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Volume-04 ISSN: 2455-3085 (Online) Issue-03 RESEARCH REVIEW International Journal of Multidisciplinary March-2019 www.rrjournals.com[UGC Listed Journal] Effect of Visuality of Indian Cinema on Society and Individual Psychology Anchal Dahiya M.A (English), D.U. ________________________________________________________________________________________________________ Visuality simply means the state or property of being Bollywood is the most important aspect of Indian cinema. visual. The word was coined by a Scottish historian Thomas Other branches include Tamil Cinema, Bhojpuri cinema, Carlyle. These days the term is much used in the field of visual Parallel cinema etc. For years Bollywood has been affecting culture which includes films, sculptures, paintings etc. Cinema the popular culture of India. From the coming out of the bobby is an immensely popular element of visual culture. colour after the film Bobby to Salman Khan‟s hairstyle in the film Tere Naam and Kareena Kapoor‟s size zero figure in the It embraces limitless possibilities for the expression and film Tashan, Bollywood has never failed to sway the audience representation of ideas, especially in a country like India with and act as a trendsetterfor fashion and music sense of the diverse languages, religions and cultures. Indian cinema binds nation. this diversity in one common thread. It is not only a major source of entertainment but if deployed wisely, it has enormous Let‟s have a look at some of the Bollywood films from the potential of bringing about social changes. last decade that helped in bringing about major cultural changes in India. Films like Girlfriend and Dostana brought Woodman Taylor in his essay, „Penetrating Gazes: Sight forward the gay culture to the popular discourse. -
Movie Aquisitions in 2010 - Hindi Cinema
Movie Aquisitions in 2010 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega and Meghnath Bhattacharya of AKHRA Ranchi for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aamir Aandhi Directed by Rajkumar Gupta Directed by Gulzar Produced by Ronnie Screwvala Produced by J. Om Prakash, Gulzar 2008 1975 UTV Spotboy Motion Pictures Filmyug PVT Ltd. Aar Paar Chak De India Directed and produced by Guru Dutt Directed by Shimit Amin 1954 Produced by Aditya Chopra/Yash Chopra Guru Dutt Production 2007 Yash Raj Films Amar Akbar Anthony Anwar Directed and produced by Manmohan Desai Directed by Manish Jha 1977 Produced by Rajesh Singh Hirawat Jain and Company 2007 Dayal Creations Pvt. Ltd. Aparajito (The Unvanquished) Awara Directed and produced by Satyajit Raj Produced and directed by Raj Kapoor 1956 1951 Epic Productions R.K. Films Ltd. Black Bobby Directed and produced by Sanjay Leela Bhansali Directed and produced by Raj Kapoor 2005 1973 Yash Raj Films R.K. Films Ltd. Border Charulata (The Lonely Wife) Directed and produced by J.P. Dutta Directed by Satyajit Raj 1997 1964 J.P. Films RDB Productions Chaudhvin ka Chand Dev D Directed by Mohammed Sadiq Directed by Anurag Kashyap Produced by Guru Dutt Produced by UTV Spotboy, Bindass 1960 2009 Guru Dutt Production UTV Motion Pictures, UTV Spot Boy Devdas Devdas Directed and Produced by Bimal Roy Directed and produced by Sanjay Leela Bhansali 1955 2002 Bimal Roy Productions -
Bollywood Lens Syllabus
