SHANZHA SHU ZHI LIAN 14Plus UNDER the HAWTHORN TREE UNDER the HAWTHORN TREE UNDER the HAWTHORN TREE
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Signposts of Self-Realization Ideas, History, and Modern China
Signposts of Self-Realization Ideas, History, and Modern China Edited by Ban Wang, Stanford University Wang Hui, Tsinghua University VOLUME 8 The titles published in this series are listed at brill.com/ihmc Signposts of Self-Realization Evolution, Ethics and Sociality in Modern Chinese Literature and Film By Xinmin Liu LEIDEN | BOSTON Brill has made all reasonable efforts to trace all rights holders to any copyrighted material used in this work. In cases where these efforts have not been successful the publisher welcomes communications from copyright holders, so that the appropriate acknowledgements can be made in future editions, and to settle other permission matters. Library of Congress Cataloging-in-Publication Data Xinmin, Liu. Signposts of Self-Realization : Evolution, Ethics and Sociality in Modern Chinese Literature and Film / by Xinmin Liu. pages cm. — (Ideas, History, and Modern China ; 8) Includes index. ISBN 978-90-04-19609-4 (hardback : acid-free paper) — ISBN 978-90-04-26535-6 (e-book) 1. Chinese literature—20th century—History and criticism. 2. Chinese literature—21st century—History and criticism. 3. Self (Philosophy) in literature. 4. Self-realization in literature. 5. Self-perception in motion pictures. 6. Ethics in motion pictures. 7. Ethics in literature. I. Title. PL2303.X5594 2014 895.109’353—dc23 2013046907 This publication has been typeset in the multilingual ‘Brill’ typeface. With over 5,100 characters covering Latin, ipa, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see brill.com/brill-typeface. issn 1875-9394 isbn 978 90 04 19609 4 (hardback) isbn 978 90 04 26535 6 (e-book) Copyright 2014 by Koninklijke Brill nv, Leiden, The Netherlands. -
Journal of Asian Studies Contemporary Chinese Cinema Special Edition
the iafor journal of asian studies Contemporary Chinese Cinema Special Edition Volume 2 – Issue 1 – Spring 2016 Editor: Seiko Yasumoto ISSN: 2187-6037 The IAFOR Journal of Asian Studies Volume 2 – Issue – I IAFOR Publications Executive Editor: Joseph Haldane The International Academic Forum The IAFOR Journal of Asian Studies Editor: Seiko Yasumoto, University of Sydney, Australia Associate Editor: Jason Bainbridge, Swinburne University, Australia Published by The International Academic Forum (IAFOR), Japan Executive Editor: Joseph Haldane Editorial Assistance: Rachel Dyer IAFOR Publications. Sakae 1-16-26-201, Naka-ward, Aichi, Japan 460-0008 Journal of Asian Studies Volume 2 – Issue 1 – Spring 2016 IAFOR Publications © Copyright 2016 ISSN: 2187-6037 Online: joas.iafor.org Cover image: Flickr Creative Commons/Guy Gorek The IAFOR Journal of Asian Studies Volume 2 – Issue I – Spring 2016 Edited by Seiko Yasumoto Table of Contents Notes on contributors 1 Welcome and Introduction 4 From Recording to Ritual: Weimar Villa and 24 City 10 Dr. Jinhee Choi Contested identities: exploring the cultural, historical and 25 political complexities of the ‘three Chinas’ Dr. Qiao Li & Prof. Ros Jennings Sounds, Swords and Forests: An Exploration into the Representations 41 of Music and Martial Arts in Contemporary Kung Fu Films Brent Keogh Sentimentalism in Under the Hawthorn Tree 53 Jing Meng Changes Manifest: Time, Memory, and a Changing Hong Kong 65 Emma Tipson The Taste of Ice Kacang: Xiaoqingxin Film as the Possible 74 Prospect of Taiwan Popular Cinema Panpan Yang Subtitling Chinese Humour: the English Version of A Woman, a 85 Gun and a Noodle Shop (2009) Yilei Yuan The IAFOR Journal of Asian Studies Volume 2 – Issue 1 – Spring 2016 Notes on Contributers Dr. -
Press Contacts: Michael Krause | Foundry Communications | (212) 586-7967 | [email protected]
presents a film by ZHANG YIMOU starring GONG LI LI BAOTIAN LI XUEJIAN SUN CHUN WANG XIAOXIAO ————————————————————— “Visually sumptuous…unforgettable.” –New York Post “Crime drama has rarely been this gorgeously alluring – or this brutal.” –Entertainment Weekly ————————————————————— 1995 | France, China | Mandarin with English subtitles | 108 minutes 1.85:1 Widescreen | 2.0 Stereo Rated R for some language and images of violence DIGITALLY RESTORED Press Contacts: Michael Krause | Foundry Communications | (212) 586-7967 | [email protected] Film Movement Booking Contacts: Jimmy Weaver | Theatrical | (216) 704-0748 | [email protected] Maxwell Wolkin | Festivals & Non-Theatrical | (212) 941-7744 x211 | [email protected] SYNOPSIS Hired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of 1930s Shanghai. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang (Li Baotian) begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. STORY Shanghai, 1930. Mr. Tang (Li Boatian), the godfather of the Tang family-run Green dynasty, is the city’s overlord. Having allied himself with Chiang Kai-shek and participated in the 1927 massacre of the Communists, he controls the opium and prostitution trade. He has also acquired the services of Xiao Jinbao (Gong Li), the most beautiful singer in Shanghai. The story of Shanghai Triad is told from the point of view of a fourteen-year-old boy, Shuisheng (Wang Xiaoxiao), whose uncle has brought him into the Tang Brotherhood. His job is to attend to Xiao Jinbao. -
Product Guide
AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver -
A STUDY GUIDE by Katy Marriner
A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au http://www.theeducationshop.com.au meets and falls in love with Sun, who is working as a geologist in the village. Sun is older than Jing and the son of an elite military family. Given the difference TEACHERS NOTES in their social backgrounds, romance between the two is not only unthinkable, it is dangerous. But their mutual attrac- tion is undeniable. At first Jing tries to resist but Sun pursues her relentlessly, even after she returns to the city. Their romance blossoms - pure, passionate and in secret. No one must know; least of all Jing’s mother whose only desire is that her daughter ensures a future for herself at all cost. Then Sun disappears. When he reenters her life, Jing sees that something has changed. She is forced to confront her ideas about love, honor, and loyalty, to decide what she truly believes in. Director’S PROFILE Ever since his directorial debut Red Sorghum (1987) won the Golden Bear Award at the Berlin Film Festival, Zhang Yimou has established his reputation as Under the Hawthorn Tree (2010) is a texts to explore concepts and ideas one of the most talented and influential Chinese feature film directed by Zhang and to clarify their own and others’ directors. Yimou. understanding. Yimou has received multiple honors as Under the Hawthorn Tree is suitable for Teachers are advised to direct students a director. He is the first Chinese film- middle and senior secondary students to complete activities that are subject maker to receive Motion Picture Acad- undertaking English, History, Literature, relevant and age appropriate. -
China Erasing H&M from Internet Amid Xinjiang Backlash
4C RECORDS/NEWS TEXARKANA GAZETTE ✯ SUNDAY, MARCH 28, 2021 China erasing H&M from internet amid Xinjiang backlash The Associated Press peared from app stores. Rein said the outpour- over a year earlier as con- also is known as Victoria H&M’s announcement HONG KONG — H&M It wasn’t clear whether ing of anger at H&M is sumer demand rebounded Song, and actor Huang last year that it no longer disappeared from the inter- companies received orders the harshest he has seen from the coronavirus, while Xuan announced earlier would use Xinjiang cotton net in China as the gov- to erase H&M’s online pres- against a foreign brand. He North American sales fell they were ending endorse- cited the BCI’s move to stop ernment raised pressure on ence, but Chinese enter- said companies are espe- 10%. ment deals with H&M. licensing cotton from the shoe and clothing brands prises are expected to fall cially sensitive because An H&M outlet in In Hong Kong, pro-Beijing region because it was dif- and announced sanctions in line without being told. this comes at a time when Shanghai had only a hand- lawmaker Regina Ip said in a ficult to trace how it was Friday against British offi- Regulators have broad pow- Chinese anti-monopoly and ful of customers on Friday Twitter post that she would produced. cials in a spiraling fight ers to punish companies other regulators are step- afternoon. stop buying Burberry, one It was unclear why the over complaints of abuses that fail to support official ping up scrutiny of internet “I wasn’t aware of the of her favorite brands. -
Introduction to Neorealism: Yesterday, Today Starts Wednesday 12 October 2011 18.30 – 20.30 8 Weeks Italian Neorealism Was
