DOCSLIB.ORG

Biblioteca “A

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Biblioteca “A DVD Biblioteca “A. Palazzeschi” Archivio dei DVD posseduti Ordinati per Titolo H-M per maggiori informazioni consulta il CATALOGO della Biblioteca http://catalogo.po- net.prato.it/easyweb/w2002/index.php?scelta=campi&biblio=CAR&lang= Hair Regia Milos Forman Paese, Anno Stati Uniti, 1979 Principali interpreti John Savage; Treat Williams; Beverly D'Angelo; Annie Golden; Nicholas Ray; Miles Chapin; Dorsey Wright Genere Musical A New York per arruolarsi, Claude conosce un gruppo di allegri hippie e passa con loro le ore prima della partenza tra i marines destinati al Vietnam. Claude nel parco conosce anche Sheila, una ragazza borghese, e si innanmora di lei. Prima di imbarcarsi farà di tutto per rivederla per manifestarle il suo amore. Halloween Regia John Carpenter Paese, Anno Stati Uniti, 1978 Principali interpreti Donald Pleasence; Jamie Lee Curtis; Nancy Loomis; P. J. Soles; Charles Cyphers Genere Horror Uno psicotico serial killer, Michael Myers, terrorizza una piccola città dell'Illinois. Dopo aver accoltellato durante la notte di Halloween la sorella, alla tenera età di sei anni, Michael viene rinchiuso in un manicomio sotto la cura del dottor Sam Loomis. Quindici anni dopo, Michael riesce a fuggire dall'istituto, proprio nella notte di Halloween. Hana-bi Regia Takeshi Kitano Paese, Anno Giappone, 1997 Principali interpreti Takeshi Kitano; Kayoko Kishimoto; Ren Osugi Genere Drammatico Nishi, ex detective della polizia di Tokyo, ha due rimorsi (la paralisi di un collega suo coetaneo e la morte di un collega giovane di cui si sente responsabile) e uno strazio (la moglie, malata terminale di leucemia). Per pagare i debiti e fare una vacanza con lei, fa una rapina. Harem suare Regia Ferzan Ozpetek Paese, Anno Francia; Turchia; Italia, 1999 Principali interpreti Marie Gillain; Alex Descas; Claudia Gerini; Lucia Bosè Genere Drammatico Luglio 1908, alla vigilia del crollo dell'impero Ottomano. Nel palazzo del sultano Safiyè, ragazza di origini italiane, mira a diventare la favorita del sultano con l'aiuto di un giovane eunuco dell'harem. Mentre portano avanti questo piano, scatta tra loro un'attrazione fisica che supera le barriere del proibito per lei e della condizione di evirato per lui. Intanto l'obiettivo viene raggiunto ma Safiyè, per mantenere la posizione deve difendersi dalle rivali e non si accorge che la struttura di potere nella quale vive sta crollando. Il Sultano parte per l'esilio e l'harem viene chiuso. Safiyè e Nadir si affacciano ora su una realtà ostile e sconosciuta in cui non sanno come muoversi. Harold e Maude Regia Hal Ashby Paese, Anno Stati Uniti, 1971 Principali interpreti Ruth Gordon; Vivian Pickles; Cyril Cusack; Charles Tyner; Ellen Geer Genere Commedia Harold è un ragazzo nevrotico e con tendenze lugubri. Un giorno al cimitero incontra la folle vecchietta Maude, innamorata della vita nonostante gli 80 anni. Nonostante i progetti di matrimonio della madre, Harold decide di sposare Maude. Ma il matrimonio non si celebrerà: allo scoccare dell'ottantesimo compleanno, come aveva preannunciato, Maude muore. Ma Harold vivrà, avendo ritrovato l'amore per la vita. Harry Potter e il calice di fuoco Regia Mike Newell Paese, Anno Stati Uniti; Gran Bretagna, 2005 Principali interpreti Daniel Radcliffe; Emma Watson; Rupert Grint; Michael Gambon; Maggie Smith; Alan Rickman; Ralph Fiennes; Katie Leung Genere Fantastico Quando il suo nome esce dal Calice di Fuoco, Harry Potter diventa uno dei contendenti nell'estenuante battaglia per la gloria che vede opposte le più importanti scuole di magia nel Torneo Tremaghi, una delle tradizioni più importanti della comunità dei maghi. Ma non è stato Harry a presentare la propria candidatura per il Torneo, qualcuno lo ha fatto al posto suo. Il