Adelaide Perry Prize for Drawing
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Art Almanac April 2018 $6
Art Almanac April 2018 $6 Julie Dowling Waqt al-tagheer: Time of change Steve Carr Art Almanac April 2018 Subscribe We acknowledge and pay our respect to the many Aboriginal nations across this land, traditional custodians, Elders past and present; in particular the Established in 1974, we are Australia’s longest running monthly art guide and the single print Guringai people of the Eora Nation where Art Almanac destination for artists, galleries and audiences. has been produced. Art Almanac publishes 11 issues each year. Visit our website to sign-up for our free weekly eNewsletter. This issue spotlights the individual encounters and communal experience that To subscribe go to artalmanac.com.au contribute to Australia’s cultural identity. or mymagazines.com.au Julie Dowling paints the histories of her Badimaya ancestors to convey the personal impact of injustice, while a group show by art FROOHFWLYHHOHYHQíOWHUVWKHFRPSOH[LWLHVRI the Muslim Australian experience through diverse practices and perspectives. Links Deadline for May 2018 issue: between suburbia and nationhood are Tuesday 3 April, 2018. presented at Cement Fondu, and artist Celeste Chandler constructs self-portraits merging past and present lives, ultimately revealing the connectedness of human existence. Contact Editor – Chloe Mandryk [email protected] Assistant Editor – Elli Walsh [email protected] Deputy Editor – Kirsty Mulholland [email protected] Cover Art Director – Paul Saint National Advertising – Laraine Deer Julie Dowling, Black Madonna: Omega, -
MS 65 Papers of Studio One
MS 65 Papers of Studio One Summary Administrative Information Scope and Content Biographical Note Series List and Description Box Description Folder Description Summary Creator: Studio One staff Title: Papers of Studio One Date range: 1985-2000 Reference number: MS 65 50 Boxes + 13 ring binders + 1 oversized Extent: box Administrative Information Access See National Gallery of Australia Research Library reference desk librarians. Provenance The papers were salvaged by Roger Butler, Senior Curator of Australian Prints and Drawing at the National Gallery of Australia in early 2000 after they were had been assigned for disposal. Scope and Content Series 1 of the collection comprises 42 boxes of material directly related to the administrative functions of a small, Canberra based, print editioning organisation and spans 17 years from 1985 to 2002. Within this series are 13 ring binders that contain a variety of media including negatives, photographs, slides and prints. Included in this series is an oversized box containing outsized material. Series 2 consists of financial records. The collection content includes correspondence; funding applications; board meeting agendas and minutes; reports; job cards (print editioning forms) and printing contracts, with financial records in the second series. Various artists represented in the National Gallery of Australia Collection used the Studio One editioning services. These include George Gittoes, Rosalie Gascoigne, Dennis Nona, Treahna Hamm, Jane Bradhurst, Pamela Challis, Ray Arnold, Lesbia Thorpe (Lee Baldwin) and Bruno Leti. This collection also documents, through records of correspondence, workshop details and job cards, the development of relationships with Indigenous artists through print workshops and print editioning as convened by Theo Tremblay and Basil Hall, including Melville Island, Munupi Arts and Crafts, Cairns TAFE, and Turkey Creek. -
G Eelong G Allery Annual Report
Geelong Gallery annual report 2009–2010 Geelong Gallery Little Malop Street Geelong 3220 T 03 5229 3645 Open daily 10am–5pm Closed Christmas Day, Boxing Day, New Year’s Day and Good Friday www.geelonggallery.org.au Geelong Gallery annual report 2009–2010 01 Contents President’s report 02 Director’s report 04 Honorary Secretary’s report 08 The Geelong Art Gallery Foundation 16 The Geelong Gallery Grasshoppers 18 Friends of the Geelong Gallery 20 Collections report 21 Financial statements for 30 the year ended 30 June 2010 Government partners and sponsors 44 Geelong Gallery annual report 2009–2010 02 President’s report Since the Gallery’s last AGM, my predecessor Overall, I’m delighted to