Introduction to Neorealism: Yesterday, Today Starts Wednesday 12 October 2011 18.30 – 20.30 8 weeks Italian Neorealism was undoubtedly one of the most revolutionary cinematic styles of the twentieth century, and despite being borne out of the ruins of the aftermath of World War II, Neorealism has continued to influence contemporary film directors, both within Italy and in the international film industry. This course will look at the distinguishing features which made Neorealism such a unique phenomenon and course participants will trace these features in contemporary films in order to explore the notion of a reinvigorated neo- neorealism. Beginner’s level - no prior knowledge necessary. Course tutor: Adalgisa Serio, freelance lecturer and writer, also working for the Open University and CDLCI. Week 1 Introduction – Roma Citta` Aperta (Rome, Open City) The Annexe Wed 12 Oct 18:30 – 20:30 We start by trying to illustrate the main features which characterise and define Neorealism using the most significant films as illustrative examples – from Bicycle Thieves (Ladri di Biciclette) by Vittorio De Sica, to The Earth will Tremble (La terra Trema) by Luchino Visconti. We will then concentrate to analyse Rossellini’s masterpiece “Roma Citta` Aperta” (1945), considered by most critics as the cinematic manifesto of Neorealism. Week 2 Roma Citta` Aperta (Rome, Open City) The Annexe Wed 19 Oct 18:30 – 20:30 Continue from week 1 Week 3 Screening: Paisà (Paisan) Cinema Wed 26 Oct 18:10 Dir Roberto Rossellini / IT 1946/ 120 mins Carmela Sazio, Gar Moore, William Tubbs, Robert Van Loon Part of Rossellini’s War trilogy, the film, for the content and cinematic choices, is one of the most powerful examples of Neorealism. -
IFFAM 3431 – the Talented Juliette Binoche
IV EDITION SUPPLEMENT THU 05.12.2019 THE TALENTED Juliette SHOWING INSIDE New Chinese Cinema Special Presentation Ambassadors Binoche uliette Binoche, the international made her into a star with various roles ghella’s The English Patient. talent Ambassador of IFFAM, is a that showcased her talent. In 2000, Binoche was nominated for an J world famous French actress, pub- She then made her English-language de- Academy Award for Best Actress in Lasse lished author, artist, and dancer who has but in Philip Kaufman’s The Unbearable Hallström’s comedy Chocolat. With her appeared in more than 60 feature films, Lightness of Being, which launched her success, she was able to alternate be- won numerous awards and appeared on international career. American Filmmaker tween French and English language roles. stage and screen all over the world. She Steven Spielberg noticed her sensuous She took home the Best Actress Award is the first ever actress to win the triple performances and offered her nume- at the Cannes Film Festival for her role crown of best actress at the Berlin, Can- rous parts. She declined a role in Jurassic in Abbas Kiarostami’s Certified Copy in nes and Venice film festivals. She can be Park and decided to be in Krzysztof Kies- 2010. seen on screen at IFFAM in Hirokazu Ko- lowski’s Three Colors: Blue. Binoche alternated between stage and reeda’s new film The Truth. She won the Venice Film Festival Award screen throughout her career. Her stage With an artistic family background, she for Best Actress and a César. -
Pocket Product Guide 2006
THENew Digital Platform EFM 2011 tm BERLIN POCKET ISSUE & PRODUCT OF FILM GUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSConnect to Seller - Buy Product EFM 2011 Bumper Online - EFM Daily Editions - Unabridged EFM Product Guide + Stills The Visual is The Medium synopsisandtrailers.com makes it easy for you to Your Simplest Sales Tool read-watch-connect-buy like never before. S HOWCASING T RAILERS D AILY F EB 10-16 An end to site hopping. VISIT:thebusinessoffilmdaily.com For Buyers: Time is Money - View & Connect For Sellers: Attract Buyer Interest - Spend Your Time Promoting New Films November 2 - 9, 2011 Arrow Entertainment Sahamongkolfilm MGB Stand #120 MGB Stand #129 Vision Films Imageworks Ent. MGB Booth #127 Maritim Hotel Suite 9002 STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE BERLIN PRODUCT GUIDE 2011 Writer: Laura Beccaria 6 SALES Producer: Abano Producion, Anera Films, 6 Sales, Alto de las cabañas 5 28231 Las Continental Producciones Rozas de Madrid. Tel: +34.91.636.10.54. Delivery Status: completed Fax: +34.91.710.35.93. www.6sales.es, E- Year of Production: 2010, Country of mail: [email protected] Origin: Spain Sales Agent Little MUMU’s journey towards her ulti- At EFM: Marina Fuentes (Partner), mate dream: to become a great star. Avraham Pirchi (Partner), Mar Abadin THE RUNWAY (Head of Sales) http://www.6sales.es/theRunaway.html Office: Washington Suite, office 100, Family comedy (100 min) Marriott Hotel, Tel: +49(0)30.22000.1127 -
Sentimentalism in Under the Hawthorn Tree Jing Meng Abstract
The IAFOR Journal of Asian Studies Volume 2 – Issue 1 – Spring 2016 Sentimentalism in Under the Hawthorn Tree Jing Meng Abstract In Chinese films, the nostalgic mode has long ago permeated the representations of the Cultural Revolution, a period often associated with trauma and violence. Nostalgia for the socialist past indicates a resistance to and a critique of the materialism and deteriorated morality brought about by the capitalist modernity and globalization, and moreover, this longing for the past also resonates with the re-evaluation of the Cultural Revolution in the intellectual discourse regarding China’s modernization drive. However, while nostalgia harbours the potential for being a critique of the modernity, it also bears the inclination to be criticized. On the one hand, nostalgia derives from the fragments and materiality of the past, and functions as a resistance to the singular modernity and contemporary consumer culture. On the other hand, this sentimentalism of nostalgia might also be fetishized and commodified, falling in the same trap from which it tries to escape. This paper will analyse in detail a recent Chinese film, Under the Hawthorn Tree, directed by Zhang Yimou and set in the Cultural Revolution, and use it as an example to further illustrate and explore the conundrum of nostalgia as has been delineated above. In the film’s representation and its promotion, nostalgia and the sentimental are constructed and positioned as the redemption of contemporary materialism and an alternative to the visual spectacles of the blockbuster films. However, at the same time, the film fetishizes nostalgia, or purity, in the female body and commodifies it as a rare good. -
Biblioteca “A
DVD Biblioteca “A. Palazzeschi” Archivio dei DVD posseduti Ordinati per Titolo H-M per maggiori informazioni consulta il CATALOGO della Biblioteca http://catalogo.po- net.prato.it/easyweb/w2002/index.php?scelta=campi&biblio=CAR&lang= Hair Regia Milos Forman Paese, Anno Stati Uniti, 1979 Principali interpreti John Savage; Treat Williams; Beverly D'Angelo; Annie Golden; Nicholas Ray; Miles Chapin; Dorsey Wright Genere Musical A New York per arruolarsi, Claude conosce un gruppo di allegri hippie e passa con loro le ore prima della partenza tra i marines destinati al Vietnam. Claude nel parco conosce anche Sheila, una ragazza borghese, e si innanmora di lei. Prima di imbarcarsi farà di tutto per rivederla per manifestarle il suo amore. Halloween Regia John Carpenter Paese, Anno Stati Uniti, 1978 Principali interpreti Donald Pleasence; Jamie Lee Curtis; Nancy Loomis; P. J. Soles; Charles Cyphers Genere Horror Uno psicotico serial killer, Michael Myers, terrorizza una piccola città dell'Illinois. Dopo aver accoltellato durante la notte di Halloween la sorella, alla tenera età di sei anni, Michael viene rinchiuso in un manicomio sotto la cura del dottor Sam Loomis. Quindici anni dopo, Michael riesce a fuggire dall'istituto, proprio nella notte di Halloween. Hana-bi Regia Takeshi Kitano Paese, Anno Giappone, 1997 Principali interpreti Takeshi Kitano; Kayoko Kishimoto; Ren Osugi Genere Drammatico Nishi, ex detective della polizia di Tokyo, ha due rimorsi (la paralisi di un collega suo coetaneo e la morte di un collega giovane di cui si sente responsabile) e uno strazio (la moglie, malata terminale di leucemia). Per pagare i debiti e fare una vacanza con lei, fa una rapina. -
APUC Passport Season 12.Pdf
We are excited to announce that 33 films, including 8 North American and 12 U.S. premieres, will be presented during Season 12. Running from March 15 through May 1, our largest and most diverse selections yet, are available online or at the Drive-in as we continue with the “combo” format from last season. THE TOWN OF HEADCOUNTS, a dystopian sci-fi thriller from Japan will kick off the new season, and we will close the festival with a quirky rom-com READY O/R KNOT from Hong Kong on May 1. During the six-week run, you will discover a full plate of unhinged, genre-bending films, including uncompromising art-house gems shot in 14 different Asian cities that are only a couple clicks away for you to watch. When introducing our first ever “West Meets East Showcase” featuring co-productions directed by non- Asian filmmakers, Sophia Wong Boccio, Festival Director, said “this new category is an excellent example of bridging cultures across continents by the creative filmmakers.” It is also our pleasure to honor a talented Japanese actress, Kasumi Arimura, who will receive our festival’s Bright Star Award. She will be starring in two films: AND LIFE GOES ON a story of love, survival and hope in the aftermath of the Japanese earthquake in March 2011, and A DAY-OFF OF KATSUMI ARIMURA (Episode One: AFTER MY HOMECOMING) – a mother-daughter dynamic showing award-winning Hirokazu Kore-eda at his best. A special thank-you video by Kasumi Arimura will introduce these two films. Last but not the least, to enhance your appreciation of the films, most will be followed by video interviews with directors and/or cast, moderated by our team of virtual film experts.