DOCSLIB.ORG

Tripwire11 Tripwire 11 Pop Pop-Cult Pop Avant-Pop ¡Pop! Populist Pop Pop Art Pop

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

11 TRIPWIRE11 TRIPWIRE 11 POP POP-CULT POP AVANT-POP ¡POP! POPULIST POP POP ART POP OAKLAND : 2016 TRIPWIRE a journal of poetics editor: David Buuck assistant editor, design & layout: Cassandra Smith co-founding editor: Yedda Morrison cover image: Truong Tran, “Bliss”. Mixed media, 2014. thanks to Joe Luna, Coffee House Press, ko ko thett, and all the contributors. Tripwire was founded by Yedda Morrison & David Buuck in 1997, and published six issues from 1998-2002, plus a pamphlet in 2004. Back issues are available at http://tripwirejournal.com. Submissions: please send proposals or inquiries to [email protected]. Looking for essays, reviews, interviews, translations, black and white visual art, etc. No unsolicited poetry, plays or fiction, please. Tripwire Translation Microgrants: The Tripwire Microgrants for Translation are designed to provide support and recognition for translators of contemporary avant-garde and experimental writing. Each time donations to the fund reach $100, that amount will be awarded to a translator for work published in coming issues of Tripwire. Go to http://tripwirejournal.com/tripwire-microgrants-for-translation to donate. printed by Bookmobile distributed by Small Press Distribution (spdbooks.org) all rights revert to contributors upon publication. ISSN: 1099-2170 tripwirejournal.com TRIPWIRE 11 * ¡POP! Douglas Kearney 5 Bruce Boone 8 Mariano Blatt (trans. Paul Merchant) 24 R. Zamora Linmark 31 Ye Mimi (trans. Steve Bradbury) 35 Hiromi Itō (trans. Jeffrey Angles) 38 Idlir Azizaj (trans. Jack Hirschman) 56 Owen Logan & Uzor Maxim Uzoatu 60 Dawn Lundy Martin 76 Courtney Meaker & Erin Pike 81 Kate Durbin (interviewed by Kevin Killian) 85 Luciana Caamaño (trans. Claire Parsons Lucena) 95 Dee Dee Kramer 101 Angélica Freitas (trans. Hilary Kaplan) 106 Nada Gordon 110 Ulrich Haarbürste 120 Ellen Addison 128 Angelo V. Suarez 136 Edwin Torres 142 K. Silem Mohammad 147 Nyein Way 149 Desmond Kon Zhicheng-Mingdé 154 Cheom-Seon Kim (trans. Matt Reeck & Jeonghyun Mun) 159 Anne McGuire 167 Kim Rosenfield 180 Julietta Cheung 191 Mae Yway (trans. Ko Ko Thett) 200 Grzegorz Wróblewski (trans. Piotr Gwiazda) 203 Selah Saterstrom 206 SE Barnet 216 ______________________________ Reviews Ashley Colley on Douglas Kearney 223 Ted Rees on David Wojnarowicz 228 Paolo Javier on Fel Santos 233 David Kaufmann on Rob Fitterman 261 Matt Longabucco on Lindsey Boldt 292 Calum Rodger on Steve Roggenbuck 298 Joseph Bradshaw on Kevin Killian 301 Afton Wilky on Nick Montfort 309 ______________________________ Contributor Notes 318 DOUGLAS KEARNEY done to deaf: to done uh yes yes___! yes___! yes uh get left. what’s those colored thumps are such a cheaper lot and breezy commute. KA-DUMB. : marks the KA-DUMB. location! location! see how close we KA-DUMB. are to the museums! KA-DUMB. location! KA-DUMB. KA-DUMB. “I have1 beated a silence back into you...2 ” emptying the low-end’s instrumental to the boom. the flown rewound to a new tract. bus the beaten out, some “exit the old style, uh yes yes___! enter the jack!” in the place to be? ; uh yes yes___! ! beat it you bother me! the beat ain’t spit, but a pattern of loud-assed ducendum ad colored silences. pack not, sedes simulacrum who could trap in this track? orandaque divae no ain’t to taint, no yo to oy, no tearing tongue to spoil your parade on home, just a clipping of funk in 32-bit ambience you can live with. see how close we (uh) 1: “have I...” are to the museums! (and uh) 2: “uh...uh...” 5 —at the Japanese American National Museum COPYCATS “the Kittypatra monument” say guard “was 3 days craning its one tonnage” of HELLO starshine and sugar skull, touch me buy me calls the wall past KITTY’s plaster neme’s mane. K scampers fore and whee, cardboard bowed to an o of ears, bow, her own crown a KITTY scalp scalped. share me. HELLO glee and death! Baseman KITTY mobbing with strange oily friends, those bulb-head goblins he stay painting, sky tumorous with fat and little balloons. aiiie! kaiju KITTY, HELLO destroyer of pretty cities, islands, itty bitty in the case we “please do not touch”— guards at alert! blocks west, horizoned, monstrous cranes haul a new skyline from a great hole in the city: hotel, shopping, pretty condos. K reckons EXIT and does, but not so the glass over charnel floor of a Manzanar Memorial, daddy, I’m scared to walk on there(!). grave. takers of houses, we. “Japanese investment in U.S. real estate in the late 1980s, which unnerved many Americans.” says me: K, it wasn’t fair. no it wasn’t, she, then gone. crowned, posing, K copycats the KITTY’s mouthlessness. to take a pretty picture. 