PARADISE on HOLD Marie-France Silver CIVIL to STRANGERS AND

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PARADISE on HOLD Marie-France Silver CIVIL to STRANGERS AND women's writing - which embodied professional and economic opportunity. model for analyzing women's writing their voice - and their public actions Dickinson commented critically on the within a societal and historical context. were gathering critical power. Leder and American Civil War, religion and mar- Much of the strength of current literacy Abbott explore the poets' lives and work riage. practice comes from its respect for and to establish them as participants, through It has taken nearly one hundred years encouragement of the learner, her life and their work, in the events and great issues for Emily Dickinson and Christina Ros- her experience. It is interesting to see this of their day. Dickinson, for example, was setti to be assessed in terms of their work acceptance and respect applied to women affected by the American Civil War, and and their experiences, rather than the in another context, and the historical per- Rossetti was active in social reform work degree of their conformity to or diver- spective is a constructive addition to the during the middle decades of the nine- gence from traditionally acceptable femi- learner-centered approach. teenth century. nine behaviour. The examination of the lives of these Thepoets' status as single women, in an While their writing style could be women, who were educated and middle age when "unmarried women of all smoother, Leder and Abbott have as- class (both stunning examples of literate classes were society's largest group of sembled a convincing case, utilizing bi- power), may seem at first to be of limited outsiders," is presented by the authors as ographical data, critical evaluation of the relevance to the literacy movement. It is, among the most important keys to the language and writing of Dickinson and however, a useful reminder of the long poets' sense of exclusion and their result- Rossetti, and a survey of existing literary struggle women have waged to find their ing roles as clear-sighted observers of the criticism and feminist theory of language. own authentic voices and to have them society which had little room for them. Extensive notes, indexes and a selected heard. The move toward literacy is an Rossetti's poetry was informed by the bibliography all add to the usefulness of important part of women's struggle to English women reformers and radicals the study. free themselves from involuntary exclu- who were focusing on marriage reform People in the literacy field may be in- sion and to enable all our voices to be and women's exclusion from education, terested in approaching this book as a heard, pp PARADISE ON HOLD that it has been mnslated, it shouldattract old world and the new, they are as es- a good deal of attention from English tranged - psychologically and spiritu- Canada. ally -from the former as from the latter. Laura Bulger. Toronto: Bramble House, These are tales of loneliness, inadapta- They remain dutsiders, forever pulled in 1987. tion, and alienation. Bulger's characters opposing directions. "What a helluva are misfits - people caught between life!" exclaims the narrator of "VaivCm," Marie-France Silver conflicting views of life, tom between the the last story in the collection. "Always illusory world of their imagination and coming and going, from here to there, This arresting collection of short stories the drab reality of daily life, disenchanted there to here, um vaivCm .. ." by Toronto author Laura Bulger created a by the present while tormented by nos- In a classically sober style, Laura Bul- considerable sensation within the Cana- talgic memories of their long-gone youth. ger succeeds in dramatizing the peculiar dian Portuguese community when it first Many of them have immigrated to Canada ambivalence of all those who have left appeared in its original language. Now from Portugal or Italy. Tom between the one country to settle in another. CIVIL TO STRANGERS AND the importance of Oxford in her life and in rapid succession, including the much- OTHER WRITINGS her fiction. Itis from that treasure trove of praised Quartet in Autumn. Since her manuscripts that the present collection of death her sister Hilary, her literary execu- some of her earliest work is drawn. tor Hazel Holt and other friends such as Barbara Pym. Edited by Hazel Holt. The appearance of Civil to Strangers Larkin have been active in editing the Toronto: Fitzhenry and Whiteside, manuscript material, a project which has 1988. brings to thirteen the total number of Pym novels, in a thirty-eight-year publishing yielded the invaluable 1984 autobiogra- history which falls into three sharply phy, A Very Private Eye, and four posthu- Anne Pilgrim defined phases. First came the six gently mous novels: An UnsuitableAttachment, satirical comedies, peopled with "excel- Crampton Hodnet, An Academic Not long before her death in 1980, lent women" much put upon by vicars or Question, and now Civil to Strangers. To Barbara Pym gave some thought to the anthropologists (or both). This sort of make up what she describes as "a last proper disposition of her remains - her novel went out of style in theearly 1960s, sheaf' of Pym's unpublished writings, literary remains, that is, which were then leaving Pyrn in an enforced silence that Hazel Holt has added to the full text of occupying a large cardboard box in her ended only in 1977 when both Lord David Civil to Strangers sizeable extracts from bedroom. Eventually she gave all of her Cecil and Philip Larkin singled her out in three other novels, four short stories, and manuscripts, notebooks and papers to the a TLS survey as an "under-rated" author; the script of a talk Pym gave on BBC Bodleian Library in Oxford, a most suit- at the end of the decade she was able to Radio in 1978 after her rediscovery by the able (her favorite adjective) choice given place three more novels with Macmillan press and public. 142 CANADIAN WOMAN STUDIESlLES CAHIERS DE LA FEMME .
