Marjorie Chan's C6381. History of the Chinese Language (Autumn
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中国区cma持证者名单 截止至2021年9月1日
中国区CMA持证者名单 截止至2021年9月1日 Yixu Cao, CMA,CSCA,CPA,ACCA,CIA 2019 492 Wai Cheung Chan, CMA, CSCA 2020 622 Xiaolin Chen, CMA, CSCA 2021 785 Liang Feng, CMA, CSCA 2021 845 Shing Tak Fung, CMA, CSCA, CPA 2020 621 Yukun Hsu, CMA, CSCA 2020 676 Shengmin Jiang, CMA, CSCA 2021 794 Yiu Man Li, CMA, CSCA 2020 640 Huikang Lin, CMA, CSCA 2017 7 Jing Lin, CMA, CSCA 2018 415 Quanhui Liu, CMA, CSCA, CPA, CIA 2021 855 Ping Qian, CMA, CSCA 2018 396 Xiaolei Qiu, CMA, CSCA, CPA, CFP, CIA, CFA 2017 96 Yufei Shan, CMA, CSCA, CPA, CFE 2020 726 Ming Han Tsai, CMA, CSCA 2018 428 Lin Wang, CMA, CSCA 2017 22 Chunling Yang, CMA, CSCA 2020 648 Xiaolong Zhang, CMA, CSCA 2020 697 Yi Zhang, CMA, CSCA 2020 678 Qing Zhu, CMA, CSCA 2017 41 Copyright © 2021 by Institute of Management Accountants, Inc. 中国区CMA持证者名单 截止至2021年9月1日 Siha A, CMA 2020 81134 Bei Ai, CMA 2020 84918 Danlu Ai, CMA 2021 94445 Fengting Ai, CMA 2019 75078 Huaqin Ai, CMA 2019 67498 Jie Ai, CMA 2021 94013 Jinmei Ai, CMA 2020 79690 Qingqing Ai, CMA 2019 67514 Weiran Ai, CMA 2021 99010 Xia Ai, CMA 2021 97218 Xiaowei Ai, CMA, CIA 2019 75739 Yizhan Ai, CMA 2021 92785 Zi Ai, CMA 2021 93990 Guanfei An, CMA 2021 99952 Haifeng An, CMA 2021 92781 Haixia An, CMA 2016 51078 Haiying An, CMA 2021 98016 Jie An, CMA 2012 38197 Jujie An, CMA 2018 58081 Jun An, CMA 2019 70068 Juntong An, CMA 2021 94474 Kewei An, CMA 2021 93137 Lanying An, CMA, CPA 2021 90699 Copyright © 2021 by Institute of Management Accountants, Inc. -
Orthography of Early Chinese Writing: Evidence from Newly Excavated Manuscripts
IMRE GALAMBOS ORTHOGRAPHY OF EARLY CHINESE WRITING: EVIDENCE FROM NEWLY EXCAVATED MANUSCRIPTS BUDAPEST MONOGRAPHS IN EAST ASIAN STUDIES SERIES EDITOR: IMRE HAMAR IMRE GALAMBOS ORTHOGRAPHY OF EARLY CHINESE WRITING: EVIDENCE FROM NEWLY EXCAVATED MANUSCRIPTS DEPARTMENT OF EAST ASIAN STUDIES, EÖTVÖS LORÁND UNIVERSITY BUDAPEST 2006 The present volume was published with the support of the Chiang Ching-kuo Foundation. © Imre Galambos, 2006 ISBN 963 463 811 2 ISSN 1787-7482 Responsible for the edition: Imre Hamar Megjelent a Balassi Kiadó gondozásában (???) A nyomdai munkálatokat (???)a Dabas-Jegyzet Kft. végezte Felelős vezető Marosi Györgyné ügyvezető igazgató CONTENTS Acknowledgements ................................................................................................. vii Introduction ............................................................................................................ 1 CHAPTER ONE FORMER UNDERSTANDINGS ..................................................................................... 11 1.1 Traditional views ........................................................................................... 12 1.1.1 Ganlu Zishu ........................................................................................ 13 1.1.2 Hanjian .............................................................................................. 15 1.2 Modern views ................................................................................................ 20 1.2.1 Noel Barnard ..................................................................................... -
Characteristics of Chinese Poetic-Musical Creations
Characteristics of Chinese Poetic-Musical Creations Yan GENG1 Abstract: The present study intoduces a series of characteristics related to Chinese poetry. It shows that, together with rhythmical structure and intonation (which has a crucial role in conveying meaning), an additional, fundamental aspect of Chinese poetry lies in the latent, pictorial effect of the writing. Various genres and forms of Chinese poetry are touched upon, as well as a series of figures of speech, themes (nature, love, sadness, mythology etc.) and symbols (particularly of vegetal and animal origin), which are frequently encountered in the poems. Key-words: rhythm, intonation, system of tones, rhyme, system of writing, figures of speech 1. Introduction In his Advanced Music Theory course, &RQVWDQWLQ 5kSă VKRZV WKDW ³we can differentiate between two levels of the phenomenon of rhythm: the first, a general philosophical one, meaning, within the context of music, the ensemble of movements perceived, thus the macrostructural level; the second, the micro-VWUXFWXUH ZKHUH UK\WKP PHDQV GXUDWLRQV « LQWHQVLWLHVDQGWHPSR « 0RUHRYHUZHFDQVD\WKDWUK\WKPGRHVQRWH[LVWEXWUDWKHUMXVW the succession of sounds in time [does].´2 Studies on rhythm, carried out by ethno- musicology researchers, can guide us to its genesis. A first fact that these studies point towards is the indissoluble unity of the birth process of artistic creation: poetry, music (rhythm-melody) and dance, which manifested syncretically for a very lengthy period of time. These aspects are not singular or characteristic for just one culture, as it appears that they have manifested everywhere from the very beginning of mankind. There is proof both in Chinese culture, as well as in ancient Romanian culture, that certifies the existence of a syncretic development of the arts and language. -
Syllabus 1 Lín Táo 林燾 and Gêng Zhènshëng 耿振生
CHINESE 542 Introduction to Chinese Historical Phonology Spring 2005 This course is a basic introduction at the graduate level to methods and materials in Chinese historical phonology. Reading ability in Chinese is required. It is assumed that students have taken Chinese 342, 442, or the equivalent, and are familiar with articulatory phonetics concepts and terminology, including the International Phonetic Alphabet, and with general notions of historical sound change. Topics covered include the periodization of the Chinese language; the source materials for reconstructing earlier stages of the language; traditional Chinese phonological categories and terminology; fânqiè spellings; major reconstruction systems; the use of reference materials to determine reconstructions in these systems. The focus of the course is on Middle Chinese. Class: Mondays & Fridays 3:30 - 5:20, Savery 335 Web: http://courses.washington.edu/chin532/ Instructor: Zev Handel 245 Gowen, 543-4863 [email protected] Office hours: MF 2-3pm Grading: homework exercises 30% quiz 5% comprehensive test 25% short translations 15% annotated translation 25% Readings: Readings are available on e-reserves or in the East Asian library. Items below marked with a call number are on reserve in the East Asian Library or (if the call number starts with REF) on the reference shelves. Items marked eres are on course e-reserves. Baxter, William H. 1992. A handbook of Old Chinese phonology. (Trends in linguistics: studies and monographs, 64.) Berlin and New York: Mouton de Gruyter. PL1201.B38 1992 [eres: chapters 2, 8, 9] Baxter, William H. and Laurent Sagart. 1998 . “Word formation in Old Chinese” . In New approaches to Chinese word formation: morphology, phonology and the lexicon in modern and ancient Chinese. -
Downloaded from Brill.Com10/04/2021 08:34:09AM Via Free Access Bruce Rusk: Old Scripts, New Actors 69
EASTM 26 (2007): 68-116 Old Scripts, New Actors: European Encounters with Chinese Writing, 1550-1700* Bruce Rusk [Bruce Rusk is Assistant Professor of Chinese Literature in the Department of Asian Studies at Cornell University. From 2004 to 2006 he was Mellon Humani- ties Fellow in the Asian Languages Department at Stanford University. His dis- sertation was entitled “The Rogue Classicist: Feng Fang and his Forgeries” (UCLA, 2004) and his article “Not Written in Stone: Ming Readers of the Great Learning and the Impact of Forgery” appeared in The Harvard Journal of Asi- atic Studies 66.1 (June 2006).] * * * But if a savage or a moon-man came And found a page, a furrowed runic field, And