6 Here’s the Old New Here Not Here hullish set for star destroyers-at-scale, teeming team of dream makers de-skeining flight, wire by wire. elsewhere crunch their terraprocessors: distance, flora, fauna, crafts, sand, cargo, force into cloudcud, into This Christmas. this 2015. the elsewhere here of voiceover over there still here as Jones Willie Tylered the bad-ass walking woofer, that black-ass babydaddy dummy. dark side right here, son. get some, son. a long time ago, a slave named Annakin— hear Jones’ nostril-bellows through the black machine, he’s in there. a long time ago now, a slave named Patsey—she’s in there, that not there now, a star face-captured to be in there out there, but out of there in there, see ya, so long-o. it’s coming, like Christmas. just like the ones we used to know. don’t worry, say the dream makers to a we, we’ll lose them in post- . 7 BRUCE BOONE from He Sleeps with the Angels (Pink Sperm) The meter was ticking but the taxi wasn’t going anyplace. Word by word I looked thru them. They poked holes thru my rubber masks. Now is there less, I asked. I said that teen angst paid off well for me but now, old and bored. Two holes started shaking and I noticed changing, ch ch ch change. Empty voices, please listen up. Alongside our moving Corolla in stetsons agents from cosmic powers, wearing jeans, cowboy boots. What gasped for a straight shot up I-5. These disguised ole boys. Shades. Faux-stetsons: archon agents in drag. As a monorail ran before us we couldn’t think clearly. Falsification is minimalism by speed. Frances Farmer did her best but against the windshield the moans of Seattle’s pre-I-5 rainy tarmacs. Every woman’s sentence, every word, isn’t it a heart-shaped box? Given to me, it sounds like those ole leaves blowing over Lake Washington. Oh sorry I mean the night I died. I’m all apologies SPERM-FACE! You buy and sell my records but here we are now entertain us. Damn you prolly heard that thing awready. Damn like I like it. It sounds in my head. The Corolla in its lane, the pickup truck with good ole boys crossing lanes to push us off I-5. I’m all apologies. Authorities. Stetsons. Tears wiped clean again and again by the windsheld wiper. Oh boy. Fall asleep now, Ms. Bean. Cuddly cigarette blanket burns but who can claim clear awareness after shooting up with heroin. I’m trying to do my best—which is to fall back to sleep. I dream of monorails running round the enemy space-alien SPACE NEEDLE broadcasting false messages ratified by a government in their pay. Too bad, so sad. Realization is a memorial service and then you wake up. Mooosh moosh I can’t hear. A window-wiper for my ears. To clear the air I lie to you now. And when stars begin to plunge—is it different then—IS IT? It only hurts real bad the first time. I know that. Nothing is really in 8 disguise you just look is all and see what’s there is not what’s not. Easy as pie. On a daily basis LOVE repeated KURT until I believed. Still do. Like any sissy you have to love animals. I do. Aliens and sin go together like a heavy stone falling—dead meteors, comets streaking out lives. Sometimes flip flop flip flop goes the monotonous windshield wipers and sentences no longer make sense following other ones—why? Can I just die? Hey I DID that. Right? What’s good for you is bad for you, Courtney, do you think, girl? Like me? Or the aliens? Give me my blanket back. I will never belong to the Watchtower Society—I don’t believe in waking up. Just sleep. Sleep. It’s so minimal. But when all the fat’s cut away do I know there’ll really be meat? Uh. OK maybe, I’ll just say like I hope. Maybe. Dominations and powers—they rule like archons. DUMB DOWN and they’ll never see you, DUMBED DOWN in your little girl-blanket, girl. Once I dumbed down emotions. Now I’m working paragraphs. Sentences. Words. Even morphemes like even. I hate myself and want to die. Too bad, said the PINK LIGHT to the sissy. Frances Farmer asked me, how many windshield-wipers will you need to cover up them tears. And she went ahead and tole me, well just grow a pair then, Kurt, and I hung my head. Forgetting so much. Did I get my start at Olympia in community college—and aren’t I just an animal like all of us? We are slaughtered daily for your breakfast sausages. Americans kill animals. Under alien supervision the continuation of a slaughter that never stops.
Recommended publications
  • Yangon University of Economics Department of Commerce the Influences of Marketing Mix Elements on Consumer Purchase Intention Of

