DOCSLIB.ORG

Appendices 09–10

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

ART GALLERY OF NEW SOUTH WaLES APPENDICES 09–10 Sponsorship and philanthropy 86 Art prizes, grants and scholarships 87 AGNSW publications for sale 88 Visitor numbers 89 Exhibitions listing 90 Aged and disability access programs and services 91 Aboriginal and Torres Strait Islander programs and services 92 Multicultural policies and services plan 93 Electronic service delivery 94 Overseas travel 95 Collection – purchases 96 Collection – gifts 99 Collection – loans 102 Staff, volunteers and interns 105 Staff publications, presentations and related activities 108 Customer response 112 Compliance reporting 112 SPONSORSHIP Sofitel Sydney Wentworth Official Masterpiece Fund VisAsia Council hotel partner and support sponsor: AND Archibald, Wynne and Sulman Patrons of the Masterpiece Fund as Members of the VisAsia Council as PHILANTHROPY Prizes 2010; Paths to abstraction at 30 June 2010: at 30 June 2010: 1867–1917 Art Gallery of NSW Foundation; Art Warwick Johnson, Optimal Fund The Sydney Morning Herald Gallery Society of NSW; Margaret Management, chair Olley AC Media partner: Hymn to beauty; Su-Ming Wong, CHAMP Ventures; Alfred Stieglitz; Paths to abstraction Sponsors Geoff & Vicki Ainsworth; the late Philip Cox AO, Cox Richardson; 1867–1917 Adrian Claude Lette; Susan & Garry Robyn Norton & Stephen at 30 June 2010 UBS Principal sponsor: Rothwell MacMahon, The George Institute; Contemporary Galleries program Nick Curtis, Lynas Corporation; ANZ Principal sponsor: Archibald, The Lowy family; John Schaeffer AO US Consulate General Cultural Matthew Banks, Macquarie Wynne and Sulman Prizes 2010 Bank; Seng Huang Lee, Mulpha program partner: Alfred Stieglitz Antoinette Albert; Bell Potter Avantcard Support sponsor: Australia; Hiroyuki Roy Nishikawa, VisAsia Council Asian exhibition Securities Ltd; Richard A Blair; general Nomura Australia Limited; program partner Jillian Broadbent AO; Sam & Sue Stephen Knight, NSW Tcorp; City of Sydney Government Chisholm; The Clitheroe Foundation; Jeffrey Riegel, The University of partner: Rupert Bunny Rowena Danziger AM & Ken Coles Life governors Sydney; William Purcell, University Clayton Utz Disability access AM; Brian France AM & Philippa of Technology, Sydney; Michael programs partner The Gallery has acknowledged the France; Chris & Judy Fullerton; significant support of the following Sternberg, Valiant Hire Consulate General of the The Gonski Foundation; The individuals by appointing them as Kingdom of the Netherlands Greatorex Foundation; Geoffrey life governors: Grants Cultural program partner: Intensely Hassall & Virginia Milson; Fraser Dutch Franco Belgiorno-Nettis AC & Victoria Hopkins; Wal & Denise During 2009–10, grants were CBE; Joseph Brender AO; Jillian King; Mark & Louise Nelson; Guy received from the US Embassy for Delta Electricity Support sponsor: Broadbent AO; Ken Cowley AO; & Marian Paynter; The Playoust $11,178 for Alfred Stieglitz and from Rupert Bunny; Alfred Stieglitz James Fairfax AO; Brian France Family Foundation; the late Michael the Japan Foundation for $2273 for Ernst and Young Principal sponsor: AM; James Gleeson AO & Frank Patrick Sheehan; Denyse Spice; Hymn to beauty as well as a travel Rupert Bunny; Paths to abstraction O’Keefe; Michael Gleeson-White John Symond AM; Dr & Mrs Hugh grant of $3000 from the Gordon 1867–1917 AO; David Gonski AC; Mollie Taylor; Max & Nola Tegel; Eleonora Darling Foundation. Freehills Support sponsor: pro Gowing; Shosuke Idemitsu; James & Michael Triguboff; Peter Weiss AM bono legal advice Leslie AC MC; Frank Lowy AC; John & Doris Weiss; Ray Wilson OAM & Bequests Morschel; Rupert Murdoch AC; the late James Agapitos OAM; Peter HSBC Major sponsor: Garden and Kenneth Myer AC DSC; J Hepburn Young AM A bequest valued at $306,796 was cosmos Myrtle CBE; Margaret Olley AC; Max received from E Wilson during the Hulsbosch Strategy and Design Sandow AM; John Schaeffer AO; President’s Council financial year. Film series supporter: Intensely Julie Schaeffer; Edward Sternberg Dutch AM & Goldie Sternberg; Fred Street Members of the President’s Council as at 30 June 2010: Hyperion Asset Management AM; Diana Walder OAM; Peter Weiss AM; Neville Wran AC QC; conservation support of the William Steven Lowy AM, Westfield John Yu AC Strutt painting David’s first victory Holdings, president ING and ING Direct Principal sponsors: Intensely Dutch Centenary Fund Nigel Williams, ANZ Banking Group; John Symond AM, JCDecaux Media partner: Silk Patrons of the Centenary Fund as at Aussie Home Loans; Bruce Fink, ikats of Central Asia; Garden and 30 June 2010: Bickham Court Group; John C cosmos; Rupert Bunny; Paths to Claire Armstrong; Alex & Vera Conde AO, BUPA Australia; Giam abstraction 1867–1917 Boyarsky; Jillian Broadbent AO & Swiegers, Deloitte; Peter Young J.P. Morgan Principal sponsor: Olev Rahn; Joanna Capon OAM; AM, Delta Electricity; Chum Brett Whiteley Studio Judy Cassab AO CBE; David & Darvall, Deutsche Bank AG; Gerard Macquarie Capital Principal Michelle Coe; Kenneth Coles AM Dalbosco, Ernst & Young; Lloyd sponsor: Art After Hours & Rowena Danziger AM; Jenny Whish-Wilson, Fairfax Media