Recommended publications
  • In Quartet in Autumn
    “Here’s to Us, Then”: The Difficulties and Rewards of “Making Contact” in Quartet in Autumn Kathy Ackley Paper presented at the 17th North American Conference of the Barbara Pym Society Cambridge, Massachusetts, 14-15 March 2015 A colleague, wanting to encourage volunteer social worker Janice Brabner after her discouraging initial visit to Marcia Ivory’s home, tells her: “Make contact, by force, if necessary. Believe me, it can be most reward- ing.” The statement is not only amusing in a distinctly Pymian way with its startling suggestion that force might be necessary, but also perplexing for the questions that it raises: What does she mean by “contact”? What sort of force does she have in mind? And for whom is the contact rewarding—the social worker or the person being contacted, or both? Nevertheless, the advice represents one of the novel’s major themes: making contact with others can be difficult, but it can also be enriching. While there are various kinds of contact, in this novel, the words “make contact” denote, broadly, the act of connecting or establishing a bond with another human being. There is a complexity to this kind of contact: What role does conscience or doing one’s duty play, for instance? Is the attempt to make contact sincere or merely a gesture, and if a gesture, does it not count for anything? Who ben- efits from making contact and what form does the reward take? As the novel demonstrates, almost everyone who tries to make contact with others, for whatever reasons, benefits to a certain degree, whether the attempt succeeds or fails.
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  • Academics and Librarians in the Novels of Barbara Pym
    http://sajlis.journals.ac.za/ 34 S.Afr.Tydskr.Bibl.Inligtingk.,1998,66(I) 'Thankless tasks': academics and librarians in the novels of Barbara Pym Elizabeth S. van Aswegen Department of Language Practice, Department of Library and Information Studies, Cape Technikon, P.O. Box 652, Cape Town 8000 Republic of South Africa [email protected] From 1950, until her death in 1980, Barbara Pym published ten novels. However, the social and literary climate of the 'sixties and early 'seventies was not receptive to her subtle and ironic literary style, and her writing suffered an eclipse of 16 years. A renaissance in her fortunes came in January 1977, when the Times literary supplement asked a selection of critics to comment on which writers they considered the most underrated of the twentieth century; both Philip Larkin and Lord David Cecil selected Barbara Pym. This critical acclaim stimulated renewed interest in her work, and Quartet in ali/limn was nominated and shortlisted for the Booker Prize in 1977. Her new status led to her canonization in the literary world, and several previously unpublished novels, as well as her edited diaries and notebooks, appeared after her death in 1980. An analysis of character in the novels reveals that Pym's peripheral characters include a large cast of academics; in addition, some of her most malicious creations are librarians, who, with their petty concerns, are averse to both books and borrowers. This article highlights her countless subtle jibes at academe; while her characters are frequently intrinsic to theme and plot (the adjective 'peripheral' is therefore to be used with caution), her most caustic scenes deflate academic ambition and pretension.
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  • When I First Took Over Representation of the Pym Estate, We Had Very Few Papers, Just a Handful of Documents Handed Over by Barbara’S Sister, Hilary, Before Her Death
    Working with Hazel Laura Morris Remarks read at the Annual General Meeting of the Barbara Pym Society St Hilda’s College, Oxford, 3-4 September 2016 When I first took over representation of the Pym Estate, we had very few papers, just a handful of documents handed over by Barbara’s sister, Hilary, before her death. Hazel had become Barbara’s Literary Executor, and as such was the fount of most of my knowledge. Gradually I assembled the history of Barbara’s previous publishers, both here and in the US – quite a daunting prospect with almost no formal documentation, but Hazel’s memory was astonishing and voluminous – and key. She would say ‘I have a feeling there might have been an Italian translation of Excellent Women in 1960’ or ‘Philip Larkin made special mention of that hat’ and she was invariably right. Of course Hazel knew Barbara’s work as well as her own, and appreciated every social nuance, every tiny, perfect observation in the same way. She was the perfect guardian of the Pym flame. We began to piece together the publishing jig-saw, first reverting rights in the Pym titles originally published by Jonathan Cape. In 2006 we found ourselves in the intriguing position of having interest from both Penguin and Virago for their respective Modern Classics Series. Crucially, Virago was prepared to republish each novel with its own individual jacket and new Introduction, which we felt would make maximum impact, both with booksellers and reviewers. And so it proved – the first trio were quickly followed by the second, and then the third.