    Yangon University of Economics Department of Commerce the Influences of Marketing Mix Elements on Consumer Purchase Intention Of

    YANGON UNIVERSITY OF ECONOMICS DEPARTMENT OF COMMERCE THE INFLUENCES OF MARKETING MIX ELEMENTS ON CONSUMER PURCHASE INTENTION OF COSMETIC PRODUCTS TIN MOE THU NOVEMBER, 2019 THE INFLUENCES OF MARKETING MIX ELEMENTS ON CONSUMER PURCHASE INTENTION OF COSMETIC PRODUCTS This thesis is submitted to the Board of Examiners in partial fulfillment of requirement for the degree of Master of Commerce (M Com). Supervised by Submitted by Dr Aye Thu Htun Tin Moe Thu Professor M Com II-9 Department of Commerce Department of Commerce Yangon University of Economics Yangon University of Economics NOVEMBER, 2019 ABSTRACT The purpose of this study is to analyze the influences of marketing mix elements on consumer purchase intention. In this study, marketing mix elements include product, price, place, and promotion. Data collection was done through the administration of structured questionnaire to 160 consumers from eight supermarkets, and shopping malls in Yangon. This study used descriptive and quantitative research method to testify the result. Multiple regression analysis is used to analyze the marketing mix influences and descriptive statistics is used to describe demographic background and consumption information of respondents. Both primary and secondary data are used. Primary data are collected by interviewing with structured questionnaire. Secondary data is obtained from textbooks, journals, articles, internet websites and previous theses. According to descriptive statistics, respondents agree upon the influence of product, price, and promotion on consumer purchase intention. And respondents are less likely to agree upon the influence of place on consumer purchase intention. Based on the multiple regression analysis, this study found that product and promotion have significant influences on consumer purchase intention.
  • Radio Transmission Electricity and Surrealist Art in 1950S and '60S San

    Radio Transmission Electricity and Surrealist Art in 1950S and '60S San

    Journal of Surrealism and the Americas 9:1 (2016), 40-61 40 Radio Transmission Electricity and Surrealist Art in 1950s and ‘60s San Francisco R. Bruce Elder Ryerson University Among the most erudite of the San Francisco Renaissance writers was the poet and Zen Buddhist priest Philip Whalen (1923–2002). In “‘Goldberry is Waiting’; Or, P.W., His Magic Education As A Poet,” Whalen remarks, I saw that poetry didn’t belong to me, it wasn’t my province; it was older and larger and more powerful than I, and it would exist beyond my life-span. And it was, in turn, only one of the means of communicating with those worlds of imagination and vision and magical and religious knowledge which all painters and musicians and inventors and saints and shamans and lunatics and yogis and dope fiends and novelists heard and saw and ‘tuned in’ on. Poetry was not a communication from ME to ALL THOSE OTHERS, but from the invisible magical worlds to me . everybody else, ALL THOSE OTHERS.1 The manner of writing is familiar: it is peculiar to the San Francisco Renaissance, but the ideas expounded are common enough: that art mediates between a higher realm of pure spirituality and consensus reality is a hallmark of theopoetics of any stripe. Likewise, Whalen’s claim that art conveys a magical and religious experience that “all painters and musicians and inventors and saints and shamans and lunatics and yogis and dope fiends and novelists . ‘turned in’ on” is characteristic of the San Francisco Renaissance in its rhetorical manner, but in its substance the assertion could have been made by vanguard artists of diverse allegiances (a fact that suggests much about the prevalence of theopoetics in oppositional poetics).
  • SAS Flightshop Great Offers on Board

