Inecto Super Black Hair Dye Instructions
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WHAT DOES SHE LOOK LIKE? Preview a 1–09 Listen
2 WHAT DOES SHE LOOK LIKE? Preview A 1–09 Listen. Circle the words you hear. 1. Person A has (long / short) red hair. 2. Person B has (wavy / curly) brown hair. 3. Person C has (blond / black) hair and (green / blue) eyes. 4. Person D has (black / brown) hair and (blue / brown) eyes. 5. Person E has (spiky / short) black hair and (brown / green) eyes. B Look at the photos. Find people to match the descriptions in A. Write the numbers. C Work with a partner. Choose three people in the photos and write notes about them. Describe the people to your partner. PERSON DESCRIPTION This person is male. He has short black hair. Is it Person 2? 16 569101_TZSB2_U2_PP6.indd 16 2/25/15 3:40 PM short black hair 1 straight blond hair 2 3 long black hair 4 brown eyes 5 6 7 short brown hair 8 blue eyes 9 10 11 12 13 14 15 short, curly red hair 16 long, curly 17 18 brown hair 19 20 17 569101_TZSB2_U2_PP6.indd 17 2/25/15 3:40 PM Language Focus A 1–10 Listen and read. Then repeat the conversation REAL ENGLISH I’m on my way. and replace the words in blue. B Practice with a partner. Replace any words to make your own conversation. Ming, I’m at the soccer 1 game now. Where are you? 2 She has short blond hair and blue eyes. Emily? What does Sorry, I’m late. I’m on my way. she look like? Do you see Emily? hockey straight black / brown rugby spiky red / green 3 Does she wear glasses? 4 Excuse me, are you Emily? I’m . -
Running Head: ANESTHESIA REQUIREMENTS for REDHEADS 1 Anesthesia Requirements for Redheads Nathan Classon, RN, BSN, SRNA Adventis
Running head: ANESTHESIA REQUIREMENTS FOR REDHEADS 1 Anesthesia Requirements for Redheads Nathan Classon, RN, BSN, SRNA Adventist University of Health Sciences Project Mentor: Tom Andrews, MD, JLR Anesthesia Group Committee Chair: Alescia DeVasher Bethea, PhD, CRNA Nurse Anesthesia Program, Adventist University of Health Sciences March 16, 2016 ANESTHESIA REQUIREMENTS FOR REDHEADS 2 Abstract As the melanocortin-1 receptor gene was not discovered until 1995, only anecdotal observation supported that redheads had an increased anesthetic requirement. Utilizing relatively recent research, this project aimed to enhance the knowledge regarding the anesthetic requirements for redheads among student registered nurse anesthetists (SRNAs). Interestingly, there was a decided perspectival shift in the opinion of literature reviewed between 2004 and 2015. Earlier studies were supportive of an increased anesthetic requirement of redheads, while more recent studies discouraged such an approach. It is possible that the later studies relied on self-reported hair phenotype, rather than analysis of genetic makeup of the MC1R genotype. Given this, it is plausible that there is a significant difference in the anesthetic requirements of redheads, depending on whether they are homozygous, heterozygous, or compound heterozygous. Therefore, current literature was reviewed, synthesized, and presented simultaneously to two cohorts of SRNAs at Adventist University (ADU). The project’s efficacy was determined by comparing the scores of an identical pre- and post-test. -
Genetics of Hair and Skin Color
11 Sep 2003 14:51 AR AR201-GE37-04.tex AR201-GE37-04.sgm LaTeX2e(2002/01/18) P1: GCE 10.1146/annurev.genet.37.110801.143233 Annu. Rev. Genet. 2003. 37:67–90 doi: 10.1146/annurev.genet.37.110801.143233 Copyright c 2003 by Annual Reviews. All rights reserved First published online as a Review in Advance on June 17, 2003 GENETICS OF HAIR AND SKIN COLOR Jonathan L. Rees Systems Group, Dermatology, University of Edinburgh, Lauriston Buildings, Lauriston Place, Edinburgh, EH3 9YW, United Kingdom; email: [email protected] Key Words melanin, melanocortin 1 receptor (MC1R), eumelanin, pheomelanin, red hair ■ Abstract Differences in skin and hair color are principally genetically deter- mined and are due to variation in the amount, type, and packaging of melanin polymers produced by melanocytes secreted into keratinocytes. Pigmentary phenotype is genet- ically complex and at a physiological level complicated. Genes determining a number of rare Mendelian disorders of pigmentation such as albinism have been identified, but only one gene, the melanocortin 1 receptor (MCR1), has so far been identified to explain variation in the normal population such as that leading to red hair, freckling, and sun-sensitivity. Genotype-phenotype relations of the MC1R are reviewed, as well as methods to improve the phenotypic assessment of human pigmentary status. It is argued that given advances in model systems, increases in technical facility, and the lower cost of genotype assessment, the lack of standardized phenotype assessment is now a major limit on advance. CONTENTS INTRODUCTION ..................................................... 68 BIOLOGY OF HUMAN PIGMENTATION ................................ 69 by San Jose State University on 10/05/10. -
Taking the Kinks out of Your Hair and out of Your Mind: a Study on Black Hair and the Intersections of Race and Gender in the United States
Taking the Kinks Out of Your Hair and Out of Your Mind: A study on Black hair and the intersections of race and gender in the United States Tyler Berkeley Brewington Senior Comprehensive Thesis Urban and Environmental Policy Professor Bhavna Shamasunder Professor Robert Gottlieb April 19, 2013 Acknowledgements First and foremost, I would like to thank God for giving me the strength to finish this project. All thanks goes to Him for allowing me to develop this project in ways that I didn’t even believe were possible. Secondly, I would like to thank my family and friends for supporting me through this process. Thank you for helping me edit my thesis, for sharing links about natural hair with me, and for connecting me with people to interview. Your love and support enable me to do everything – I am nothing without you! I would also like to thank Professor Shamasunder for being an amazing advisor and for always being there for me. Thank you for all of our office hours sessions, for your critical eye, and also for supporting this project from day one. I appreciate you so much! Also, I would like to thank Professor Gottlieb for helping me remain calm and thinking about the important body of work that I am producing. Thank you also for being such a great advisor to me throughout the years and for helping me find my passion! Finally, I would like to dedicate this report to “all the colored girls who considered going natural when the relaxer is enuf.” Thank you for inspiring me to go natural, this project would not have been possible without you. -
"Why Don't He Like My Hair?": Constructing African-American
University of Richmond UR Scholarship Repository English Faculty Publications English 1995 "Why don't he like my hair?": Constructing African-American Standards of Beauty in Toni Morrison's "Song of Solomon" and Zora Neale Hurston's "Their yE es Were Watching God" Bertram D. Ashe University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/english-faculty-publications Part of the African American Studies Commons, Comparative Literature Commons, English Language and Literature Commons, Gender and Sexuality Commons, and the Race and Ethnicity Commons Recommended Citation Ashe, Bertram D. ""Why Don't He Like My Hair?": Constructing African-American Standards of Beauty in Toni Morrison's Song of Solomon and Zora Neale Hurston's Their yE es Were Watching God." African American Review 29, no. 4 (1995): 579-92. This Article is brought to you for free and open access by the English at UR Scholarship Repository. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. "Why don't he like my hair?": Constructing African-American Standards of Beauty in Toni Morrison's Song of Solomon and Zora Neale Hurston's Their Eyes WereWatching God "How can he not love your hair?. It's his hair too. He got to love it." "He don't love it at all. He hates it." (Song 315) Bertram D. Ashe is a doc- toralcandidate at the College of Williamand Mary.His dis- sertation,"From Within the T his last declaration,uttered by a feverish, distraught,dan- Frame:Storytelling in African- gerously mentally ill Hagar Dead to her mother Reba and AmericanFiction," is on the her grandmotherPilate comes midway through one of the most writtenrepresentation of heart-wrenchingscenes in Toni Morrison'sSong of Solomon.In the African-Americanoral story- passage, grandmother,mother, and daughter discuss whether tellingfrom Charles W. -
Dye Your Hair with Body Art Quality Henna!
1 Mehandi Henna for Hair Tapdancing Lizard http://www.mehandi.com 339 Tallmaadge Ave., Kent, Ohio, 44240 330-673-0600 Email: [email protected] Dye your hair with body art quality henna! What is henna? Figure 1: Henna: lawsonia inermis Henna is a plant, lawsonia inermis. Henna leaves have been used as a hair dye for thousands of years in North Africa, the Arabian Peninsula, the Levant, and South Asia. Henna leaves have red-orange dye molecule, lawsone, which penetrates skin and hair and bonds to the keratin. Henna dye blocks UV so your hair doesn’t become sun damaged, strengthens your hair so it won’t get split ends, makes your hair glossy and shiny, eliminates dandruff and ringworm, and kills head lice and nits. Allergic reaction to henna is extremely rare. Figure 2: Body art quality henna powder is the finest quality pure henna for body art What is body art quality henna? Body art quality henna is the henna produced for bridal henna work. This henna is the top 2% of the henna crop: it has the high lawsone levels of 3% or more, and is finely ground and sifted so henna artists can make delicate patterns and dark henna stains on bride’s hands. Body art quality henna is outstanding for hair because is easy to rinse out, and dyes hair robust, permanent color. Body art quality henna has no additional dyes, no metallic salts, and no para-phenylenediamine. Body art quality henna is absolutely safe to put over synthetic dye, and you can bleach or dye over body art quality henna without damaging the hair. -
Kobena Mercer in Black Hair/Style Politics
new formations NUMBER 3 WINTER 1987 Kobena Mercer BLACK HAIR/STYLE POLITICS Some time ago Michael Jackson's hair caught fire when he was filming a television commercial. Perhaps the incident became newsworthy because it brought together two seemingly opposed news-values: fame and misfortune. But judging by the way it was reported in one black community newspaper, The Black Voice, Michael's unhappy accident took on a deeper significance for a cultural politics of beauty, style and fashion. In its feature article, 'Are we proud to be black?', beauty pageants, skin-bleaching cosmetics and the curly-perm hair-style epitomized by Jackson's image were interpreted as equivalent signs of a 'negative' black aesthetic. All three were roundly condemned for negating the 'natural' beauty of blackness and were seen as identical expressions of subjective enslavement to Eurocentric definitions of beauty, thus indicative of an 'inferiority complex'.1 The question of how ideologies of 'the beautiful' have been defined by, for and - for most of the time - against black people remains crucially important. But at the same time I want to take issue with the widespread argument that, because it involves straightening, the curly-perm hair-style represents either a wretched imitation of white people's hair or, what amounts to the same thing, a diseased state of black consciousness. I have a feeling that the equation between the curly-perm and skin-bleaching cremes is made to emphasize the potential health risk sometimes associated with the chemical contents of hair-straightening products. By exaggerating this marginal risk, a moral grounding is constructed for judgements which are then extrapolated to assumptions about mental health or illness. -
Association of Five Snps with Human Hair Colour in the Polish Population
bioRxiv preprint doi: https://doi.org/10.1101/087429; this version posted November 12, 2016. The copyright holder for this preprint (which was not certified by peer review) is the author/funder, who has granted bioRxiv a license to display the preprint in perpetuity. It is made available under aCC-BY-NC-ND 4.0 International license. Association of five SNPs with human hair colour in the Polish population A. Siewierska-Górskaa, A. Sitekb, E. Żądzińskab, G. Bartosza, D. Strapagielc* aDepartment of Molecular Biophysics, Faculty of Biology and Environmental Protection, University of Lodz, Pomorska 141/143, 90-236 Lodz, Poland bDepartment of Anthropology, Faculty of Biology and Environmental Protection, University of Lodz, Banacha 12/16, 90-237 Lodz, Poland cBiobank Lab, Department of Molecular Biophysics, Faculty of Biology and Environmental Protection, University of Lodz, Pilarskiego 14/16, 90-237 Lodz, Poland *Corresponding author: Dominik Strapagiel PhD, tel.: +48 42 6655702, fax: +48 42 6354070 e-mail: [email protected] Abbreviated title: Genetics of hair colour in Poles 1 bioRxiv preprint doi: https://doi.org/10.1101/087429; this version posted November 12, 2016. The copyright holder for this preprint (which was not certified by peer review) is the author/funder, who has granted bioRxiv a license to display the preprint in perpetuity. It is made available under aCC-BY-NC-ND 4.0 International license. Abstract Twenty-two variants of the genes involved in hair pigmentation (OCA2, HERC2, MC1R, SLC24A5, SLC45A2, TPCN2, TYR, TYRP1) were genotyped in a group of 186 Polish subjects, representing a range of hair colours (45 red, 64 blond, 77 dark). -
MC1R Gene Melanocortin 1 Receptor
MC1R gene melanocortin 1 receptor Normal Function The MC1R gene provides instructions for making a protein called the melanocortin 1 receptor. This receptor plays an important role in normal pigmentation. The receptor is primarily located on the surface of melanocytes, which are specialized cells that produce a pigment called melanin. Melanin is the substance that gives skin, hair, and eyes their color. Melanin is also found in the light-sensitive tissue at the back of the eye ( the retina), where it plays a role in normal vision. Melanocytes make two forms of melanin, eumelanin and pheomelanin. The relative amounts of these two pigments help determine the color of a person's hair and skin. People who produce mostly eumelanin tend to have brown or black hair and dark skin that tans easily. Eumelanin also protects skin from damage caused by ultraviolet (UV) radiation in sunlight. People who produce mostly pheomelanin tend to have red or blond hair, freckles, and light-colored skin that tans poorly. Because pheomelanin does not protect skin from UV radiation, people with more pheomelanin have an increased risk of skin damage caused by sun exposure. The melanocortin 1 receptor controls which type of melanin is produced by melanocytes. When the receptor is activated, it triggers a series of chemical reactions inside melanocytes that stimulate these cells to make eumelanin. If the receptor is not activated or is blocked, melanocytes make pheomelanin instead of eumelanin. Common variations (polymorphisms) in the MC1R gene are associated with normal differences in skin and hair color. Certain genetic variations are most common in people with red hair, fair skin, freckles, and an increased sensitivity to sun exposure. -
Du Boc Ali Et Al V. Combe Incorporated Et Al
Case 7:19-cv-06187 Document 1 Filed 07/02/19 Page 1 of 45 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK RAY DU BOC ALI, IZELL MCCLOUD, : Case No.: and CLEMON WILLIAMS on behalf of : themselves and other similarly situated : : Judge: Plaintiffs, : : v. : : COMBE INCORPORATED; COMBE : COMPLAINT AND JURY DEMAND INTERNATIONAL LTD : : Defendants. : : Plaintiffs, individually and on behalf of all others similarly situated, by and through counsel, allege as follows: PARTIES, JURISDICTION, AND VENUE 1. This Court has original jurisdiction over the subject matter of this action pursuant to 28 U.S.C. § 1332(a), as named Class representative Plaintiffs and Defendants are citizens of different states and the amount in controversy claimed individually by each named Class representative Plaintiff exceeds the sum of $ 75,000, exclusive of interest and costs. 2. The Court has supplemental jurisdiction over the subject matter of this action pursuant to 28 U.S.C. § 1367 for Class Members whose claims do not exceed $75,000. 3. This Court also has subject matter jurisdiction pursuant to 28 U.S.C. § 1332(d)(2)(A) because this is a class action where the aggregate claims of all Members of the putative Class are in excess of $5,000,000.00, exclusive of interest and costs, and many of the Members of the putative Class are citizens of different states than Defendants. Case 7:19-cv-06187 Document 1 Filed 07/02/19 Page 2 of 45 4. Plaintiff Ray Du Boc Ali is a resident and citizen of Bossier City Louisiana in Bossier Parish, Louisiana. -