confirm that the year’s as President of the Geelong Gallery, Michael programs and initiatives went successfully to Cahill, has stepped down from the role, having plan, with all the Key Performance Indicators served in different capacities on Gallery boards that underpin the Gallery’s funding agreements and committees for some two decades. So, with our local and state government partners it is with great pleasure that I place on record either comfortably met or, more often than here our sincere thanks to Michael for this not, substantially exceeded. remarkable commitment to the Board and to the Gallery, noting as I do so, and with real A wide-ranging exhibition program was satisfaction, that Michael retains a formal link delivered to critical acclaim, the Gallery’s with us as continuing Chair of the Gallery’s financial performance was sound, corporate Acquisitions committee. sponsorships were retained and extended, the collection grew through purchase, As usual on these occasions, brief outlines bequest, acquisitive prize, and gift with of the Gallery’s financial and general operating the Geelong Art Gallery Foundation keenly performance over the previous 12 months supportive throughout. -
Exhibition Catalogue ADELAIDE PERRY PRIZE FOR
ADELAIDE PERRY PRIZE FOR DRAWING 2018 EXHIBITION OF FINALISTS 3 - 29 MARCH 2018 Exhibition Catalogue Judged by Ms Anne Ryan Curator, Australian prints, drawings and watercolours The Art Gallery of NSW ADELAIDE PERRY PRIZE FOR DRAWING 2018 Adelaide Elizabeth Perry (1891-1973) was a contemporary This year’s winning entry Indigo 5 by Ceara Metlikovec, Anne of many of the nation’s most important 20th century artists writes; “this meticulously rendered and carefully considered including Julian Ashton, Roy de Maistre and Thea Proctor. work has, at first glance, all the hallmarks of minimalism. Closer The connections with her community in the Sydney art scene inspection, however, reveals the unmistakable signs of the artist’s are similar to those shared by the artists exhibited together hand, with subtle rhythms and tensions over the surface of the in the Perry Prize 2018. Throughout her role at PLC Sydney sheet. Rendered with great clarity and precision using the most between 1930 and 1962, the practice of drawing was central traditional of drawing mediums – graphite on paper – this drawing in both her artmaking and teaching. This is evident in many has a mysterious and meditative quality that draws the eye back of her paintings, drawings and prints now held in significant in”. collections including the Art Gallery of NSW, The National Gallery of Australia and our own PLC Sydney Collection. The Moving through this exhibition feels like an intimate tour inside annual Adelaide Perry Prize for Drawing, an acquisitive the wide range of studios and other spaces throughout the award of $25,000, both commemorates the artist’s country where drawing is practiced. -
MS 49 Papers of the Print Council of Australia Australian Prints and Printmaking Collection
MS 49 Papers of the Print Council of Australia Australian Prints and Printmaking Collection Summary Administrative Information Biographical Note Associated Content Acronyms Used Box Description Folder Description Summary Creator: Print Council of Australia Title: Papers of the Print Council of Australia Date range: 1966 - 2000 Reference number: MS 49 Extent: 95 boxes + 11 ring binders Prepared By: Peta Jane Jones Overview The collection represents a non-governmental organisation involved in the visual arts with broad activities and influence. The collection includes mainly correspondence, exhibition details, printmakers, gallery/art centres, colleges/universities, entry forms, slides, receipts and copies of newspaper clippings. They provide a comprehensive history of the administrative processes of the council and its exhibitions. The majority of the collection contains correspondence written by administrative staff; of greater interest is the correspondence, often handwritten by the artists themselves. In the earlier boxes the exhibition detail is more comprehensive with itineraries (drafts and finals) and forms stating the exhibiting galleries and artist lists with print sales included. Also of interest are the artists’ biographies, sometimes with handwritten notes; these were