    SAS Flightshop Great Offers on Board

    SAS Flightshop Great offers on board. Valid 8 September 2006 –7February 2007 www.georgjensen.com Best deals on board Welcome on board this SAS flight. Wherever you are flying to, you are in for some great deals, up to 20% cheaper than downtown! We have made our selection from some of the world’s top suppliers of Scandinavian design, perfumes, confectionery, jewelry, toys and fashion, some of them only available on board SAS. We can offer you some great savings on many purchases. But don’t wait around – due to the space on is board, most items are only available in a limited number. Hurry – treat yourself and your family and friends to some great gifts now! there anything more Selected Favorites! seductive See page 14–15 than purity? 7 For More Style 25 Assortment outside the EU 22 For the Kids 4 At Home & Away 24 For Good Taste 20 For Him Please note – sales will only take place on board flights longer than: 1h 45 min CELEBRATION OF THE HEART from Copenhagen Each year, Georg Jensen selects one designer to interpret the heart – the world’s oldest symbol of love – as the ANNUAL ARTIST HEART COLLECTION 2006 ARTIST HEART 1h 35 min from Stockholm and Oslo Pendant in sterling silver. 12 For Her Design Karim Rashid. 4 At Home & Away Save up to 20% compared to down-town retail prices Save up to 20% compared to down-town retail prices At Home & Away 5 606 Scorpio Mini Travel Speakers New! Never before has such small speakers produced such superb sound quality! Even the most demanding listener will appreciate the slim and portable design, ideal for trave- ling.
  • Poetry Project Newsletter

    Poetry Project Newsletter

    THE POETRY PROJECT NEWSLETTER www.poetryproject.org APR/MAY 10 #223 LETTERS & ANNOUNCEMENTS FEATURE PERFORMANCE REVIEWS KARINNE KEITHLEY & SARA JANE STONER REVIEW LEAR JAMES COPELAND REVIEWS A THOUGHT ABOUT RAYA BRENDA COULTAS REVIEWS RED NOIR KEN L. WALKER INTERVIEWS CECILIA VICUÑA POEMS DEANNA FERGUSON CALENDAR BRANDON BROWN REVIEWS AARON KUNIN, LAUREN RUSSELL, JOSEPH MASSEY & LAUREN LEVIN TIM PETERSON REVIEWS JENNIFER MOXLEY DAVID PERRY REVIEWS STEVE CAREY JULIAN BROLASKI REVIEWS NATHANAËL (NATHALIE) STEPHENS BILL MOHR REVIEWS ALAN BERNHEIMER DOUGLAS PICCINNINI REVIEWS GRAHAM FOUST ERICA KAUFMAN REVIEWS MAGDALENA ZURAWSKI MAXWELL HELLER REVIEWS THE KENNING ANTHOLOGY OF POETS THEATER ROBERT DEWHURST REVIEWS BRUCE BOONE $5? 02 APR/MAY 10 #223 THE POETRY PROJECT NEWSLETTER NEWSLETTER EDITOR: Corina Copp DISTRIBUTION: Small Press Distribution, 1341 Seventh St., Berkeley, CA 94710 The Poetry Project, Ltd. Staff ARTISTIC DIRECTOR: Stacy Szymaszek PROGRAM COORDINATOR: Corrine Fitzpatrick PROGRAM ASSISTANT: Arlo Quint MONDAY NIGHT COORDINATOR: Dustin Williamson MONDAY NIGHT TALK SERIES COORDINATOR: Arlo Quint WEDNESDAY NIGHT COORDINATOR: Stacy Szymaszek FRIDAY NIGHT COORDINATORS: Nicole Wallace & Edward Hopely SOUND TECHNICIAN: David Vogen BOOKKEEPER: Stephen Rosenthal ARCHIVIST: Will Edmiston BOX OFFICE: Courtney Frederick, Kelly Ginger, Nicole Wallace INTERNS: Sara Akant, Jason Jiang, Nina Freeman VOLUNTEERS: Jim Behrle, Elizabeth Block, Paco Cathcart, Vanessa Garver, Erica Kaufman, Christine Kelly, Derek Kroessler, Ace McNamara, Nicholas Morrow, Christa Quint, Lauren Russell, Thomas Seeley, Logan Strenchock, Erica Wessmann, Alice Whitwham The Poetry Project Newsletter is published four times a year and mailed free of charge to members of and contributors to the Poetry Project. Subscriptions are available for $25/year domestic, $45/year international. Checks should be made payable to The Poetry Project, St.
  • Saints of Hysteria a Half-Century of Collaborative American Poetry Edited by Denise Duhamel, Maureen Seaton & David Trinidad