Ferguson; David Gonski AC & Limited; Kathryn Everett, Freehills; Optimal Fund Management Major Orli Wargon; In memory of Aida Emmanuel Pohl, Hyperion sponsor: Hymn to beauty Gordon; Yvonne & Christopher Asset Management; David Optus Principal sponsor: Open Gorman; Alex Holland; Peter Ivany Gonski AC, Investec; Stephen Gallery program for priority-funded AM & Sharon Ivany; Nettie Joseph O’Connor, JCDecaux Australia; schools & Peter Joseph OAM; Anne Landa; Rob Priestley, J.P. Morgan; Porter’s Original Paints Official Michelle Landerer & John Landerer Chris Jordan AO, KPMG; Paul paint supplier CBE AM; Geoffrey & Deborah Levy; O’Sullivan, Optus; Mark Johnson, Elizabeth Longes; David Lowy; President’s Council of the Art PricewaterhouseCoopers; Alan John & Jane Morschel; Roslyn Gallery of NSW Major exhibitions Joyce, Qantas Airways; Luca Packer AO; Bridget Pirrie & Stephen program partner Belgiorno-Nettis AM, Transfield Grant; Steven & Lisa Pongrass; Holdings; Philip Coleman, UBS AG Qantas Airways Principal sponsor: John L Sharpe; Brian Sherman AM; Australia; Sally Herman, Westpac Yiribana Gallery of Aboriginal and Dr Gene Sherman AM; Geoffrey Banking Corporation Torres Strait Islander art. Official Susskind; Malcolm & Lucy Turnbull; airline: Garden and cosmos; Rupert Michael & Eleonora Triguboff; Phillip Bunny; Hymn to beauty; Paths to Wolanski AM abstraction 1867–1917 86 ART GALLERY OF NSW ANNUAL REPORT 09–10 ART PRIZES, DOBELL PRIZE FOR Drawing BRETT WHITELEY Travelling GRANTS AND The $25,000 prize, judged by Nick Art SCHOLARSHIP Mourtzakis, was awarded to Pam Established to provide young SCHOLARSHIPS Hallandal for her work Tsunami. artists with an opportunity to travel to Europe and further their ANNE LANDA Award artistic interests, this scholarship This exhibition, with an acquisitive comprises $25,000 and a three- award of $25,000, is held every two month residency in the Gallery’s Art prizes years. It was established in honour Paris studio. It is a memorial to Competitions for the 2010 of Anne Landa, a trustee of the Art the artist Brett Whiteley, who in Archibald, Wynne and Sulman Gallery of New South Wales who his youth was encouraged in his Prizes, sponsored by ANZ, were died in 2002. Entry is by invitation artistic endeavours by winning a held in March 2010. A total of 2262 only and is not open to applications. similar scholarship. Special thanks entries were received, 93 of which The next exhibition will open in May are given to the late Beryl Whiteley, were selected for display. The 2011. Brett’s mother, for providing the Dobell Prize for Drawing, sponsored generous donation to fund the by the Sir William Dobell Art Grants and scholarships scholarship, which in 2009 was Foundation, was held in November awarded to Nicole Kelly. 2009. Of the 649 entries received, BASIL AND MURIEL HOOPER STUDIOS IN PARIS 46 were selected for display. SCHOLARSHIP The Gallery allocates tenancy to two These scholarships, valued at ARCHIBALD PRIZE art studios – the Moya Dyring Studio $4000 each, are available each and the Dr Denise Hickey Memorial The prize of $50,000 for portraiture year to fine art students attending Studio – which it leases at the was awarded to Sam Leach for his recognised schools in New South Cité Internationale des Art in Paris. work Tim Minchin. The People’s Wales to assist with the costs The studios were occupied during Choice competition, which asks of fees, materials and general the year by Astra Howard, Amber the viewing public to vote for their living expenses. There were no Wallis, Peter Burke, Janet Laurence, favourite entry in the Archibald scholarships awarded in 2009. Prize, was won by Craig Ruddy for Julie Harris, Emily Ferretti, Barry his work The prince of darkness ELIOTH GRUNER PRIZE Pearce, Monika Behrens, Juliet – Warwick Thornton. Ruddy Darling and Judith Van Heeran. The prize of $1000 for the best received $2500 and a $1000 ANZ landscape in oil by an art student Visa debit card as did the Gallery was not awarded in 2009. visitor whose vote was drawn from all votes cast for the winning artist. Robert LE Gay BRERETON The winning voter also received two MEMORIAL PRIZE nights accommodation at the Sofitel This prize, which aims to promote Sydney Wentworth. and encourage the art of The Packing Room Prize gives the draughtsmanship, is available each Gallery staff who receive the entries year to art students. The 2009 prize for the Archibald Prize the chance of $800 was awarded to Jacqueline to vote for their favourite portrait. Lewinski. In 2010, the prize was awarded to Nafisa for her work Glenn in black Dyason BEQUEST and white, for which she received Administered under the terms of the $500 and a $500 ANZ Visa debit will of the late Anthea Dyason, the card. bequest provides grants of $5000 to Australian art students who have WYNNE PRIZE already won travelling scholarships The prize of $25,000 for an so as to enable them to better study Australian landscape or figure architecture, sculpture or painting in sculpture was awarded to Sam countries other than Australia and Leach for his work Proposal for New Zealand. No award was made landscaped cosmos. in 2009.
Recommended publications
  • Clean Energy Transition

