Working Across the UK Location, Location, Location
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Daniel Greenway Editor
Daniel Greenway Editor Daniel gained cutting room and features experience working on Batman Begins, The Da Vinci Code and The Bourne Ultimatum. He graduated with a Distinction in 2007 from the National Film and Television School's two year MA programme, specialising in editing. In 2016 he was nominated for a BAFTA for his work on the sci-fi drama series Humans. Daniel is a proficient French speaker and is based in London. Agents Silvia Llaguno Associate Agent Shannon Black [email protected] +44 (0) 20 3214 0889 Credits Drama Production Company Notes SUSPICION Keshet Productions / Apple Dir: Chris Long 4 x 60MIN EPS 1, 2, 7 TV+ Prod: Darin McLeod & 8 2021 BRAVE NEW WORLD Amblin Television / Dir: Andrij Parekh 1 x 60MIN EP 7 NBCUniversal Content Studios Prod: Chloe Moss 2020 / USA Network WHITE LINES Left Bank Pictures / Netflix Dir: Luis Prieto 1 x 60MIN EP 5 Prod: Chris Croucher 2020 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE CROWN Left Bank Pictures / Netflix Dir: Sam Donovan 1 x 60MIN SERIES 3, Prod: Michael Casey EP 9 2019 WORLD ON FIRE Mammoth Screen / BBC One Co-editor 1 x 60MIN EP 1 Dir: Adam Smith 2019 Prods: Nickie Sault, Chris Clough BAPTISTE Two Brothers Pictures / BBC Dir: Börkur Sigþórsson 1 x 60MIN EP 1 One Prod: John Griffin 2019 THE WIDOW Two Brothers Pictures / ITV Dir: Sam Donovan 2 x 60MIN EPS 1 & 2 Prod: Eliza Mellor 2019 THE TERROR Scott Free / AMC Studios Dir: Sergio Mimica-Gezzan 3 x 60MIN -
The Speakers and Chairs 2016
WEDNESDAY 24 FESTIVAL AT A GLANCE 09:30-09:45 10:00-11:00 BREAK BREAK 11:45-12:45 BREAK 13:45-14:45 BREAK 15:30-16:30 BREAK 18:00-19:00 19:00-21:30 20:50-21:45 THE SPEAKERS AND CHAIRS 2016 SA The Rolling BT “Feed The 11:00-11:20 11:00-11:45 P Edinburgh 12:45-13:45 P Meet the 14:45-15:30 P Meet the MK London 2012 16:30-17:00 The MacTaggart ITV Opening Night FH People Hills Chorus Beast” Welcome F Revealed: The T Breakout Does… T Breakout Controller: T Creative Diversity Controller: to Rio 2016: SA Margaritas Lecture: Drinks Reception Just Do Nothing Joanna Abeyie David Brindley Craig Doyle Sara Geater Louise Holmes Alison Kirkham Antony Mayfield Craig Orr Peter Salmon Alan Tyler Breakfast Hottest Trends session: An App Taskmaster session: Charlotte Moore, Network Drinks: Jay Hunt, The Superhumans’ and music Shane Smith The Balmoral screening with Thursday 14.20 - 14.55 Wednesday 15:30-16:30 Thursday 15:00-16:00 Thursday 11:00-11:30 Thursday 09:45-10:45 Wednesday 15:30-16:30 Wednesday 12:50-13:40 Thursday 09:45-10:45 Thursday 10:45-11:30 Wednesday 11:45-12:45 The Tinto The Moorfoot/Kilsyth The Fintry The Tinto The Sidlaw The Fintry The Tinto The Sidlaw The Networking Lounge 10:00-11:30 in TV Formats for Success: Why Branded Content BBC A Little Less Channel 4 Struggle For The Edinburgh Hotel talent Q&A The Pentland Digital is Key in – Big Cash but Conversation, Equality Playhouse F Have I Got F Winning in F Confessions of FH Porridge Adam Abramson Dan Brooke Christiana Ebohon-Green Sam Glynne Alex Horne Thursday 11:30-12:30 Anne Mensah Cathy -
James Cooper Avid and FCP Editor
James Cooper Avid and FCP Editor Profile James is a fast, creative and reliable editor with 10 years broadcast experience. Always calm, patient and personable, he works happily alongside directors and producers but he is also used to editing unattended. James prides himself in always getting the job done on time and to the very highest standard. His particular strengths are include narrative structure, visual creativity and working with music. He is skilled in all versions of Avid, specializing in offline editing, although he does have previous experience in online editing and grading. He also uses Final Cut Pro, and has his own home setup including DVD Studio Pro for authoring DVDs and Motion for creating motion graphics. As a sideline to editing factual television, he has written, directed and edited drama shorts, winning several film festival awards. Documentary Tiny Tots Talent Agency – TwoFour for Channel 4 (1 x 60 