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    Another Barbara: New Insights into Barbara Pym Robin Joyce Paper presented at the 15th North American Conference of the Barbara Pym Society Cambridge, Massachusetts, 16-17 March 2013 Barbara Pym, like all of us, cannot be truly known, even to her best friends. Biographers can only tell another person’s story through their own eyes and experience, we all ‘get in the way’ of the person about whom we are writing. This has happened to Barbara Pym in the biographies that have been written about her, and will happen in my interpretation of the Barbara I believe I know. However, new insights into a beloved author such as Pym are worth raising; my work joins, rather than dismisses, earlier biographies. Hilary Pym’s correspondence with Robert Liddell raises doubts about accepted understandings of her sister, such as suggestions she was a quiet spinster writer of ‘small’ novels. Hilary believes that Barbara Pym was an interesting amalgam of a number of personalities! Her contribution to A Very Private Eye, in conjunction with Pym’s Literary Executor, Hazel Holt, created a rather racy image of Pym. Robert Liddell found the work distasteful: it is clear that he sought to protect his image of Barbara. Hilary strongly defended the biography, suggesting that it corrected the erroneous depiction of Pym as a quiet person in a village, she described Barbara as frivolous rather than spinsterish. Hazel Holt’s contribution to A Very Private Eye appears to support Hilary. However, she also created her own version of Pym in A Lot to Ask. Pym’s friend from the late 1940s and literary executor, Holt concentrates on Pym’s relationships with men and their portrayal in her fiction, reflecting the views of other biographers who see romantic liaison as her eternal quest.
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  • Impolite Post in Barbara Pym's the Sweet Dove
    ‘A Difficult Letter’: Impolite Post in Barbara Pym’s The Sweet Dove Died Kym Brindle Paper presented at the 20th North American Conference of the Barbara Pym Society Cambridge, Massachusetts, 16-18 March 2018 Oh how absurd and delicious it is to be in love with somebody younger than yourself! Everybody should try it – no life can be complete without it. – Barbara Pym, diary entry March 1940 (AVPE) I first discovered the novels of Barbara Pym as a teenager. Reading them at that time was something of a guilty secret. If Pym had languished out of fashion for a period – and was still considered by some to be a little out of step with the late 1970s and early 1980s - then my reading of her novels, as a young woman, made me perhaps also a little unfashionable too, and I think I was aware of this. Of course, I did not realise at the time that the novels available in my local book store were there after a long and distressing publication impasse – marking their appearance on sale a renaissance, as it were, of Pym’s work. I bought and enjoyed the late novels The Sweet Dove Died and An Unsuitable Attachment and I borrowed others from my local library. When many years later a chance conversation with colleague, Nick Turner, revealed that he was planning an academic conference for Pym’s Centenary in 2013, I was delighted to talk about a writer who I still largely enjoyed in splendid isolation - I still knew no one who read Pym. Following my conversation with Nick I went to my book shelves to find that the slim books with covers that I remembered so very well were missing.
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  • On Campus with Barbara Pym: Crampton Hodnet (1985) and an Academic Question (1986) Roberta Simone Grand Valley State University
    Grand Valley Review Volume 2 | Issue 1 Article 15 1-1-1986 On Campus with Barbara Pym: Crampton Hodnet (1985) and An Academic Question (1986) Roberta Simone Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/gvr Recommended Citation Simone, Roberta (1986) "On Campus with Barbara Pym: Crampton Hodnet (1985) and An Academic Question (1986)," Grand Valley Review: Vol. 2: Iss. 1, Article 15. Available at: http://scholarworks.gvsu.edu/gvr/vol2/iss1/15 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Grand Valley Review by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. 63 ROBERTA SIMONE horty's truck ;var. Dot and nping off the On Campus with Barbara Pym: .. sentimental Jrty whisper, Crampton Hodnet (1985) and 1rk, trying to An Academic Question (1986) :o:d, and won­ '· When tears tad to knock Crampton Hodnet, Pym's earliest completed novel, was written in 1939 and 1940 but set aside when she got too busy with her war work to pay any more attention amous buck­ to it. After the war, she thought it to be "too dated to be publishable;' and concen­ ' had brought trated instead on Some Tame Gazelle, which was to be her first published novel (1950). ) the back of Five more of her novels were published prior to 1961, after which, for 16 years, her niddle. manuscripts were rejected for fear of an insufficient audience. During that period of ck and forth rejection, in 1971, Pym tried something new, a "Margaret Drabble sort of effort;' per­ )rch, flopped haps in order to appeal to a larger audience.