    Clean Energy Transition

    Leadership Forum on energy transition Forum Member Profiles Professor Ian Jacobs (Chair) President and Vice-Chancellor, UNSW Australia Ian came to Australia from the UK, where he had a distinguished career as a leading researcher in the area of women’s health and cancer, and in university leadership. Immediately prior to joining UNSW Ian was Vice President and Dean at the University of Manchester and Director of the Manchester Academic Health Science Centre, a partnership linking the University with six healthcare organisations involving over 36,000 staff. Ian is the Principal Investigator for the Cancer Research UK and Eve Appeal funded PROMISE (Prediction of Risk of Ovarian Malignancy Screening and Early Detection) programme and on several large multicentre clinical trials including the UK Collaborative Trial of Ovarian Cancer and the UK Familial Ovarian Cancer Screening Study. Ian established and chairs the Uganda Women’s Health Initiative, is founder and Medical Advisor to the Eve Appeal charity, a Patron of Safehands for Mothers, founder and non- Executive Director of Abcodia Ltd and patent holder of the ROCA (Risk of Ovarian Cancer Algorithm). Mr Geoffrey Cousins AM President, Australian Conservation Foundation Geoff is an Australian community leader, businessman, environmental activist and writer. As an environmental activist he is best known for his successful campaigns to stop the Gunns pulp mill in Tasmania and the proposed Woodside gas hub in the Kimberley. Geoff’s distinguished business career has included Chief Executive roles in advertising and media and positions on a number of public company boards including PBL, the Seven Network, Hoyts Cinemas group, NM Rothschild & Sons Limited and Telstra.
  • Art Gallery of Ballarat Annual Report 10-11 Annual Report

