Dye Your Hair with Body Art Quality Henna!
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The Maiwa Guide to NATURAL DYES W H at T H Ey a R E a N D H Ow to U S E T H E M
the maiwa guide to NATURAL DYES WHAT THEY ARE AND HOW TO USE THEM WA L NUT NATURA L I ND IG O MADDER TARA SYM PL O C OS SUMA C SE Q UO I A MAR IG O L D SA FFL OWER B U CK THORN LIVI N G B L UE MYRO B A L AN K AMA L A L A C I ND IG O HENNA H I MA L AYAN RHU B AR B G A LL NUT WE L D P OME G RANATE L O G WOOD EASTERN B RA ZIL WOOD C UT C H C HAMOM IL E ( SA PP ANWOOD ) A LK ANET ON I ON S KI NS OSA G E C HESTNUT C O C H I NEA L Q UE B RA C HO EU P ATOR I UM $1.00 603216 NATURAL DYES WHAT THEY ARE AND HOW TO USE THEM Artisans have added colour to cloth for thousands of years. It is only recently (the first artificial dye was invented in 1857) that the textile industry has turned to synthetic dyes. Today, many craftspeople are rediscovering the joy of achieving colour through the use of renewable, non-toxic, natural sources. Natural dyes are inviting and satisfying to use. Most are familiar substances that will spark creative ideas and widen your view of the world. Try experimenting. Colour can be coaxed from many different sources. Once the cloth or fibre is prepared for dyeing it will soak up the colour, yielding a range of results from deep jew- el-like tones to dusky heathers and pastels. -
DN Product Instructions
discovery naturals™ READ CAREFULLY BEFORE USE Our products work on ALL HAIR TYPES (African, Asian, Caucasian, Indian, and Latino, chemically colored, bleached, straightened or damaged hair). Hair colors are permanent and normally last 4 - 8 weeks. Our products cannot lighten dark hair. Use as often as desired because the more you use them, the better your results. Below are detailed directions, but you may need to alter the process a bit to achieve your ideal results. Once you find your perfect application technique it will work every time. Remember, your hair, scalp, skin, and health are worth it, plus you'll look great naturally! Sensitivity Test: Sensitivity to our natural plant products is extremely rare. First time users of hair or tattoo products should perform a skin sensitivity test before full application. If any sensitivity occurs it is due to a reaction to one of the natural plants in our formula, or your skin has not healed completely from prior chemical product usage and you’ll need to wait until your skin is fully healed before retrying. Our products DO NOT contain PPD (Para-Phenylenediamine), Amonia, Peroxide, Bleach, Lye, or other nasty chemicals found in traditional hair colors. To perform a sensitivity test, mix a ¼ teaspoon of powder with a few drops of water to form a thick paste. Apply dime sized amount of paste to the inside of the wrist and/or near the hairline. Wrap with plastic wrap to keep moist for 1.5 – 3 hours. Rinse paste off with water. After 24 hours evaluate for sensitivity or redness. -
Henna Powder, Cones, Pastes & Hollywood
HENNA POWDER, CONES, PASTES & HOLLYWOOD INK Please read the following instructions completely before use Sensitivity Test: Sensitivity to this product is extremely rare. First time users should do a spot sensitivity test. For Henna Powder mix a small amount of powder into a paste with water and apply it to the inner wrist and/or near the hairline on the back of the neck. For Cones, Pastes and Hollywood Ink, no mixing is needed. After 2 hours, rinse with warm water. Wait and evaluate for sensitivity or redness after 24 hours. If sensitivity develops, do not use this product. Organic Aloe Vera gel and/or Organic Coconut Oil applied to the skin and scalp may help calm any sensitivity reactions. Henna Powder for Tattoos Prep: Henna Powder 2-4 Tea Bags Bottled or fresh lemon juice (strained) Large plastic or glass bowl for mixing Measuring spoon/measuring cup Sugar or honey (optional) Essential Oils (optional) Large plastic bag or plastic bottle for storage Applicator bottle or cone for applying the henna Saran wrap Paper towels for cleanup Mix: For tattoos, place entire package of henna powder in a glass or ceramic bowl. Boil 2-3 cups of water, then add 2- 4 tea bags, and let steep for 30 minutes or longer. You want the darkest brew possible. Add 2- 4 tablespoons of fresh lemon juice to the powder. While stirring, add the warm tea brew in a little at a time. Mix well and use enough brew so that the mixture is the same consistency as pancake batter. Add 2 teaspoons of an essential oil, and mix well. -
What Is "Black Henna?" Catherine Cartwright-Jones C 2003
1 2 What is "Black Henna?" Catherine Cartwright-Jones c 2003 Henna is NOT black. However, there are several things marketed as "Black Henna", and some things believed to be "Black Henna". Some are very dangerous. Some are harmless. When para- phenylenediamine black hair dye is used to make black temporary tattoos, often called “black henna”, it can cause blistering, open sores, scarring, and life-ling health problems. PPD “black henna”, two weeks after application, with intense itching and open sores 1) Some people make a black temporary tattoo they call "Black Henna" with synthetic black hair dye, containing para- phenylendiamine. This is NOT HENNA! Black hair dye should never be put straight on your skin, plain, or mixed with other material. Synthetic Black Hair Dye is illegal to put on skin, because that is not approved use. Even when this dye is applied to hair, people must wear gloves, and they try to not get it on the scalp! PPD, para-phenylendiamine can seriously 3 injure people. Para-phenylenediamine is a strong sensitizer, transdermal toxin and potential carcinogen. 2) "Black Henna" was once a term for indigo, when it was sold as hair dye. In the 1800's there was no synthetic hair dye. Henna and indigo were used to dye hair. Henna leaves and twigs that had no, or very low, concentrations of Lawsone (the tannin produced by the henna plant) were sold as neutral henna. Henna leaf buds that had high concentrations of Lawsone were sold as Red Henna or Henna. Indigo was marketed as "black henna". -
WHAT DOES SHE LOOK LIKE? Preview a 1–09 Listen
2 WHAT DOES SHE LOOK LIKE? Preview A 1–09 Listen. Circle the words you hear. 1. Person A has (long / short) red hair. 2. Person B has (wavy / curly) brown hair. 3. Person C has (blond / black) hair and (green / blue) eyes. 4. Person D has (black / brown) hair and (blue / brown) eyes. 5. Person E has (spiky / short) black hair and (brown / green) eyes. B Look at the photos. Find people to match the descriptions in A. Write the numbers. C Work with a partner. Choose three people in the photos and write notes about them. Describe the people to your partner. PERSON DESCRIPTION This person is male. He has short black hair. Is it Person 2? 16 569101_TZSB2_U2_PP6.indd 16 2/25/15 3:40 PM short black hair 1 straight blond hair 2 3 long black hair 4 brown eyes 5 6 7 short brown hair 8 blue eyes 9 10 11 12 13 14 15 short, curly red hair 16 long, curly 17 18 brown hair 19 20 17 569101_TZSB2_U2_PP6.indd 17 2/25/15 3:40 PM Language Focus A 1–10 Listen and read. Then repeat the conversation REAL ENGLISH I’m on my way. and replace the words in blue. B Practice with a partner. Replace any words to make your own conversation. Ming, I’m at the soccer 1 game now. Where are you? 2 She has short blond hair and blue eyes. Emily? What does Sorry, I’m late. I’m on my way. she look like? Do you see Emily? hockey straight black / brown rugby spiky red / green 3 Does she wear glasses? 4 Excuse me, are you Emily? I’m . -
Running Head: ANESTHESIA REQUIREMENTS for REDHEADS 1 Anesthesia Requirements for Redheads Nathan Classon, RN, BSN, SRNA Adventis
Running head: ANESTHESIA REQUIREMENTS FOR REDHEADS 1 Anesthesia Requirements for Redheads Nathan Classon, RN, BSN, SRNA Adventist University of Health Sciences Project Mentor: Tom Andrews, MD, JLR Anesthesia Group Committee Chair: Alescia DeVasher Bethea, PhD, CRNA Nurse Anesthesia Program, Adventist University of Health Sciences March 16, 2016 ANESTHESIA REQUIREMENTS FOR REDHEADS 2 Abstract As the melanocortin-1 receptor gene was not discovered until 1995, only anecdotal observation supported that redheads had an increased anesthetic requirement. Utilizing relatively recent research, this project aimed to enhance the knowledge regarding the anesthetic requirements for redheads among student registered nurse anesthetists (SRNAs). Interestingly, there was a decided perspectival shift in the opinion of literature reviewed between 2004 and 2015. Earlier studies were supportive of an increased anesthetic requirement of redheads, while more recent studies discouraged such an approach. It is possible that the later studies relied on self-reported hair phenotype, rather than analysis of genetic makeup of the MC1R genotype. Given this, it is plausible that there is a significant difference in the anesthetic requirements of redheads, depending on whether they are homozygous, heterozygous, or compound heterozygous. Therefore, current literature was reviewed, synthesized, and presented simultaneously to two cohorts of SRNAs at Adventist University (ADU). The project’s efficacy was determined by comparing the scores of an identical pre- and post-test. -
Genetics of Hair and Skin Color
