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The Unsung Hero Of
that he was, almost certainly, gay. “Most stairs was the Hotel Splendide. It was from arrest leaked out, the Vichy regime would of his biographies have denied he was a room there that Fry set up the Centre be gravely embarrassed. He threatened to THE UNSUNG HERO OF gay, but the more I read his archives, the Américain de Secours (the American call The New York Times if Chagall wasn’t more I wanted to include this part of his Rescue Centre). Officially this was a released in half an hour. The police met the character, which I felt had been sunk by charity that helped refugees with food deadline. In 1945, Fry wrote, ‘’Marc Chagall other writers.” and financial support. But word spread is well satisfied with American trees and Fry is also the subject of an upcoming that it was offering help that was far more American cows and finds Connecticut just film, And Crown Thy Good, directed by significant: securing visas. Fry was soon as good to paint in as Southern France.’’ MARSEILLE Pierre Sauvage, filmmaker and founder of overwhelmed with refugees. Although he had support from other the Varian Fry Institute at the Chambon His first aim was to issue American Americans in Marseille, including the Foundation, an organization dedicated visas for those who needed to flee the American vice consul Hiram Bingham to exploring the American experience country. But once visas were secured IV, the hotel soon became unsuitable as a of the Holocaust. In a paper he gave in there was a more dangerous hurdle: each base. -
Someone You Should Know Varian Fry: an Ordinary
SOMEONE YOU SHOULD KNOW VARIAN FRY: AN ORDINARY AMERICAN WHO MADE A DIFFERENCE Stephen Kneeshaw College of the Ozarks In the spring of 1945 Allied armies moved into central and eastern Europe from the West and East. Liberation forces marched into German camps with names such as Dachau (in Germany itself) and Auschwitz (in Poland), and the world began to witness up close the horrors of Adolf Hitler's "final solution" for "the Jewish problem." In reality, some people knew about the horrors of the Holocaust before 1945, and a few had put their own lives in jeopardy in their attempts to save Jews and other "undesirables" from certain death at the hands of Hitler's henchmen. History books often describe the hide-and-seek life that Anne Frank and her family endured in Amsterdam, trying to avoid capture and internment ( or even death) in German camps. Thomas Keneally and Steven Spielberg-in book and movie- introduced Oskar Schindler and his "list."1 Swedish executive and diplomat Raoul Wallenberg used deception, bribery, and "protection passes" to help thousands of Hungarian Jews escape persecution and death in 1944 and 1945-at the expense ofhis own life. Those stories often get told. Now we need to add other names to the list of people who stepped up to the challenges to civilization that Hitler represented. Another notable rescuer-and one of a type I sometimes call "everydaypeople"- was an American journalist named Varian Fry, a good example of an ordinary American who did extraordinary things with his life. Born into a "comfortable" middle- class family in New York City, the son of a Wall Street manager and a teacher, at quick glance Fry seemed blessed with the trappings of wealth. -
Holocaust Memorial DVD Lending Library
Holocaust Memorial DVD Lending Library Assignment Rescue: The Story of Varian Fry Studying the Holocaust through film Correlating the Film Objectives and the Florida State Standards FILM: Assignment Rescue: The Story of Varian Fry Objectives/Questions Florida State Standards Correlates “The story of Varian Fry and the Emergency Rescue Committee is the dramatic account of Varian Fry, a New York journalist sent to Marseilles in 1940 by the Emergency Rescue Committee. His assignment was to help save scores of anti-Nazi refugees trapped in Frances and hunted by the Gestapo. Fry soon became a veritable Scarlet Pimpernel and was responsible for the rescue of hundreds of anti-Nazis, including many of Europe’s most distinguished artists, writers and scholars, among them Andre Breton, Marc Chagall, Max Ernst and Hannah Arendt. The narration, spoken by celebrated actress Meryl Streep provides the historical context for this compelling but little known take of a young American who helped save several thousand political and intellectual refugees in the early years of World War II.” Historical context for Varian SUBJECT: Social Studies Fry. Standard 7 SS.912.W.7: Recognize significant causes, events, figures and consequences of the Great War period and the impact on world- wide balance of power. Benchmark SS.912.W.7.6 Analyze the restriction of individual rights and the use of mass terror against populations in the Soviet Union, Nazi Germany and Occupied Territories. Standard 1 SS.912.W.1: Utilizes historical inquiry skills and analytical processes. Benchmark: SS.912.W.1.1- Use timelines to establish cause and effects relationships of historical events. -
Gns2016 Scope Rh 2016 1 שנה טובה!