curiously studied line and frame: How strange would be the world that they revealed. A magic gallery of oddities. He would see A and B as man and beast, As moving tongues or arms or legs or eyes, Now slow, now rushing, all constraint released, Like prints of ravens’ feet upon the snow. — Herman Hesse1 Visitors to the Far East from early modern Europe reported many marvels, among them a writing system unlike any familiar alphabetic script. That the in- habitants of Cathay “in a single character make several letters that comprise one * My thanks to all those who provided feedback on previous versions of this paper, especially the workshop commentator, Anthony Grafton, and Liam Brockey, Benjamin Elman, and Martin Heijdra as well as to the Humanities Fellows at Stanford. I thank the two anonymous readers, whose thoughtful comments were invaluable in the revision of this essay. -
Glottal Stop Initials and Nasalization in Sino-Vietnamese and Southern Chinese
Glottal Stop Initials and Nasalization in Sino-Vietnamese and Southern Chinese Grainger Lanneau A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts University of Washington 2020 Committee: Zev Handel William Boltz Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2020 Grainger Lanneau University of Washington Abstract Glottal Stop Initials and Nasalization in Sino-Vietnamese and Southern Chinese Grainger Lanneau Chair of Supervisory Committee: Professor Zev Handel Asian Languages and Literature Middle Chinese glottal stop Ying [ʔ-] initials usually develop into zero initials with rare occasions of nasalization in modern day Sinitic1 languages and Sino-Vietnamese. Scholars such as Edwin Pullyblank (1984) and Jiang Jialu (2011) have briefly mentioned this development but have not yet thoroughly investigated it. There are approximately 26 Sino-Vietnamese words2 with Ying- initials that nasalize. Scholars such as John Phan (2013: 2016) and Hilario deSousa (2016) argue that Sino-Vietnamese in part comes from a spoken interaction between Việt-Mường and Chinese speakers in Annam speaking a variety of Chinese called Annamese Middle Chinese AMC, part of a larger dialect continuum called Southwestern Middle Chinese SMC. Phan and deSousa also claim that SMC developed into dialects spoken 1 I will use the terms “Sinitic” and “Chinese” interchangeably to refer to languages and speakers of the Sinitic branch of the Sino-Tibetan language family. 2 For the sake of simplicity, I shall refer to free and bound morphemes alike as “words.” 1 in Southwestern China today (Phan, Desousa: 2016). Using data of dialects mentioned by Phan and deSousa in their hypothesis, this study investigates initial nasalization in Ying-initial words in Southwestern Chinese Languages and in the 26 Sino-Vietnamese words. -
The Rise of Agricultural Civilization in China: the Disparity Between Archeological Discovery and the Documentary Record and Its Explanation
SINO-PLATONIC PAPERS Number 175 December, 2006 The Rise of Agricultural Civilization in China: The Disparity between Archeological Discovery and the Documentary Record and Its Explanation by Zhou Jixu Center for East Asian Studies, University of Pennsylvania, Philadelphia, Pennsylvania Chinese Department, Sichuan Normal University, Chengdu, Sichuan Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies. -
Research on the Time When Ping Split Into Yin and Yang in Chinese Northern Dialect