    Art Gallery of Ballarat Annual Report 10-11 Annual Report

    Art Gallery of Ballarat Annual Report 10-11 Annual Report 2010-11 ISSN 0726-5530 Chair’s Report .................................................................................................4 Art Gallery of Ballarat ACN: 145 246 224 Director’s Report .........................................................................................6 ABN: 28 145 246 224 Association Report .....................................................................................8 40 Lydiard Street North Ballarat Victoria 3350 Women’s Association Report ............................................................10 T 03 5320 5858 F 03 5320 5791 Gallery Guides Report ...........................................................................11 [email protected] Acquisitions ...................................................................................................13 www.artgalleryofballarat.com.au Outward Loan ..............................................................................................27 Exhibitions ......................................................................................................31 Public Programs ........................................................................................35 Education Visits and Programs ..........................................................37 Adopt an Artwork ......................................................................................40 Donations, Gifts and Bequests .........................................................41 Gallery Staff and Volunteers
  • Appendices 2011–12

    Appendices 2011–12

    Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse
  • Page 1 of 1 Lewis Morley Photographer

    Page 1 of 1 Lewis Morley Photographer

    Lewis Morley Photographer - Sydney, Australia Page 1 of 1 "Morley takes us back in time" Buy this slice of Morley from the DVD... Click Here To see a sample of the frames from the dvd, please click here Photographer, LEWIS MORLEY - 46 min 37seconds PAL Video/DVD Considered one of the most significant voices of 1960's London, Lewis Morley took one of the most singular iconic images of this period - a naked Christine Keeler on an Arne Jacobson chair. At the height of the Profumo Scandal, this image of sex and power has often overshadowed his remarkable sampling of fringe actors, musicians and fringe-dwellers of London's swinging Sixties. These players included David Frost, Joe Orton, Charlotte Rampling, Peter Cook, Dudley Moore, the first published photo of fashion models Twiggy, Jean Shrimpton and the young actor Michael Caine. Brian Epstein, Clint Eastwood, Judi Dench, Lindsay Anderson, Peter O'Toole, Vanessa Redgrave, John Cleese, Francois Truffaut, Salvador Dali, Tom Jones and Barry Humphries - indeed, almost everyone who was 'The Sixties". In 1971, as Swinging London faded and Britain entered a recession, Lewis and his family emigrated to Australia, where he worked extensively for Australian design & fashion magazines. He continued his portrait work including artists Lloyd Rees, Brett Whiteley, controversial figure Juni Morosi, and writer Peter Carey. The video has Morley discuss his sessions with Caine, Twiggy, Shrimpton, and the background to his working life at Peter Cook's Club 'The Establishment', where he was resident photographer. Morley takesus back in time and behind the scenes of Beyond the Fringe and That Was the Week.
  • Olympic Memorabilia89

    Olympic Memorabilia89

    OLYMPIC MEMORABILIA89 MAIL BID AUCTION 89: APRIL 24, 2021 INGRID O’NEIL Lot 11 Third Place Winner’s Diploma Awarded for 50 Kilometer Skiing to M. J. Grothumsbraaten from Norway at the Chamonix 1924 First Winter Olympic Games Cover Illustrations Lot 1 Participation Medal struck in Gold for Stockholm 1912 President Viktor Balck – the Third Known Gold Medal for the Stockholm 1912 Olympic Games, the First Two Medals belonging to the Swedish King and the Crown Prince Lot 2 The Badge for the Emperor of Japan and the Imperial Family at the Tokyo 1964 Olympic Games Back Cover Illustration Lot 3 Original Painting “Atlanta 1996” by Famous Painter Michel Delacroix Commissioned by the IOC and the USOC for the Centennial Olympic Games in Atlanta 1996 OLYMPIC GAMES MEMORABILIA 1896–2020 Mail Bid Auction No. 89 Closing at 8 pm Pacific Time (Los Angeles) Saturday, April 24, 2021 The Auction will take place Online at auctions.ioneil.com www.ioneil.com Bids by Email, Phone, Mail and Fax are Welcome Ingrid O’Neil Auctions, Inc. Sports and Olympic Memorabilia P.O. Box 265 Tel: (949) 715-9808 Corona Del Mar, CA 92625 USA Fax: (949) 715-1871 Email: [email protected] ©2021 Ingrid O’Neil Auctions, Inc. Sports and Olympic Memorabilia INGRID O’NEIL AUCTIONS, INC. MAIL BID AUCTION 89 Tel: (949) 715-9808 Sports and Olympic Memorabilia Saturday, April 24, 2021 Fax: (949) 715-1871 P.O. Box 265 Online Auction www.ioneil.com Email: [email protected] Corona Del Mar, CA 92625 USA auctions.ioneil.com Bids by Email, Phone, Mail and Fax accepted TERMS OF SALE (Please read carefully before bidding.) The auction will be conducted in accordance with the terms set forth below.
  • AUIP Itinerary

