93Rd Oscars® Nominations Announced
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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
All In: Staying the Course on Our Commitment to Sustainability
All In: Staying the Course on Our Commitment to Sustainability Amazon Sustainability • December 2020 • sustainability.aboutamazon.com Table of Contents Introduction: Our World in 2020 3 About 5 Environment 19 People 52 Governance 90 Our World in 2020 WHILE THIS REPORT reflects our work throughout 2019, the world has clearly undergone a massive shift in 2020 with the emergence of COVID-19. We are, first and foremost, focused on the safety of our employees and contractors around the world. It is important that we help our customers through this difficult time, and Amazonians are working around the clock to get necessary supplies delivered directly to the doorsteps of people and organizations who need them. Our Whole Foods Market stores have remained open, providing fresh food and other vital goods for customers. AMAZON EMPLOYEES RECEIVE comprehensive health benefits starting on day one of employment. We are working on building scalable testing for coronavirus. We’ve distributed face masks and implemented temperature checks at sites around the world to help protect employees and support staff, and offer free masks to our Whole Foods Market customers. We regularly sanitize door handles, stairway handrails, lockers, elevator buttons, and touch screens, and disinfectant wipes and hand sanitizer are standard across our network. We also introduced extensive social distancing measures to help protect our associates. In all, we have made over 150 significant process changes in our operations network and Whole Foods Market stores, which we audit frequently, to help teams stay healthy. DURING THIS CRISIS, we’ve added 175,000 new jobs to help meet customer demand for essential products. -
Kameo Team Founded in the Early Stages of the Pandemic, After a Brief Intermission, Hollywood Is Back in Business
Human Interest Lights, Camera, Testing! lex Ostebo did not spend her pan- demic binge-watching movies. In fact, when stay-at-home orders A brought film productions to a grind- ing halt in spring of 2020, the producer and founder of LA-based Creative Picnic thought she’d be back behind the camera soon enough. But as weeks turned to months, she wondered what productions would look like when they were finally able to return. Studios would sure- ly have to provide safeguards against the coro- navirus and of course, frequent testing. At the time though, no lab option was as fast and as flexible as a time-strapped film production would require. “Our entire industry,” she recalls, “is based on being together.” And that entire industry need- ed a solution. “Film sets are all about safety,” she says, so it seemed logical that testing would become es- sential. “The challenge was to get the right peo- ple and the right labs.” The Kameo Team Founded in the early stages of the pandemic, After a brief intermission, Hollywood is back in business. Some productions started filming again last summer, thanks to an LA start-up -- founded by a veteran producer -- that provides reliable, flexible covid testing for the entertainment industry. Ostebo launched Kameo specifically for the partner labs to ensure they would always meet production industry she knows so well. In fact, the industry’s time-sensitive needs for results. Kameo is a play on the word cameo, a short – They even hired out-of-work movie producers but meaningful -- guest appearance. -
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Case 5:19-cv-04422 Document 1 Filed 07/31/19 Page 1 of 32 1 QUINN EMANUEL URQUHART & SULLIVAN, LLP David M. Grable (Bar No. 237765) 2 [email protected] Valerie Lozano (Bar No. 260020) 3 [email protected] 865 South Figueroa Street, 10th Floor 4 Los Angeles, California 90017-2543 Telephone: (213) 443-3000 5 Facsimile: (213) 443-3100 6 Lindsay M. Cooper (Bar No. 287125) [email protected] 7 50 California Street, 22nd Floor San Francisco, California 94111 8 Telephone: (415) 875-6600 Facsimile: (415) 875-6700 9 Attorneys for eBay Inc. 10 UNITED STATES DISTRICT COURT 11 FOR THE NORTHERN DISTRICT OF CALIFORNIA 12 eBay Inc., CASE NO. _____________ 13 Plaintiff EBAY’S COMPLAINT AND DEMAND 14 FOR A JURY TRIAL vs. 15 Sonja Boch, Amanda Sullivan Hedger, and 16 Ernest Arambula, 17 Defendants. 18 19 20 21 22 23 24 25 26 27 28 COMPLAINT Case 5:19-cv-04422 Document 1 Filed 07/31/19 Page 2 of 32 1 INTRODUCTION 2 1. Over the past several years, a group of Amazon managers, including Defendants 3 Sonja Boch, Amanda Sullivan Hedger, and Ernest Arambula 1 have conducted the affairs of 4 Amazon.com, Inc. (“Amazon”) through a pattern of racketeering activity—a conspiracy designed 5 to infiltrate and exploit eBay’s internal member email system using fraud and false pretenses, in 6 violation of 18 U.S.C. § 1343. The managers did this to illegally recruit high-value eBay sellers to 7 Amazon. 8 2. The breadth and scope of the racketeering activity are startling. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Project 1 Part 2 Sample Paper