Chinese Studies 2014. Vol.3, No.1, 19-23 Published Online February 2014 in SciRes (http://www.scirp.org/journal/chnstd) http://dx.doi.org/10.4236/chnstd.2014.31005 Research on the Time When Ping Split into Yin and Yang in Chinese Northern Dialect Ma Chuandong1*, Tan Lunhua2 1College of Fundamental Education, Sichuan Normal University, Chengdu, China 2Sichuan Science and Technology University for Employees, Chengdu, China Email: *[email protected] Received January 7th, 2014; revised February 8th, 2014; accepted February 18th, 2014 Copyright © 2014 Ma Chuandong, Tan Lunhua. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. In accordance of the Creative Commons Attribution License all Copyrights © 2014 are reserved for SCIRP and the owner of the intellectual property Ma Chuandong, Tan Lun- hua. All Copyright © 2014 are guarded by law and by SCIRP as a guardian. The phonetic phenomenon “ping split into yin and yang” 平分阴阳 is one of the most important changes of Chinese tones in the early modern Chinese, which is reflected clearly in Zhongyuan Yinyun 中原音韵 by Zhou Deqing 周德清 (1277-1356) in the Yuan Dynasty. The authors of this paper think the phe- nomenon “ping split into yin and yang” should not have occurred so late as in the Yuan Dynasty, based on previous research results and modern Chinese dialects, making use of historical comparative method and rhyming books. The changes of tones have close relationship with the voiced and voiceless initials in Chinese, and the voiced initials have turned into voiceless in Song Dynasty, so it could not be in the Yuan Dynasty that ping split into yin and yang, but no later than the Song Dynasty. -
The Phonological Domain of Tone in Chinese: Historical Perspectives
THE PHONOLOGICAL DOMAIN OF TONE IN CHINESE: HISTORICAL PERSPECTIVES by Yichun Dai B. A. Nanjing University, 1982 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGRFE OF MASTER OF ARTS In the pepartment of Linguistics @ Yichun Dai 1991 SIMON FRASER UNIVERSITY July 1991 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL NAME: Yichun Dai DEGREE: Master of Arts (Linguistics) TITLE OF THESIS : The Phonological Domain of Tone in Chinese: Historical Perspectives EXAMINING COMMITTEE: Chairman: Dr. R. C. DeArmond ----------- Dr. T. A. Perry, Senior ~aisor Dr. N. J. Lincoln - ................................... J A. Edmondson, Professor, Department of foreign Languages and Linguistics, University of Texas at Arlington, External Examiner PARTIAL COPYR l GHT L l CENSE I hereby grant to Simon Fraser University the right to lend my thesis, project or extended essay (the title of which is shown below) to users of the Simon Fraser University L ibrary, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without my written permission. Title of Thesis/Project/Extended Essay Author: (signature) (name 1 Abstract This thesis demonstrates how autosegmental licensing theory operates in Chinese. -
The Fundamentals of Chinese Historical Phonology
ChinHistPhon – MA 1st yr Basics/ 1 Bartos The fundamentals of Chinese historical phonology 1. Old Mandarin (early modern Chinese; 14th c.) − 中原音韵 Zhongyuan Yinyun “Rhymes of the Central Plain”, written in 1324 by 周德清 Zhou Deqing: A pronunciation guide for writers and performers of 北曲 beiqu-verse in vernacular plays. − Arrangement: o 19 rhyme categories, each named with two characters, e.g. 真文, 江阳, 先天, 鱼模. o Within each rhyme category, words are divided according to tone category: 平声阴 平声阳 上声 去声 入声作 X 声 o Within each tone, words are divided into homophone groups separated by circles. o An appendix lists pairs of characters whose pronunciation is frequently confused, e.g.: 死有史 米有美 因有英 The 19 Zhongyuan Yinyun rhyme categories: Old Mandarin tones: The tone categories were the same as for modern standard Mandarin, except: − The former 入-tone words joined the other tone categories in a more regular fashion. ChinHistPhon – MA 1st yr Basics/ 2 Bartos 2. The reconstruction of the Middle Chinese sound system 2.1. Main sources 2.1.1. Primary – rhyme dictionaries, rhyme tables (Qieyun 切韵, Guangyun 广韵, …, Jiyun 集韵, Yunjing 韵镜, Qiyinlüe 七音略) – a comparison of modern Chinese dialects – shape of Chinese loanwords in ’sinoxenic’ languages (Japanese, Korean, Vietnamese) 2.1.2. Secondary – use of poetic devices (rhyming words, metric (= tonal patterns)) – transcriptions: - contemporary alphabetic transcription of Chinese names/words, e.g. Brahmi, Tibetan, … - contemporary Chinese transcription of foreign words/names of known origin ChinHistPhon – MA 1st yr Basics/ 3 Bartos – the content problem of the Qieyun: Is it some ‘reconstructed’ pre-Tang variety, or the language of the capital (Chang’an 长安), or a newly created norm, based on certain ‘compromises’? – the classic problem of ‘time-span’: Qieyun: 601 … Yunjing: 1161 → Pulleyblank: the Qieyun and the rhyme tables ( 等韵图) reflect different varieties (both geographically, and diachronically) → Early vs. -