    Saints of Hysteria a Half-Century of Collaborative American Poetry Edited by Denise Duhamel, Maureen Seaton & David Trinidad

    Saints of Hysteria A Half-Century of Collaborative American Poetry Edited by Denise Duhamel, Maureen Seaton & David Trinidad Saints of Hysteria A Half-Century of Collaborative American Poetry Edited by Denise Duhamel, Maureen Seaton & David Trinidad Soft Skull Press Brooklyn, NY 2007 Contents Denise Duhamel, Maureen Seaton & David Trinidad i Introduction Charles Henri Ford et al. International Chainpoem 1 Neal Cassady, Allen Ginsberg & Jack Kerouac Pull My Daisy 3 Copyright © 2007 by Denise Duhamel, Maureen Seaton & David Trinidad Jack Kerouac & Lew Welch Masterpiece 5 Cover art: Good’n Fruity Madonna © 1968 Joe Brainard John Ashbery & Kenneth Koch Used by permission of the Estate of Joe Brainard. A Postcard to Popeye 7 Crone Rhapsody 9 Credits & acknowledgments for the poems begin on page 389. Jane Freilicher & Kenneth Koch The Car 12 Soft Skull project editor & book designer: Shanna Compton Bill Berkson & Frank O’Hara St. Bridget’s Neighborhood 13 A note on the text: Because the poems in this anthology were created over seven decades Song Heard Around St. Bridget’s 16 by more than 200 authors, certain idiosyncrasies of style, orthography, and form St. Bridget’s Efficacy 17 have been preserved in order to present the works as their authors intended. These Reverdy 19 variations are characteristic textural effects of the collaborative process Bill Berkson, Michael Brownstein & Ron Padgett and should not be interpreted as errors. Waves of Particles 21 Ron Padgett & James Schuyler Soft Skull Press Within the Dome 22 55 Washington Street
  • Mcdowell Title Page

    Mcdowell Title Page

    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title House Work: Domesticity, Belonging, and Salvage in the Art of Jess, 1955-1991 Permalink https://escholarship.org/uc/item/5mf693nb Author McDowell, Tara Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California House Work: Domesticity, Belonging, and Salvage in the Art of Jess, 1955-1991 By Tara Cooke McDowell A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Emerita Anne M. Wagner, Chair Professor Emeritus T.J. Clark Professor Emerita Kaja Silverman Spring 2013 Abstract House Work: Domesticity, Belonging, and Salvage in the Art of Jess, 1955-1991 by Tara McDowell Doctor of Philosophy in History of Art University of California, Berkeley Professor Emerita Anne M. Wagner, Chair This dissertation examines the work of the San Francisco-based artist Jess (1923-2004). Jess’s multimedia and cross-disciplinary practice, which takes the form of collage, assemblage, drawing, painting, film, illustration, and poetry, offers a perspective from which to consider a matrix of issues integral to the American postwar period. These include domestic space and labor; alternative family structures; myth, rationalism, and excess; and the salvage and use of images in the atomic age. The dissertation has a second protagonist, Robert Duncan (1919-1988), preeminent American poet and Jess’s partner and primary interlocutor for nearly forty years. Duncan and Jess built a household and a world together that transgressed boundaries between poetry and painting, past and present, and acknowledged the limits and possibilities of living and making daily.
  • UNIVERSITY of CALGARY the Kootenay School of Writing: History

    UNIVERSITY of CALGARY the Kootenay School of Writing: History

    UNIVERSITY OF CALGARY The Kootenay School of Writing: History, Community, Poetics Jason Wiens A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH CALGARY, ALBERTA SEPTEMBER, 200 1 O Jason Wiens 200 1 National Library Bibliothèque nationale 1+1 of canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellingion Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON KIA ON4 Canada Canada Your lils Votre r6Orence Our file Notre rdfdtencs The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/^, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être implimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Abstract Through a method which combines close readings of literary texts with archiva1 research, 1provide in this dissertation a critical history of the Kootenay School of Writing (KSW): an independent, writer-run centre established in Vancouver and Nelson, British Columbia in 1984.
  • Jennifer Joseph

    Jennifer Joseph

    ������������� ��������������������������������������������������������������� ������������������������������������������������������������������������������� ������������������������������������������������������ ����������������������������������������������������������������������������� WWW.BOOGCITY.COM �������������BOOG���� CITY����� �� 1� N.Y.C. Meghan Maguire Dahn 6 Maria 7 Damon Ted Dodson 8 Mel 9 Elberg Ariel Goldberg 10 Christine Shan Shan 11 Hou Alex Morris 12 Michael 13 Newton Lisa Rogal 14 Sarah Anne 15 Wallen 2 BOOG CITY WWW.BOOGCITY.COM SAN FRANCISCO Publisher’s Letter Norma o write about San Francisco poets covers decades, another century even. Cole To co-edit a section of San Francisco poets takes pages upon pages, the Tthickest of spines even. But we’re limited to only 10 and to those living 18 here, now. And there are boundaries to the city itself, only seven miles by seven miles. Patrick While no one would bind New York to solely Manhattan, such is the case here, in this monetarily rich S.F., as the artists are fleeing to cheaper rents to support Dunagan the lifeblood. Here, we have those holding down the fort, and those digging in 19 their heels and stuffing lucky beans in their pouches. Personally, we keep an eye, amulet from Egypt, near the door to watch over our homestead. Whatever it takes, right? Christina There are S.F. poets who rest their heads in Berkeley and in Oakland, in Bolinas Fisher and Marin. But there are those still here—more than 10 even! We asked. Some couldn’t commit. Many moved just outside of our grasp. But we three gathered 20 these 10 to shine the light on and celebrate. It’s an honor to represent these voices holding our geography in the city Sarah proper at this moment in time.
  • Naturally Beautiful: Cosmetic and Beauty Products from Forests

    Naturally Beautiful: Cosmetic and Beauty Products from Forests

    NATURALLY BEAUTIFUL COSMETIC AND BEAUTY PRODUCTS FROM FORESTS Published by the Food and Agriculture Organization of the United Nations and Non-Timber Forest Products-Exchange Programme Bangkok, 2020 Contents i Required citation: FAO and Non-Timber Forest Products-Exchange Programme. 2020. Naturally beautiful – Cosmetic and beauty products from forests. Bangkok. https://doi.org/10.4060/ca8590en The designations employed and the presentation of material in this information product do not imply the expression of any opinion whatsoever on the part of the Food and Agriculture Organization of the United Nations (FAO) or NTFP-EP concerning the legal or development status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The mention of specific companies or products of manufacturers, whether or not these have been patented, does not imply that these have been endorsed or recommended by FAO or NTFP-EP in preference to others of a similar nature that are not mentioned. The views expressed in this information product are those of the author(s) and do not necessarily reflect the views or policies of FAO or NTFP-EP. ISBN 978-92-5-132398-4 [FAO] © FAO, 2020 Some rights reserved. This work is made available under the Creative Commons Attribution-NonCommercial- ShareAlike 3.0 IGO licence (CC BY-NC-SA 3.0 IGO; https://creativecommons.org/licenses/by-nc-sa/3.0/igo/ legalcode). Under the terms of this licence, this work may be copied, redistributed and adapted for non-commercial purposes, provided that the work is appropriately cited.
  • “A Whore's Answer to a Whore”: the Prostitution of Jack Spicer

    “A Whore's Answer to a Whore”: the Prostitution of Jack Spicer

    “A whore’s answer to a whore”: The Prostitution of Jack Spicer Tim Conley Brock University Damn it all, Robert Duncan, there is only one bordello. A pillow. But one only whores toward what causes poetry eir voices high eir pricks st iff As they meet us. “Dover Beach” I of contemporary poetry and poets, Ttypically characterized as a symptom of postmodern malaise, has been a sore point among poets (both those with “campus lives”—by which I mean income and/or readers—who themselves may well have some apprehensions about the situation and those who wish for, envy, or sim- ply reject such options) and a number of anxious critics. Too often the rebukes delivered to poets working and poetry written within literature departments have an implicitly moral reproval behind them, though one that keeps the nature of the off ence ambiguous. at is, whether it is the alleged mediocrity of such poems or the fact that their authors draw a university salary that is the greater sin stays an unanswered question, as does the question of which is the cause, which the eff ect. Consider briefl y ESC .–.– (June/September(June/September ):): –– as a representative example of this kind of discourse the accusations of Vernon Shetley. “Poetry,” he writes, for the most part locked into a self-justifying culture of lyricism in creative writing departments, has suff ered an enormous loss T C is Associate of intellectual respectability; the kind of people, both inside Professor of English and and outside the academy, who have an appetite for challenging Comparative Literature reading are no longer much attracted to poetry […] Recon- at Brock University.
  • AU-Thesis-Fulltext-20502.Pdf ( 2713.65 KB )

    AU-Thesis-Fulltext-20502.Pdf ( 2713.65 KB )

    A Study of Factors Influencing Brand Loyalty towards a Thanakha Cosmetic in Yangon, Myanmar By Nu Nu Seng Mai A thesis submitted in partial fulfillment of the requirements for the degree of Master of Business Administration Graduate School of Business Assumption University Bangkok, Thailand November, 2016 A Study of Factors Influencing Brand Loyalty towards a Thanakha Cosmetic in Yangon, Myanmar By Nu Nu Seng Mai A thesis submitted in partial fulfillment of the requirements for the degree of Master of Business Administration in Marketing Examination Committee: 1. Asst. Prof. Dr. Sirion Chaipoopirutana (Advisor)…………………… 2. Dr. Apichart Intravisit (Chairman)………………… 3. Dr. Vorapot Ruckthum (Member)…………………... 4. Dr. Ioan Voicu (Member)…………………... Graduate School of Business Assumption University Bangkok, Thailand November, 2016 Thesis Title A Study of Factors Influencing Brand Loyalty towards A Thanakha Cosmetic in Yangon, Myanmar By Ms. Nu Nu Seng Mai Major Marketing Thesis Advisor Assistant Professor Sirion Chaipoopirutana, Ph.D. Academic Year 2016 The Graduate School of Business, Assumption University, has approved this thesis as a partial fulfillment of the requirements for the Degree of Master of Business Administration in Marketing. -------------Dean of the Graduate School of Business (Kitti Phothikitti, Ph.D.) THESIS EXAMINATION COMMITTEE ~ Chairman (External) (Associate Professor Ranee Esichaikul, Ph.D.) 9w00 a~ Thesis Advisor (Assistant Professor Sirion Chaipoopirutana, Ph.D.) ~"'~··z-:=7 " Member :pichart lntravisit, Ph.D.) Member ----+,---------Vth~ ,.t:" D1Mv~f-k_ (Vorapot Ruckthum, Ph.D.) _____,~~'--'-'-''--"---'---'----'--'----Member (loan Voicu, Ph.D.) ABSTRACT Myanmar was once an isolated pariah country in Southeast Asia which is now the fastest growing market. The country is using the new democratically elected government in order to attract the interest of investors around the world.
  • MSIC Eng.Pdf

    MSIC Eng.Pdf

    Broad structure The individual categories of MSIC have been aggregated into the following 21 sections: Section Divisions Description A 01-03 Agriculture, forestry and fishing B 05-09 Mining and quarrying C 10-33 Manufacturing D 35 Electricity, gas, steam and air conditioning supply Water supply; sewerage, waste management and E 36-39 remediation activities F 41-43 Construction Wholesale and retail trade; repair of motor vehicles and G 45-47 moto rcycles H 49-53 Transportation and storage I 55-56 Accommodation and food service activities J 58-63 Information and communication K 64-66 Financial and insurance activities L 68 Real estate activities M 69-75 Professional, scientific and technical activities N 77-82 Administrative and support service activities Public administration and defence; compulsory social O 84 security P 85 Education Q 86-88 Human health and social work activities R 90-93 Arts, entertainment and recreation S 94-96 Other service activities T 97-98 Activities of households as employers; undifferentiated goods- and services-producing activities of households for own use U 99 Activities of extraterritorial organizations and bodies ii Myanmar Standard Industrial Classification (MSIC) (((Codes(Codes SummarySummary)))) No. Section Name Div Group Class Item 1 Section A (01-03) 3 13 38 178 2 Section B (05-09) 5 10 14 57 3 Section C (10-33) 24 71 183 330 4 Section D (35) 1 3 3 11 5 Section E (36-39) 4 6 8 18 6 Section F (41-43) 3 8 11 73 7 Section G (45-47) 3 20 47 207 8 Section H (49-53) 5 11 20 59 9 Section I (55-56) 2 6 7 23