Great Neck Synagogue Magazine S|C|O|P|E Rosh Hashanah2016 Tishrei5777 on to Treasures from the Cairo Geniza By Dr. Arnold Breitbart | Generation to Generation to | Generation Was It the Right Choice By Rabbi Moshe Kwalbrun AIPAC Policy Conference 2016 By Michele Wolf Mazel Tov to our Simchat Torah honorees! Chatan Torah: Aryeh Family Chatan Breishit: Howard Silberstein Chatan Maftir: Mark Gelberg | Generation to Generation | Generation to | Generation GNS2016 SCOPE RH 2016 1 שנה טובה! May this year be filled with sweetness, happiness, and simcha! From Your Favorite Glatt Kosher Caterer! Taste The Exceptional Great Neck Synagogue ∎brit Milahs ∎engagements ∎luncheons ∎bridal showers ∎bar/bat mitzvah ∎Weddings Book Now: 516-466-2222 SCOPE RH 2016 2 Great Neck Synagogue Magazine Great Neck Synagogue GNS2016 S|C|O|P|E 26 Old Mill Road Great Neck, NY 11023 Rosh Hashanah Issue | 2016 Table of Contents T: 516 487 6100 www.gns.org Excerpt From the Upcoming Book The Brooklyn Nobody Knows By William B. Helmreich p.12 Dale E. Polakoff, Rabbi Ian Lichter, Assistant Rabbi Was It The Right Choice By Rabbi Moshe Kwalbrun p.14 Ze’ev Kron, Cantor Mark Twersky, Executive Director A Black and White World By Annie Karpenstein p.15 James Frisch, Assistant Executive Director Sholom Jensen, Rabbi, Youth Director Jerusalem My Inspiration By Susan Goldstein p.18 Dr. Michael & Zehava Atlas, Youth Directors Lisa Septimus, Yoetzet Halacha “Say Little and Do Much” – “A Few Word but Many Deeds” Dr. Ephraim Wolf, z”l, Rabbi Emeritus By Zachary Dicker p.19 Eleazer Schulman, z”l, Cantor Emeritus Treasures from the Cairo Geniza By Dr. -
Weapons of the Spirit, Transcript of the Feature Documentary. Bill Moyers Interviews Filmmaker Pierre Sauvage, Transcript of the P
UOCUMENT RESUME ED 398 108 SO 026 356 AUTHOR Sauvage, Pierre TITLE Weapons of the Spirit, Transcript of the Feature Documentary. Bill Moyers Interviews Filmmaker Pierre Sauvage, Transcript of the P. B. S. Broadcast, and Additional Background Material. INSTITUTION Friends of Le Chambon Foundation, Los Angeles, CA. PUB DATE 89 NOTE 210p.; Accompanying two part videotape not available from EDRS. AVAILABLE FROM Friends of Le Chambon Foundation, 8033 Sunset Blvd. #784, Los Angeles, CA 90046 (classroom version videocassette with interview of filmmaker: 35 minutes, $49.95). PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Creative Works (Literature,Drama,Fine Arts)(030) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS Adults; *Critical Viewing; Cultural Awareness; Elementary Secondary Education; Enrichment Activities; *Foreign Countries; Interdisciplinary Approach; Multimedia Materials; *Personal Narratives; Postsecondary Education; *Social Studies; World War II IDENTIFIERS *France (Le Chambon); French Resistance; Holocaust; Nazi Occupation of Frwrice ABSTRACT This documentary tells the wartime story of Le Chambon, a tiny Protestant village in France that defied the Nazi occupation and provided a safe haven for thousands of Jews. Using interviews, old photographs and footage, and specially declassified documents, the film [and transcript] examine the difference between being a bystander and a participant in the salvation of Jews from Nazis, and celebrates humanity's capacity for good. The transcript of the documentyry and Bill Moyers' interviews with Pierre Sauvage includes over 70 pages of background articles, interviews, maps, bibliographies, and directed discussion guidelines for the classroom. (DOE) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** 1.1Mfirch 24, 1993 (4130/92) 00 00 L.1-1 0 IP 111 Transcript of Ie feature documentary vs, V II/P Transcript of the PB5. -
Varian Fry Papers
Varian Fry Papers Finding Aid Prepared by Bernard Crystal Published September 2001 ____________________________________________________________________________________ Date Range: 1938-1999 Size of Collection: 9.5 linear ft. (ca. 3,000 items in 19 boxes). Organization of the Material: In nine series: 1. Correspondence; II. Arranged Correspondence; III. Personal Correspondence; IV. Subjecr Files; V. Manuscripts; VI. Photographs; VII. Printed Material;VIII. 2004 Addition; IX. 2005 Addition. Source & Date of Acquisition: Gift of Annette Riley Fry, 1969 1974 2004 & and 2005. Material on Microfilm: Boxes 1-12 are on microfilm. Terms of Access: Available for faculty, students, and researchers engaged in scholarly publication projects. Restrictions on Use or Access: Permission to publish materials must also be obtained in writing from the Director of the Rare Books and Manuscripts Library. Location of Material: On-site Processing Information: Processed by Bernard Crystal 6/92. 2004 addition processed by Bridget T. Lerette 11/2005. 2005 addition processed by Bridget T. Lerette 12/2005. Bib Id: 4078792 Extent of Finding Aid: 27 pages Related Finding Aids: List of photographs, 68 pages. ____________________________________________________________________________________ BIOGRAPHY Fry, a 32 year old Harvard-educated classicist and editor from New York City, helped save thousands of endangered refugees who were caught in the Vichy French area during World War II. His efforts saved prominent persons: Max Ernst; Marc Chagall; Hannah Arendt; Andre Breton; Marcel Duchamp; Franz Werfel; Jacques Lipchitz; Lion Feuchtwanger; Heinrich Mann; Hans Sahl; Wilfredo Lam; Walter Mehring; Otto Meyerhoff; and Alma Mahler. In total, Fry and his collaborators helped to save around 4,000 people. In 1991, 24 years after his death (1967) in obscurity, Fry received his first official recognition from a United States agency, the United States Holocaust Memorial Council. -
Varian Fry Institute 1
Varian Fry Institute 1 Varian's War By Those Who Know 7 Varian Fry in Marseille by Pierre Sauvage 13 MIRIAM DAVENPORT EBEL (1915 - 1999) 54 An Unsentimental Education 59 Mary Jayne Gold a synopsis by the author 87 The Varian Fry Institute is sponsored by the Chambon Foundation Pierre Sauvage, President Revised: February 12, 2008 Varian Fry Institute dedicated to Americans Who Cared When the world turned away, one American led the most determined and successful American rescue operation of the Nazi era. Mary Jayne Gold (1909-1997) prior to World War II Fry and Colleagues Page 1 of 89 Varian Fry (1907-1967) in Marseille in 1941 No stamp for the 100th anniversary of his birth Miriam Davenport Ebel (1915-1999) prior to World War II Charles Fawcett (1915-2008) in Ambulance Corps uniform Fry and Colleagues Page 2 of 89 Hiram Bingham IV (1903-1988) righteous vice-consul in 1940-41, stamp issued in May 2006 Leon Ball “In all we saved some two thousand human beings. We ought to have saved many times that number. But we did what we could.” Varian Fry Viewed within the context of its times, Fry's mission in Marseille, France, in 1940-41 seems not "merely" an attempt to save some threatened writers, artists, and political figures. It appears in hindsight like a doomed final quest to reverse the very direction in which the world—and not merely the Nazis— was heading. from Varian Fry in Marseille, by Pierre Sauvage We are very sad to announce the death of our friend Charles Fernley Fawcett. -
Haggadah Supplement
“WHOEVER SAVES A SINGLE LIFE IS AS IF ONE SAVES THE ENTIRE WORLD.”—TALMUD H AGGADA H S UPPLEMENT The following should be read after singing Dayyenu. READER: Throughout the year, we remember how despots have sought the exile and annihilation of the Jewish people. At Pesach, we tell of Pharaoh. At Hanukkah, of Antiochus. At Purim, of Haman. At Yom HaShoah, of Hitler. We speak of past oppressors, hoping that through awareness we may prevent future tyrants from attaining power. But we also give thanks for those in every generation who came forward to lead our people out of the darkness. We recognize heroic rescuers from every generation, hoping that the memory of their strength will fortify us if confronted with similar evil. READER: We remember Moses, who, with both vision and courage, led his people from slavery to freedom. We remember the Maccabees, whose strength and determination saved the Temple and Jewish life in the Land of Israel. We remember Esther, who interceded to save fellow Jews from destruction. While we commemorate the heroes of the past, we also remember modern heroes who saved Jews from the Holocaust. TOGETHER: During this dark time, there were those who had the courage to care – non-Jews who risked their lives, and often the lives of their families, to save Jews from death. Just as we tell of Moses leading our people to freedom, at our Seder we also tell of contemporary heroes and how they led Jews to their freedom more than seventy years ago. READER: At this Passover Seder we recount the story of Varian Fry, an American journalist, who in June 1940, volunteered to travel from New York to Marseilles, France, as a representative of the Emergency Rescue Committee, a newly formed relief organization. -
Rain by Marc Chagall
Rain by Marc Chagall Print Facts • Medium: Oil and charcoal on canvas • Date: 1911 • Size: 34 1/8 x 42 ½ inches • Location: Solomon R Guggenheim Museum, NY • Style: Cubism • Genre: Landscape • People and animals live in fraternal unity, belonging both to the earth and the cosmos. • There is no sense of gravity; they are equally at home on the rooftops of houses or moving freely about the sky. • The heads of people caught up in their everyday concerns also appear. Artist Facts • Pronounced (sha-GAHL) • Born July 7, 1887 in Liozna, Russia which is near the city of Vitebsk (v uh t EH b s k) • Died March 28, 1985 (age 97) • Married Bella Rosenfeld who he said was his inspiration. • Chagall was the oldest of nine children. • His mother bribed a professor to let Chagall attend a high school that did not allow Jews. • A turning point of his artistic life came when he first noticed a fellow student drawing. Chagall would later say that there was no art of any kind in his family's home and the concept was totally alien to him. When Chagall asked the schoolmate how he learned to draw, his friend replied, "Go and find a book in the library, idiot, choose any picture you like, and just copy it." He soon began copying images from books and found the experience so rewarding he then decided he wanted to become an artist. (From Wikipedia) • Chagall wanted to study art in Petersburg, Russia. He had to get a temporary visa from a friend to even get into the city because Jews were not allowed there without an internal passport. -
Varian Fry and the Refugees of France by Nancy Brown
1 WEDNESDAY OCTOBER 13, 1999 AFTERNOON SESSION B 16:30-18:00 No Longer A Haven: Varian Fry and the Refugees of France by Nancy Brown Hannah Arendt recognized Freda Kirchwey’s article, “Nightmare in France,” published in the August 17, 1940 edition of The Nation magazine, as the only honest report on the refugee crisis in France made available to the American public. Several years after her internment in the Gurs concentration camp in France, Arendt wrote: Before this war broke out we were even more sensitive about being called refugees. We did our best to prove to other people that we were just ordinary immigrants. We denied that our situation had anything to do with “so-called Jewish problems. We lost our home, which means the familiarity of daily life. We lost our occupation, which means the confidence that we are of some use in this world. We lost our language, which means the naturalness of reactions, the simplicity of gestures, the unaffected expression of feelings. We left our relatives in the ghettos and our best friends have been killed in concentration camps, and that means the rupture of our private lives. Hell is no longer a religious belief or a fantasy, but something as real as houses and stones and trees. Apparently nobody wants to know that contemporary history has created a new kind of human beings—the kind that are put in concentration camps by their foes and in internment camps by their friends. Hannah Arendt, her husband, and her mother owe their lives to the efforts of the Marseilles office of the Emergency Rescue Committee established on August 13, 1940 under the leadership of American journalist Varian Fry. -