    AUIP Itinerary

    Itinerary for PSU SOVA 2021 Social and Cultural Explorations in the Visual Arts: in Sydney, Australia 13 July 2021 - 24 July 2021 Tuesday 13 July Day 1: Sydney 8:50 AM Group flight arrives 9:30 AM Welcome to Sydney Your guide for today’s walking tour will greet you upon arrival at the airport with a sign that reads "PENN STATE UNIVERSITY." Please meet at Exit A at the northern end of the terminal. If you miss your flight and will be arriving late, please contact your faculty leader, Dr. Angela Rothrock (Phone: 011 61 420 675 797 or Email: [email protected]), to let her know when you will be arriving. You will then be responsible for making your own way from the airport to the accommodation. Please notify your family of your safe arrival. 10:15 AM Depart by coach to Travelodge Sydney (travel time approximately 30 minutes) Please store your luggage at Travelodge Sydney. You will be able to check in after 3:30 PM. Please notify hotel staff of any valuables (laptop computers, jewellery, electronics, etc.) and they can lock them in a secure room for you. 11:10 AM Depart by coach to The Rocks historic neighborhood (travel time approximately 20 minutes) 11:30 AM Guided walking tour of The Rocks Your guide will provide you with a detailed history of The Rocks as you visit sites of interest in the area. Topics include Aboriginal history and culture, Australia’s history as a convict penal colony, the start of European migration to Australia and Sydney landmarks.
  • The Futurist Moment : Avant-Garde, Avant Guerre, and the Language of Rupture

    The Futurist Moment : Avant-Garde, Avant Guerre, and the Language of Rupture

    MARJORIE PERLOFF Avant-Garde, Avant Guerre, and the Language of Rupture THE UNIVERSITY OF CHICAGO PRESS CHICAGO AND LONDON FUTURIST Marjorie Perloff is professor of English and comparative literature at Stanford University. She is the author of many articles and books, including The Dance of the Intellect: Studies in the Poetry of the Pound Tradition and The Poetics of Indeterminacy: Rimbaud to Cage. Published with the assistance of the J. Paul Getty Trust Permission to quote from the following sources is gratefully acknowledged: Ezra Pound, Personae. Copyright 1926 by Ezra Pound. Used by permission of New Directions Publishing Corp. Ezra Pound, Collected Early Poems. Copyright 1976 by the Trustees of the Ezra Pound Literary Property Trust. All rights reserved. Used by permission of New Directions Publishing Corp. Ezra Pound, The Cantos of Ezra Pound. Copyright 1934, 1948, 1956 by Ezra Pound. Used by permission of New Directions Publishing Corp. Blaise Cendrars, Selected Writings. Copyright 1962, 1966 by Walter Albert. Used by permission of New Directions Publishing Corp. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 1986 by The University of Chicago All rights reserved. Published 1986 Printed in the United States of America 95 94 93 92 91 90 89 88 87 86 54321 Library of Congress Cataloging-in-Publication Data Perloff, Marjorie. The futurist moment. Bibliography: p. Includes index. 1. Futurism. 2. Arts, Modern—20th century. I. Title. NX600.F8P46 1986 700'. 94 86-3147 ISBN 0-226-65731-0 For DAVID ANTIN CONTENTS List of Illustrations ix Abbreviations xiii Preface xvii 1.
  • Next Witness, Julie Fragar—TEACHER NOTES