min) Documentary series following child talent agency Bizzy Kidz and the wannabe stars of the future starting out on their journey to fame and fortune. Producer/Director: Stevey Jones; Series Director: Fay Gibson; Executive Producer: David Clews. Avid offline. Love The Day - Minnow Films for Channel 4 (1 x 60 min) Documentary following the off-kilter world of Stalkie, a self-made life coach and business guru.Director: Andy Oxley; Executive Producer: Colin Barr. Avid offline. How to Live the Chelsea Life – Special Edition Films for Channel 4 (1 x 60 min) Observational documentary following entrepreneur Adam Goff and his company, a highly selective house sharing property ‘club’ which boasts the opportunity to offer young professionals in London a millionaire’s lifestyle. -
MADE in BRISTOL: 'THE WHITE PRINCESS' BEGINS on UKTV DRAMA CHANNEL THIS WEEKEND Begins Saturday 18 November 2017
television NEWS: FOR IMMEDIATE RELEASE MADE IN BRISTOL: ‘THE WHITE PRINCESS’ BEGINS ON UKTV DRAMA CHANNEL THIS WEEKEND Begins Saturday 18 November 2017, 9pm << Watch the official trailer >> BRISTOL, 16 November 2017: STARZ Original Limited Series The White Princess will premiere on British TV this weekend, after filming at The Bottle Yard Studios and across Bristol last year. Kicking off with a double bill on Saturday 18th November at 9pm on the UKTV Drama Channel, The White Princess is the follow-up to the STARZ/BBC’s 2013 Golden Globe and Emmy award- nominated The White Queen. Made by Company Pictures and Playground, the drama filmed in purpose- built sets at The Bottle Yard Studios and across Bristol in 2016. Rebecca Benson, Suki Waterhouse, Jodie Comer, Joanne Whalley, Essie Davis, Michelle Fairley on set at The Bottle Yard Studios - image (c) Starz Coordinating the entire shoot from production offices at The Bottle Yard Studios, the production team also used additional build space, stores and costume areas on site. Bristol Film Office provided unit bases for filming at locations across the city, facilitating location liaison and organising holding areas at City Hall for around 100 cast extras during a large-scale shoot at Bristol Cathedral. Jacob Collins-Levy (King Henry VII) & Michelle Fairley (Lady Margaret Beaufort) film at Bristol Cathedral - image (c) Starz Karen Bailey, SVP Original Programming, STARZ, said: “We knew from the early location scouts that the natural scenic beauty of the area was a good fit for the production, but seeing the facilities at The Bottle Yard and discovering there was such a strong infrastructure already in place made the decision to shoot in Bristol an easy one.” Fiona Francombe, Site Director of The Bottle Yard Studios, said: “Every aspect of this production was expertly crafted and beautifully detailed. -
7 Wonder Expands Team to Fuel Further Growth and Success
PRESS RELEASE 4th February 2016 7 WONDER EXPANDS TEAM TO FUEL FURTHER GROWTH AND SUCCESS 7 Wonder, one of the UK’s fastest growing TV independent production companies, has made three new appointments to fuel further growth, following a recent influx of commissions and company developments. The production company has added Executive Producer, Jeremy Lee to the team, who joins from UK indie NERD, where he developed and produced hit series The 80s: 10 Years that Changed Britain and The 90s: 10 Years that Changed the World for Channel 4. Prior to NERD, Jeremy was Executive Producer at Fresh One, where he produced Emmy nominated Channel 4 campaigning series Don’t Stop the Music, Grierson nominated Notes from the Inside with James Rhodes and cutting edge documentary Burgled. He also developed and executive produced titles such as the Idris Elba fronted How Hip Hop Changed the World and How Clubbing Changed the World for Channel 4, nostalgia documentary strand, Rewind... and hit format Supernanny, during his time at Ricochet. Jeremy has already started working with the 7 Wonder team and has landed a commission from Channel 4 for How Rom Coms Ruled our World (w/t) – a 90-minute special that celebrates the greatest rom coms ever made; from When Harry Met Sally and Four Weddings and a Funeral, to this year’s latest film in the Bridget Jones franchise. The series will feature an international star studded cast of rom com royalty to reveal why the genre boasts some of Hollywood’s finest and highest grossing moments of recent years. -