Global Market of Dream Company: A24 As A24 continued to grow, it eventually became apparent that the small independent o.-., -t.,.. o..t1 company would have to build its status in the filmdistribution market internationall1 Around 1+,uc t 2016, A24 had some profound success when their films Room and Ex Machina gained Oscar nominations (Busch). Because of this, A24 hired investment banker Sasha Lloyd to oversee A24's international base and be the main force behind international release and distribution (Busch). As of this last year, A24 has well established itself in the global market for film distribution One of A24's most notable releases from2019, Midsommar, was distributed in the ) � 'j014 I\� ,tW. �C-('l•"'4 1' tN,t.. 1 ( UK, Australia, New Zealand, Germany, Austria, Switzerland, Spain, South Korea, Greece, C,O�t'- "-·' E..l,M,,ttf ( I,\k,. throughout the Middle East, Thailand, and Indonesia (Kay)) Of this countries, a notable one to b-�� . - ·) investigate is Germany. Germany has a population of 80,159,662 people, with 87% of citizens speaking German ("The World Factbook: Germany"). Germany has the fifth largest economy in the world, with a $3.701 trillion GDP, and there is 89.6% of the population utilizing the internet ("Germany"). To see how A24 is accepted in Germany, the best example is to view the film 1 Jvfidsommar's run in the country. /vlidsommarwas released in Germany on September 26 '\ 2019. I\O-t �1,1,td_ Th. lr-"""M� The filmwas l��-ttle*.S), with German subtitles being utilized to bridge the language barrier gap. -
BFI CELEBRATES BRITISH FILM at CANNES British Entry for Cannes 2011 Official Competition We’Ve Got to Talk About Kevin Dir
London May 10 2011: For immediate release BFI CELEBRATES BRITISH FILM AT CANNES British entry for Cannes 2011 Official Competition We’ve Got to Talk About Kevin dir. Lynne Ramsay UK Film Centre supports delegates with packed events programme 320 British films for sale in the market A Clockwork Orange in Cannes Classics The UK film industry comes to Cannes celebrating the selection of Lynne Ramsay’s We Need to Talk About Kevin for the official competition line-up at this year’s festival, Duane Hopkins’s short film, Cigarette at Night, in the Directors’ Fortnight and the restoration of Stanley Kubrick’s A Clockwork Orange, restored by Warner Bros; in Cannes Classics. Lynne Ramsay’s We Need To Talk About Kevin starring Tilda Swinton was co-funded by the UK Film Council, whose film funding activities have now transferred to the BFI. Duane Hopkins is a director who was supported by the UK Film Council with his short Love Me and Leave Me Alone and his first feature Better Things. Actor Malcolm McDowell will be present for the screening of A Clockwork Orange. ITV Studios’ restoration of A Night to Remember will be screened in the Cinema on the Beach, complete with deckchairs. British acting talent will be seen in many films across the festival including Carey Mulligan in competition film Drive, and Tom Hiddleston & Michael Sheen in Woody Allen's opening night Midnight in Paris The UK Film Centre offers a unique range of opportunities for film professionals, with events that include Tilda Swinton, Lynne Ramsay and Luc Roeg discussing We Need to Talk About Kevin, The King’s Speech producers Iain Canning and Gareth Unwin discussing the secrets of the film’s success, BBC Film’s Christine Langan In the Spotlight and directors Nicolas Winding Refn and Shekhar Kapur in conversation. -
Etiek En Toeskouerskap Deur Die Lens Van Michael Haneke Se Amour
LitNet Akademies Jaargang 15, Nommer 2, 2018, ISSN 1995-5928 Verantwoordelike rolprentvervaardiging: etiek en toeskouerskap deur die lens van Michael Haneke se Amour Dian Weys Dian Weys, onafhanklike navorser Opsomming Aangesien ons moderne samelewing deur die media oorweldig word, stel Michael Haneke voor dat filmmakers ‘n verantwoordelikheid het om gehore aan te moedig om aan ‘n film se betekenisskeppingproses deel te neem, veral wanneer dit kom by die uitbeelding van geweld. Wat behels hierdie verantwoordelikheid? Stanley Cavell verduidelik dat, omdat toeskouers tydens die filmkykproses onsigbaar is, film ‘n beroep op ons moderne begeerte doen, nie vir mag oor die wêreld nie, maar eerder die wens om nie mag nodig te hê nie en om nie die laste van ‘n ander te dra nie. Dit is ‘n probleem, glo ek, veral wanneer iemand anders se werklike swaarkry en lyding as bronmateriaal gebruik word, omdat filmmakers dié werklike ervaring wederregtelik in besit neem vir vermaaklikheidsonthalwe. Indien die filmkykproses ons kwytskeld daarvan om die laste van die wêreld te dra en dus verligting bied van die opneem van verantwoordelikheid, argumenteer ek dat ons nie mag wens om nie die laste van iemand anders te dra nie. Ons is, soos Emmanuel Levinas argumenteer, verantwoordelik vir mekaar. Hoe poog Haneke om, tegnies gewys, sy gehore bewus te maak van hierdie verantwoordelikheid? Judith Butler sê dat ‘n begrip van verantwoordelikheid net bereik kan word wanneer ‘n ek-heid die perke van selfkennis erken. Daarom, indien ons, soos Butler sê, net bewus kan raak van die ondeursigtigheid eie aan ons menswees wanneer ons gekonfronteer word met die ondeursigtigheid van ‘n ander, argumenteer ek dat Haneke, deur sy fragmentariese aanslag ten opsigte van die beeld, redigering en klank, sy gehoor in verwantskap plaas met ‘n film wat hul met die perke van hul selfkennis konfronteer. -
April 2021 New Titles List University of Dubuque
April 2021 New Titles List University of Dubuque Local Item Call Local Item Permanent Number Author Name Title Publisher NamePublication Date Edition Language Name Material Format Material Subformat Shelving Location N/A Neonatology today. Neonatology Today,2006 N/A English JOURNALS/MAGAZIN EJOURNALS/EMAGA ES ZINES Parkman, Francis, A half century of Little, Brown, and Co.,1899 Frontenac English BOOKS PRINTBOOK conflict / edition. Schur, Michael,Scanlon, The Good Place. Universal 2019 N/A English VIDEOS DVDS Claire,Miller, Beth Television,Shout! Factory, McCarthy,Holland, Dean,Bell, Kristen,Danson, Ted,Harper, William Jackson,Jamil, Jameela,Carden, D'Arcy,Jacinto, Manny,; Shout! Factory (Firm),Universal Television (Firm), AM151 .T54 2019 Garcia, Tristan,Normand, Theater, garden, ÉCAL/University of Art 2019 N/A English BOOKSPRINTBOOK New Book Collection: Vincent,; École cantonale bestiary :a and Design Lausanne 1st Floor d'art de Lausanne,Haute materialist history of ;Sternberg Press, école spécialisée de exhibitions / Suisse occidentale. BF789.C7 P3713 Pastoureau, Michel,; Green :the history of Princeton University 2014 N/A English BOOKSPRINTBOOK New Book Collection: 2014 Gladding, Jody, a color / Press, 1st Floor BJ1521 .H76 2020 Miller, Christian B.,West, Integrity, honesty, Oxford University Press,2020 N/A English BOOKSPRINTBOOK New Book Collection: Ryan, and truth seeking / 1st Floor BR65.A9 W47 Wessel, Susan, On compassion, Bloomsbury Academic,2020 N/A English BOOKSPRINTBOOK New Book Collection: 2020 healing, suffering, 1st Floor and the purpose of the emotional life / BS195 .R48 2019 Wansbrough, Henry, The Revised New Image,2019 First U.S. edition. English BOOKSPRINTBOOK New Book Collection: Jerusalem Bible 1st Floor :study edition / BS2553 .R83 Ruden, Sarah, The Gospels / Modern Library,2021 First edition. -
FALL CALENDAR Engage Your Campus with Powerful Movie Programming That Drives Important Conversations and Helps Foster an Inclusive Environment
Diversity & Inclusion FALL CALENDAR Engage your campus with powerful movie programming that drives important conversations and helps foster an inclusive environment. July | Disability JanuaryIndependence Day (7/26) August | Women’sJanuary Equality Day (8/26) World Religion Day (1/19) World Religion Day (1/19) © 2020 Universal City Studios Productions LLLP. All Rights Reserved. © 2020 Columbia Pictures Industries, Inc. Bros. Ent. All rights reserved. © 2020 Warner © 2020 Paramount Pictures Bros. Ent. All rights reserved. © 2020 Warner © 2020 Disney/Pixar September |January Hispanic Heritage Month October | NationalJanuary Bullying Prevention Month World Religion Day (1/19) World Religion Day (1/19) © 2020 Disney/Pixar © 2020 Disney Enterprises Inc. © Lions Gate Entertainment, Inc. © 2020 Columbia Pictures Industries, Inc. © 2020 Paramount Pictures © 2020 Metro-Goldwyn-Mayer Pictures Inc. All Rights Reserved. November |January Election Year December | JanuaryWorld AIDS Day (12/1) World Religion Day (1/19) World Religion Day (1/19) © 2020 Universal City Studios Productions LLLP. All Rights Reserved. © 