Formed in 2003, Dumpstaphunk Was Initially Assembled by Keyboardist Ivan Neville on a Whim to Perform a Solo Slot at the New Orleans Jazz and Heritage Festival

Total Page:16

File Type:pdf, Size:1020Kb

Formed in 2003, Dumpstaphunk Was Initially Assembled by Keyboardist Ivan Neville on a Whim to Perform a Solo Slot at the New Orleans Jazz and Heritage Festival Formed in 2003, Dumpstaphunk was initially assembled by keyboardist Ivan Neville on a whim to perform a solo slot at the New Orleans Jazz and Heritage Festival. Ivan immediately selected the unique double-bass attack of both Nick Daniels and Tony Hall on bass, handpicked rock solid local legend Raymond Weber to man the skins, and enlisted his own bloodlines for the scorching guitar rhythms of fledgling up n' comer, and younger cousin, Ian Neville, to round out a line-up of some of the Crescent City's finest and funkiest musical cohorts! Dumpstaphunk's informal performance became that of immediate legend. The project has since grown from chance side- project into what is now widely considered to be one of New Orleans' most popular and modern musical exports. With a direct lineage to The Meters and The Neville Brothers, Dumpstaphunk is a recipe for creating a new standard for an entire genre. “Dumpstaphunk’s groove is a unique monster. It's not the minimalist funk of the Meters and it’s not the relentless funk of James Brown, although it has that rhythmic drive. It's not the psychedelic, over-the-top circus of Parliament-Funkadelic, but it often has that political slant. It's not the party funk of the Ohio Players, but it shares the high vocals that take the pressure off the bottom. Dumpstaphunk is a whole other school of funk. If you're under 35, you think you've seen funk, but you haven't. You missed the original Meters, James Brown when he wasn't a parody, Parliament- Funkadelic’s landing of the “Mothership” , Sly and the Family Stone before he went M.I.A and Booker T. and the M.G.s before the demise of Stax. Dumpstaphunk is as good as all that, and they're in their prime now.” – Gambit Weekly Dumpstaphunk was awarded "New Orleans Best Funk Band" by Offbeat Magazine and Gambit Weekly in 2007 and 2009, and most recently the trophy for Best Funk Award at the 2010 Big Easy Awards. Not uncommon to the festival circuit, Dumpstaphunk has unleashed notable performances at some of the nation's largest music extravaganzas, including Bonnaroo, VoodooFest, 10,000 Lakes, New Orleans Jazzfest, Bear Creek, Wanee, High Sierra, and Gathering of the Vibes. Dumpstaphunk's musicians have shared the stage with many legendary figures.... Ivan and Ian‚ the sons of Neville Bros. Aaron and Art Neville respectively‚ seem to play their instruments flawlessly... and the dirty funk resonates organically from their souls as the offspring and kin of the legendary New Orleans Neville Bros family! A conservative sample of the impressive list of bands Ivan has either recorded or performed with includes The Rolling Stones‚ Bonnie Raitt‚ The Neville Bros, Gov't Mule‚ John Mayer, and Keith Richards & The X-pensive Winos to name a few. With a resume like that, it comes as no surprise that Trey Anastasio and Dave Matthews have both, in the past, tapped bassist extraordinaire Tony Hall for their own side projects, and drummer Raymond Weber who also played with Trey, originally cut his chops with The Dirty Dozen Brass Band and the Wild Magnolia Mardi Gras Indians, and has also sat behind the kit for Harry Connick Jr. and Joe Sample. Nick Daniels, who supplements the bottom as one of 2 bass players in Dumpsta boasts an impressive list of colleagues including Etta James and Boz Scaggs, and Ian has played with the likes of Funky Meters, Lettuce, his new outfit Dr. Klaw with Eric Krasno, and more recently sitting in and adding some flavor to the stoner fusion of Southern Cali jam stalwarts Slightly Stoopid! It's no wonder these boys can put the Phunk in your Dumpsta, and moving forward in 2011, they continue to push the envelope of the form of a progressive funk sound that has arguably become the most defining in the modern genre of New Orleans music. With their latest release “Everbody Want Sum” starting to permeate with the single “Oughta Know Better” (co-penned by Allman Brothers / Govt. Mule Warren Haynes), featured performances at Offbeat Magazines Best of The Beat 2011, and a coveted mainstage slot at Jazzfest this year, Dumpstaphunk now stands on its own, as the legitimate torchbearer of all things funky both in The Big easy and beyond……… Who Dat!!!! "Dumpstaphunk is the best funk band from New Orleans right now.” - The New York Times "Dumpstaphunk is ready to usher in a new age of funk to the masses." – Jambase.com "Ivan's so good...I play with him.” - Keith Richards .