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  • Cramptonhodnet: Too Outdated for Publication
    Crampton Hodnet: Too Outdated for Publication Yvonne Cocking Paper presented at the North American Conference of the Barbara Pym Society Cambridge, Massachusetts, March 23-24, 2019 It is generally agreed by Pym researchers that this early novel was begun in 1939. I don’t dispute that, but I like to confirm such details. In previous papers given the same treatment, I have usually found the answer in her literary notebooks, but she did not begin these until 1948. We know that Crampton Hodnet was written, or at least started, before WWII. I hoped that her diaries might yield some information. Indeed, looking at Barbara’s earliest diaries (begun in 1932), I found the first mention of her literary life when she wrote on Tuesday 19 Nov 1935, ‘Yesterday I started another novel ... it promises to be quite fun.’ And in July 1936, ‘I am now on the sixth chapter of my second novel.’ Her second novel. Not Crampton Hodnet then, but probably Adam and Cassandra (later published as Civil to Strangers), and this was confirmed in a later entry. I found nothing more about her work in Oxford her 1937 and 1938 diaries, but on 22nd December 1939, only weeks after the outbreak of war, she wrote: ‘In my bath determined to finish my Oxford novel and send it on the rounds’. Oxford! Since Crampton Hodnet is her only novel set in Oxford, this had to be it. From the evidence of her diaries, the novel could have been started any time between 1937 and 1939. The character of Simon Beddoes was surely based on Julian Amery, with whom Barbara had a brief affair between December 1937 and January 1938, so that probably eliminates 1937.
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  • The Writings of Barbara Pym Index
    The writings of Barbara Pym Index compiled by Hazel K. Bell Note: Titles of works of literature, and quotations, are listed in the index under the names of their authors, except for those of Barbara Pym, which are entered under their titles. For topics, products, places and characters, indication is given only of the novels they appear in, with page numbers of their first appearance and maybe some selected others. Only the opening page numbers may be given where references extend over several pages. Characters are listed under their surnames if given; otherwise the forename is entered in the index; minor characters with forenames only may be omitted. Bold type indicates the novels in which they are main characters. References to the volume of Barbara Pym’s diaries and letters, A Very Private Eye, are included only if the items also appear in her other works. References to these, and to her radio talk of 1978, ‘Finding a Voice’, are underlined. Title abbreviations and editions used are: ACR ‘Across a Crowded Room’ AQ An Academic Question paperback Grafton edition, 1987 CH Crampton Hodnet paperback Grafton edition, 1986 CTS Civil to Strangers Macmillan, 1987 CV ‘The Christmas Visit’ EW Excellent Women Penguin paperback edition, 1980 FGL A Few Green Leaves Granada paperback edition, 1981 FV ‘Finding a Voice’ GoB A Glass of Blessings Penguin paperback edition, 1980 GBC ‘Goodbye Balkan Capital’ GF ‘Gervase and Flora’ HF ‘Home Front Novel’ JP Jane and Prudence Pan paperback edition, 1989 LTA Less than Angels Granada paperback edition, 1980
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  • PARADISE on HOLD Marie-France Silver CIVIL to STRANGERS AND
    women's writing - which embodied professional and economic opportunity. model for analyzing women's writing their voice - and their public actions Dickinson commented critically on the within a societal and historical context. were gathering critical power. Leder and American Civil War, religion and mar- Much of the strength of current literacy Abbott explore the poets' lives and work riage. practice comes from its respect for and to establish them as participants, through It has taken nearly one hundred years encouragement of the learner, her life and their work, in the events and great issues for Emily Dickinson and Christina Ros- her experience. It is interesting to see this of their day. Dickinson, for example, was setti to be assessed in terms of their work acceptance and respect applied to women affected by the American Civil War, and and their experiences, rather than the in another context, and the historical per- Rossetti was active in social reform work degree of their conformity to or diver- spective is a constructive addition to the during the middle decades of the nine- gence from traditionally acceptable femi- learner-centered approach. teenth century. nine behaviour. The examination of the lives of these Thepoets' status as single women, in an While their writing style could be women, who were educated and middle age when "unmarried women of all smoother, Leder and Abbott have as- class (both stunning examples of literate classes were society's largest group of sembled a convincing case, utilizing bi- power), may seem at first to be of limited outsiders," is presented by the authors as ographical data, critical evaluation of the relevance to the literacy movement.