giovane mago, dunque, si trova costretto a gareggiare nel pericoloso torneo internazionale in cui deve confrontarsi con i suoi colleghi più anziani ed esperti, e deve anche affrontare la sua nemesi, il malvagio Voldemort, determinato a tornare al potere e ad eliminare Harry una volta per tutte. Così Harry si misura con un micidiale drago sputafuoco, feroci demoni acquatici e una bacchetta magica, solo per ritrovarsi nella morsa crudele di Colui-Che-Non-Deve-Essere-Nominato. Queste terribili novità, però, non sono nulla se paragonate alla vera angoscia e all’imbarazzo di Harry che consiste nel dover invitare una compagna al Ballo del Ceppo di Hogwarts. L'anno scolastico porterà significativi cambiamenti anche per i migliori amici di Harry, Ron ed Hermione, che potranno finalmente verificare un cambiamento nei propri reciproci sentimenti. Intanto, mentre i giovani sono alle prese con le pene d’amore tipiche dell’adolescenza, sboccia l’idillio anche tra il fidato consigliere di Harry, Hagrid, e Madame Maxime, la statuaria preside dell'Accademia Beauxbatons. Harry Potter e la camera dei segreti Regia Chris Columbus Paese, Anno Stati Uniti, 2002 Principali interpreti Daniel Radcliffe; Emma Watson; Rupert Grint; Richard Harris; Kenneth Branagh; Robbie Coltrane; Alan Rickman Genere Fantastico Harry Potter torna per il secondo anno consecutivo alla Scuola di Magia di Hogwarts, fuggendo dalla casa degli zii. Ma nell'istituto qualcosa sta attentando alla vita di tutti i "mezzosangue", i maghi figli di persone senza poteri magici. Harry e i suoi amici decidono di indagare sul mistero che sembra racchiuso nella Camera dei segreti. Harry Potter e l’ordine della fenice Regia David Yates Paese, Anno Gran Bretagna; Stati Uniti, 2007 Principali interpreti Daniel Radcliffe; Rupert Grint; Emma Watson; Jason Boyd; Richard Macklin; Imelda Staunton; Michael Gambon; Gary Oldman Genere Fantastico Harry Potter, dopo una noiosa estate con i Dursley, torna alla Scuola di Alta Stregoneria di Hogwarts per frequentare il quinto anno. Harry Potter e la pietra filosofale Regia Chris Columbus Paese, Anno Gran Bretagna; Stati Uniti, 2001 Principali interpreti Daniel Radcliffe; Rupert Grint; Emma Watson; John Cleese; Robbie Coltrane; Warwick Davis; Richard Griffiths; Richard Harris; Ian Hart; John Hart; Alan Rickman; Fiona Shaw; Maggie Smith; Julie Walters Genere Fantastico Harry Potter, rimasto orfano fin dall'infanzia, vive con i perfidi zii. Nei giorni che precedono il suo undicesimo compleanno riceve delle lettere che lo zio gli impedisce di leggere. Nonostante il trasferimento su un'isola deserta Harry viene a sapere dal gigante Hagrid la vera identità dei suoi genitori: erano due potentissimi maghi morti per proteggerlo nello scontro con un mago malvagio. Le lettere erano un invito a iscriversi alla Hogwarts School dove si studia magia e stregoneria. Harry si iscrive alla nuova scuola dove, con l'aiuto dei suoi nuovi amici, riuscirà a sventare il furto della pietra filosofale. Harry Potter e il prigioniero di Azkaban Regia Alfonso Cuaron Paese, Anno Stati Uniti, 2004 Principali interpreti Daniel Radcliffe; Rupert Grint; Emma Watson; Robbie Coltrane; Gary Oldman; Alan Rickman; Julie Christie; Emma Thompson Genere Fantastico Durante le vacanze a casa della terribile famiglia Dursley, Harry Potter non riesce a trattenersi dal lanciare un incantesimo contro la zia Marge, sorella dello zio Vernon. Per fuggire dalla punizione Harry durante la notte fugge di casa per raggiungere il Paiolo Magico, il pub che nasconde l'ingresso alla Diagon Alley. Qui incontra Cornelius Caramell, il Ministro della Magia, che, invece di punirlo per aver usato la magia al di fuori di Hogwarts, gli consiglia di rimandare il suo rientro alla scuola. Pare che un perfido mago, Sirius Black, sia riuscito a fuggire dalla prigione di Azkaban e stia dando la caccia proprio a Harry Potter. Harry Potter e il principe Mezzosangue Regia David Yates Paese, Anno Stati Uniti, 2009 Principali interpreti Daniel Radcliffe, Rupert Grint, Emma Watson, Helena Bonham Carter, Alan Rickman, Timothy Spall, Jim Broadbent, Robbie Coltrane, Bonnie Wright, Jessie Cave Genere Fantasy Harry Potter è ormai arrivato al suo sesto anno a Hogwarts. Lui e i suoi amici di sempre - Ron e Hermione - sospettano che Draco Malfoy sia diventato un mangiamorte e stia tramando nell'ombra. Alla prima lezione di Pozioni, Harry entra in possesso di un libro usato, appartenuto al misterioso Principe Mezzosangue e, seguendone le note scritte a mano, riesce splendidamente negli esperimenti... Il tema della perdita dell’innocenza e del sacrificio delle vecchie generazioni, perché non siano ripetuti gli errori dei padri, è più che mai in primo piano. Non mancano rivelazioni e colpi di scena, però la quest rimane insoluta e continuerà nei prossimi film, costituendo una sorta di trilogia finale. Harry ti presento Sally Regia Rob Reiner Paese, Anno Stati Uniti, 1989 Principali interpreti Billy Crystal; Meg Ryan; Carrie Fisher; Bruno Kirby Genere Sentimentale Due giovani studenti si conoscono occasionalmente nel 1977, poi si incontrano cinque anni dopo, ma sembrano non avere nulla in comune; passano altri cinque anni e tra i due nasce una profonda amicizia che si trasforma in amore. He got game Regia Spike Lee Paese, Anno Stati Uniti, 1998 Principali interpreti Denzel Washington; Ray Allen; Milla Jovovich; Michael Jordan; Shaquille O'Neal; John Turturro Genere Sport – Film Il direttore di una prigione rende possibile l'incontro e la riappacificazione tra un padre, carcerato, e il proprio figlio, una promessa del basket. Con la promessa di una sentenza ridotta, Jake Shuttlesworth riesce a ottenere il rilascio temporaneo dalla prigione nella quale è detenuto con il compito di convincere la recluta della miglior squadra nazionale di basket del college,
Load more

Recommended publications
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • Signposts of Self-Realization Ideas, History, and Modern China
    Signposts of Self-Realization Ideas, History, and Modern China Edited by Ban Wang, Stanford University Wang Hui, Tsinghua University VOLUME 8 The titles published in this series are listed at brill.com/ihmc Signposts of Self-Realization Evolution, Ethics and Sociality in Modern Chinese Literature and Film By Xinmin Liu LEIDEN | BOSTON Brill has made all reasonable efforts to trace all rights holders to any copyrighted material used in this work. In cases where these efforts have not been successful the publisher welcomes communications from copyright holders, so that the appropriate acknowledgements can be made in future editions, and to settle other permission matters. Library of Congress Cataloging-in-Publication Data Xinmin, Liu. Signposts of Self-Realization : Evolution, Ethics and Sociality in Modern Chinese Literature and Film / by Xinmin Liu. pages cm. — (Ideas, History, and Modern China ; 8) Includes index. ISBN 978-90-04-19609-4 (hardback : acid-free paper) — ISBN 978-90-04-26535-6 (e-book) 1. Chinese literature—20th century—History and criticism. 2. Chinese literature—21st century—History and criticism. 3. Self (Philosophy) in literature. 4. Self-realization in literature. 5. Self-perception in motion pictures. 6. Ethics in motion pictures. 7. Ethics in literature. I. Title. PL2303.X5594 2014 895.109’353—dc23 2013046907 This publication has been typeset in the multilingual ‘Brill’ typeface. With over 5,100 characters covering Latin, ipa, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see brill.com/brill-typeface. issn 1875-9394 isbn 978 90 04 19609 4 (hardback) isbn 978 90 04 26535 6 (e-book) Copyright 2014 by Koninklijke Brill nv, Leiden, The Netherlands.
    [Show full text]
  • Swedish Literature on the British Market 1998-2013: a Systemic
    Swedish Literature on the British Market 1998-2013: A Systemic Approach Agnes Broomé A thesis submitted for the degree of Doctor of Philosophy UCL Department of Scandinavian Studies School of European Languages, Culture and Society September 2014 2 I, Agnes Broomé, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. …............................................................................... 3 4 ABSTRACT This thesis examines the role and function of contemporary Swedish fiction in English translation on the British book market in the period 1998-2013. Drawing on Bourdieu’s Field Theory, Even Zohar’s Polysystem Theory and DeLanda’s Assemblage Theory, it constructs a model capable of dynamically describing the life cycle of border-crossing books, from selection and production to marketing, sales and reception. This life cycle is driven and shaped by individual position-takings of book market actants, and by their complex interaction and continual evolution. The thesis thus develops an understanding of the book market and its actants that deliberately resists static or linear perspectives, acknowledging the centrality of complex interaction and dynamic development to the analysis of publishing histories of translated books. The theoretical component is complemented by case studies offering empirical insight into the model’s application. Each case study illuminates the theory from a different angle, creating thereby a composite picture of the complex, essentially unmappable processes that underlie the logic of the book market. The first takes as its subject the British publishing history of crime writer Liza Marklund, as well as its wider context, the Scandinavian crime boom.
    [Show full text]
  • Movie Tv Sho Audio Radio
    70 FILM REVIEWS MOVIES 71 NEW MOVIES ONBOARD 72 MOVIES TV SHOWS 74 TV SHOWS AUDIO Entertainment 76 AUDIO/RADIO RADIO © 2018 20TH CENTURY FOX. ALL RIGHTS RESERVED. BAD TIMES AT THE EL ROYALE FILM REVIEWS WANT HELP WITH WHAT TO WATCH THIS MONTH? FILMMAKER AND DIRECTOR KAM RASLAN MAKES THE CASE FOR THESE THREE MOVIES. THE INCREDIBLES Is The Incredibles the best animated movie ever? Yes. Yes, it is. It’s hilariously funny, exciting, moving and visually beautiful. A family of superheroes have to live in witness protection as normal people because superheroes have been deemed a menace to society. Naturally, Mr Incredible hates his boring life as an insurance salesman and his goingplacesmagazine.com children have to hide their superhero skills. But when an opportunity for a return to the old life comes knocking, Mr Incredible puts his entire family at risk, which sounds like a job LOGAN for Elastigirl. Is Logan the best superhero movie ever? EDGE OF TOMORROW Probably. A thunderous Hugh Jackman Because it was made all the way back in Is Edge of Tomorrow the best science fiction | 70 is Wolverine one last time as he plays a 2004, the animation for The Incredibles may movie ever? Maybe not, but it’s definitely | January 2019 January | reluctant father figure to the stunningly not seem quite as plush as, say, Zootopia, the best science fiction movie starring Tom intense young actress Dafne Keen. On a but director Brad Bird (who made his name Cruise, and when it comes to big-budget desperate journey from Mexico to the far with The Simpsons) created such a complete action Hollywood movies, nobody delivers north, the pair are perfectly matched as universe that you instantly forget.
    [Show full text]
  • Annual Report 2015
    Annual Report 2015 PARCO CO.,LTD. Annual Report 2015 The PARCO Group Value Creation Process Performance PARCO, together with its stakeholders, strives to create new lifestyles, guided by the Risks and Opportunities PARCO Group Corporate Mission and the sentiment embodied in the PARCO name. Strategy and Resource In business, PARCO leverages its capabilities as a comprehensive commercial Allocation space producer, while pursuing management strategies in step with the times, to Outlook Planning propose ways to enrich consumer lifestyles. This encapsulates the creation of new P14 Strategy value to which society can connect. PARCO views the tireless advancement of such value through “Incubation,” “Urban Revitalization” and “Trends Communica- tion” as its social role. By taking full advantage of its “Six Capitals” and keeping the PARCO Group Marketing business model revolving, the delivery of new value becomes synonymous with the brand value of the PARCO Group. Put differently, this results in a process for the creation of new value to which society at large can connect. Business Model Equal Partnership Strong in Comprehensive Shopping Complex Production Renovation Profit Structure for the Shopping Complex Business Mission and Vision P08 PARCO Business Model P03 Introduction Outputs Maintenance Superiority Services P34 Performance Initiatives by Segment Business Activities Strategy Produced by PARCO Brand PARCO Entertainment P14 Strategy PARCO Group CSR Cultivation of Major Urban Areas The Six Capitals Expansion of Core Targets Innovative Use
    [Show full text]
  • Reminder List of Productions Eligible for the 86Th Academy Awards
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill.
    [Show full text]
  • Film Review: Let the Right One In
    ELCS0036 — XYKG6 Report 1 (500 words, 15%) FILM REVIEW: LET THE RIGHT ONE IN A beautiful Scandinavian love story, between sadness and prosperity. “What he was scared of was not that maybe she was a creature who survived by drinking other people's blood. No, it was that she might push him away.” ― John Ajvide Lindqvist, Let the Right One In It is astonishing to find some bliss in what we call a vampire horror film. Nevertheless, it is indeed the effect produced by the film of the Swedish director Tomas Alfredson. Let the Right One In is based on John Ajvide Lindqvist's 2004 novel of the same name and premiered in 2008 at the Gothenburg Film Festival in Sweden. Kåre Hedebrant portrays Oskar, a twelve-year-old boy who lives with his separated mother in a Stockholm suburb and befriends Eli (Lina Leandersson), a child of his age with captivating and unusual beauty. Before meeting her, Oskar was a lonely boy, a victim of school bullying. Despite the hatred and the desire for revenge within him, he does not find the courage to defend and assert himself. The courtyard of his apartment block is the only place where Oskar feels powerful enough to retaliate. One evening, he met Eli. Oskar forgets his animosity, in order to become familiar with her, despite her odd appearance. Indeed, she does not seem to be affected by the freezing cold of Sweden and her skin is as pale as the snow — ubiquitous in the film. When it comes to Eli, she has just moved into the neighbourhood with an old man called Håkan (Per Ragnar) who helps her to satisfy her perpetual need for blood.
    [Show full text]
  • The Beatles on Film
    Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964
    [Show full text]
  • JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres
    Media Contacts: Emma Myers, [email protected], 917-499-3339 Shannon Jowett, [email protected], 212-715-1205 Asako Sugiyama, [email protected], 212-715-1249 JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres Dynamic 10th Edition Bursting with Nearly 30 Features, Over 20 Shorts, Special Sections, Industry Panel and Unprecedented Number of Special Guests July 14-24, 2016, at Japan Society "No other film showcase on Earth can compete with its culture-specific authority—or the quality of its titles." –Time Out New York “[A] cinematic cornucopia.” "Interest clearly lies with the idiosyncratic, the eccentric, the experimental and the weird, a taste that Japan rewards as richly as any country, even the United States." –The New York Times “JAPAN CUTS stands apart from film festivals that pander to contemporary trends, encouraging attendees to revisit the past through an eclectic slate of both new and repertory titles.” –The Village Voice New York, NY — JAPAN CUTS, North America’s largest festival of new Japanese film, returns for its 10th anniversary edition July 14-24, offering eleven days of impossible-to- see-anywhere-else screenings of the best new movies made in and around Japan, with special guest filmmakers and stars, post-screening Q&As, parties, giveaways and much more. This year’s expansive and eclectic slate of never before seen in NYC titles boasts 29 features (1 World Premiere, 1 International, 14 North American, 2 U.S., 6 New York, 1 NYC, and 1 Special Sneak Preview), 21 shorts (4 International Premieres, 9 North American, 1 U.S., 1 East Coast, 6 New York, plus a World Premiere of approximately 12 works produced in our Animation Film Workshop), and over 20 special guests—the most in the festival’s history.
    [Show full text]
  • Simon Tindall Director of Photography
    Simon Tindall Director of Photography Agents Alice Dunne Assistant +44 (0) 20 3214 0949 Flora Line [email protected] Daniela Manunza Assistant [email protected] Lizzie Quinn [email protected] + 44 (0) 203 214 0911 Credits Film Production Company Notes DIRECTOR OF PHOTOGRAPHY RUN BBC Films Dir: Scott Graham Prod: Margaret Matheson, Rosie Crerar, Ciara Barry THE SHOW BFI/Emu Films Dir: Mitch Jenkins Prod: Mike Elliot and Jim Mooney (with Roger Ashton-Griffiths, Alan Moore and Siobhan Hewlett) DAYS OF THE BAGNOLD Stigma Films Dir: Simon Bird SUMMER Prod: Matthew James Wilkinson (with Tamsin Greig and Rob Brydon) United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes FISHERMAN'S FRIENDS Fred Films/ Blue Penguin Dir: Chris Foggin Prod: Meg Leonard, Nick Moorcroft and James Spring (with Tuppence Middleton, James Purefoy, Noel Clarke and Daniel Mays) WE DON'T TALK ABOUT BFI/BBC Films/Creative Scotland Dir: Scot Graham LOVE Prod: Margaret Matheson (with Mark Stanley, Amy Manson and Anders Hayward) THE FESTIVAL Fudge Park/Film 4 Dir: Iain Morris Prod: Claire Jones (with Joe Thomas, Hannah Tointon and Jemaine Clement) THE GOOB BBC Films Dir: Guy Myhill Prods: Lee Groombridge, Mike Elliot (with Sienna Guillory, Sean Harris & Hannah Spearritt) NORTHERN SOUL Stubborn Heart Films Dir: Elaine Constantine Prod: Debbie Grey (with Steve Coogan, Antonia Thomas & Christian McKay) EVERYDAY Revolution Films Co-DP Dir: Michael Winterbottom
    [Show full text]
  • New Queer Cinema, a 25-Film Series Commemorating the 20Th Anniversary of the Watershed Year for New Queer Cinema, Oct 9 & 11—16
    BAMcinématek presents Born in Flames: New Queer Cinema, a 25-film series commemorating the 20th anniversary of the watershed year for New Queer Cinema, Oct 9 & 11—16 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Brooklyn, NY/Sep 14, 2012—From Tuesday, October 9 through Tuesday, October 16, BAMcinématek presents Born in Flames: New Queer Cinema, a series commemorating the 20th anniversary of the term ―New Queer Cinema‖ and coinciding with LGBT History Month. A loosely defined subset of the independent film zeitgeist of the early 1990s, New Queer Cinema saw a number of openly gay artists break out with films that vented anger over homophobic policies of the Reagan and Thatcher governments and the grim realities of the AIDS epidemic with aesthetically and politically radical images of gay life. This primer of new queer classics includes more than two dozen LGBT-themed features and short films, including important early works by directors Todd Haynes, Gus Van Sant, and Gregg Araki, and experimental filmmakers Peggy Ahwesh, Luther Price, and Isaac Julien. New Queer Cinema was first named and defined 20 years ago in a brief but influential article in Sight & Sound by critic B. Ruby Rich, who noted a confluence of gay-oriented films among the most acclaimed entries in the Sundance, Toronto, and New Directors/New Films festivals of 1991 and 1992. Rich called it ―Homo Pomo,‖ a self-aware style defined by ―appropriation and pastiche, irony, as well as a reworking of history with social constructionism very much in mind . irreverent, energetic, alternately minimalist and excessive.‖ The most prominent of the films Rich catalogued were Tom Kalin’s Leopold and Loeb story Swoon (the subject of a 20th anniversary BAMcinématek tribute on September 13) and Haynes’ Sundance Grand Jury Prize winner Poison (1991—Oct 12), an unpolished but complex triptych of unrelated, stylistically diverse, Jean Genet-inspired stories.
    [Show full text]
  • Vampire in the Stockholm Suburbs: Let the Right One in and Genre Hybridity
    JSCA 1 (1) pp. 55–70 Intellect Limited 2010 Journal of Scandinavian Cinema Volume 1 Number 1 © 2010 Intellect Ltd Article. English language. doi: 10.1386/jsca.1.1.55_1 feature article ROCHELLE WRIGHT University of Illinois Vampire in the Stockholm suburbs: Let the Right One In and genre hybridity ABSTRACT KEYWORDS The article argues that one crucial factor in the success of the Swedish vampire vampire films film Låt den rätte komma in/Let the Right One In (Alfredson, 2008) is that it genre seamlessly merges several apparently disparate genres to create a hybrid form that hybridity appeals to widely divergent audiences. A detailed analysis of the film demonstrates gender identity how it simultaneously draws on and departs from common themes and motifs of the Other indigenous Swedish film as well as vampire film tradition, combining elements of Sweden the horror film, the coming-of-age story and the realistic socio-psychological drama to create a unique mix of the innovative and the familiar. A comparison of critical responses in Sweden with those in the English-speaking world sheds further light on genre-specific expectations and ways the film transcends them. When John Ajvide Lindqvist’s Låt den rätte komma in/Let the Right One In was published in 2004, he declared it to be the first Swedish vampire novel since Victor Rydberg’s Vampyren/‘The Vampire’, published in 1848 (Ordfront 2004). Though this claim may be hyperbole, the horror genre, as opposed to crime fiction, has hardly been a staple of recent Scandinavian popular literature. 55 JSCA 1.1_Art_Wright_55-70.indd 55 11/1/10 11:53:53 AM Rochelle Wright Let the Right One In received almost universally positive reviews and was hugely popular with readers as well.
    [Show full text]