Light Scattering from Human Hair Fibers
Light Scattering from Human Hair Fibers Stephen R. Marschner Henrik Wann Jensen Mike Cammarano Cornell University University of California—San Diego Stanford University Steve Worley Pat Hanrahan Worley Laboratories Stanford University Abstract R TRT tilted cuticle Light scattering from hair is normally simulated in computer graph- > 2α α ics using Kajiya and Kay’s classic phenomenological model. We 2α scales have made new measurements of scattering from individual hair fibers that exhibit visually significant effects not predicted by Ka- jiya and Kay’s model. Our measurements go beyond previous hair measurements by examining out-of-plane scattering, and together interior: with this previous work they show a multiple specular highlight and refrac. index η variation in scattering with rotation about the fiber axis. We explain absorption σa the sources of these effects using a model of a hair fiber as a trans- 2α parent elliptical cylinder with an absorbing interior and a surface covered with tilted scales. Based on an analytical scattering func- tion for a circular cylinder, we propose a practical shading model < 2α surface roughness β for hair that qualitatively matches the scattering behavior shown in elliptical the measurements. In a comparison between a photograph and ren- cross section dered images, we demonstrate the new model’s ability to match the axis ratio a:1 TT root tip appearance of real hair. Figure 1: A schematic of our model for a hair fiber. The dashed CR Categories: I.3.7 [Computer Graphics]: Three-Dimensional lines indicate the scattering angles for a cylinder without tilted sur- Graphics and Realism—Shading face scales. -
My Natural Hair Is Unprofessional: the Impact of Black Hairstyles on Perceived Employment-Related Characteristics
Marquette University e-Publications@Marquette Dissertations, Theses, and Professional Master's Theses (2009 -) Projects My Natural Hair Is Unprofessional: The Impact of Black Hairstyles on Perceived Employment-Related Characteristics Kalen Kennedy Marquette University Follow this and additional works at: https://epublications.marquette.edu/theses_open Part of the Psychology Commons Recommended Citation Kennedy, Kalen, "My Natural Hair Is Unprofessional: The Impact of Black Hairstyles on Perceived Employment-Related Characteristics" (2020). Master's Theses (2009 -). 578. https://epublications.marquette.edu/theses_open/578 My natural hair is unprofessional: The impact of Black hairstyles on perceived employment-related characteristics by Kalen Kennedy A Thesis submitted to the Faculty of the Graduate School, Marquette University, in Partial Fulfillment of the Requirements for the Degree of Master of Psychology Milwaukee, Wisconsin May 2020 ABSTRACT MY NATURAL HAIR IS UNPROFESSIONAL: THE IMPACT OF BLACK HAIRSTYLES ON PERCEIVED EMPLOYMENT-RELATED CHARACTERISITICS Kalen Kennedy, B.S. Marquette University, 2013 The media has multiple examples of Black women experiencing negative outcomes at the hands of their potential employers and the employers’ biases against particular hairstyles. Research has demonstrated that several within-race variables such as skin tone and Afrocentric facial features influence how Black individuals are treated across a number of contexts. The present study investigated hairstyle as a potential within-racial variable that effects Black women negatively in the employment context. Utilizing the Princeton trilogy methodology, researchers empirically documented the stereotypes associated with Black hairstyles (i.e., afros, dreadlocs, straightened hair). Participants were instructed to generate traits they were aware of that are associated with each hairstyle. Straightened hair was uniquely associated with clean, professional, feminine, and pretty.