Official Publication of Hotel & Restaurant Association
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
COVID-19 Chapter Report – North India Chapter
____________________________________________ WMO NORTH INDIA CHAPTER ________________________________________________ ACTIVITY & PROGRESS REPORT (MARCH – APRIL 2020) – PANDEMIC REPORT BY MR.HAJI SHABBIR AHMED PATCA GENERAL SECRETARY, WMO NIC ACTIVITY & PROGRESS REPORT PANDEMIC PERIOD REPORT C O N T E N T S A. WMO North India Chapter Work Plan in COVID-19……………………… 2 B. WMO North India Chapter – Fight Against COVID-19 Pandemic…… 3-9 C. WMO North India Chapter – Relief work in holy month of Ramadan 10 D. WMO North India Chapter –Work Analysis Chart…………………………. 11 E. WMO North India Chapter – Meeting & Use of Modern Technology… 12 F. WMO North India Chapter –Thanks by President WMO NIC…………... 13 1 WMO NIC - Work Plan in COVID-19 In this unprecedented situation of Countrywide lockdown and various states governments’ restriction, it is challenging job for WMO NIC Team to help & reach out to needy people. And, therefore, before implementation of ration-distribution work, World Memon Organization North India Chapter had made a working plan for smooth execution of ration-kits distribution work in lockdown. WMO NORTH INDIA CHAPTER REGIONAL MANAGEMENT COMMITTEE (RMC) VARIOUS CITI CHAIRMENS OTHER ASSOCIATIONS YOUTH WING / VOLUNTEEERS’ NETWORK People We Served 2 WMO NIC - Fight Against COVID-19 Pandemic The outbreak of COVID-19, a novel corona virus identified in late 2019, was declared a public health emergency of international concern by WHO on 30 January. Corona viruses are a large family of viruses that cause illness ranging from the common cold to more severe respiratory diseases. Corona virus knows no borders. It is a global pandemic and our shared humanity demands a global response. -
NAVJOT ALTAF Selected Biography
1260 Carillion Point nyb@nybgallery Kirkland, WA 98033, USA +1 425 466 1776 NAVJOT ALTAF Selected biography From Meerut, India. Education Fine and Applied Arts, Sir J.J. School of Arts, Mumbai, India Graphics, Garhi Studios, New Delhi, India Solo Exhibitions 2018 Lost Text, The Guild Gallery, Alibaug, India. Lost Text, Special Project, Art Fair, New Delhi, The Guild Gallery, India. 2016 How Perfect Perfection Can Be Installation with drawings, sculptures, soil, rice grain, and video, Chemould Prescott Road Art Gallery, Mumbai, India. Catalogue. 2015 How Perfect Perfection Can Be Installation with drawings, sculptures, soil, rice grain, and video, The Guild Gallery Alibaug, India. 2013 Horn in the Head, Sculpture Installation with audio and video, Talwar Gallery, New Delhi, India. 2010 TOUCH IV22 monitors video installation, Talwar Gallery, New Delhi, The Guild, Bombay, India. A place in NY, Photomontage, The Guild Gallery, Bombay and NY, USA. Catalogue. 2009 Lacuna in Testimony - Patricia and Phillip Frost Art Museum, Florida, USA. 2008 Touch 4 projection video installation and interactive sculptures, Sakshi Gallery, Bombay, India. Bombay Shots- Photomontage, The Guild Gallery, Bombay, India. Catalogue. 2006 Jagar Multimedia Installation, and Water Weaving, video Installation, Sakshi Gallery, Bombay, India. Junctions 1 – 2 – 3 Photo installation with sound, The Guild Gallery, Bombay, India. Catalogue. 2005 Water Weaving, Video Installation, Talwar Gallery, NY, USA. Catalogue. 2004 Bombay Meri Jaan and 'Lacuna in Testimony', video Installation, Sakshi Gallery, Bombay, India. Catalogue. 2003 In Response To, sculpture installation with photographs by Ravi Agarwal, Talwar Gallery, NY, USA. Catalogue. Displaced Self, Interactive project with artists from Israel and Ireland, Sakshi gallery, Bombay, India. -
Runwal the Reserve
https://www.propertywala.com/runwal-the-reserve-mumbai Runwal The Reserve - Worli, Mumbai 3 & 4 BHK apartments available at Runwals The Reserve Runwal The Reserve presented by Runwal Group with 3 & 4 BHK apartments available at Worli, Mumbai Project ID : J811900566 Builder: Runwal Group Location: Runwal The Reserve, Worli, Mumbai - 400018 (Maharashtra) Completion Date: Feb, 2016 Status: Started Description Runwal The Reserve is one of the residential developments by Runwal Group. It is located at Worli, Mumbai, Maharashtra. It offers skillfully designed 3 BHK and 4 BHK flats. The project is well equipped with all the amenities to facilitate the needs of the residents. Round the clock security is also available. Project Details Total area: 5 Acres Number of Blocks: 3 Number of Floors: G+25 Number of Units: 81 Amenities Hospital Community Center School Swimming Pool Multi Specialty Gym Yoga Center Club Park The Runwal group was established in 1978. The Runwal group is one of the leading players in several segments including construction and retail. The also make sure that great quality work, professionalism and customer satisfaction are some of the many things the group represents. In a society where good housing remains a basic necessity, Runwal is committed to making simple and elegant homes at a reasonably good speed. Features Luxury Features Security Features Power Back-up Centrally Air Conditioned Lifts Security Guards Electronic Security RO System High Speed Internet Wi-Fi Intercom Facility Fire Alarm Lot Features Lot Private Terrace -
Mindscapes of Space, Power and Value in Mumbai
Island Studies Journal, Vol. 9, No. 2, 2014, pp. 277-292 The epistemology of a sea view: mindscapes of space, power and value in Mumbai Ramanathan Swaminathan Senior Fellow, Observer Research Foundation (ORF) Fellow, National Internet Exchange of India (NIXI) Contributing Editor, Governance Now [email protected] ABSTRACT: Mumbai is a collection of seven islands strung together by a historically layered process of reclamation, migration and resettlement. The built landscape reflects the unique geographical characteristics of Mumbai’s archipelagic nature. This paper first explores the material, non-material and epistemological contours of space in Mumbai. It establishes that the physical contouring of space through institutional, administrative and non-institutional mechanisms are architected by complex notions of distance from the city’s coasts. Second, the paper unravels the unique discursive strands of space, spatiality and territoriality of Mumbai. It builds the case that the city’s collective imaginary of value is foundationally linked to the archipelagic nature of the city. Third, the paper deconstructs the complex power dynamics how a sea view turns into a gaze: one that is at once a point of view as it is a factor that provides physical and mental form to space. In conclusion, the paper makes the case that the mindscapes of space, value and power in Mumbai have archipelagic material foundations. Keywords : archipelago, form, island, mindscape, Mumbai, power, space, value © 2014 – Institute of Island Studies, University of Prince Edward Island, Canada. Introduction: unearthing the archipelagic historiography of Mumbai A city can best be described as a collection of spaces. Not in any ontological sense or in a physically linear form, but in an ever-changing, ever-interacting mesh of spatialities and territorialities that display the relative social relations of power existing at that particular point in time (Holstein & Appadurai, 1989). -
Exploring Mumbai During Monsoon Season | Miles Away Travel Blog
Exploring Mumbai During Monsoon Season | Miles Away Travel Blog US English Sign In My Bookings US CITY GUIDES INTERNATIONAL TRAVEL INTERESTS TRAVEL TIPS TRAVEL STORIES MUST READ Namaste! Everythi… TRENDING STORIES BUDGET TRAVEL Home Asia India QUIZZES & INFOGRAPHICS MEET YOUR WRITERS POST CATEGORIES Image via Flickr CC - Rajarshi Mitra 0 Post Categories Exploring Mumbai During Monsoon Season Sandy Bornstein August 24, 2016 India 1 Comment When I booked my airplane ticket to Mumbai, India, I knew that I would be arriving during the monsoon season (mid June to mid September). While I’ve TRAVELING? SEE visited other regions of India in the summer, I was pretty clueless about the THINGS TO DO IN torrential rain that affected this part of the country. TOP US CITIES Like Mumbai — the historic, vibrant, and colorful city that’s home to playboy billionaires, s cialites, and Bollywood stars — sits in the pathway