and Masters Theses 2009 Undressing and redressing the harlequin: An Australian designer's perspective Julie Parsons Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Theatre History Commons Recommended Citation Parsons, J. (2009). Undressing and redressing the harlequin: An Australian designer's perspective. https://ro.ecu.edu.au/theses/125 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/125 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form.
    [Show full text]
  • November 2015 Newsletter
    San Francisco Ceramic Circle An Affiliate of the Fine Arts Museums of San Francisco November 2015 P.O. Box 15163, San Francisco, CA 94115-0163 www.patricianantiques.com/sfcc.html New Sunday Lecture Timeframe! 9:45 a.m. – Mini-exhibition set up & social time (no change) 10:25 a.m. – Announcements and speaker introduction 10:30 a.m. – Lecture begins 12:00 Noon – Deadline to clear the Gould Theater SFCC NOVEMBER LECTURE What California Modern Wrought: Sunday, November 15, 2015 The Apotheosis of Ceramic Sculpture 9:45 a.m. – Theater opens 10:25 a.m. – Program begins Diana Daniels Florence Gould Theater, Legion of Honor Curator of Contemporary Art Crocker Art Museum, Sacramento About the speaker: Curator of one of the top collections of modern to contemporary Northern California art, Diana Daniels has organized shows across the full range of media. Among other work with ceramics, she curated the retrospective honoring Clayton Bailey at the Crocker in 2011. About the lecture: The talk will present the emergence of sculpture from the studio pottery movement in California. It will include leading late-20th century artists such as Peter Voulkos, Robert Arneson, and Clayton Bailey, and then discuss current work. Mini-exhibit: Please bring ceramic sculpture of all types and periods. Paul Dresang, American, b. 1948 Loving Cup, ca. 1995 Porcelain, soda-fired, 10 ½ x 8 ½ inches Sacramento, Crocker Art Museum, promised gift of Sidney Swidler SFCC LECTURES, JANUARY - APRIL 2016 SUNDAY, JANUARY 17. John Johnston, former Curator of Asian Art, San Antonio Museum of Art, and Research Fellow, Victoria and Albert Museum, Picturing China on Porcelain: From Local Landmarks to the Willow Pattern.
    [Show full text]
  • Draft Spoliation Report. Four Nymphenburg Figures in the Cecil
    RETURN TO AN ADDRESS OF THE HONOURABLE THE HOUSE OF COMMONS DATED 19 NOVVEMBER 2014 FOR THE REPORT OF THE SPOLIATION ADVISORY PANEL IN RESPECT OF FOUR NYMPHENBURG PORCCELAIN FIGURES IN THE POSSESSION OF THE CECIL HIGGINS ART GALLERY, BEDFORD The Honourable Sir Donnell Deeny Ordered by the House of Commons to be printed 19 November 2014 HC 775 © Crown copyright 2014 You may re-use this information (excluding logos) free of charge in any format or medium, under the terms of the Open Government Licence v.2. To view this licence visit www.nationalarchives.gov.uk/doc/open-government-licence/version/2/ or email [email protected] Where third party material has been identified, permission from the respective copyright holder must be sought. This publication is available at www.gov.uk/government/publications Any enquiries regarding this publication should be sent to us at [email protected] Print ISBN 9781474111874 Web ISBN 9781474111881 Printed in the UK by the Williams Lea Group on behalf of the Controller of Her Majesty’s Stationery Office ID 29101401 11/14 44197 19585 Printed on paper containing 75% recycled fibre content minimum REPORT OF THE SPOLIATION ADVISORY PANEL IN RESPECT OF FOUR NYMPHENBURG PORCELAIN FIGURES IN THE POSSESSION OF THE CECIL HIGGINS ART GALLERY, BEDFORD INTRODUCTION 1. On 21 September 2011, lawyers acting for the Estate of the late Emma Ranette Budge (the Estate) commenced one of a series of claims on behalf of the Estate for works of art currently in the possession of museums and galleries established for the public benefit in the United Kingdom.
    [Show full text]