No Offence the Aims of This Factsheet Are to Demonstrate the Way the Theoretical Abbot Has a Long Relationship with Channel 4
Media Studies www.curriculum-press.co.uk Number 184 Applying the Theoretical Framework: No Offence The aims of this Factsheet are to demonstrate the way the theoretical Abbot has a long relationship with Channel 4. Channel 4 are a framework can be applied to the television CSP, No Offence including commercial broadcaster but they also receive some government the industrial context of No Offence and the way the programme uses funding. To receive the public money, Channel 4 has to ensure media language: that (amongst other things) its programming is innovative, offers • To position the programme as part of a genre. alternative points of view and reflects the cultural diversity of the country. • To create narrative. Channel 4 buys programming from production companies and, when • To construct representations. doing so, will consider how the programme will help support its • To appeal to audiences. remit. Programmes which fit into Channel 4’s brand identity are No Offence is one of the options available for the study of television more likely to be bought by the broadcaster. products for AQA’s AS and A Level qualifications. Having a distinctive production background and being a ‘Channel • For AS Media Studies, it is a targeted CSP and should be 4 programme’ adds to the branding of No Offence itself and helps studied considering Audience and Industry ideas. audiences know what to expect from the programme. With no other • For A Level Media Studies, it is an in-depth CSP and information about the show, audiences would assume it would have should be studied considering all areas of the framework an irreverent approach to storytelling and may provide representations – Media Language, Representation, Audience and and storylines that are unconventional. -
ROYAL TELEVISION SOCIETY Regional Centres' Awards 2006/7
RTS Centre Awards 2004/5 ROYAL TELEVISION SOCIETY Regional Centres’ Awards 2006/7 West of England Craft Award for Camerawork/Lighting Camerawork Dec 2006 Chris Hutchins & Team BBC Features and Documentaries Single Item News Coverage The West Tonight: Pakistan ITV West Regional Television Personality of the Year Jed Pitman ITV West Regional TV – Reporter/Journalist of the Year John Maguire BBC Points West Regional Current Affairs Inside Out West – Crimea’s War BBC West Regional Documentary I Know What You Watched this Summer Swift Films for ITV West Regional Television News Programme The West Tonight ITV West Regional Independent Till the Boys Come Home – ‘A Brush with Death’ Wildfire Productions for ITV West Network Award - Specialist Factual Planet Earth from Pole to Pole BBC Natural History Unit Best Graphics and FX Direction Are we Changing Planet Earth?/Can we Save Planet Earth? BDH for BBC Specialist Factual, Science Network Award – Feature or Documentary Paul Merton’s Silent Clowns – Buster Keaton BBC Features & documentaries Network - Television Personality Noel Edmonds Endemol West Best Newcomer Alex Beresford ITV West Best International Co-production The Miracle of Stairway B Testimony Films for History Channel & Channel 4 - 1 - RTS Centre Awards 2004/5 Devon & Cornwall Network Documentary Nov 2006 Through Hell & High Water Twofour Broadcast for BBC TWO Non-Broadcast Headway Channel Television Network Leisure/Entertainment Cabin Fever Denham Productions for BBC TWO Network Series Hotel Inspector Series 2 Twofour Broadcast for -
Culture, Media and Sport Committee
House of Commons Culture, Media and Sport Committee Future of the BBC Fourth Report of Session 2014–15 Report, together with formal minutes relating to the report Ordered by the House of Commons to be printed 10 February 2015 HC 315 INCORPORATING HC 949, SESSION 2013-14 Published on 26 February 2015 by authority of the House of Commons London: The Stationery Office Limited £0.00 The Culture, Media and Sport Committee The Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration and policy of the Department for Culture, Media and Sport and its associated public bodies. Current membership Mr John Whittingdale MP (Conservative, Maldon) (Chair) Mr Ben Bradshaw MP (Labour, Exeter) Angie Bray MP (Conservative, Ealing Central and Acton) Conor Burns MP (Conservative, Bournemouth West) Tracey Crouch MP (Conservative, Chatham and Aylesford) Philip Davies MP (Conservative, Shipley) Paul Farrelly MP (Labour, Newcastle-under-Lyme) Mr John Leech MP (Liberal Democrat, Manchester, Withington) Steve Rotheram MP (Labour, Liverpool, Walton) Jim Sheridan MP (Labour, Paisley and Renfrewshire North) Mr Gerry Sutcliffe MP (Labour, Bradford South) The following Members were also a member of the Committee during the Parliament: David Cairns MP (Labour, Inverclyde) Dr Thérèse Coffey MP (Conservative, Suffolk Coastal) Damian Collins MP (Conservative, Folkestone and Hythe) Alan Keen MP (Labour Co-operative, Feltham and Heston) Louise Mensch MP (Conservative, Corby) Mr Adrian Sanders MP (Liberal Democrat, Torbay) Mr Tom Watson MP (Labour, West Bromwich East) Powers The Committee is one of the Departmental Select Committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. -
MIPTV 2012 Full Programme
Programme of Conferences & Events Sunday 1 – Wednesday 4 April 2012 - Palais des Festivals, Cannes MEDIA MASTERMIND SERIES SUNDAY 1 APRIL Peter Vesterbacka, Jean-Briac Perrette, CMO and Mighty Chief Digital Officer, Eagle, Rovio, Finland Discovery Communications, USA Anthony Bay, Vice President, Amazon.com, USA MONDAY 2 APRIL Jersey Shore Keynote Showcase: Featuring cast members Deena Nicole Cortese (photo left) and Vinny Guadagnino , (photo left), Chris Linn, EVP of Programming and Head of Production, MTV and Caroline Beaton, Senior Vice President, International Programme Sales, Viacom International Media Networks Fashion Star Keynote Showcase: Elle Macpherson, Executive Producer & Host, Fashion Star, USA Ben Silverman, Founder & Chairman, Electus, USA Chris Grant, CEO, Electus, USA MONDAY 2 APRIL Josh Sapan, Jonathan Mildenhall, President and Chief Executive Officer, VP, Global Advertising Strategy And AMC Networks Inc. , Content Excellence, USA The Coca-Cola Company, Elle Macpherson, Executive Producer & Host,USA Fashion Star, USA Ben Silverman , Founder & Chairman , Electus, USA Chris Grant, CEO, Electus, USA MIPTV SPONSORS & PARTNERS Programme & speakers information as of 19 March, 2012. Please visit www.miptv.com for regular updates Programme of Conferences & Events Sunday 1 – Wednesday 4 April 2012 - Palais des Festivals, Cannes PROGRAMME IN CHRONOLOGICAL ORDER: SUNDAY 1 APRIL 10.00-10.15 DIGITAL DEALS CONNECTED DEVICES & CONNECTED AUDIENCES Location: Esterel The battle for the audience is in full swing as everyone from pay-TV -
The Role of Psbs in the UK TV Production Sector
Small Screen: Big Debate Consultation – Annex 7. The role of PSBs in the UK TV production sector A7. The role of PSBs in the UK TV production sector Overview The TV production sector is a UK success story. The skill base of UK TV production companies has attracted valuable inward investment and global sales of UK programmes have boosted the image of the UK. The UK TV production sector consists of a mixture of large and small independent producers which operate alongside production companies owned by UK broadcasters. This successful production sector has attracted significant inward investment, from foreign broadcasters and streaming services. The UK independent TV production sector is not a product of the market alone; it has been supported and nurtured by the rules and obligations placed on the PSBs over the years. Rules on external commissioning, IP rights and regional quotas have played a vital role in the emergence and development of the independent TV production sector in the UK. UK TV production industry A7.1 The UK TV production sector has changed dramatically over the last 20 years. In 2004, the Public Service Broadcasters (PSBs) accounted for around 87% of all UK commissions.1 The PSBs also dominated content production, accounting for over half (56%) of all UK production.2 A7.2 Fast forward to now, the sector is diverse, competitive, and internationally successful. It has almost doubled in size over this period with commissioning spend on UK productions estimated to range between £4.5bn and £5bn in 2018.3 A7.3 In 2018, UK producers were responsible for almost half of all peak-time shows in major international markets.4 Formats such as Love Island and Strictly Come Dancing/Dancing with the Stars and The Office originated in the UK and have gone on to be global hits. -
MGEITF Prog Cover V2
Contents Welcome 02 Sponsors 04 Festival Information 09 Festival Extras 10 Free Clinics 11 Social Events 12 Channel of the Year Awards 13 Orientation Guide 14 Festival Venues 15 Friday Sessions 16 Schedule at a Glance 24 Saturday Sessions 26 Sunday Sessions 36 Fast Track and The Network 42 Executive Committee 44 Advisory Committee 45 Festival Team 46 Welcome to Edinburgh 2009 Tim Hincks is Executive Chair of the MediaGuardian Elaine Bedell is Advisory Chair of the 2009 Our opening session will be a celebration – Edinburgh International Television Festival and MediaGuardian Edinburgh International Television or perhaps, more simply, a hoot. Ant & Dec will Chief Executive of Endemol UK. He heads the Festival and Director of Entertainment and host a special edition of TV’s Got Talent, as those Festival’s Executive Committee that meets five Comedy at ITV. She, along with the Advisory who work mostly behind the scenes in television times a year and is responsible for appointing the Committee, is directly responsible for this year’s demonstrate whether they actually have got Advisory Chair of each Festival and for overall line-up of more than 50 sessions. any talent. governance of the event. When I was asked to take on the Advisory Chair One of the most contentious debates is likely Three ingredients make up a great Edinburgh role last year, the world looked a different place – to follow on Friday, about pay in television. Senior TV Festival: a stellar MacTaggart Lecture, high the sun was shining, the banks were intact, and no executives will defend their pay packages and ‘James Murdoch’s profile and influential speakers, and thought- one had really heard of Robert Peston. -
Annual Report 2018
Channel Four Television Corporation Report and Financial Statements 2018 Incorporating the Statement of Media Content Policy Presented to Parliament pursuant to Paragraph 13(1) of Schedule 3 to the Broadcasting Act 1990 Channel 4 Annual Report 2018 Contents OVERVIEW FINANCIAL REPORT AND STATEMENTS Chair’s Statement 4 Strategic Report Chief Executive’s Statement 8 Financial review and highlights 156 The heart of what we do 13 Our principal activities 159 Remit 38 Key performance indicators 160 At a glance 40 People and corporate annualreport.channel4.com social responsibility 162 STATEMENT OF MEDIA CONTENT POLICY Risk management 164 Strategic and financial outlook 2018 programme highlights 42 and Viability statement 167 4 All the UK 46 Please contact us via our website (channel4.com/corporate) if you’d like this in an alternative Governance format such as Braille, large print or audio. Remit performance The Channel 4 Board 168 Investing in content 48 © Channel Four Television Corporation copyright 2019 Printed in the UK by CPI Colour on Report of the Members 172 Innovation 56 FSC® certified paper. CPI Colour’s Corporate governance 174 The text of this document may be reproduced free environmental management Young people 64 of charge in any format or medium provided that it is Audit Committee Report 179 system is certified to ISO 14001, reproduced accurately and not in a misleading context. Inclusion and diversity 70 and is accredited to FSC® chain of Members’ Remuneration Report 183 The material must be acknowledged as Channel Four custody scheme. CPI Colour is a Supporting creative businesses 78 ® Television Corporation copyright and the document certified CarbonNeutral company Talent 84 Consolidated financial statements title specified.