Recommended publications
  • Love, Oh Love, Oh Careless Love
    Love, Oh Love, Oh Careless Love Careless Love is perhaps the most enduring of traditional folk songs. Of obscure origins, the song’s message is that “careless love” could care less who it hurts in the process. Although the lyrics have changed from version to version, the words usually speak of the pain and heartbreak brought on by love that can take one totally by surprise. And then things go terribly wrong. In many instances, the song’s narrator threatens to kill his or her errant lover. “Love is messy like a po-boy – leaving you drippin’ in debris.” Now, this concept of love is not the sentiment of this author, but, for some, love does not always go right. Countless artists have recorded Careless Love. Rare photo of “Buddy” Bolden Lonnie Johnson New Orleans cornetist and early jazz icon Charles Joseph “Buddy” Bolden played this song and made it one of the best known pieces in his band’s repertory in the early 1900s, and it has remained both a jazz standard and blues standard. In fact, it’s a folk, blues, country and jazz song all rolled into one. Bessie Smith, the Empress of the Blues, cut an extraordinary recording of the song in 1925. Lonnie Johnson of New Orleans recorded it in 1928. It is Pete Seeger’s favorite folk song. Careless Love has been recorded by Louis Armstrong, Ray Charles, Bob Dylan and Johnny Cash. Fats Domino recorded his version in 1951. Crescent City jazz clarinetist George Lewis (born Joseph Louis Francois Zenon, 1900 – 1968) played it, as did other New Orleans performers, such as Dr.
    [Show full text]
  • ISSUE 1820 AUGUST 17, 1990 BREATHE "Say Aprayer"9-4: - the New Single
    ISSUE 1820 AUGUST 17, 1990 BREATHE "say aprayer"9-4: - the new single. Your prayers are answered. Breathe's gold debut album All That Jazz delivered three Top 10 singles, two #1 AC tracks, and songwriters David Glasper and Marcus Lillington jumped onto Billboard's list of Top Songwriters of 1989. "Say A Prayer" is the first single from Breathe's much -anticipated new album Peace Of Mind. Produced by Bob Sargeant and Breathe Mixed by Julian Mendelsohn Additional Production and Remix by Daniel Abraham for White Falcon Productions Management: Jonny Too Bad and Paul King RECORDS I990 A&M Record, loc. All rights reserved_ the GAVIN REPORT GAVIN AT A GLANCE * Indicates Tie MOST ADDED MOST ADDED MOST ADDED MOST ADDED MICHAEL BOLTON JOHNNY GILL MICHAEL BOLTON MATRACA BERG Georgia On My Mind (Columbia) Fairweather Friend (Motown) Georgia On My Mind (Columbia) The Things You Left Undone (RCA) BREATHE QUINCY JONES featuring SIEDAH M.C. HAMMER MARTY STUART Say A Prayer (A&M) GARRETT Have You Seen Her (Capitol) Western Girls (MCA) LISA STANSFIELD I Don't Go For That ((west/ BASIA HANK WILLIAMS, JR. This Is The Right Time (Arista) Warner Bros.) Until You Come Back To Me (Epic) Man To Man (Warner Bros./Curb) TRACIE SPENCER Save Your Love (Capitol) RECORD TO WATCH RECORD TO WATCH RECORD TO WATCH RECORD TO WATCH RIGHTEOUS BROTHERS SAMUELLE M.C. HAMMER MARTY STUART Unchained Melody (Verve/Polydor) So You Like What You See (Atlantic) Have You Seen Her (Capitol) Western Girls (MCA) 1IrPHIL COLLINS PEBBLES ePHIL COLLINS goGARTH BROOKS Something Happened 1
    [Show full text]