Bollywood's Lens on Indian Society Professor Anita Weiss INTL 448/548, Spring 2018 [email protected] Mondays, 4-7:20 pm 307 PLC; 541 346-3245 Course Syllabus Film has the ability to project powerful images of a society in ways conventional academic mediums cannot. This is particularly true in learning about India, which is home to the largest film industries in the world. This course explores images of Indian society that emerge through the medium of film. Our attention will be focused on the ways in which Indian society and history is depicted in film, critical social issues being explored through film; the depicted reality vs. the historical reality; and the powerful role of the Indian film industry in affecting social orientations and values. Course Objectives: 1. To gain an awareness of the historical background of the subcontinent and of contemporary Indian society; 2. To understand the sociocultural similarities yet significant diversity within this culture area; 3. To learn about the political and economic realities and challenges facing contemporary India and the rapid social changes the country is experiencing; 4. To learn about the Indian film industry, the largest in the world, and specifically Bollywood. Class format Professor Weiss will open each class with a short lecture on the issues which are raised in the film to be screened for that day. We will then view the selected film, followed by a short break, and then extensive in- class discussion. Given the length of most Bollywood films, we will need to fast-forward through much of the song/dance and/or fighting sequences. -
Depiction of Real Life Misery Through the Lens of Hindi Film “ Dastak( (1970)”: an Analysis Neema Negi DSVV Uttrakahnd [email protected]
Everant.in/index.php/sshj Survey Report Social Science and Humanities Journal Depiction of Real life misery through the lens of Hindi Film “ Dastak( (1970)”: An Analysis Neema Negi DSVV Uttrakahnd [email protected] ABSTRACT ABSTRACT: Cinema is considered as the tool of social transformation, changing Corresponding Author: agent and the reflection of society. The different eras of Hindi Cinema Neema Negi illustrate the different concern of a common man and their struggle. The various themes represent the image of India with a different approach. Social issues in the earlier eras were the dominant one theme on poverty , unemployment, problem of urban spaces, exploitation of peasants ,corruption, nation and nationalism were the main subject and each storytellers represent those emotions and problems in an ideal way .The present paper analyse the social issues and struggle of a common man and moreover how the director execute the human drama the agony faced by an ordinary people who live in the metropolis and their aspirations of life with the use of metaphors.. Keywords: social issues, metaphors, urban space I- Thematic trends of Hindi Cinema Hindi Cinema deals with diverse themes from last magnificent 100 years . Variety of socially relevant issues cultural issues are addressed by combining them with a fantasies, tradition and myths. Hindi film can be used to know the history of society and culture of India . Indian Cinema has been reflecting social, political and economic dynamics of the national community in it’s narrative since the beginning of the 20th century. The themes such as globalization nation and nationalism, caste, class, gender, terrorism and social issues themes but also suggest cinematic interpretation to solve the problems. -
Hindu-Muslim Relationship in Bollywood in Post 26/11: a Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3
Hindu-Muslim Relationship in Bollywood in post 26/11: A Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3 1. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran (Corresponding author) ([email protected]) 2. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran ([email protected]) 3. M. A. in Indian Studies, University of Tehran, Tehran, Iran ([email protected]) (Received: Jan. 2, 2019 Revised: Feb. 28, 2019 Accepted: Ma r. 28, 2019) Abstract This study investigates the representations of Hindu-Muslim relationship in Bollywood movies from 2008 to 2018. It is assumed that after 2008 Mumbai terrorist attacks, which are known as 26/11, conflicts between Hindus and Muslims have escalated. Since Indian people are extreme fans of movies, especially Bollywood movies, in this regard, it is expected that media could play a significant role in increasing or alleviating the conflicts by influencing people’s attitudes and opinions. This research seeks to examine the extent and modality of the representation of Hindu-Muslim relationships in Bollywood after the 2008 Mumbai attacks. The study was conducted through a content analysis of 11 Bollywood movies, which were selected from 70 Muslim-characters-based movies. Favorable, unfavorable, neutral and unclear were the four factors through which the movies’ contents were analyzed. The overall analysis of these factors indicate that 66.17% of the scenes were favorable, 14.70% were unfavorable, 2.94% were neutral, and 16.17% presented unclear images of Hindu-Muslim relationship in Bollywood movies. -
Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here
Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham.. -
Pop Compact Disc Releases - Updated 08/29/21
2011 UNIVERSITY AVENUE BERKELEY, CA 94704, USA TEL: 510.548.6220 www.shrimatis.com FAX: 510.548.1838 PRICES & TERMS SUBJECT TO CHANGE WITHOUT NOTICE INTERNATIONAL ORDERS ARE NOW ACCEPTED INTERNATIONAL ORDERS ARE GENERALLY SHIPPED THRU THE U.S. POSTAL SERVICE. CHARGES VARY BY COUNTRY. WE WILL ALWAYS COMPARE VARIOUS METHODS OF SHIPMENT TO KEEP THE SHIPPING COST AS LOW AS POSSIBLE PAYMENT FOR ORDERS MUST BE MADE BY CREDIT CARD PLEASE NOTE - ALL ITEMS ARE LIMITED TO STOCK ON HAND POP COMPACT DISC RELEASES - UPDATED 08/29/21 Pop LABEL: AAROHI PRODUCTIONS $7.66 APCD 001 Rawals (Hitesh, Paras & Rupesh) "Pehli Nazar" / Pehli Nazar, Meri Nigahon Me, Aaja Aaja, Me Dil Hu, Tujhko Banaya, Tujhko Banaya (Sad), Humne Tumko, Oh Hasina, Me Tera Hu Diwana (ADD) LABEL: AUDIOREC $6.99 ARCD 2017 Shreeti "Mere Sapano Mein" (Music: Rajesh Tailor) Mere Sapano Mein, Jatey Jatey, Ek Khat, Teri Dosti, Jaan E Jaan, Tumhara Dil - 2 Versions, Shehenayi Ke Soor, Chalte Chalte, Instrumental (ADD) $6.99 ARCD 2082 Bali Brahmbhatt "Sparks of Love" / Karle Tu Reggae Reggae, O Sanam, Just Between You N Me, Mere Humdum, Jaana O Meri Jaana, Disco Ho Ya Reggae, Jhoom Jhoom Chak Chak, Pyar Ke Rang, Aag Ke Bina Dhuan Nahin, Ja Rahe Ho / Introducing Jayshree Gohil (ADD) LABEL: AVS MUSIC $3.99 AVS 001 Anamika "Kamaal Ho Gaya" / Kamaal Ho Gaya, Nach Lain De, Dhola Dhol, Badhai Ho Badhai, Beetiyan Kahaniyan, Aa Bhi Ja, Kahaan Le Gayee, You & Me LABEL: BMG CRESCENDO (BUDGET) $6.99 CD 40139 Keh Diya Pyar Se / Lucky Ali - O Sanam / Vikas Bhalla - Dhuan, Keh Diya Pyar Se / Anaida - -
Bollywood Star Kangana Ranaut Takes on the Media with Panache. P4-5
Community Community Toastmasters World District renowned DJ P7116-Qatar P16 and American emerges as the electronic music topmost district in the producer Marshmello world for the 2018-19 to perform at QNCC ranking. today. Thursday, July 25, 2019 Dhul-Qa’da 22, 1440 AH Doha today: 320 - 390 SStartar wwarsars COVER Bollywood star Kangana Ranaut takes STORY on the media with panache. P4-5 REVIEW SHOWBIZ Tarnished gold lurking Casting directors in the Hollywood hills. play big part today. Page 14 Page 15 2 GULF TIMES Thursday, July 25, 2019 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.29am Shorooq (sunrise) 4.58am Zuhr (noon) 11.42am Asr (afternoon) 3.08pm Maghreb (sunset) 6.25pm Isha (night) 7.55pm USEFUL NUMBERS Arsass Karaan opinion about life. understand their families but are given a DIRECTION: Gippy Grewal The elderly men believe spending time week to accomplish this. CAST: Gippy Grewal, Gurpreet with each other and communicating may Will Sehaj and Magic manage to fi nd Ghuggi, Meher Vij help bridge their gap. But each time the a common thread for the three diff ering SYNOPSIS: Ardass Karaan explores family plans to spend time with each generations to live together in harmony? the generation gap faced by families. other they end up arguing. How will they use Ardaas (prayer) to Emergency 999 Three elderly men live in Canada with One day, the elderly gentlemen come convey their message about life? Worldwide Emergency Number 112 their families and realise that each across Sehaj and Magic who are full Kahramaa – Electricity and Water 991 generation -