Assessing the Validity of Hainan's 400- Year Gazetteer Record for Establishing Historical Baselines
Assessing the validity of Hainan’s 400- year gazetteer record for establishing historical baselines Connor Walsh August 2016 A thesis submitted for the partial fulfilment of the requirements for the degree of Master of Science at Imperial College London Submitted for the MSc in Conservation Science 2 Declaration of Own Work I declare that this thesis: Assessing the validity of Hainan’s 400-year gazetteer record for establishing historical baselines is entirely my own work, and that where material could be construed as the work of others, it is fully cited and referenced, and/or with appropriate acknowledgement given. Signed. Name of student: Connor Walsh Name of Supervisors: Dr Samuel Turvey; Clare Duncan 3 Table of Contents Declaration of Own Work ..................................................................................................... 2 List of acronyms .................................................................................................................... 4 Acknowledgements ............................................................................................................... 4 Introduction ........................................................................................................................... 6 Methods ................................................................................................................................. 8 Results ................................................................................................................................. 12 Discussion -
Old Scripts, New Actors: European Encounters with Chinese Writing, 1550-1700 *
EASTM 26 (2007): 68-116 Old Scripts, New Actors: European Encounters with Chinese Writing, 1550-1700 * Bruce Rusk [Bruce Rusk is Assistant Professor of Chinese Literature in the Department of Asian Studies at Cornell University. From 2004 to 2006 he was Mellon Humani- ties Fellow in the Asian Languages Department at Stanford University. His dis- sertation was entitled “The Rogue Classicist: Feng Fang and his Forgeries” (UCLA, 2004) and his article “Not Written in Stone: Ming Readers of the Great Learning and the Impact of Forgery” appeared in The Harvard Journal of Asi- atic Studies 66.1 (June 2006).] * * * But if a savage or a moon-man came And found a page, a furrowed runic field, And curiously studied line and frame: How strange would be the world that they revealed. A magic gallery of oddities. He would see A and B as man and beast, As moving tongues or arms or legs or eyes, Now slow, now rushing, all constraint released, Like prints of ravens’ feet upon the snow. — Herman Hesse 1 Visitors to the Far East from early modern Europe reported many marvels, among them a writing system unlike any familiar alphabetic script. That the in- habitants of Cathay “in a single character make several letters that comprise one * My thanks to all those who provided feedback on previous versions of this paper, especially the workshop commentator, Anthony Grafton, and Liam Brockey, Benjamin Elman, and Martin Heijdra as well as to the Humanities Fellows at Stanford. I thank the two anonymous readers, whose thoughtful comments were invaluable in the revision of this essay.