used for exhibition catalogues, print directories, Imprint and member print submissions. There are approximately 2000 slides in this collection mainly representing prints associated with PCA exhibitions. PCA committee records including ballot forms for nominating committee members, agendas and minutes of Annual General meetings, bank statements and bank reconciliation statements also comprises part of the collection. Keywords 1 Australian Printmaking; Exhibitions (see biographical section for list); patron/member prints. Key Names Grahame King; Robert Grieve; Geoff La Gerche; Neil Caffin; Udo Sellbach; Roger Butler; Barbara Hanrahan; various printmakers (see biographical section). -
Annual Report 2018–19 Snapshot of the National Gallery of Australia
Annual Report 2018–19 Snapshot of the National Gallery of Australia Who we are What we do The National Gallery of Australia The Gallery provides opened to the public in October 1982 exceptional experiences of and is the Commonwealth of Australia’s rich visual arts Australia’s national cultural institution for the culture. Through the national collection, visual arts. Since it was established in 1967, it exhibitions, educational and public programs, has played a leadership role in shaping visual outreach initiatives, research and publications, arts culture across Australia and its region and infrastructure and corporate services, the continues to develop exciting and innovative Gallery is a model of excellence in furthering ways to engage people with the national knowledge of the visual arts. The Gallery art collection. makes art accessible, meaningful and vital to diverse audiences, locally, nationally and internationally. Our purpose and outcome Our staff As Australia’s pre-eminent visual staff at 30 June 2019. The Gallery arts institution, the Gallery provides 326 has an inclusive workforce, social and cultural benefits for the employing people with a disability and people community and enhances Australia’s with culturally diverse backgrounds, including international reputation. The Gallery’s one Indigenous Australians. Women represent outcome, as outlined in the Portfolio Budget 67% of the Gallery’s workforce and 50% Statements 2018–19, is ‘Increased of its Senior Management Group. Detailed understanding, knowledge and enjoyment staffing information is on pages 72–7. of the visual arts by providing access to, and information about, works of art locally, nationally and internationally’. Our collection Our supporters Over nearly half a century of The Gallery nurtures strong collecting, the Gallery has achieved relationships with external extraordinary outcomes in acquiring stakeholders, such as artists and and displaying Australian and international art. -
Downloadable Process Diaries
ART GALLERY OF NEWSOUTHWALES ART GALLERY ART GALLERY OF NEW SOUTH WALES NSW Art Gallery Road The Domain Sydney NSW 2000 Telephone: (02) 9225 1700 Information Line: (02) 9925 1790 Email (general): [email protected] For information on current exhibitions and events, visit the Gallery’s website www.artgallery.nsw.gov.au ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2006 ANNUAL REPORT 2006 ANNUAL REPORT ART GALLERY OF NEW SOUTH WALES GENERAL INFORMATION ACCESS RESEARCH LIBRARY GALLERY SHOP PUBLIC TRANSPORT ‘One of the loveliest and most insightful exhibitions devoted to a single The Gallery opens every day except AND ARCHIVE Open daily from 10am to 5pm and until Buses: the 441 bus route stops at the Easter Friday and Christmas Day The Gallery’s Research Library and 8.45pm each Wednesday night, the Gallery en route to the Queen Victoria artist.’ Pissarro exhibition, Sebastian Smee, Weekend Australian, 26 Nov 06 between the hours of 10am and 5pm. Archive is open Monday to Friday Gallery Shop offers the finest range of art Building. The service runs every 20 The Gallery opens late each Wednesday between 10am and 4pm (excluding books in Australia and also specialises in minutes on weekdays and every 30 night until 9pm. General admission is public holidays) and until 8.45pm each school and library supply. The shop minutes on weekends. Call the STA on free. Entry fees may apply to a limited Wednesday night. The Library has the stocks an extensive range of art posters, 131 500 or visit www.131500.info for number of major temporary exhibitions. -
Art Gallery of New South Wales Annual Report 2008–09 ANNUAL REPORT 200 8 REPORT ANNUAL – 09
ART GALLERY OF NEW SOUTH WALES Art Gallery of New South Wales Annual Report 2008–09 ANNUAL REPORT 200 8 – 09 Art Gallery of NSW Art Gallery Road The Domain NSW 2000 Administration switchboard (02) 9225 1700 Information desk (02) 9225 1744 Recorded ‘What’s on’ information (02) 9225 1790 TTY (02) 9225 1808 General facsimile (02) 9225 1701 Email: [email protected] www.artgallery.nsw.gov.au With over 1.7 million visitors this year, the Art Gallery of NSW is one of Australia’s most popular art museums and a vital part of Sydney’s cultural life. Since the Gallery’s genesis in the 1870s, our objective has been to collect and present to the public the finest works of art available, with a special emphasis on the artistic traditions of Australia. The Gallery has been located at our present site in the Domain since 1885. The Grand Courts, designed by government architect Walter Liberty Vernon, were the very first rooms Principal sponsors of the Gallery, built between 1895 and 1899 in typically grand Victorian style and scale. These elegant rooms now house Sydney’s premier collections of both European art, from the Renaissance to Impressionism, and Australian art, from colonisation to the end of the 19th century, along with a selection of 20th-century Aboriginal art. The building extensions made to the Gallery in the 1970s and ’80s responded to the changing needs of both the collection and our audience, doubling the available exhibition space and celebrating the art Exhibition program partners of our time with extensive displays of modern and contemporary Australian, ART Aboriginal and Torres Strait Islander, and European art. -
Tony Ameneiro Full Four Pg CV 2020
TONY AMENEIRO 1959 Born London, United Kingdom, arrived Australia 1968 1978-81 Bachelor of Art (Education) Alexander Mackie C.A.E., Sydney, Australia Selected Awards 2012, 2007, 2004,1996 Fisher’s Ghost Art Award, Work on Paper Campbelltown City Art Gallery, NSW 2009 Geelong acquisitive print award Geelong Gallery, Victoria. Acquired 2007 Fremantle Print Award Fremantle Arts Centre, WA 2004 Toowoomba Biennial Acquisitive Art Award Toowoomba Regional Art Gallery, NSW. Acquired 2018 Australian Print Triennial Print Award People’s choice Award - shared Art Vault Mildura Victoria Selected Solo Exhibitions 2018 Head Over Head Megalo Print Studio Gallery Canberra Selected Works PG Gallery Fitzroy Melbourne VIC 2017 Head Over Head Devonport Regional Art Gallery 2016 Head Over Head Wagga Wagga Art Gallery Head Over Head Wollongong Art Gallery, NSW 2015 (Artist in Residence) Annabel Wallace Gallery, Boorowa, NSW 2014 Recent Drawings Art Vault, Mildura, Vic 2013 Flowering Heads Maitland Regional Art Gallery, NSW Annabel Wallace Gallery, Boorowa, NSW Head to Head Art Vault, Mildura, Vic 2012 Flowering Heads David Stein & Co, Sydney, NSW 2011 Night Skulls and Lily Heads Art Vault, Mildura, Victoria 2010 The Night Lily Head Sturt Gallery, Mittagong, NSW 2007 Recent Works Impressions on Paper, Canberra Skulls and Lilies, Lilies and Skulls Marianne Newman Gallery Sydney NSW 2005 Recent Prints and Drawings Bowerhouse Gallery, Milton, NSW Selected Locations CTC, Robertson, NSW 2004 Location Wollongong City Art Gallery, NSW 2001 Road Edge – Park Edge New -
Cultural Services Newsletter Wollongong City Council
We still have some vacancies in the Artspace school holiday program next week but you had better be quick! There are loads of inspiring workshops to choose from including - ‘glow in the dark’ painting, robot construction and song writing for kids aged 5 to 12 years! Help ease those youthful brains back into concentration mode with Artspace’s fun and creative holiday sessions. We’re at our inspiring new studio at 98 Railway Street, Corrimal (in the old House To Home). Call 4283 9967 to book and please tell your friendsJ Theatre in Illawarra - Fortnight ending 4th February. Links for all the events below are on my home page together with other information. http://members.ozemail.com.au/~olav/index.html#NEW 2012 Launch - January 28th - Wollongong Workshop Theatre TheatreMax Drama Studio - Drama Classes for the coming term (including over 18's) Emily of Emerald Hill - Phoenix Theatre, Bridge St. Coniston - Phoenix - 1st to 25th February. Cheers, Olav Dear Friends of Gerringong and District Historical Society, We would like to invite you to an entertaining evening in Gerringong! Bobby Miller and Gordon Street will present a fascinating insight into the life and works of Lloyd Rees. Friday 10th Feb, 7.30pm, Gerringong Town Hall Tickets $10 at the door. Support provided. Monies raised will be for the benefit of Gerringong and District Historical Society. Kind regards Ruth Walker Museum Development Officer Illawarra Migration Heritage Project Email address [email protected] Dear colleagues Do you know any tertiary students who are eligible to apply for the Powerhouse Museum Movable Heritage Fellowship? The $5,000 Fellowship aims to ● stimulate research into the movable heritage of New South Wales ● increase skills in movable heritage interpretation ● raise awareness of the importance of community collections in understanding Australian society ● encourage students to work with community museums. -
Curated by Jennifer Lamb, Jane Cush and Gina Mobayed
Curated by Jennifer Lamb, Jane Cush and Gina Mobayed Permanent collection en masse Goulburn Bustle ‘Goulburn Bustle’ is an exhibition that presents the breadth of the Gallery’s permanent collection, unleashed en masse for the first time in its 37 year history. Whilst collections tell stories, they often draw lines and loops around their histories and locales rather than offering it all along one straight path. Our story begins with The Moffitt Bequest in 1956, continues to today and we hope, well into the future. ‘Goulburn Bustle’ presents over one hundred works from the collection and has been curated by previous directors Jennifer Lamb and Jane Cush, and current director Gina Mobayed. These works have never before been exhibited together and our intention is to share what should be shared, bring new dialogues to old all the while investigating the idea and relevance of collecting in the public realm today. 15 feb. – 16 mar. 2019 Goulburn Bustle Works Goulburn Bustle Tony Ameneiro, Night Skull, 2009, Colour linocut on Japanese Kozo paper, 96 x 61 cm Tony Ameneiro, based in the Southern Highlands, is renowned for his intricate and delicate printing style. Often intertwining antithetical entities, Ameneiro’s work shrinks the plane between heaven and earth; mortality and eternity. In ‘Night Skull’ an animal skull and the night sky coalesce, depicting the inseparable nature of the physical and ethereal. Almost iconographic, Ameneiro’s works hum with the harmonic reverberation of spiritual chants whilst tethering the viewer firmly to the earth. ‘Night Skull’ represents an outstanding example of printmaking and is indicative of the artist’s mastery over his medium. -
Appendices 09–10
ART GALLERY OF NEW SOUTH WaLES APPENDICES 09–10 Sponsorship and philanthropy 86 Art prizes, grants and scholarships 87 AGNSW publications for sale 88 Visitor numbers 89 Exhibitions listing 90 Aged and disability access programs and services 91 Aboriginal and Torres Strait Islander programs and services 92 Multicultural policies and services plan 93 Electronic service delivery 94 Overseas travel 95 Collection – purchases 96 Collection – gifts 99 Collection – loans 102 Staff, volunteers and interns 105 Staff publications, presentations and related activities 108 Customer response 112 Compliance reporting 112 SPONSORSHIP Sofitel Sydney Wentworth Official Masterpiece Fund VisAsia Council hotel partner and support sponsor: AND Archibald, Wynne and Sulman Patrons of the Masterpiece Fund as Members of the VisAsia Council as PHILANTHROPY Prizes 2010; Paths to abstraction at 30 June 2010: at 30 June 2010: 1867–1917 Art Gallery of NSW Foundation; Art Warwick Johnson, Optimal Fund The Sydney Morning Herald Gallery Society of NSW; Margaret Management, chair Olley AC Media partner: Hymn to beauty; Su-Ming Wong, CHAMP Ventures; Alfred Stieglitz; Paths to abstraction Sponsors Geoff & Vicki Ainsworth; the late Philip Cox AO, Cox Richardson; 1867–1917 Adrian Claude Lette; Susan & Garry Robyn Norton & Stephen at 30 June 2010 UBS Principal sponsor: Rothwell MacMahon, The George Institute; Contemporary Galleries program Nick Curtis, Lynas Corporation; ANZ Principal sponsor: Archibald, The Lowy family; John Schaeffer AO US Consulate General Cultural Matthew