Unpublished up to Now Hans Ulrich Reck March 2013 Survival in Marseille
unpublished up to now Hans Ulrich Reck March 2013 Survival in Marseille: Varian Fry, Surrealism and a Note on Refugee Aid Max Ernst, Jacqueline Lamda, André Masson, André Breton, Varian Fry (f. l. t. r.) in the 'Bureau du centre américain du secours', Marseille, 1940-41 (Photo Ylla/ Camilla Koffler, Fondation Chambon, Cellection Fry) From a technical perspective, style labels are often helpful in art history yet, with regard to content, they tend to obscure the view of the essentials. Epistemologically, they are not usable anyway, since they amount to nothing more than a ‘chronic’ model that is not able to accommodate any insight into the conditions of art. But, as stated above, as a marker and index for technical identification they may be used without doing any harm. Inevitably however, there are some paradoxes: with the prevailing success of a label, there will be a growing, yet unnoticed, belief that there was a corresponding, verified corpus of work. Again, this would not be such a problem if only individual cases at the margins were excluded or went unnoticed initially. However, if a label is applied not only to decades, historical positions, artists groups and other countable and objectified elements but also to both methodical and thematic concerns of the artistic articulation itself, then we are, indeed, faced with a serious problem, because then the label affects the substance and becomes misleading. The label of ‘Surrealism’ has always been such a particularly lamentable case in point. Just think of all the different artists and issues that are considered part of this ‘movement’ or ‘style’, especially since, in German, there is an almost inevitable danger of misunderstanding by mixing up ‘Subrealism’ and ‘Suprarealism’. -
A Selective Annotated Bibliography of Materials Recommended for Junior High Classrooms Regarding Resistance During the Holocaust
University of Northern Iowa UNI ScholarWorks Graduate Research Papers Student Work 2013 A selective annotated bibliography of materials recommended for junior high classrooms regarding resistance during the Holocaust Katharine Mulfinger University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2013 Katharine Mulfinger Follow this and additional works at: https://scholarworks.uni.edu/grp Part of the Education Commons, and the Library and Information Science Commons Recommended Citation Mulfinger, Katharine, "A selective annotated bibliography of materials recommended for junior high classrooms regarding resistance during the Holocaust" (2013). Graduate Research Papers. 2. https://scholarworks.uni.edu/grp/2 This Open Access Graduate Research Paper is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Graduate Research Papers by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. A selective annotated bibliography of materials recommended for junior high classrooms regarding resistance during the Holocaust Find Additional Related Research in UNI ScholarWorks To find elatedr research in UNI ScholarWorks, go to the collection of School Library Studies Graduate Research Papers written by students in the Division of School Library Studies, Department of Curriculum and Instruction, College of Education, at the University of Northern Iowa. Abstract The Holocaust is a topic that is regularly taught in schools around the country, yet teachers are not necessarily instructed about what to teach regarding this time in history. The purpose of this project was to create a selective annotated bibliography of recommended resources for junior high school teachers to use when teaching about resistance during the Holocaust.