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Television Dramas Have Increasingly Reinforced a Picture of British Politics As ‘Sleazy’
Television dramas have increasingly reinforced a picture of British politics as ‘sleazy’ blogs.lse.ac.uk/politicsandpolicy/new-labour-sleaze-and-tv-drama/ 4/22/2014 There were 24 TV dramas produced about New Labour and all made a unique contribution to public perceptions of politics. These dramas increasingly reinforced a picture of British politics as ‘sleazy’ and were apt to be believed by many already cynical viewers as representing the truth. Steven Fielding argues that political scientists need to look more closely at how culture is shaping the public’s view of party politics. On the evening of 28th February 2007, 4.5 million ITV viewers saw Deputy Prime Minister John Prescott receive a blowjob. Thankfully, they did not see the real Prescott on the screen but instead actor John Henshaw who played him in Confessions of a Diary Secretary. Moreover, the scene was executed with some discretion: shot from behind a sofa all viewers saw was the back of the Deputy Prime Minister’s head. Prescott’s two-year adulterous affair with civil servant Tracey Temple had been splashed across the tabloids the year before and ITV had seen fit to turn this private matter into a broad comedy, one which mixed known fact with dramatic invention. Confessions of a Diary Secretary is just one of twenty-four television dramas produced about New Labour which I discuss in my new article in the British Journal of Politics and International Relations. Some of these dramas were based on real events, others elliptically referenced the government and its personnel; but all made, I argue, a unique contribution to public perceptions of politics. -
Cultural Studies Association of Australasia Conference
Cultural Studies Association of Australasia Conference Provocations Activism | Catastrophe | Exposure Flesh | Harm | Secrets 2 - 5 December 2014 University of Wollongong lha.uow.edu.au/hsi/csaa2014 Conference hosted by: Faculty of Law, Humanities and the Arts, University of Wollongong and Cultural Studies Association of Australasia TABLE OF CONTENTS WELCOME ........................................................................................................................ 3 YOUR HOST ...................................................................................................................... 5 UOW CONFERENCE TEAM ................................................................................................. 6 ACKNOWLEDGMENTS ....................................................................................................... 7 SPONSORS ........................................................................................................................ 7 BOOK LAUNCHES .............................................................................................................. 8 GENERAL INFORMATION ................................................................................................ 10 CONFERENCE VENUE ...................................................................................................... 12 WOLLONGONG CAMPUS MAP ........................................................................................ 13 PROGRAM OVERVIEW ................................................................................................... -
2058 ABC Festival Program 16Pp Final.Indd
abc.net.au/tv: abc.net.au/iview: For more information on Choose what to watch, when to what’s on ABC TV. watch and where to watch on our ABC free internet tv service, ABC iView. abc.net.au/tv/newsletter: To subscribe to ABC TV // Switched On, your weekly guide to the best of ABC TV. 16NOV08-27JAN09 PROGRAM CALENDAR CHECK OUT YOUR CALENDAR IN THE BACK 22058_ABC_Festival058_ABC_Festival PProgram_16pp_F2-3rogram_16pp_F2-3 22-3-3 110/10/080/10/08 88:50:07:50:07 PPMM CHECK OUT YOUR CALENDAR IN THE BACK As 2008 draws to a close A hand-picked selection of new and We’ve also crafted a special season of the In closing, I’d like to pay tribute to the acclaimed programs from Australia and crème of our award-winning Australian wonderful actors, producers, writers, and the celebratory beyond, I hope it will both entertain and dramas and documentaries including; directors, fi lmmakers, comedians, season nears, here at stimulate you over the summer months. the Constructing Australia series, researchers, and other content creators ABC TV we’ve saved ABC’s schedule is always diverse, Bastard Boys, The Sounds of Aus, with whom we have worked over the and this festival is no exception. From Crude, The Floating Brothel and past few years. Their body of work, some of our best for last, the political intrigue and treachery Rain Shadow. which you see represented here in and I am delighted to uncovered in The Howard Years, to On ABC2, relive the classic Brideshead our Festival of TV, shows how vibrant the pure entertainment of Adam Hills Revisited series, indulge in a musical and exciting the Australian creative be able to present to captured live during one of his comedy feast with the World Music Awards community is and ABC TV is delighted you our Festival of TV, shows on the road, our Festival of TV has and enjoy the premiere of Zoo Day to be the leading partner for bringing their stories and voices to the screen. -
