Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-25-2020 No “Me” Before The Nation: Portrayal Of Nationalism And Religious Identities In Bollywood Movies Created During Modi-Era Misha Khan Illinois State University,
[email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Communication Commons Recommended Citation Khan, Misha, "No “Me” Before The Nation: Portrayal Of Nationalism And Religious Identities In Bollywood Movies Created During Modi-Era" (2020). Theses and Dissertations. 1294. https://ir.library.illinoisstate.edu/etd/1294 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact
[email protected]. NO “ME” BEFORE THE NATION: PORTRAYAL OF NATIONALISM AND RELIGIOUS IDENTITIES IN BOLLYWOOD MOVIES CREATED DURING MODI-ERA MISHA KHAN 83 Pages This study analyzed three Bollywood films, Raazi, PM Narendra Modi, and Gully Boy, that were released during the administration of the current Prime Minister of India, PM Narendra Modi. The research questions focused on the portrayal of nationalism and religious identities in the analyzed films. The recurring theme in all three films remained to be nationalism However, drawing on the past research, this study found an existing intertwined relationship between the portrayed nationalism and religious identities. Other central themes in the films included patriarchy, the notion of Othering, and class hegemony. This study draws added implications through its results and past research in the area.