for the seasonal, moisture-laden, Indian Ocean winds. As a result, gray skies and rain are the norm. Without much warning, gusts of wind swooshed through the congested Mumbai streets as layered dark clouds released bountiful amounts of rain. Locals scurriedShare about as visitors looked on with amazement. Streets flooded. Gridlock occurred. Motorcycles weaved in and out as if they were racing down a slalom ski course. Horns blared non-stop while exuberant kids jumped in muddy puddles on side streets. https://www.cheapoair.com/miles-away/exploring-mumbai-monsoon/[4/30/17, 9:08:08 AM] Exploring Mumbai During Monsoon Season | Miles Away Travel Blog Don’t be discouraged if you also find yourself in Mumbai during the monsoon. -
District Census Handbook, Greater Bombay
CENSUS OF INDIA, 1981 DISTRICT CENSUS HANDBOOK GREATER BOMBAY Compiled by THE MAHARASHTRA CENSUS DIRECTORATE BOMBAY 1'1l00'ED IN INDIA. BY THE MANAGER, YERAVDA PRISON PllESS, pum AND pmLlSHED mY THE DIRECTOR, GOVERNlrfENT PRINTING AND STATIONEK.Y, :t4AHAIASHTltA STATE, BOMBAY 400 004, 1986 [ Price ; Rs. 30.00 ] MAHARASHTRA <slOISTRICT GREATER BOMBAY ..,..-i' 'r l;1 KM" LJIo_'=:::I0__ ";~<====:io4 ___~ KNS . / \ z i J I i I ! ~ .............. .~ • .--p;_.. _ • K¢'J· '- \ o BUTCHER ..~ ISLANO '.. , * o' J o Boundary ('i5lrict ,-.-._. __ .- ,,' / ,~. Nat:onal iiighway ",- /" State Highw«y ... SH i Railwuy line with station. Broad Gauge j Riwr and Stream ~ w. ter lea I urIs ~;::m I Degr.e College and lech.kat Institution Res! Hcu~e. Circwit Hou~. ( P. W. D.l RH. CH Poot and Jel.graph office PlO ~~';; ® Based "pon Surv~! af IIIifia mat> wlth 1M 1J@rm~ion. of l~" SUfVI!YlII' G~QI rJ! Ifda. Tile territorial waters 01 Indio ~d into Ihe sea to a dOslonce of twet.... n(llltic:ol milos meGsIlt'ell hllm tn& "PlllVp..-Qle ~G5e lin~. ~ MOTIF V. T. Station is a gateway to the 'Mumbai' where thousands of people come every day from different parts of India. Poor, rich, artist, industrialist. toumt alike 'Mumbainagari' is welcoming them since years by-gone. Once upon a time it was the mai,n centre for India's independence struggle. Today, it is recognised as the capital of India for industries and trade in view of its mammoth industrial complex and innumerable monetary transactions. It is. also a big centre of sports and culture. -
India Architecture Guide 2017
WHAT Architect WHERE Notes Zone 1: Zanskar Geologically, the Zanskar Range is part of the Tethys Himalaya, an approximately 100-km-wide synclinorium. Buddhism regained its influence Lungnak Valley over Zanskar in the 8th century when Tibet was also converted to this ***** Zanskar Desert ཟངས་དཀར་ religion. Between the 10th and 11th centuries, two Royal Houses were founded in Zanskar, and the monasteries of Karsha and Phugtal were built. Don't miss the Phugtal Monastery in south-east Zanskar. Zone 2: Punjab Built in 1577 as the holiest Gurdwara of Sikhism. The fifth Sikh Guru, Golden Temple Rd, Guru Arjan, designed the Harmandir Sahib (Golden Temple) to be built in Atta Mandi, Katra the centre of this holy tank. The construction of Harmandir Sahib was intended to build a place of worship for men and women from all walks *** Golden Temple Guru Ram Das Ahluwalia, Amritsar, Punjab 143006, India of life and all religions to come and worship God equally. The four entrances (representing the four directions) to get into the Harmandir ਹਰਿਮੰਦਿ ਸਾਰਹਬ Sahib also symbolise the openness of the Sikhs towards all people and religions. Mon-Sun (3-22) Near Qila Built in 2011 as a museum of Sikhism, a monotheistic religion originated Anandgarh Sahib, in the Punjab region. Sikhism emphasizes simran (meditation on the Sri Dasmesh words of the Guru Granth Sahib), that can be expressed musically *** Virasat-e-Khalsa Moshe Safdie Academy Road through kirtan or internally through Nam Japo (repeat God's name) as ਰਿਿਾਸਤ-ਏ-ਖਾਲਸਾ a means to feel God's presence. -
Clix Symposium Travel Advisory
CLIx Symposium Travel Advisory Contents Clix International Symposium: ....................................................................................................... 1 Getting to TISS, mumbai ................................................................................................................ 2 List Of Hotels Near TISS Campus .................................................................................................. 4 Mumbai: Useful Applications ......................................................................................................... 5 Mumbai: Arts &Entertainment ....................................................................................................... 6 Mumbai Transport: ......................................................................................................................... 7 Emergency Information .................................................................................................................. 9 Must Haves ..................................................................................................................................... 9 Safety Tips ...................................................................................................................................... 9 India: Facts .................................................................................................................................... 10 Mumbai City: History .................................................................................................................. -
Urban Biodiversity
NATIONAL BIODIVERSITY STRATEGY & ACTION PLAN – INDIA FOR MINISTRY OF ENVIRONEMENT & FORESTS, GOVERNMENT OF INDIA BY KALPAVRIKSH URBAN BIODIVERSITY By Prof. Ulhas Rane ‘Brindavan’, 227, Raj Mahal Vilas – II, First Main Road, Bangalore- 560094 Phone: 080 3417366, Telefax: 080 3417283 E-mail: < [email protected] >, < [email protected] > JANUARY 2003 TABLE OF CONTENTS Page Nos. I. INTRODUCTION 4 II. URBANISATION: 8 1. Urban evolution 2. Urban biodiversity 3. Exploding cities of the world 4. Indian scenario 5. Development / environment conflict 6. Status of a few large Urban Centres in India III. BIODIVERSITY – AN INDICATOR OF A HEALTHY URBAN ENVIRONMENT: 17 IV. URBAN PLANNING – A BRIEF LOOK: 21 1. Policy planning 2. Planning authorities 3. Statutory authorities 4. Role of planners 5. Role of voluntary and non-governmental organisations V. STRATEGIC PLANNING OF A ‘NEW’ CITY EVOLVING AROUND URBAN BIODIVERSITY: 24 1. Introduction 2. General planning norms 3. National / regional / local level strategy 4. Basic principles for policy planning 5. Basic norms for implementation 6. Guidelines from the urban biodiversity angle 7. Conclusion VI. ACKNOWLEDGEMENTS 35 2 VII. ANNEXURES: 36 Annexure – 1: The 25 largest cities in the year 2000 37 Annexure – 2: A megalopolis – Mumbai (Case study – I) 38 Annexure – 3: Growing metropolis – Bangalore (Case study – II) 49 Annexure – 4: Other metro cities of India (General case study – III) 63 Annexure – 5: List of Voluntary & Non governmental Organisations in Mumbai & Bangalore 68 VIII. REFERENCES 69 3 I. INTRODUCTION About 50% of the world’s population now resides in cities. However, this proportion is projected to rise to 61% in the next 30 years (UN 1997a). -
CHRISTIE's ART JOURNEYS: a Colourful Odyssey Through India
CHRISTIE’S ART JOURNEYS: A Colourful Odyssey Through India 10 Days: 3rd – 12th November Mumbai – Delhi 10 Days: 7th – 16th November Delhi – Mumbai Join Abercrombie & Kent and Christie’s on a colourful journey through India, a diverse country that offers visitors a sensory and intoxicating overload. The palaces of regal Rajasthan conjure up princely images of the Maharajahs in a time gone-by, whilst the art scene of Mumbai reveals a new side to this exotic country. We’ll go behind the scenes of Mumbai’s burgeoning Contemporary Art scene with Christie’s expert Sonal Singh, who will introduce us to a renowned Indian artist. As well as being joined by a Christie’s expert in Mumbai, we’ll be accompanied by A&K expert guides throughout, whose insider knowledge shines a whole new light on this fascinating country. YOUR EXPERT A&K GUIDES MAHESH RAMNANI & ANSHUMAN TRIPATHI Having studied Tourism at Delhi University, Mahesh completed a Conducted Tourist Guide course in 1996 earning his status as a Government of India Approved Tour Guide. He has worked for A&K ever since, guiding clients of all nationalities around India. His experience and expertise is unrivalled, and he particularly enjoys taking guests on walking tours of Old Delhi, Colonial Delhi, the city’s temples and its fascinating museums. Originally from rural India, Anshuman completed post graduate degrees in History and Tourism Management before heading to Delhi to pursue a career in tour guiding, enabling him to show off his beloved country. An adrenaline- junkie at heart, Anshuman led trekking tours and wildlife expeditions TYEB MEHTA (1925-2009): UNTITLED (FALLING BULL) alongside tours of the Golden Triangle and around Rajasthan. -
Reconstructing Religious Tolerance in South Mumbai Mumbai, India Colby College Sarah Joseph Kurien, India, Mahindra United World College of India
In Peaces: Reconstructing Religious Tolerance in South Mumbai Mumbai, India Colby College Sarah Joseph Kurien, India, Mahindra United World College of India Ia. My Project for Peace aimed to revisit and strengthen our national ideals of tolerance and openness by educating children from economically impoverished communities about different faiths and their traditions. I chose to work with students from South Mumbai’s slums because it is in these areas that several fundamentalist organizations concentrate their recruitment resources. Ib.. I modified my project slightly in order to accommodate changed ground realities in Mumbai. The organization I had originally intended to work with, Meljol, was unable to procure local government permission to work in South Mumbai’s public schools in the time frame that I had envisioned. Faced with an indeterminate wait were I to continue partnering with Meljol, I decided to approach Akanksha, an NGO that enrolls children from slum communities in Mumbai’s public schools and provides them with after-school classes to better equip them for classroom life. Akanksha agreed to let me work with children in their South Mumbai centers. I was therefore able to work with the same population of children as proposed, albeit in their after-school programs instead of in their public schools. Given the changed circumstances and the fact that I was no longer working with public school teachers in their classrooms, I decided to use the funds originally allocated to the Teacher Awareness Training Conference to improve upon the field trip and classroom discussion aspects of my project. Due to this redistribution of project funds, I was able to take students on longer and more in-depth field trips to various sites of religious importance around the city. -
Personal Artist's Statement Why Do I Do What I
Personal Artist’s Statement Why do I do what I do? Honestly, I don’t really know. I know it makes me happy. It makes me think. When I’m working, time ceases to exist. Dire situations in my life did not permit me to go to art school, but I continued to paint on the side until I could make it my profession. Maybe this is what makes my work and style unique. I’m inspired by what I read and the music I listen to, the movies I watch and art that makes me think. I try to embody these in my work with simplicity and a good measure of Chekhov’s humour. In every work, I have a subtle message that I’ve hidden away in plain sight. Sometimes I even forget that they’re in there. I begin my process by writing notes, collecting visuals and sketching ideas, preferably with a theme in mind. This gives me the parameters to work within, like following a script while shooting a movie. Then, I choose the materials that will best express the idea I want to convey. Once the work has started, a great deal of improvisation comes into play. Constrained by space in my working environment, I prefer working on canvas cloth as it allows me the flexibility of rolling and storing. The rest of my materials involve digital mediums as well as oils, acrylic and water colours. This, with the tools I have at my disposal in this digital age, is the thrust of my current crop of work: We are being bombarded with news, imagery and ideas from a billion sources simultaneously.