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  • Hilary & Hazel in the Us
    HILARY & HAZEL IN THE US Yvonne Cocking Paper presented at the Annual General Meeting of the Barbara Pym Society St Hilda’s College, Oxford, 3-4 September 2016 In the 3 or 4 years following Barbara Pym’s death the popularity of her novels in the United States rose to extraordinary heights. Before she died only three of her books had been published there, by Dutton in hard-backed editions – Quartet in Autumn and Excellent Women in 1978, and The Sweet Dove Died in 1979. The paperback rights of these three titles were sold to Harper and Row, who retailed about 12,000 copies in five months. In October 1980 Paul de Angelis, Senior Editor at Dutton, wrote to James Wright at Macmillan, Barbara’s English publisher I thought you would be interested to know that we have now sold the paperback rights for A Few Green Leaves to Harper and Row. The advance, as for the earlier books, is $2,000. They are also taking on A Glass of Blessings...I enclose a copy of a sort of ‘round-up’ review of the Pym oeuvre which just appeared in The Washington Post Book World. I’m told that The New York Times Book Review plans a similar overview article soon. In January 1982, Paul de Angelis, still calling her Miss Walton at this stage, wrote to Hilary As you no doubt know, Barbara Pym’s works have now generated an entire cult-like following, especially among professors of English, but not only they. Though hard-cover sales remain modest (mostly in the 6000-copy range) the soft covers put out under licence to Harper Perennial Library are selling very well.
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  • SAILING ALL ALONE a Study of Spinsters in the Novels of Barbara
    SAILING ALL ALONE A Study of Spinsters in the Novels of Barbara Pym and Emily Hilda Young. Valerie Pitty A Thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts ( English ) at Honours level, by combined Coursework and Research. University of New South Wales June 1995 ACKNOWLEDGEMENTS I would like to thank my supervisor, Dr Louise Miller, and Professor Mary Chan, of the School of English, University of New South Wales, for the help and encouragement they have given me in writing this thesis. \ Valerie Pitty June 1995 2 Contents Page Table of Abbreviations 3 Introduction 4 Chapter 1 'Excellent Women': Hannah Mole and Mildred Lathbury 22 Chapter 2 Friendships between Women: Barbara Pym's Comical Couples 33 Chapter 3 Sisters, Companons, and Conspirators in the Novels of E.H. Young 42 Chapter 4 Spinsters in Pursuit 55 Chapter 5 .. Lone Voyagers 64 Chapter 6 Drifting into Love 74 Chapter 7 First Love and Fair Prospects: Barbara Pym's Young Girls 85 Chapter 8 Looking for a Lightship: Girls in the Novels of E.H. Young 95 Chapter 9 The Prizes: Bachelors and Widowers 104 Conclusion 118 Novels of Barbara Pym and E. H. Young 122 Bibliography 124 3 Table of Abbreviations Novels ofE.H. Young: TMM ...................... The Misses Mallett MM......................... Miss Mole JW Jenny Wren TCW The Curate's Wife TVD ........................The Vicar's Daughter C ............................. Celia CS ........................... Chatterton Square Novels of Barbara Pym: STG ........................ Some Tame Gazelle CH .......................... Crampton Hodnet LTA ......................... Less Than Angels J &P ........................ .Jane and Prudence AGOB ..................... A Glass of Blessings NFRL .....................
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  • Oliphant, Mallow, Lydgate, and Pym, on Writing
    Various Positions: Oliphant, Mallow, Lydgate, and Pym, On Writing Gabriele Caras Paper presented at the 19th North American Conference of the Barbara Pym Society Cambridge, Massachusetts, 17-19 March 2017 I want to start with a confession that may cause you some unease. I am ascending from a long and thorough depression. The past several years have been some of the worst in my life. The influence of a severe chronic de- pression acts, not like a prophecy in a Greek tragedy, but a curse in a fairy tale. Rather than dread my end, I spent my days trying to divine the nature of my affliction, the peculiar laws by which it operated. But my forecasts always came too late. Certain dreadful constants flourished, grew stronger, and put down roots. What first flowers as the loss of pleasure later ripens into the loss of ability. Reading and writing, the comforts on which I had depended my whole life, became suffocating punishments. Every page I met was rootlocked. Many months of NDRIs gradually began to untangle my mind. The sensation has been that of falling asleep on a train and waking up at different stations, the change in light and landscape quiet indicators of the distance traveled. On this journey, something fortuitous and delightful happened, just as if a favorite novel had been left on the seat next to mine. In saying that, of course, I have already given it away: I reencountered the works of Barbara Pym. Pym is a great believer in the recuperative power of reading and writing.
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