Introduction Chapter 1
Notes Introduction 1. For The Economistt perpetuating the Patent Office myth, see April 13, 1991, page 83. 2. See Sass. 3. Book publication in 1906. 4.Swirski (2006). 5. For more on eliterary critiques and nobrow artertainment, see Swirski (2005). 6. Carlin, et al., online. 7. Reagan’s first inaugural, January 20, 1981. 8. For background and analysis, see Hess; also excellent study by Lamb. 9. This and following quote in Conason, 78. 10. BBC News, “Obama: Mitt Romney wrong.” 11. NYC cabbies in Bryson and McKay, 24; on regulated economy, Goldin and Libecap; on welfare for Big Business, Schlosser, 72, 102. 12. For an informed critique from the perspective of a Wall Street trader, see Taleb; for a frontal assault on the neoliberal programs of economic austerity and political repression, see Klein; Collins and Yeskel; documentary Walmart. 13. In Kohut, 28. 14. Orwell, 318. 15. Storey, 5; McCabe, 6; Altschull, 424. 16. Kelly, 19. 17. “From falsehood, anything follows.” 18. Calder; also Swirski (2010), Introduction. 19. In The Economist, February 19, 2011: 79. 20. Prominently Gianos; Giglio. 21. The Economistt (2011). 22. For more examples, see Swirski (2010); Tavakoli-Far. My thanks to Alice Tse for her help with the images. Chapter 1 1. In Powers, 137; parts of this research are based on Swirski (2009). 2. Haynes, 19. 168 NOTES 3. In Moyers, 279. 4. Ruderman, 10. 5. In Krassner, 276–77. 6. Green, 57; bottom of paragraph, Ruderman, 179. 7. In Zagorin, 28; next quote 30; Shakespeare did not spare the Trojan War in Troilus and Cressida. -
New Labour, Old Morality
New Labour, Old Morality. In The IdeasThat Shaped Post-War Britain (1996), David Marquand suggests that a useful way of mapping the „ebbs and flows in the struggle for moral and intellectual hegemony in post-war Britain‟ is to see them as a dialectic not between Left and Right, nor between individualism and collectivism, but between hedonism and moralism which cuts across party boundaries. As Jeffrey Weeks puts it in his contribution to Blairism and the War of Persuasion (2004): „Whatever its progressive pretensions, the Labour Party has rarely been in the vanguard of sexual reform throughout its hundred-year history. Since its formation at the beginning of the twentieth century the Labour Party has always been an uneasy amalgam of the progressive intelligentsia and a largely morally conservative working class, especially as represented through the trade union movement‟ (68-9). In The Future of Socialism (1956) Anthony Crosland wrote that: 'in the blood of the socialist there should always run a trace of the anarchist and the libertarian, and not to much of the prig or the prude‟. And in 1959 Roy Jenkins, in his book The Labour Case, argued that 'there is a need for the state to do less to restrict personal freedom'. And indeed when Jenkins became Home Secretary in 1965 he put in a train a series of reforms which damned him in they eyes of Labour and Tory traditionalists as one of the chief architects of the 'permissive society': the partial decriminalisation of homosexuality, reform of the abortion and obscenity laws, the abolition of theatre censorship, making it slightly easier to get divorced. -
SCSL Press Clippings
SPECIAL COURT FOR SIERRA LEONE OUTREACH AND PUBLIC AFFAIRS OFFICE PRESS CLIPPINGS Enclosed are clippings of local and international press on the Special Court and related issues obtained by the Outreach and Public Affairs Office as at: Monday, 26 January 2009 Press clips are produced Monday through Friday. Any omission, comment or suggestion, please contact Martin Royston-Wright Ext 7217 2 Local News Witnesses Afraid to Testify in Favour of Charles Taylor / Independent Observer Page 3 4 More Witnesses to go as Over 80 Now Testify Against Taylor / Independent Observer Page 4 Challenges Ahead / Independent Observer Page 5 Kono Wants to Bury Their Dead / Concord Times Page 6 International News Prosecution Has Presented 80 Witnesses Against Charles Taylor / Cocorioko Pages 7-8 UNMIL Public Information Office Complete Media Summaries / UNMIL Pages 9-11 DRC: ICC’s First Trial Focuses on Child Soldiers / Human Rights Tribune Pages 12-14 Congo Warlord Denies War Crimes / BBC Online Pages 15-16 International Tribunal to be Launched March 1.../ Naharnet Newsdesk International Pages 17-18 War Crimes: Talk But not Much Action / The Sunday Morning Herald Pages 19-20 3 Independent Observer Monday, 26 January 2009 Witnesses Afraid to Testify in Favour of Charles Taylor 4 Independent Observer Monday, 26 January 2009 5 Independent Observer Monday, 26 January 2009 6 Concord Times Monday, 26 January 2009 7 Cocorioko Friday, 23 January 2009 Prosecution has presented 80 witnesses against Charles Taylor Written by Mariama Khai Fornah The Prosecution of the Special Court for Sierra Leone has presented over eighty witnesses to testify against the former President of Liberia Charles Taylor in The Hague.Most of these witnesses earlier testified in the AFRC and RUF trials in Freetown and they testified using protective measures.But as the Prosecution brought them in The Hague, most of the crime base witnesses ended testifying in open session. -
Tesisw: Tecnología Midi: Análisis De Esta Tecnología
UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO FACULTAD DE INGENIERÍA TECNOLOGÍA MIDI: ANÁLISIS DE ESTA TECNOLOGÍA PARA SU ADAPTACIÓN A LA GUITARRA ELÉCTRICA TESIS Que para obtener el título de Ingeniero en Computación P R E S E N T A Sergio Emiliano Duque Vega DIRECTOR DE TESIS M.C. Alejandro Velázquez Mena Ciudad Universitaria, Cd. Mx., 2017 UNAM – Dirección General de Bibliotecas Tesis Digitales Restricciones de uso DERECHOS RESERVADOS © PROHIBIDA SU REPRODUCCIÓN TOTAL O PARCIAL Todo el material contenido en esta tesis esta protegido por la Ley Federal del Derecho de Autor (LFDA) de los Estados Unidos Mexicanos (México). El uso de imágenes, fragmentos de videos, y demás material que sea objeto de protección de los derechos de autor, será exclusivamente para fines educativos e informativos y deberá citar la fuente donde la obtuvo mencionando el autor o autores. Cualquier uso distinto como el lucro, reproducción, edición o modificación, será perseguido y sancionado por el respectivo titular de los Derechos de Autor. Tecnología MIDI Sergio Emiliano Duque Vega Agradecimientos Al Alfa y Omega, principio y fin de todo, por regalarme el don de la música y permitirme escuchar. Todo viene de ti y todo vuelve a ti. A mi madre y a mi padre, Susana y Sergio, por creer en la educación como una puerta que transforma la vida de quienes decidimos pasar a través de ella. Sin su apoyo y orientación no hubiese sido posible realizar este trabajo. A mis hermanas, Michel y Paola, por siempre ofrecerme su ayuda, ejemplo y amistad. A mi cuñado y sobrino, Carlos y Carlitos, por traer nueva alegría y música a nuestra familia. -
Liverpool Film Seminar 2012 – 2013 Series
Liverpool Film Seminar 2012 – 2013 series Every year, Liverpool Film Seminar invites six experts to deliver a series of talks. Topics vary greatly and the series does not focus on a specific aspect of film. Instead, a range of genres and approaches are celebrated, from historical reach to the internet’s impact on cinematic material. Below you’ll find a list of speakers and topics from the 2012 – 2013 series: Professor Stella Bruzzi (University of Warwick) Approximation: Documentary, History and the Staging of Reality This paper offers a response to our current preoccupation with diversifying the ways in which the media and related cultural forms represent, use and manipulate real events and the ways in which recognised, discrete categories such as ‘documentary’, ‘dramatisation’ and ‘fiction’ are now undergoing radical reassessment. What is occurring is an excitable flirtation with how to show and perform facts and evidence, with mixing genres and switching cultural arenas, the collective effect of which I will explore through the concept of ‘approximation’, a term used in this context to signal works whose aim is to approximate reality rather than more straightforwardly represent it. The longer project I am engaged in begins as a response to the multiple responses to ‘9/11’, our shorthand for the terrorist attacks on the World Trade Centre, 11 September 2001, an event that inevitably spawned a multitude of media, cultural and artistic responses. In an essay about Gerhard Richter’s painting ‘September’, Robert Storr comments: ‘’No one sees the same thing when they look at the same thing’. Although the documents and facts on which ‘approximate’ texts are based remain pre-eminent, it is the detachment between the two that is my focus. -
UNIVERSAL MUSIC • Michael Franti & Spearhead – All People • David