    Next Witness, Julie Fragar—TEACHER NOTES

    Next Witness, Julie Fragar—TEACHER NOTES Level year: Year 11 Worksheet number: 5.0.2 Curriculum context Related worksheets Legal Studies 2019 (General Senior Syllabus): Worksheet 1.1.2 • Criminal Unit 1: Beyond reasonable doubt, Topic 3: Worksheet 1.3.0 trial process In 2016 and 2017 Brisbane based artist Dr Julie Fragar attended two trials at the Supreme Court of Queensland. Based on this experience, Fragar created a collection of artworks entitled Next Witness. The collection was motivated by her desire to better understand the way that courts’ legal and aesthetic structures interact with its human participants. Learning objective Learners will: • explain the key personnel involved in a criminal trial • explain the attributes of a fair trial • learn how to evaluate information Focus question • How does the criminal justice system and its citizens interact? Key concepts • Barrister • Criminal law • Crown • Crown Prosecutor • Evidence • Judge • Judgment • Jury • Legal representation • Media • Murder • Trial • Witness Further information • Dr Karen Crawly, Artist as Witness: Painting a Criminal Trial – app.secure.griffith.edu.au/news/2018/10/26/artist-as-witness-painting-a-criminal-trial/ Next witness, Julie Fragar (worksheet 5.0.2) 1 About the exhibition In 2016 and 2017 Dr Julie Fragar sat in the public gallery of a murder trial in the Supreme Court of Queensland in Brisbane. Based on this experience, Fragar created a series of artworks entitled Next Witness. Each artwork examines the courtroom as a very specific social and architectural space. It also examines the structure of a trial using a narrative and biographical history perspective. Each artwork also investigates the conflicting relationship between the public interest and people’s privacy.
  • Photo/Arts MY DEAR MALEVICH (MDM)

    Photo/Arts MY DEAR MALEVICH (MDM)

    TOM R. CHAMBERS - Photo/Arts Highlights from his personal website. Many of the links on the page go back to the website for greater detailing. Tom R. Chambers is a documentary photographer and visual artist, and he is currently working with the pixel as Minimalist Art ("Pixelscapes") and Kazimir Malevich's "Black Square" ("Black Square Interpretations"). He has over 100 exhibitions to his credit. His "My Dear Malevich" project has received international acclaim, and it was shown as a part of the "Suprematism Infinity: Reflections, Interpretations, Explorations" exhibition in conjunction with the "100 Years of Suprematism" conference at Columbia University, New York City (2015). MY DEAR MALEVICH (MDM) "My Dear Malevich" This homage to Kazimir Malevich is a confirmation of Tom R. Chambers' Pixelscapes as Minimalist Art and in keeping with Malevich's Suprematism - the feeling of non-objectivity - the creation of a sense of bliss and wonder via abstraction. Chambers' action of looking within a portrait (photo) of Kazimir Malevich to find the basic component(s), pixel(s) is the same action as Malevich looking within himself - inside the objective world - for a pure feeling in creative art to find his "Black Square", "Black Cross" and other Suprematist works. And there's a mathematical parallel between Malevich's primitive square ("Black Square") ... divided into four, then divided into nine ("Black Cross") ... and Chambers' Pixelscapes. The pixel is the most basic component of any computer graphic, and it can be represented by 1 bit (a 1 if the pixel is black, or a 0 if the pixel is white). And filters (tools [e.g., halftone]) in a graphics program like Photoshop produce changes by mathematically modifying pixel values based on the values of neighboring pixels.
  • Australian & International Photography