2020 Universal City Studios Productions LLLP. All Rights Reserved. © Lions Gate Entertainment, Inc. © 2020 Columbia Pictures Industries, Inc. © Universal Studios © 2020 Columbia Pictures Industries, Inc. Diversity & Inclusion SPRING CALENDAR Engage your campus with powerful movie programming that drives important conversations and helps foster an inclusive environment. January | MartinJanuary Luther King Day (1/20) February | BlackJanuary History Month World Religion Day (1/19) World Religion Day (1/19) © 2020 Paramount Pictures Bros. Ent. All rights reserved. © 2020 Warner © Focus Features LLC. © A24 Films © Focus Features LLC. © 2020 Warner Bros. Ent. All rights reserved. © 2020 Warner March | Women’sJanuary History Month April | CelebrateJanuary Diversity Month World Religion Day (1/19) World Religion Day (1/19) © Universal Studios © Miramax Films © 2020 Paramount Pictures © Lions Gate Entertainment, Inc. -
Pieces of a Woman
PIECES OF A WOMAN Directed by Kornél Mundruczó Starring Vanessa Kirby, Shia LaBeouf, Molly Parker, Sarah Snook, Iliza Shlesinger, Benny Safdie, Jimmie Falls, Ellen Burstyn **WORLD PREMIERE – In Competition – Venice Film Festival 2020** **OFFICIAL SELECTION – Gala Presentations – Toronto International Film Festival 2020** Press Contacts: US: Julie Chappell | [email protected] International: Claudia Tomassini | [email protected] Sales Contact: Linda Jin | [email protected] 1 SHORT SYNOPSIS When an unfathomable tragedy befalls a young mother (Vanessa Kirby), she begins a year-long odyssey of mourning that touches her husband (Shia LaBeouf), her mother (Ellen Burstyn), and her midwife (Molly Parker). Director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014) and partner/screenwriter Kata Wéber craft a deeply personal meditation and ultimately transcendent story of a woman learning to live alongside her loss. SYNOPSIS Martha and Sean Carson (Vanessa Kirby, Shia LaBeouf) are a Boston couple on the verge of parenthood whose lives change irrevocably during a home birth at the hands of a flustered midwife (Molly Parker), who faces charges of criminal negligence. Thus begins a year-long odyssey for Martha, who must navigate her grief while working through fractious relationships with her husband and her domineering mother (Ellen Burstyn), along with the publicly vilified midwife whom she must face in court. From director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014), with artistic support from executive producer Martin Scorsese, and written by Kata Wéber, Mundruczó’s partner, comes a deeply personal, searing domestic aria in exquisite shades of grey and an ultimately transcendent story of a woman learning to live alongside her loss. -
How Are the Major Streaming Services Reshaping the Film Industry
How Are the Major Streaming Services Reshaping the Film Industry Master Thesis MSc Strategy, Organization and Leadership Submission: May 9th, 2018 Normal pages: 106 (237.228 characters incl. spaces) Supervisor: Mehran Moghaddas (DVIP, INT) Students: Viktoria Vas & Gerda Binkyte Copenhagen Business School 2018 Abstract The paper examines the effects major streaming services, such as Netflix, Amazon, HBO have on the Danish film industry, and seeks to identify how individual producers and independent production companies in the country can exploit the rising opportunities. The research used a mix of deductive and inductive reasoning in the analysis, for which twelve semi-structured in-depth interviews were conducted with industry professionals from Denmark over the course of five weeks. This led to insightful findings that can be used for further researches for both academics and professionals. The analysis built on theories discussed in the literature review; Porter’s five forces (Porter, 1979), supply chain, emerging strategy (Mintzberg, 1987), marketing mix, four trajectories of change (McGahan, 2004). The findings include changes in certain links in the supply chain of film production, such as; affects on producers and film financing, changes in sales and distribution. While for producers SVOD services mainly bring additional financing opportunities, decreasing the power of DFI and the national broadcasters, sales agents and distribution is highly affected. Sales agents will need to adapt to the changing conditions, and transform themselves from traditional sales agents to agents who offer extra services for their clients. Distribution is affected in a way that its release windows system is disrupted and shortening some of these windows might not be avoided in the future.