11 Sep 2003 14:51 AR AR201-GE37-04.tex AR201-GE37-04.sgm LaTeX2e(2002/01/18) P1: GCE 10.1146/annurev.genet.37.110801.143233 Annu. Rev. Genet. 2003. 37:67–90 doi: 10.1146/annurev.genet.37.110801.143233 Copyright c 2003 by Annual Reviews. All rights reserved First published online as a Review in Advance on June 17, 2003 GENETICS OF HAIR AND SKIN COLOR Jonathan L. Rees Systems Group, Dermatology, University of Edinburgh, Lauriston Buildings, Lauriston Place, Edinburgh, EH3 9YW, United Kingdom; email: [email protected] Key Words melanin, melanocortin 1 receptor (MC1R), eumelanin, pheomelanin, red hair ■ Abstract Differences in skin and hair color are principally genetically deter- mined and are due to variation in the amount, type, and packaging of melanin polymers produced by melanocytes secreted into keratinocytes. Pigmentary phenotype is genet- ically complex and at a physiological level complicated. Genes determining a number of rare Mendelian disorders of pigmentation such as albinism have been identified, but only one gene, the melanocortin 1 receptor (MCR1), has so far been identified to explain variation in the normal population such as that leading to red hair, freckling, and sun-sensitivity. Genotype-phenotype relations of the MC1R are reviewed, as well as methods to improve the phenotypic assessment of human pigmentary status. It is argued that given advances in model systems, increases in technical facility, and the lower cost of genotype assessment, the lack of standardized phenotype assessment is now a major limit on advance. CONTENTS INTRODUCTION ..................................................... 68 BIOLOGY OF HUMAN PIGMENTATION ................................ 69 by San Jose State University on 10/05/10. -
Taking the Kinks out of Your Hair and out of Your Mind: a Study on Black Hair and the Intersections of Race and Gender in the United States
Taking the Kinks Out of Your Hair and Out of Your Mind: A study on Black hair and the intersections of race and gender in the United States Tyler Berkeley Brewington Senior Comprehensive Thesis Urban and Environmental Policy Professor Bhavna Shamasunder Professor Robert Gottlieb April 19, 2013 Acknowledgements First and foremost, I would like to thank God for giving me the strength to finish this project. All thanks goes to Him for allowing me to develop this project in ways that I didn’t even believe were possible. Secondly, I would like to thank my family and friends for supporting me through this process. Thank you for helping me edit my thesis, for sharing links about natural hair with me, and for connecting me with people to interview. Your love and support enable me to do everything – I am nothing without you! I would also like to thank Professor Shamasunder for being an amazing advisor and for always being there for me. Thank you for all of our office hours sessions, for your critical eye, and also for supporting this project from day one. I appreciate you so much! Also, I would like to thank Professor Gottlieb for helping me remain calm and thinking about the important body of work that I am producing. Thank you also for being such a great advisor to me throughout the years and for helping me find my passion! Finally, I would like to dedicate this report to “all the colored girls who considered going natural when the relaxer is enuf.” Thank you for inspiring me to go natural, this project would not have been possible without you. -
The Hennakitten Years
The Hennakitten Years Hennacat’s free henna design book based on work and ideas from 2002 - 2007 Iconic and popular designs which are simple to reproduce and stunning to wear Includes Hennacat’s own henna recipes and instructions for henna body art. 2 Hennacat ‘The Hennakitten Years’ Copyright 2012 Catharine Hinton Cover Graphic by Catharine Hinton Published by Yogaspirit 35 Hotspur Street Shrewsbury Shropshire SY1 2QB All rights reserved. Printed in the United Kingdom No part of this book may be used or reproduced in any manner without written permission except in the case of brief quotations embodied in critical articles or reviews, and within the terms of use as described on page 2. ISBN – To be confirmed Catharine Hinton ‘The Hennakitten Years’ The Hennakitten Years Copyright © 2012 Catharine Hinton Hennacat All rights reserved. Buy body art quality henna and other products from www.Hennacat.com 3 Copyright and terms of Use Hennacat ‘The Hennakitten Years’ Copyright 2012 Catharine Hinton. All rights reserved. This publication is licensed for personal, instructional and educational purposes for five years from the date of download. Terms of use: You must agree to these terms to download, print, and use this publication. You accept the following terms: Hennacat takes all reasonable care to ensure that the information contained on this publication is accurate. However, no warranty or representation is given that the information and materials contained on it are complete or free from errors or inaccuracies. To the extent permitted by applicable laws, Hennacat accepts no liability for any loss or damages or expenses of any kind including without limitation compensatory, direct, indirect or consequential damages, loss of data, income or profit, loss of or damage to property, or claims by third parties howsoever arising in connection with your use of this publication, the copying or use of any information or material contained in or referred to in it. -