Coca Cola Games National Championships
Athletics Oceania-Championship-Tahiti - Organization License Hy-Tek's MEET MANAGER 2:27 PM 17/05/2013 Page 1 Coca Cola Games National Championships - 16/05/2013 to 17/05/2013 TCL Stadium, Suva, Fiji Results Girls 100 Metre Sub Junior ================================================================================= Name Age School Seed Heat Wind H# ================================================================================= Heat 1 Vaciseva Komaitai 13 GOSPEL HIGH SCHOOL 14.60 14.09Q 0.4 2 2 Tiere Seru 13 RAMPUR COLLEGE 14.50 14.14Q -1.4 3 3 Vani Godro 13 STH 15.40 14.70Q +0.0 1 4 Maraia Matawaqa 13 AGH 14.60 14.29q 0.4 2 5 Ivamere Koroiravudi 12 XAVIER COLLEGE 14.20 14.51q 0.4 2 6 Kalesitiana Turuva 13 NDM 14.50 14.80q -1.4 3 6 Tammalane Underwood 13 XAVIER COLLEGE 14.70 14.80q +0.0 1 8 Unaisi Vua 13 NDM 14.50 14.84q +0.0 1 9 Nadine Queet 13 STH 15.30 14.91 0.4 2 10 Taraivini Repeka 13 DUAVATA SECO 14.20 15.02 0.4 2 11 Temalesi Bau 13 ADI CAKOBAU SCHOOL 13.80 15.07 +0.0 1 12 Mereoni Malewa 13 SAC 15.70 15.36 -1.4 3 13 Ilisabeta Buliruarua 13 SOUTH TAVEUN 16.63 +0.0 1 14 Sofia Nalapu 13 SOUTH TAVEUN 16.64 -1.4 3 Girls 100 Metre Sub Junior ===================================================================================== Name Age School Heat Finals Wind Points ===================================================================================== Finals 1 Vaciseva Komaitai 13 GOSPEL HIGH SCHOOL 14.09 14.04 -1.1 5 2 Tiere Seru 13 RAMPUR COLLEGE 14.14 14.27 -1.1 3 3 Maraia Matawaqa 13 AGH 14.29 14.29 -1.1 1 4 Ivamere Koroiravudi 12 XAVIER -
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat. -
Copyright by Peter James Kvetko 2005
Copyright by Peter James Kvetko 2005 The Dissertation Committee for Peter James Kvetko certifies that this is the approved version of the following dissertation: Indipop: Producing Global Sounds and Local Meanings in Bombay Committee: Stephen Slawek, Supervisor ______________________________ Gerard Béhague ______________________________ Veit Erlmann ______________________________ Ward Keeler ______________________________ Herman Van Olphen Indipop: Producing Global Sounds and Local Meanings in Bombay by Peter James Kvetko, B.A.; M.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment for the Degree of Doctor of Philosophy The University of Texas at Austin May 2005 To Harold Ashenfelter and Amul Desai Preface A crowded, red double-decker bus pulls into the depot and comes to a rest amidst swirling dust and smoke. Its passengers slowly alight and begin to disperse into the muggy evening air. I step down from the bus and look left and right, trying to get my bearings. This is only my second day in Bombay and my first to venture out of the old city center and into the Northern suburbs. I approach a small circle of bus drivers and ticket takers, all clad in loose-fitting brown shirts and pants. They point me in the direction of my destination, the JVPD grounds, and I join the ranks of people marching west along a dusty, narrowing road. Before long, we are met by a colorful procession of drummers and dancers honoring the goddess Durga through thundering music and vigorous dance. The procession is met with little more than a few indifferent glances by tired workers walking home after a long day and grueling commute. -
Boom Boom Nazia Hassan Free Mp3 Download Easy Way to Take and Get It Music Free Boom Boom Mp3 Download
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