  • Neville Brothers -- the first Family of New Orleans Music -- Has Vowed Not to Return to New Orleans
    Dec. 15, 2005-- Cyril Neville boarded Amtrak's City of New Orleans train with a full head of steam. He joined singer-songwriter Arlo Guthrie earlier this month for the first leg of a 12-day journey from Chicago to New Orleans, playing concerts along the way to raise funds for victims of Hurricane Katrina. Neville, however, won't be on the train when it rolls into his old hometown. He won't be going home at all. Neville, 56, percussionist-vocalist and youngest member of the Neville Brothers -- the first family of New Orleans music -- has vowed not to return to New Orleans. During a heartfelt conversation before embarking on the train journey, Neville explained he and his wife, Gaynielle, have bought a home in Austin, Texas. Cyril Neville joins his nephew Ivan Neville, as well as the Radiators and the Iguanas as popular New Orleans acts who have settled in Austin. Some even perform in an ad hoc band known as the Texiles. They sing a different song about the promised recovery of New Orleans. "Would I go back to live?" Neville asked. "There's nothing there. And the situation for musicians was a joke. People thought there was a New Orleans music scene -- there wasn't. You worked two times a year: Mardi Gras and Jazz Fest. The only musicians I knew who made a living playing music in New Orleans were Kermit Ruffins and Pete Fountain. Everyone else had to have a day job or go on tour. I have worked more in two months in Austin than I worked in two years in New Orleans.
    [Show full text]
  • Dixie Succumbs to Vision and Victory
    sfltimes.com “Elevating the Dialogue” SERVING MIAMI-DADE, BROWARD, PALM BEACH AND MONROE COUNTIES FEBRUARY 5 — 11, 2015 | 50¢ IN THIS ISSUE PALM BEACH Dixie succumbs to vision By DAPHNE TAYLOR Special to South Florida Times Nearly every city in America and victory has a street named for Dr. Martin Luther King Jr. And since Presi- dent Barack Obama made history BLACK HISTORY as the first black president of the SPECIAL SECTION/1D free world, he too, is gaining mo- mentum with streets named after Keeping our History him -- even right here in the Sun- Alive 365/24/7 shine State. But predominantly the idea about black Riviera Beach in Palm Beach a year ago. “I’ve al- County, is hoping to be among the ways had an idea to rename a lot of first where Barack Obama High- streets in our city. I think our city is way intersects with Dr. Martin Lu- much more than just a bunch of let- ther King Jr. Blvd. ters of the alphabet and numbers. It has an amazing ring to it I’ve wanted to rename our streets for Riviera Beach mayor, Bishop after African-American role mod- Thomas Masters, who is the brain els and leaders, so I had this idea behind renaming Old Dixie High- about the president for some way in Riviera Beach after the time now. It would be the right president. “It would be the father thing to do today and would and the son intersecting,” said reconnect this great city to Masters. “You have the father of history.” the Civil Rights Movement, and Masters said some crit- SOFLO LIVE you have the son, our first black ics said he should wait un- TARAJI HENSON/4C president, who benefitted from til after the leaders have that movement.