Microscopy of Henna the Microscopic Structures of A
Chapter 4: Science and Microscopy: Microscopy of Henna The microscopic structures of a henna leaf This is a quantitative microscopy survey of different brands of henna hair dye products. Henna products in the marketplace frequently contain unlisted additives and adulterants, and the milling and sifting varies with particles from 0.2 mm to over 3 mm. Consumers become frustrated by henna products’ coarse sift, sand, problematic interactions with chemical dyes, and unpredictable, fading results. The public understanding of what is henna is further misinformed by false advertising claims made by by exporters and retailers. Investigation into henna’s agricultural, industrial, and marketing processes was part of my Master’s and PhD dissertations, in contrast to the usual anthropological and folkloric investigations on henna. Through that research, I amassed years of henna, indigo and cassia analysis from a certified independent laboratory, over one hundred henna hair dye products, and declarations by henna exporters. This chapter shows quantitative microscopic comparisons of products sold as ‘henna.’ The above image is are macroscopic view of the ventral side of a 38 mm long henna leaf, 1.5 inches, with the midrib, vein, and lamina indicated.1 The above image shows the dorsal side of four paired young henna leaves; the larger leaves are 20 mm (about 0.8”) long. The above images are scanned, so show natural color from reflected light.2 1 Henna plants raised by Catherine Cartwright-Jones PhD 2 Epson Perfection V600 Photo scanner 1200 DPI “Ancient Sunrise® Henna for Hair,” Chapter 4: Science and Microscopy Part 3, Microscopy of Henna. -
INCI Terminology
www.WholesaleSuppliesPlus.com 1(800)359-0944 INCI TERMINOLOGY - SINGLE INGREDIENT COMMON NAME INCI TERM Agar Agar Gelidium Amansii (Agar) Alcohol/Denatured Alcohol/SDA Alcohol Alfalfa Powder Medicago Sativa (Alfalfa) Leaf Powder Alkanet/Alkanet Root Alkanna Tinctoria Root Extract Allantoin Allantoin Almond Meal Prunus Dulcis (Almond) Meal Almond Milk Prunus Dulcis (Almond) Milk Almond Oil/Sweet Almond Oil Prunus Dulcis (Almond) Oil Aloe Extract Butter Cocos Nucifera (Coconut) Oil (and) Aloe Barbadensis Leaf Extract Aloe Vera 100x Aloe Barbadensis Leaf Juice (and) Maltodextrin Aloe Vera 200x Aloe Barbadensis Leaf Juice Aloe Vera Extract Aloe Barbadensis (Aloe) Leaf Extract Aloe Vera Gel Aloe Barbadensis (Aloe) Leaf Juice Aloe Vera Juice Aloe Barbadensis (Aloe) Leaf Juice Alum Amyris balsamifera (Amyris) Oil Amyris Essential Oil Amyris balsamifera (Amyris) Oil Anise Essential Oil Pimpinella Anisum (Anise) Oil Anise Powder Pimpinella Anisum (Anise Annatto Annatto (Bixa Orelana) Annatto Powder Annatto (Bixa orelana) Apricot Kernel Oil Prunus Armeniaca (Apricot) Kernel Oil Apricot Seed Powder Prunus Armeniaca (Apricot) Seed Powder Arnica Arnica Montana (Arnica) Arrowroot Powder Maranta Arundinaceae (Arrowroot) Ascorbic Acid USP/Vitamin C Acorbic Acid Avocado Persea Gratissima (Avocado) Fruit Avocado Oil Persea Gratissima (Avocado) Oil Babassu Oil Orbignya Oleifera (Babassu) Seed Oil Baking Soda Sodium Bicarbonate Balsam Fir Essential Oil Abies Balsamea (Balsam Canda) Resin Balsam Peru/Peru Balsam Essential Oil Myroxylon Pereira (Balsam Peru) -
Extra Dark Henna Color
How to Get the Darkest Color Henna Tattoos by Jody of ShopBeachcombers.com Everyone wants super dark color from their henna tattoos. I want to help you achieve this, but keep in mind henna isn't all about color. It's about connecting (with others or just yourself) and contributing to a positive energy within and around us. Henna can be as powerful as you let it! Back to dark color henna! There are many factors that contribute to the color you ultimately get from your henna. I’m going to address most of them here. 1. The Henna Product Itself Mixing your own henna from powder is capable of giving you the darkest longest lasting color. Use a high quality powder such as our ORa Organic Raj henna, Ibis Henna, Lume, or Jamila henna and the Beachcombers Super Simple henna recipe. ~ Recipe Below ~ 2. What Part of the Body You Henna Henna takes best on the palms of the hands and the soles of the feet. The further away from the feet and hands you get, the lighter the stain. The thinner the skin, the fewer layers of skin cells there are for the henna to stain, therefore you get a lighter stain. That's okay, you can still do henna on the back or even the face, just know that it will be much lighter and not last as long. 3. The Skin Itself Henna takes best to clean dry skin. Lotions, sunblock, or even water will be a barrier between the henna and the skin. Self tanner can be exceptionally difficult for henna to bond with.