Michael Franti & Spearhead – All People David Garrett – Music Robbie Williams – Live At Knebworth 10th Anniversary New Releases From Classics And Jazz Inside!!! And more… UNI13-31 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: JAY‐Z / MAGNA CARTA HOLY GRAIL (Standard Version) Bar Code: Cat. #: DEFW4027102 Price Code: SP Order Due: ASAP Release Date: July 9, 2013 8 57018 00418 2 File: Rap / Hip Hop Genre Code: 34 Box Lot: 25 Key Tracks: *SHORT SELL CYCLE “Holy Grail” ft. Justin Timberlake *NOT ACTUAL COVER Artist/Title: JAY‐Z / MAGNA CARTA HOLY GRAIL (Deluxe Version) Bar Code: Cat. #: B001887702 Price Code: SPS Order Due: July 4, 2013 Release Date: July 23, 2013 8 57018 00414 4 File: Rap / Hip Hop Genre Code: 34 Box Lot: 25 Key Tracks: *SHORT SELL CYCLE “Holy Grail” ft. Justin Timberlake *NOT ACTUAL COVER KEY POINTS: • Over 50 Million Albums sold worldwide – 1 million in Canada! • 10 Grammy Awards including 3 for his 2009 release “Blueprint 3” which debuted #1 in Canada • Previous album Watch The Throne with Kanye West has scanned over 130,000 units • Magna Carta Holy Grail includes 15 brand new songs! • Deluxe Version includes intricate 6‐panel soft pack, 28‐page booklet with black o‐card. The idea behind the package is that it needs to be destroyed in order for the information inside to be revealed. • Massive advertising & promotional campaigns running from release throughout the -
Nr Kat EAN Code Artist Title Nośnik Liczba Nośników Data Premiery Repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl
nr kat EAN code artist title nośnik liczba nośników data premiery repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl Longplay 33 1/3 2 2018-04-27 HEAVYMETAL/HARDROCK 19075816432 190758164328 '77 Bright Gloom CD Longplay 1 2018-04-27 HEAVYMETAL/HARDROCK 9985848 5051099858480 '77 Nothing's Gonna Stop Us CD Longplay 1 2015-10-30 HEAVYMETAL/HARDROCK 88697636262 886976362621 *NSYNC The Collection CD Longplay 1 2010-02-01 POP 88875025882 888750258823 *NSYNC The Essential *NSYNC CD Longplay 2 2014-11-11 POP 19075906532 190759065327 00 Fleming, John & Aly & Fila Future Sound of Egypt 550 CD Longplay 2 2018-11-09 DISCO/DANCE 88875143462 888751434622 12 Cellisten der Berliner Philharmoniker, Die Hora Cero CD Longplay 1 2016-06-10 CLASSICAL 88697919802 886979198029 2CELLOS 2CELLOS CD Longplay 1 2011-07-04 CLASSICAL 88843087812 888430878129 2CELLOS Celloverse CD Longplay 1 2015-01-27 CLASSICAL 88875052342 888750523426 2CELLOS Celloverse CD Longplay 2 2015-01-27 CLASSICAL 88725409442 887254094425 2CELLOS In2ition CD Longplay 1 2013-01-08 CLASSICAL 19075869722 190758697222 2CELLOS Let There Be Cello CD Longplay 1 2018-10-19 CLASSICAL 88883745419 888837454193 2CELLOS Live at Arena Zagreb DVD Video Longplay 1 2013-11-05 CLASSICAL 88985349122 889853491223 2CELLOS Score CD Longplay 1 2017-03-17 CLASSICAL 88985461102 889854611026 2CELLOS Score (Deluxe Edition) CD Longplay 2 2017-08-25 CLASSICAL 19075818232 190758182322 4 Times Baroque Caught in Italian Virtuosity CD Longplay 1 2018-03-09 CLASSICAL 88985330932 889853309320 9ELECTRIC The Damaged Ones -
The Corner Hotel, Melbourne "Review"
! http://www.tonedeaf.com.au/447838/karnivool-prove-10-years-on-theyre-better-than- !ever.htm! KARNIVOOL PROVE 10 YEARS ON THEY’RE BETTER THAN EVER ! " 14 May 2015 / Dylan Evans Stripped of their early days of a heavier, almost nu-metal like sound and reemerging in Perth’s underground progressive rock scene, Karnivool have since gone on to release three full-length albums and become one of Australia’s most beloved alternative rock acts, with frequent plays on radio and TV across the country. That’s why it’s almost hard to believe that 10 years have already flown by since the release of Karnivool’s landmark debut LP Themata, and in honour of their roots, the Perth quintet have decided to play the album in full across the country as part of the ‘Themata Decade Tour’. It was an extremely frosty night in Melbourne, so fans and punters were already swarming the stage as to avoid the cold, and were treated to the likes of Cairo Knife Fight, a two-piece hailing from Christchurch, who opened for the night. The New Zealand duo started up by playing some very dense, doom metal-esque riffs backed by slow, purposeful snare and kick hits, but it was when drummer Nick Gaffaney opened his mouth to sing that the whole venue raised a universal eyebrow. Instead of deep, guttural lows that was expected, Gaffaney instead pounded the mic with soaring, almost hair-metal like vocals, singing each and every line with the utmost gusto. This kind of dichotomy was what made Cairo Knife Fight a hypnotizing watch. -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer.