Kirkwood Justin

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JUSTIN EXPERIENCE Looking for full time in house work - Character Artist 2019 - Present KIRKWOOD Looking for 3D character art work in the Montreal area. CHARACTER ARTIST Willing to relocate within Canada. Big Ant Studios - Character Artist 2018 - 2019 Cricket 19 - The Official game of the Ashes Production of player heads including photogrammetry processing, sculpting, wrapping & texturing. Creation of hair assets. Playstation 4, Xbox One, Nintendo Switch, PC. Big Bash Boom Production of player heads including photogrammetry processing, sculpting, wrapping & texturing. Creation of hair assets. Playstation 4, Xbox One, Nintendo Switch, PC. Wymac Gaming Solutions - Lead Character Artist 2016 - 2018 Fortunes of the brave CONTACT Development and production of game characters, including Hi-res sculpting, Retopology, UV Mapping and Texturing. [email protected] Custom hardware, Gambling Machine. Montreal, Quebec, Canada Wicked Witch Software - 3D Artist 2014 - 2016 www.artbyjustink.com AFL Evolution Art & asset creation including environments, stadiums and props. 438 - 763 - 1298 Playstation 4, Xbox One, PC. Rugby Challenge 3 Environments, stadiums, player characters and tattoos, player jerseys, advertising, SOFTWARE crowd and flags, ui textures and other game development. Maya Playstation 4, Playstation 3, Xbox One, Xbox 360, PC. Z Brush Warhammer: Snotling Fling Photoshop Asset creation including buildings, environments and War Machine textures. Substance Painter iOS, Android. Marvelous Designer 3D Coat Quixel Suite EDUCATION Knald / xNormal Marmoset Toolbag X-Gen Computer Graphics Masters Academy - CGMA 2018 - 2018 Unity 3D Hair creation for games by Johan Lithvall Agisoft Photoscan Wrap 3 Academy of Interactive Entertainment Melbourne 2012 - 2013 SVN/GIT Version Control Advance Diploma of Professional Game Design - Game Art Lilydale High School 2006 - 2008 Certificate II - Information Technology SKILLS Certificate II & III - Digital Multimedia Year 12 HSC Digital Sculpting High and low poly modeling REFERENCES Texture map baking UV unwrapping Realistic and stylized texturing PBR and legacy texture workflows Jacob Thomas - Art Director Benjamin Ee - Art Director Photogrammetry Big Ant Studios Wymac Gaming Solutions Basic rigging and skinning [email protected] [email protected] 61 432 450 601 61 468 903 818.

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Identity and Identification in the Historical Video Games Set in the Middle Ages
FACTIONS AND NATIONS: IDENTITY AND IDENTIFICATION IN THE HISTORICAL VIDEO GAMES SET IN THE MIDDLE AGES JUAN FRANCISCO JIMÉNEZ ALCÁZAR UNIVERSIDAD DE MURCIA SPAIN Date of receipt: 1st of February, 2021 Date of acceptance: 9th of March, 2021 ABSTRACT Historical video games offer players the opportunity to choose different options for managing factions and nations of the past, with which they can come to identify. The interactive and immersive nature of the medium makes this possible, and the thrill of winning or losing is enhanced by this ability to assimilate. The study focuses on those set in the medieval period, where factions respond to the various historical stages that define it. In this identity process through the video game, the player assumes a virtual role in which individual or group feelings that historically define their identity are reflected. These titles, as products of cultural expression, are also manifestations of those who have designed them, and inaccuracies due to cultural clichés or factors to be more entertaining —playability— are often resolved by gamers through the mod phenomenon. KEY WORDS Historical video game, Middle Ages, Identity, Nation, Avatar. CAPITALIA VERBA Historicorum Videoludi, Medium Aevum, Identitas, Natio, Locumtenens. IMAGO TEMPORIS. MEDIUM AEVUM, XV (2021): 451-489 / ISSN 1888-3931 / DOI 10.21001/itma.2021.15.15 451 452 JUAN FRANCISCO JIMÉNEZ ALCÁZAR 1. Options1 We must not insist on the fact that video games are a reality. It is not necessary, regardless of the position one may hold in principle about this phenomenon. Video games are a medium that came to stay and their globalization is already a fact.
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Game on 030129C
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Playing for Keeps Enhancing Sustainability in Australia’S Interactive Entertainment Industry © Screen Australia 2011 ISBN: 978-1-920998-17-2
Playing for Keeps Enhancing sustainability in Australia’s interactive entertainment industry © Screen Australia 2011 ISBN: 978-1-920998-17-2 The text in this report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s report Playing for Keeps: Enhancing Sustainability in Australia's Interactive Entertainment Industry, November 2011. You must not alter, transform or build upon the text in this report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/by-nc-nd/3.0/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this report. This report draws from a number of resources. While Screen Australia has undertaken all reasonable measures to ensure its accuracy we cannot accept responsibility for inaccuracies and omissions. www.screenaustralia.gov.au/research Cover picture: Gesundheit! Developed by Revolutionary Concepts and published by Konami Report design: Alison White Designs Pty Limited Contents EXECUTIVE SUMMARY 2 BUILDING A KNOWLEDGE BASE 4 ECOLOGY OF THE SECTOR 6 High-end console games 7 Games for digital distribution 8 Publishing and distribution 9 Creative digital services 10 Middleware and related services 11 FACTORS IMPACTING SUSTAINABILITY 13 Shifting demographics 14 Growth factors 18 Industry pressure points 20 OPTIONS TO SUPPORT SUSTAINABILITY 23 Current government support 23 Future support 24 Alternator character Courtesy: Alternator Pty Ltd 1 Executive summary The challenges facing the interactive INTERACTIVE INDUSTRY entertainment industry are intrinsically ENTERTAINMENT IS A PRESSURE POINTS linked to those of the broader screen MAINSTREAM ACTIVITY Despite growing participation, the sector.
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Kirkwood Justin
JUSTIN EXPERIENCE Freelance character artist 2019 - Current KIRKWOOD Creating high-quality real time characters for such clients as: CHARACTER ARTIST - Next-Gen Dreams - Studio Mayday - Samurai Punk Big Ant Studios - Character Artist 2018 - 2019 Production of player heads including photogrammetry processing, sculpting, wrapping & texturing. Creation of hair assets. Wymac Gaming Solutions - Lead Artist / Lead Character Artist 2016 - 2018 Managing an art team of 6, inclulding work overview / approvals, ticket creation, and hiring. Creating workflows and art pipelines for multiple projects. Development and production of game characters, including Hi-res sculpting, Retopology, UV Mapping and Texturing. Wicked Witch Software - 3D Artist 2014 - 2016 3D generalist on various mobile / console titles. Work included creation of in-game sports stadiums, player likenesses, clothing and other game development for console and hand painted assets for mobile titles. CONTACT SHIPPED TITLES [email protected] www.artbyjustink.com Cricket 19 - The official game of the ashes - Playstation 4, Xbox One, Nintendo Switch, PC. Melbourne, Australia Big Bash Boom - Playstation 4, Xbox One, Nintendo Switch, PC. +61 406 971 615 Fortunes of the brave - Custom hardware, Gambling Machine. AFL Evolution - Playstation 4, Xbox One, PC. Rugby Challenge 3 - Playstation 4, Playstation 3, Xbox One, Xbox 360, PC. - iOS, Android. SOFTWARE Warhammer: Snotling Fling Maya Z Brush EDUCATION Photoshop Substance Painter Marvelous Designer Computer Graphics Masters Academy - CGMA
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Freeplay 2011 Print Program
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Loading… The Journal of the Canadian Game Studies Association Vol 10(17): 1-20 http://loading.gamestudies.ca Learning a Sport through Video Gaming: A Mixed-Methods Experimental Study Seth E. Jenny Scot M. Rademaker Slippery Rock University of Pennsylvania Winthrop University [email protected] [email protected] Jinwook J. Chung David P. Schary Winthrop University Winthrop University [email protected] [email protected] Abstract This study examined the impact of playing a sport video game on learning the sport as well as how the game may influence future intentions of watching or playing the sport. Utilizing American university students with little prior knowledge of cricket, this study employed a mixed-methods pre/post intervention design with randomized experimental (EG; n = 43) and control (CG; n = 46) groups. Results indicated that cricket knowledge significantly increased for the EG pre-test to post-test (p < .05, = 0.19; particularly regarding cricket rules, terminology, player positions, and field layout), while the CG did not significantly differ. A significant difference was also found between the EG and CG for interest in playing cricket (p < .05, = 0.9). Qualitative findings supported that video gaming motivated intentions to watch and play cricket. Sport video games can facilitate increased sport knowledge, sport appreciation, and intentions for future physical activity. Author Keywords Xbox; sport video gaming; instructional technology; eSport, Exergaming; cricket Introduction The popularity of video gaming within the United States (U.S.) is undeniable. An estimated 155 million Americans play video games with 42% playing three hours or more per week (Entertainment Software Association [ESA], 2015).
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