    [Show full text]
  • The Very Best of Aaron Neville Press Release
    1 THE VERY BEST OF AARON NEVILLE IS FIRST COMPREHENSIVE COLLECTION OF HIS GREATEST RECORDINGS FROM THE ‘60S TO THE ‘90S The most familiar figure of New Orleans’ first family of music, Aaron Neville and his sweet soulful voice have graced recordings for four incredible decades. Yet there has never been a comprehensive collection of his greatest songs. Now there is. The Very Best Of Aaron Neville (A&M/UME), released January 11, 2000, brings together the original recordings of his most popular hits plus other outstanding tracks from his albums and guest appearances on the albums of others. The 18 selections span 37 years, from the Top 40 R&B hit “Over You” (1960) to the biographical “To Make Me Who I Am” from his 1997 A&M album of the same title. Also spotlighted are his #2 pop/#1 R&B classic “Tell It Like It Is” (1966), #2 pop smash duet with Linda Ronstadt “Don’t Know Much” (1989) and his Top 10 solo masterpiece “Everybody Plays The Fool” (1991). Attesting to his continued longevity, many of the songs on this collection are from the ‘90s, the decade during which he enjoyed his greatest commercial success. Featured are songs from each of his four non-Christmas A&M albums of the ‘90s, two of which are platinum (1993’s The Grand Tour and 1991’s Warm Your Heart) and one is gold (1995’s Tattooed Heart). The Very Best Of Aaron Neville includes his take on originals such as “Angola Bound” as well as his inspired versions of such famed songs as “Betcha By Golly Wow,” Bill Withers’ “Use Me,” Chuck Berry’s “You Never Can Tell” and the Peaches & Herb love song perennial “Close Your Eyes” (another duet with Ronstadt).
    [Show full text]
  • 2)GEORGE PORTER Jr Di Massimo Luna.Pdf
    Introduzione: Ci troviamo a 1Vew Orleans tra gli anni 60' e 70'. Un periodo particolarmente fertile e creativo, che favorì la nascita della musica R & B e Funk. E' la New Orleans delle band che nascono dalla strada, dei musicisti che imparano a suonare da qualcuno che sa suonare meglio di loro, conle una sorta di tradizione orale, di insegnamento non scritto e del tutto legato all'esperienza diretta. La sera si va nei locali, si suona, si fanno Jam Sessions, è cosi che nascono le nuove formazioni, i nuovi gruppi. Questa è la realtà in cui vive George Porter Jr.. Lui stesso in un' intervista racconta quanto sia stato importante, anche a livello umano, crescere in quell'ambiente. Tra le esperienze più sigriificative per George c'è sicuramente quella con "the Meters", definil:i una delle più grandi band rock-fusion degli anni 701,con all'attivo 11 dischi in 15 anni circa di attività. Loro sono stati la prima jam band della storia, come dichiara lo stesso George. Andavano sul palco e suonavano partendo da qualcosa di stabilito, per poi virare verso il riff o il carribio che qualche membro del gruppo aveva proposto sul momento.. .un perfetto esempio di interplay! I loro brani presentavano spesso delle parti "open", con dei pedali e con qualche solo di organo. Ai nostri giorni è usuale che rapper ed esponenti della musica hip hop, usino alcuni loro brani come basi per rappare sopra, vista la forte spinta ritmica da cui sono caratterizzati. Biografia: George Porter Jr. nasce nel 1947 a New Orleans Louisiana.
    [Show full text]
  • The Wire the Complete Guide
    The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr.
    [Show full text]
  • 30Th Annual Bayou Boogaloo Music and Cajun Food Festival the Most Authentic New Orleans Style Music and Cajun Food Festival North of Louisiana
    120 W. Main Street, Norfolk, VA 23510 • Phone (757) 441-2345 • Fax (757) 441-5198 • festevents.org For Immediate Release: Media Contact: Jordan Lett E: [email protected] P: 757-441-2345 30th Annual Bayou Boogaloo Music and Cajun Food Festival The Most Authentic New Orleans Style Music and Cajun Food Festival North of Louisiana Norfolk, VA – (June 14, 2019) – Norfolk Festevents is proud to announce the 30th Annual Bayou Boogaloo Music and Cajun Food Festival Friday-Sunday, June 28-30, 2019, along the downtown Norfolk, VA waterfront at Town Point Park. The 3-day festival pays homage to the Cajun and Creole culture and traditions of New Orleans, LA with authentic food, music, arts and much more. In celebration of the 30th Anniversary of Bayou Boogaloo, the festival will offer a limited number of authentic Cajun recipe cookbooks with recipes from current and previous year’s performing artists as well as famous chefs from New Orleans. Guests can also take part in themed arts and crafts, an on-site scavenger hunt and much more. Weekend passes are available for purchase now at bit.ly/BayouTickets for $30. Single-day tickets are also available for $15. TICKET INFORMATION Weekend Package: Friday - Sunday, June 28-30, 2019: $30 Friday, June 28, 2019 (Noon – 10pm) Noon - 2pm: Free and open to the public for a special lunch time preview 2pm - 10pm: $15 (per day) Advance Boater docking fee (Does not include festival admission): $50 “Pay at the Pier” Boater docking fee (Does not include festival admission): $75 Saturday, June 29, 2019 (Noon – 10pm) Noon – 10pm: $15 (per day) Advance Boater docking fee (Does not include festival admission): $50 “Pay at the Pier” Boater docking fee (Does not include festival admission): $75 Sunday, June 30, 2019 (Noon – 6pm) Noon - 6pm: $15 (per day) Advance Boater docking fee (Does not include festival admission): $50 “Pay at the Pier” Boater docking fee (Does not include festival admission): $75 To reserve a Boater Package, email Jason Cantone at [email protected] 1 | Page 120 W.
    [Show full text]
  • New Orleans Jazz & Heritage Foundation
    New Orleans' Welcome to Jazz country, where Maison Blanche our heartbeat is a down beat and salutes the the sounds of music fill the air . Welcome to Maison Blanche coun• New Orleans Jazz try, where you are the one who calls the tune and fashion is our and Heritage daily fare. Festival 70 maison blanche NEW ORLEANS Schedule WEDNESDAY - APRIL 22 8 p.m. Mississippi River Jazz Cruise on the Steamer President. Pete Fountain and his Orchestra; Clyde Kerr and his Orchestra THURSDAY - APRIL 23 12:00 Noon Eureka Brass Band 12:20 p.m. New Orleans Potpourri—Harry Souchon, M.C. Armand Hug, Raymond Burke, Sherwood Mangiapane, George Finola, Dick Johnson Last Straws 3:00 p.m. The Musical World of French Louisiana- Dick Allen and Revon Reed, M. C.'s Adam Landreneau, Cyprien Landreneau, Savy Augustine, Sady Courville, Jerry Deville, Bois Sec and sons, Ambrose Thibodaux. Clifton Chenier's Band The Creole Jazz Band with Dede Pierce, Homer Eugene, Cie Frazier, Albert Walters, Eddie Dawson, Cornbread Thomas. Creole Fiesta Association singers and dancers. At the same time outside in Beauregard Square—for the same $3 admission price— you'll have the opportunity to explore a variety of muical experiences, folklore exhibits, the art of New Orleans and the great food of South Louisiana. There will be four stages of music: Blues, Cajun, Gospel and Street. The following artists will appear throughout the Festival at various times on the stages: Blues Stage—Fird "Snooks" Eaglin, Clancy "Blues Boy" Lewis, Percy Randolph, Smilin Joe, Roosevelt Sykes, Willie B. Thomas, and others.
    [Show full text]
  • PDF (946.47 Kib)
    bonnoroo anade A cure for the summertime blues Erin Hall like Robert Randolph, Medeski Martin senior staff writer & Wood, Disco Biscuits, Mike Gor- don (formerly of Phish), Umphrey's With final exam week beginning at McGee, moe, Oysterhead (including universities nationwide, crunch time former Phish singer Trey Anastasio) has officially knocked on our doorstep. and Phil Lesh (of the Grateful Dead) After a flurry of all-nighters, complete will all be present. with copious amounts of caffeine and A small sampling of some of the note cards, the academic year will draw other artists at the festival include Cat to a close. And whether it comes in Power, Gomez, Stephen Malkmus the form of graduation or merely a (formerly of Pavement), Ben Folds, few months' break, the sweet taste of Beck, Bonnie Raitt, Radiohead, Buddy freedom that can only come with the Guy, Cypress Hill, Matisyahu and My close of another school year will fall Morning Jacket. This year's lineup may upon us. well be one of the greatest and most time out to talk with college editors to enhance the Bonnaroo community Some students may have jobs or genre-encompassing lineups in recent across the nation through a telephone in a special way this year. He is work- internships waiting for them. Others history. press conference. Jim James of My ing with Bonnaroo coordinators to fly may have three months of sloth in In light of the year's events in our Morning Jacket, Nick Harmer of Death in a team of Hasidic rabbis to observe mind. But even the busiest of us can own beloved city, the New Orleans Cab for Cutie and Matisyahu all shared Shabbot during the time of the Jew- find a way to take off three days and vibe at this year's Bonnaroo will be their thoughts about this year's festival ish Sabbath that weekend.
    [Show full text]
  • Neville/ Jacobs Bio
    Neville/ Jacobs Bio Long: Ivan Neville of New Orleans’ first family of funk and Cris Jacobs, the soulful Baltimore-bred bandleader and songwriter, have joined forces to collaborate on their first full length, self-titled, nine song album. th Neville Jacobs will release their debut on September 28 ​ via Harmonized Records. ​ This unlikely duo came together in the most unlikely of ways. One day during the great celebration and intermingling of music and culture known as New Orleans Jazz Fest, Ivan Neville and Cris Jacobs found themselves killing time between gigs, seated next to each other at a poker table. As Jacobs tells it, “I was killing some time one day during my first ever Jazzfest and I sat down to play some poker in Harrah's casino. Coincidentally, there was an empty seat next to me and in walked Ivan and sat down. We recognized each other from having crossed paths with our bands, Dumpstaphunk and The Bridge, but had never really met. We played poker for a few hours and chatted a bunch and left with a casual ‘let's make some music together sometime’ agreement.” About a year and a half later, when the stars finally aligned (with the help of mutual friend, Joe Michaels), Jacobs and Neville got together for a few songwriting sessions in Baltimore. “In our initial writing sessions in Baltimore, we each had a few songs and snippets of songs in our back pocket and we took a bunch of time to just start from scratch with Ivan at a piano and me sitting next to him with a guitar.
    [Show full text]
  • New Orleans Funkin Tyylillisiä Piirteitä Joseph ”Zigaboo” Modelisten Soitossa
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by National Library of Finland DSpace Services NEW ORLEANS FUNKIN TYYLILLISIÄ PIIRTEITÄ JOSEPH ”ZIGABOO” MODELISTEN SOITOSSA Pop/jazzmusiikin koulutusohjelma Opinnäytetyö 20.4.2006 Opiskelijan etunimi sukunimi Kulttuuri- ja palveluala Koulutusohjelma Suuntautumisvaihtoehto Pop/jazzmusiikin koulutusohjelma Pop/jazz –musiikkipedagogi Tekijä Kokkinen Raine Työn nimi NEW ORLEANS FUNKIN TYYLILLISIÄ PIIRTEITÄ JOSEPH ”ZIGABOO” MODELISTEN SOITOSSA Työn laji Aika Sivumäärä Opinnäytetyö Sivumäärä + liitteet TIIVISTELMÄ Tässä opinnäytetyössä tutkimuskohteeksi muodostui The Meters -yhtyeen rumpalin Joseph ”Zigaboo” Modelisten soittotyyli. Tutkimuksen tavoitteena oli analysoida Zigaboon soittotyyliä seuraavista näkökulmista: fraseeraus, synkopointi, claven vaikutus Zigaboon kompeissa ja virvelirummun käyttö. Olen kirjoittanut 8 kpl transkriptioita sellaisista Zigaboon soittamista kompeista, joista tulee selvästi esille New Orleans funkin tyylillisiä piirteitä ja jotka tukevat tutkimukseni tavoitteita. Kappaleiden valintaperusteena oli myös se, että kyseisiä kappaleita ja komppeja on mielestäni erityisen mukavaa soittaa. Ääninäytteet analysoitavista kompeista ovat työn mukana olevalla liiteäänitteellä (salainen). Kerron tutkimuksessani lyhyesti New Orleans funkin historiasta ja siitä, miten eri kulttuurien ja sitä kautta eri musiikkikulttuurien yhteensulautuminen on vaikuttanut New Orleansin rikkaan musiikkikulttuurin muodostumiseen. The Meters -yhtyeen historiasta
    [Show full text]