    Australian & International Photography

    Australian & International Photography Collectors’ List No. 178, 2015 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Kensington (Sydney) NSW Ph: (02) 9663 4848; Email: [email protected] Web: joseflebovicgallery.com JOSEF LEBOVIC GALLERY 19th Century Photography Established 1977 1. Hill and Adamson Address: 103a Anzac Parade, Kensington (Sydney) NSW (Scot t ish, David 1802-1870; Robert 1821-1848). Pres by­ Postal: PO Box 93, Kensington NSW 2033, Australia tery Group 24, c1845. Salt Phone: +61 2 9663 4848 • Mobile: 0411 755 887 paper photo graph, 14.4 x 19.6cm. Old stain to upper Email: [email protected] • Website: joseflebovicgallery.com right corner. Open: Mon. to Sat. by appointment or by chance. ABN 15 800 737 094 $12,500 Illustrated in Stevenson, David Member: Aust. Art & Antique Dealers Assoc. • Aust. & New Zealand Assoc. of Octa vius Hill and Robert Adam son, Antiquarian Booksellers • International Vintage Poster Dealers Assoc. • Assoc. of 1981, p183, with the caption “The International Photography Art Dealers • International Fine Print Dealers Assoc. reporters’ table - Skene standing, W. Robertson, J.R. Fyfe, John Johnstone, John MacDonald and COLLECTORS’ LIST No. 178, 2015 Rev Andrew Cameron.” Australian & International 2. Hill and Adamson (Scottish, David 1802- Photography 1870; Robert 1821-1848). Unknown Man #31, c1845. Salt paper photograph, 19.6 x 14.4cm. On exhibition from Wed., 5 August to Sat., 26 September. $11,000 Illustrated in Stevenson, David Octavius Hill and Robert All items will be illustrated on our website from 15 August. Adamson, 1981, p119. Prices are in Australian dollars and include GST. Exchange rates as at time of printing: AUD $1.00 = USD $0.74¢; UK £0.47p © Licence by VISCOPY AUSTRALIA 2015 LRN 5523 Compiled by Josef & Jeanne Lebovic, Dimity Kasz, Takeaki Totsuka, Lenka Miklos Cover: Lining Up, c1936.
  • Community Connections University of Wollongong Special Supplement June 2011

    Community Connections University of Wollongong Special Supplement June 2011

    Community Connections University of Wollongong Special Supplement June 2011 SHARE Student & Staff THOUGHTS YOUR UOW CHLOE HIGGINS: My happiest UOW memory is leaving my fi rst lecture and STORIES realising I am exactly where I want to be. KRISTIE LYNCH: My happiest UOW memory is sitting under the big tree near 60th anniversary time the duck pond sitting there eating, feeding the ducks and birds who were nearby, being surrounded by fellow University capsule captures history students. I felt quite content and had a sense of belonging. TIM BROWN: The Lecturer I remember The University of Wollongong (UOW) is building from UOW was Margaret Bond. She made an interactive digital time capsule to mark its 60th me enthusiastic about contract law, a very Anniversary. Throughout the year stories, videos rare quality! and images which paint a picture of campus life in 2011 will be collected and published on the 60th Anniversary website for future UOW generations to NICK MORRISON: The one piece of view. advice I would give a UOW fi rst year is UOW this year is celebrating the 60th anniversary to get to know the kids on campus. Your of the establishment in Wollongong in 1951 of a social life will quadruple overnight and you small divisional college outpost of what was then will start to feel at home at uni. called the NSW University of Technology (later the University of NSW). The college moved from Coniston to its current site in 1962, and became a JESSICA SHILLINGTON: The person I fully autonomous university in 1975. was happy to meet at UOW was Aeelee The theme of the 60th Anniversary is Share your Jun because I am not a fi nance student Story and aims to recognise the role staff, students,, and I passed.
  • Annual Report 2010–11

    Annual Report 2010–11

    ANNUAL REPORT 2010–11 ANNUAL REPORT 2010–11 The National Gallery of Australia is a Commonwealth (cover) authority established under the National Gallery Act 1975. Thapich Gloria Fletcher Dhaynagwidh (Thaynakwith) people The vision of the National Gallery of Australia is the Eran 2010 cultural enrichment of all Australians through access aluminium to their national art gallery, the quality of the national 270 cm (diam) collection, the exceptional displays, exhibitions and National Gallery of Australia, Canberra programs, and the professionalism of Gallery staff. acquired through the Founding Donors 2010 Fund, 2010 Photograph: John Gollings The Gallery’s governing body, the Council of the National Gallery of Australia, has expertise in arts administration, (back cover) corporate governance, administration and financial and Hans Heysen business management. Morning light 1913 oil on canvas In 2010–11, the National Gallery of Australia received 118.6 x 102 cm an appropriation from the Australian Government National Gallery of Australia, Canberra totalling $50.373 million (including an equity injection purchased with funds from the Ruth Robertson Bequest Fund, 2011 of $15.775 million for development of the national in memory of Edwin Clive and Leila Jeanne Robertson collection and $2 million for the Stage 1 South Entrance and Australian Indigenous Galleries project), raised $27.421 million, and employed 262 full‑time equivalent staff. © National Gallery of Australia 2011 ISSN 1323 5192 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher.